Transcript #600

 

MuggleCast 600 Transcript

 

Transcript for MuggleCast Episode #600, ‘Hogwarts Legacy’ Review: Flying, Combat, Monies, Oh My!


Show Intro


[Show music plays]

Andrew Sims: Welcome to MuggleCast Episode 600! Your weekly ride – for the 600th time – into the wizarding world fandom. I’m Andrew.

Eric Scull: I’m Eric.

Micah Tannenbaum: I’m Micah.

Laura Tee: And I’m Laura.

Andrew: This week, we are sharing our thoughts on Hogwarts Legacy, and to help us with today’s discussion, we have back one of the OG hosts of MuggleCast, from Episode 1 – and beyond – Kevin! Welcome back, Kevin.

Kevin Steck: Thank you. I’m excited. It’s been a while.

Andrew: It has. We started podcasting together 18 years ago this August; to still be able to have you on is really awesome. How have you been? How are you doing?

Kevin: Doing very well. Enjoying working and life, yeah.

Andrew: Some of the earliest jokes on the show involving Kevin were that he was backwards compatible with various Windows operating systems, and you were a Windows fan. You’ve seen the light, though. You’ve turned to the dark side. [laughs]

Kevin: I have, yes.

Eric: Kevin, no.

Andrew: Oh, thank God.

Kevin: I’m a programmer, so if you’re using anything but Mac, you’re doing it wrong.

[Andrew laughs]

Laura: Wow. This is such a 180 from the Kevin I remember from the early days of MuggleCast.

[Andrew and Laura laugh]

Eric: Not my Kevin!

Andrew: This is the Kevin I’ve wanted all along. The Macintosh Kevin.

[Everyone laughs]

Eric: Role model Kevin. I just looked this up; I think, Kevin, the last episode of MuggleCast we had you on was the one where we ended the show.

Kevin: Yes.

[Everyone laughs]

Eric: Nearly 250 episodes ago, almost. Episode 269. Yeah, we actually had… so Jamie and Laura sent messages, but you were on as a host on that one. And yeah, congratulations. Welcome back. We didn’t end. We told you we ended, but we actually just kept going.

Kevin: I’ve gathered that, yeah

Andrew: That was just our way of getting you back.

Kevin: Yeah, something told me that you didn’t end; I don’t know why. This is Episode what, 600?

Andrew and Eric: 600.

Andrew: I look at the title in the doc and I can’t believe it. I can’t believe that milestone.

Eric: So I did the math wrong. It was over 350 episodes ago. [laughs]

Andrew: Well, whether you’ve been listening since Kevin, Ben, and I did Episode 1, or you just started last week, we really appreciate everybody’s support over the years, and here’s to the next 600. And I mean, the timing worked out well; we just finished reading Chamber of Secrets last week, and we’ll get started on Prisoner of Azkaban in a couple of weeks in our Chapter by Chapter series, but for now, we’re going to take a little break and talk about Hogwarts Legacy. Oh, actually, Kevin, so when we have guests on these days, we ask them for their fandom ID, and just so people can quickly get to know you in terms of what interests you in the Harry Potter fandom, what is your favorite Hogwarts House, your favorite book, and your favorite movie?

Kevin: I think favorite book is Prisoner of Azkaban. Hogwarts House is probably Ravenclaw. Favorite movie, probably Prisoner of Azkaban.

Eric and Laura: Nice.

Eric: One of those rare folk who can tolerate all the changes.

Kevin: The changes, yes.

Laura: Hey, it’s a great movie. Also, I just want to observe, three Ravenclaws on the panel today. Represent.

[Andrew laughs]

Eric: Well, is Micah still a Ravenclaw? Because he totally has been leaning towards Slytherin lately.

Andrew: Ooh.

Micah: I don’t know. We’ll have to find out.

Laura: We’re about to call that out. [laughs]

Andrew: Yeah, where did he get Sorted in Hogwarts Legacy? I guess we’ll find out. Well, anyway, great to have you, Kevin; thanks so much for being on. And before we get into today’s review of Hogwarts Legacy, we want to acknowledge the conflict many in the fandom feel about supporting this game.

Eric: Yeah, the wizarding world fandom has been through very challenging times in recent years, and like many of you, our listeners, we’ve navigated an increasingly complicated landscape and have thought about what it means to be both a fan and an ally.

Micah: From the early stages of its development, Hogwarts Legacy has been a hotbed of controversy, which has stemmed largely from the uncertainty in the community of J.K. Rowling’s involvement in the game.

Laura: And as we’ve stated many times on this show, we do not agree with J.K. Rowling’s harmful views on trans people. We are continuously disappointed that the creator of the wizarding world expresses these views. Her views are very much her own, and do not reflect those of any member of this podcast.

Andrew: We have played Hogwarts Legacy, and we’ve mostly loved it. And we know that talking about it is what our listeners expect from us, and we are continuing to provide the escape into the wizarding world that we promise everyone. With that said, for listeners who want to enjoy the game but feel conflicted about purchasing it, we recommend used copies of the game, which are often available very soon after release.

Eric: Having played the game now, we feel that a lot of things contained within it align with our view of what the wizarding world should be, namely in its diversity and the sense of wonderment it recaptures from our youth. Candidly, we know not everyone will like that we’re talking about the game, but we believe that everyone who found an escape and a home at Hogwarts should continue to do so, if that’s what their heart is telling them. It’s a deeply personal decision, and it should not be solely decided by whatever you’re reading on social media.

Micah: And we encourage those who feel conflicted to join us in supporting organizations like Trans Lifeline, Lambda Legal, The Trevor Project, Transgender Law Center, and the Marsha P. Johnson Institute.

Laura: We’ve spoken behind the scenes for a while about the approach we hope will have the greatest impact, and that is continuing to financially and vocally support the organizations that support trans people, while also celebrating and honoring a world that has shaped who we and so many others are as people. We did spend quite a bit of time talking about why we disagree with J.K. Rowling on previous episodes; go ahead and check out Episode 469 as well as another shorter episode from January of 2020 for more info. We’ll be sure to put links to these in the show notes.

Andrew: Ultimately, we are really excited for the potential of Hogwarts Legacy to attract and expand on an accepting, inclusive fandom, which we’ll touch on a little bit today. We love this community, and we are so glad to be a part of it despite its challenges.


Main Discussion: Hogwarts Legacy


Andrew: So with that all said, before we jump into this review, just for anybody who might be wondering… you might be wondering if we’re going to be spoiling the game today, and our goal is no major spoilers; maybe some minor bits here and there. But this game is huge, so our goal today is to talk about why we love it, and we’ll be criticizing it here and there. And we’re also going to make sure that playing the game remains an exciting experience for anyone, whether or not you’ve played it already. And we haven’t finished the game.

Micah: No way. [laughs]

Andrew: I think Eric is furthest?

Eric: Probably.

Kevin: Surprise.

[Andrew laughs]

Eric: I mean, it just came out recently.

Micah: Yeah, well, I was going to say, I’ve been battling COVID the last couple of days, and I haven’t had enough hours in the day to be able to go through and finish the game yet, so that should give you an idea.

Andrew: [laughs] You try any of the many spells that you wield in the game to get rid of your COVID, Kevin? Or, uh, Micah.

Micah: See, already, you can’t tell the difference between the two of us.

[Everyone laughs]

Eric: It’s the New York accent.

Micah: I tried Evanesco. It didn’t work.

Andrew: Evanesco didn’t work? Darn.

Eric: You’ve got to Flipendo it out.

Andrew: Micah and I did share some brief reviews a few weeks ago, so let’s start with Laura, Eric, and Kevin, who hasn’t actually played it, but he’s been watching Twitch streams.

Kevin: I have played it now, yes.

Andrew: Oh, you have? Oh, sweet!

Kevin: I downloaded it last night and it’s why I’m a little fuzzy today, because I was playing way too long.

[Everyone laughs]

Laura: I think we’re all in the same boat there. I have to say, I’m pleasantly surprised by this game. I don’t think it’s a shock to most people listening that I haven’t been crazy about the more recent entries into the Wizarding World franchise. Didn’t love Cursed Child. Liked the first Fantastic Beasts movie; the other two were not great. But this is definitely a big step in the right direction just in terms of the attention to detail, and the fact that it’s so clear that the people who worked on this are fans and they get it. And there is so much that is done in this game that is emblematic of the wizarding world that any Harry Potter fan, whether you’re a casual fan or a hardcore fan, would recognize, and as a fan, it just makes me feel really appreciated for the first time in a while by this franchise if I’m being completely honest, so I’m pretty excited about it.

Eric: That’s well-worded. I will go and say, also pleasantly surprised here, and there’s a lot of elements that I was not expecting for them to have brought into Hogwarts Legacy from previous games, like way back to the original Sorcerer’s Stone/Chamber of Secrets games where you’re first learning a spell and you have to do the shape of the spell; things like that are just little callbacks to the entire history of Harry Potter video games, and they didn’t have to do that, but the sort of tilt of the head, little nod backwards, ultimately makes this game as nostalgic as we are in playing it.

Kevin: See, for me, it feels like Skyrim.

Laura: Yep. [laughs]

Eric: Ooh.

Kevin: I started playing and immediately, the tracing of the spells, runes in Skyrim, it very much felt like a Skyrim game. Open world, just a different story. I do appreciate the story. And obviously, they put a lot of work into building the universe, but at the end of the day, it really feels like Skyrim to me, which is a bottomless bucket of just exploring around the world.

Andrew: That’s what I was looking forward to most. Hogwarts is still breathtaking. You cannot believe how big it is; it took me 18 hours to get into the Great Hall.

[Laura laughs]

Andrew: I thought you couldn’t get in there until Eric made a passing comment when we were talking last week. He was like, “Oh, yeah, you can get into the Great Hall,” or something like that, and then later that night, I went back into the game and I started actually looking for it. I was like, “Oh, that’s so funny that I didn’t accidentally stumble upon the Great Hall until I went looking for it,” and I think that really speaks to just how big the game is. And then you go into something like the Great Hall, and you’re like, “Oh my God, this is really amazing.” Seeing the points in the… I don’t know what you would call those.

Eric: Would-be hourglasses.

Micah: The vials?

Andrew: Hourglasses type things, yeah. Looking up to the ceiling and seeing the night sky. It’s just all so breathtaking. And like Kevin was saying, exploring is really, really fun, and collecting things. So yeah, I continue to really enjoy it.

Micah: One of the things we’d always talk about with the Lego Harry Potter games is that they were clearly developed by fans, and I think you can definitely say that about this game, too, because there are so many of those little intricacies – and I know we’re going to talk about some of those a little bit later on – but just those little touches that are made by the game developers of things that are in there that are strictly for Harry Potter fans, I would say more so book fans than movie fans; they did a tremendous job, and they really should be applauded for it.

Eric: Yeah. And unlike the LEGO games, where the levels are sort of restrictive – you can only go one direction – this open world-ness is a game changer. And really just there’s nowhere you can see where you can’t fly to. It’s really, really, really, really, really cool.

Kevin: It’s an experiment you do in Skyrim, which is you run in one direction and see how far you can go.

Micah: Oh.

[Andrew laughs]

Kevin: Seriously, yeah, because it’s so open world. It’s like, thousands of miles in every direction.

Andrew: I’m resisting reaching out too far into the map; I’m really trying to take my time with each area. I look at unexplored areas on the world map, and I’m like, “Oh, I really hope I don’t have to go there for a really, really long time,” just because I want to spend as much time as possible playing this game and getting the enjoyment, the discovery factor out of it. I felt the same way with Horizon Forbidden West and Legend of Zelda: Breath of the Wild. It’s just by not exploring – and I tried to – but by not exploring as far as you can, you leave more to look forward to, so maybe that’s why I think I’ve played the least amount. I’ve been traveling the last few days, so I haven’t touched it in a few days.

Eric: So what percentage completion are we? Do we do we know our percents?

Andrew: I think like, 24%.

Kevin: I’m pretty low. I’m like, 10%.

Laura: I’m at 41%.

Micah: I think the high 20s. Something like that.

Eric: Okay, I’m 79%.

[Everyone laughs]

Laura: Eric.

Andrew: Eric is almost done.

Kevin: Eric is like, “I’ve explored the whole world.”

Eric: I didn’t want it to be over.

Andrew: “Where’s the DLC?” [laughs]

Eric: Well, that’s the thing: You can reach the further ends of the map, like you’re saying, and still they’ll add an element that has points and things to do all around the areas you’ve already explored, so it does keep renewing, or keeps getting fresh, or you’ll have a mission. Sometimes it’s better… I just took my broom and I flew as far south as I could – the south is the biggest direction you can head in this game – and I was glad I did because I ended up getting to some fast travel points that later I had a mission and I was like, “Where the heck is this? It’s way out.” I said, “Oh, wait, I’ve already been down there. I can just fast travel.” Good stuff. But something like a good sunset and you’re on your broom – when you get brooms in the game – and it’s just like, “I want to fly right to it.”

Andrew and Laura: Yeah.

Andrew: You know what this game really needs? And I’m sure they’re going to add this at some point. It needs a camera mode. Yeah, you can take a screenshot of your television screen through your video game console or on PC, but you need to be able to see through your character’s eyes and take a picture. A lot of games have this. Because to Eric’s point, there’s these beautiful vistas, the sunrise, the sunset, you get on a cliff overlooking Hogwarts, you’re flying along the water… it’s beautiful, but there’s no way to capture a good picture of that with all the extra stuff on the screen.

Eric: Yeah, yeah, I completely agree. It’s actually shocking it doesn’t have a photo mode built in, just because, like you said, Horizon, all of them have it.

Kevin: I’m honestly not surprised by that, though.

Eric: Really?

Kevin: Yeah. Because I mean, if you’re a game developer, you’re pushing to release the game.

Eric: Oh.

Andrew: It’s a lower priority? Yeah.

Kevin: Correct, the tertiary features are… you don’t want to hold up the game for a camera mode.

Andrew: And to that point, I think Horizon Forbidden West did release the camera mode in a subsequent update.

Kevin: They did, yeah. I believe so.

Eric: Ohh.

Andrew: Okay, there you go. Yeah, so they’re prioritizing; they’ll get there eventually. [laughs]

Kevin: They’re like, “Okay, it was successful. Now we can actually do the things we want it to do.”

Eric: It’s fun because you can watch your avatar in photo mode, you can have them be visible or invisible, but they could also do selfies and kind of do the things… and in this game, they would add a Niffler in the background; you would have all these… there would be a lot of fun little touches.

Andrew: Casting a spell pose type thing.

Eric: Yeah, so now I hope that that is something that they add later. But my biggest question – because I know what I’ve been doing – are you guys playing as yourselves? Because what I don’t think was publicized about Hogwarts Legacy is you could… it’s not that your character or your student has a name and depending on what gender you choose for the character it’s one of two names or anything. Your name is completely write-in-able, and I was not expecting this.

Andrew: Me neither! I wish they prepared me, because then I got to this, I’m like, “Oh, dang, what do I do?” I initially had Albus Scorbus, but then I realized that was redundant.

[Eric laughs]

Andrew: So I decided to go for Andrew Scorbus, so I am using my real name, but also my ship.

Laura: I’m using what I use online, which is LauTee, just a shortened version of my name.

Eric: LauTee, okay.

Kevin: I’m using Filius Robus.

Eric: Oh, cool.

Micah: Ooh, I like that.

[Laura laughs]

Eric: You got really into Harry Potter-ness.

Kevin: Yeah. I figured when in Rome, might as well.

[Andrew laughs]

Micah: There you go. I kept my first name, so I went Micah, but then added on a Lestrange.

[Andrew laughs]

Eric: Wow.

Micah: Maybe that’s what pushed it in the direction of Slytherin when I was Sorted.

Laura: Oh, that’s the Slytherin.

Andrew: Micah Lestrange. Maybe that’s a little easter egg; if you type in an evil wizard name, it’ll think about putting you in Slytherin. That’s interesting.

Eric: I wonder. No, so I didn’t go with my name at all. I knew I wanted to play as a witch, actually, for this game. And Harry Potter is such a boys’ club – we get Harry Potter, Dumbledore, Newt Scamander – I figured, I’m going to make this legacy about a young Hufflepuff witch. And I’m surprised the game let me get away with this, but I named her Eleanor Rigby.

Andrew: Oh, fun.

Eric: [laughs] Just classic. So it was like, “Eh, that sounds like it could be a 1800s name.” So yeah, that was what I did. But yeah, no trace of Eric in there.

Andrew: I went for… he doesn’t really look like me. He has Newt Scamander-style hair, though. He’s a good-looking wizard. I want to be him.

Eric: If you do say so. Yeah.

Andrew: I want to be Andrew Scorbus.

Micah: I have blue hair, actually, Laura.

Eric: Oh, really?

Micah: Blue hair, yeah.

Laura: No, it lets you totally customize the characters. They didn’t have quite blue hair, so I gave her purple hair. It’s close enough.

Micah: Does your character…? I mean, obviously everybody’s different, but I feel like my character sounds a lot like Dan Radcliffe.

[Eric laughs]

Andrew: Yes, I thought that too. Pat also thought that. We’re wondering if they purposely picked that voice actor because he sounds like Dan Radcliffe/Harry Potter, because it is very close.

Eric: What’s so interesting about that is you can also… so in addition to choosing the voice actor being more of a femme or more of a masculine voice, you can also change the pitch of that voice. And this is such an interesting feature, because you can slide the pitch either down two or up two depending on what fits your character the most, and it’s still the same voice actor but they’ve adjusted the pitch even more. So I chose, I think, for the female voice, the one lower option. I think you can hear… I guess editors would call it “artifacts.” I think you can hear a little bit more of a… I don’t know. It’s something in the speech to tell it’s slowed, so I’m glad I didn’t go one lower. But yeah, it’s a really neat feature because the customizability is endless.

Andrew: Yeah, yeah, it’s really nice. In terms of the game living up to expectations, I continue, like I said earlier, to really enjoy it. One of the first things I felt about the game is the castle and the wizarding world is just alive. They really did run the risk of this game being flat and not feeling whimsical; it feels like the first two Harry Potter movies to me in that there’s magic everywhere. You’re overhearing students talking about what’s going on in their daily wizarding lives. Like I mentioned I think a couple of weeks ago, I heard a passing mention to Ilvermorny, which was pretty exciting, and that made me feel like, “Oh, there are real fans working on the game; they thought to include little things like that.”

Eric: I’ll just say, too, this game really was what I wanted in terms of scope, because they couldn’t make a fully free-roaming Hogwarts in the early years when Harry Potter was first blowing up. I remember the load times on one of the Chamber of Secrets games just to go outdoors being preventative, so this really was the update modern era game that I would have wanted 10-15 years ago, for sure.

Micah: I really love the way they just seamlessly opened the world and made it feel so rich and believable. To your point, Andrew, it just feels alive.

Andrew: Yeah, and I think one of the really exciting things to think about in terms of the future is that now that they’ve got the wizarding world built, there could be a sequel one day that is based on the map and the world that they already have, so another game could come sooner rather than later.

Kevin: Yeah, there is no doubt a DLC is on the way.

Andrew: Yeah, that will come.

Kevin: Without a question, they’re going to expand that map.

Andrew: Yeah, but they could also maybe just do a more modern-day Hogwarts game if they wanted. They’ll have to update Hogwarts a bit; this game is set in the 1800s. I could see them updating the map to a more modern-day Hogwarts and do a sequel, or maybe not exactly a sequel, but just using the existing world. And it might not take as long to develop; this one was in development for probably six, seven, eight years? The next one could come in three or four years, maybe.

Eric: What’s really cool is the seasons change throughout the game, so every building, every tree, every blade of grass has been textured for all four different seasons, so that’s the coolest thing about the open world, is if you fly somewhere, it’s going to look totally different in winter than it did in summer. And in the case of, for instance, even the Great Hall being decorated…

Micah: Pumpkins.

Eric: These are things that are classic, absolute, but they had to do everything four times, which is impressive when you consider the size.

Andrew: Yeah, it’s like, “Oh, wait, no. They didn’t. They didn’t. Different seasons?”

Micah: They did.

Andrew: Or “Wait, no, I can’t swim, can I? Can I really swim? Oh, dang, I can swim.”

[Everyone laughs]

Eric: And I guess for anyone who hasn’t played or watched some videos – there’s plenty of people playing on YouTube – the game is not just Hogwarts and Hogsmeade. There’s actually… they built out an entire… basically, all across I guess the Scottish Highlands, these little what they call hamlets, tiny little towns, little villages, and it goes for quite a while. It goes for quite a way that there is a surrounding community. Some are similarly named; there’s Hogsfield, Upper Hogsfield, Lower Hogsfield…

[Andrew laughs]

Eric: … and others will blow you away, so I’m just shocked at how big they went, because I think trying to set a game in Hogwarts with the option of Hogsmeade weekends would have also worked, but I’m glad they didn’t do that because you can basically spend as much time away from Hogwarts or at Hogwarts as you want.

Laura: And don’t forget the Forbidden Forest. Also very expansive. A ton to do in there.

Kevin: So what’s funny is that as a Skyrim player, you’re all surprised by the seasons and the change, but it’s like Skyrim. Like literally Skyrim.

[Andrew laughs]

Kevin: What’s shocking is if you play a Bethesda game, you will experience this in those games as well.

Eric: This is the standard of what to expect from modern gaming, essentially.

Kevin: Correct.

Eric: That’s what every modern game wants to, or is expected to do.

Andrew: And I think we’ve been waiting so long for something like this that we continue to be blown away by the fact that they actually are living up to expectations because sometimes what happens with so many things in life, you set the bar so high, you’re like, “Oh my God, I can’t wait, I can’t wait,” and then you play something or you experience something and you’re like, “Eh.” But with this, it’s like, “Wow, okay, they really did live up to what we were hoping for.”

Laura: Yeah, I think the thing is as an open world RPG, it’s pretty standard, right? Like Kevin is saying. But we’ve never received the standard from this franchise before.

Andrew: [laughs] Right.

Laura: So just as a gamer, this game is really good. But as a Harry Potter fan, it’s great, because it’s what we’ve been waiting for for two decades.

Andrew: Totally.

Eric: Yeah, I mean, we had some really creative early games in the sphere of Harry Potter gaming, but then it quickly devolved into the movie tie-in games, which were not even as good as some of those movies, which is saying something. And besides the LEGO game – maybe the Quidditch World Cup game – creativity was very lacking, and moments that you really wanted to spend time and live at Hogwarts were very fleeting. Even the LEGO games had to follow the plot of four of the movies, so it was very limited to that. Whereas this being on its own, its own story, feels like freedom, and that’s exactly it.

Andrew: Living the unwritten.

Micah: Just to go back for one second to the point about… we keep bringing up Skyrim and Breath of the Wild and our surprise at just how amazing this world is. I think part of it, though, is we don’t necessarily have a personal connection to the Skyrim world or the Breath of the Wild world, and maybe some people do and there are places that they want to go and things that they want to see, but I feel like for us… you can literally walk into any shop in Hogsmeade; they spared no expense on this, right? You can go into Zonko’s, you can go into the Three Broomsticks, and on and on and on it goes, and that’s just one example. But I just feel like there’s literally no place in this world that you can’t go. It may take you some time to get there, you may need to be at a certain point in the game, but you will inevitably get the opportunity to explore pretty much everything that you’ve ever wanted to in this world, and I think that’s just so cool.

Andrew: And that’s why it’s doing so well. And that’s what we’ve wanted; we just wanted to explore the wizarding world period. So let’s talk more about what we’re enjoying, and then we will get to some criticisms; I, at least, definitely have some. Let’s start with the flying. So this is one you get, I don’t know, maybe five to ten hours into the game. This is one of those things where you do it for the first time, and I had one of those “I love magic” moments.

[Eric and Laura laugh]

Andrew: It’s just really amazing being able to fly around Hogwarts, and they guide you around the castle the first time you fly. I think, Micah, you had a similar feeling the first time.

Micah: Yeah, I mean, I really liked flying on the broom. That’s very cool. But when you get to fly on the hippogriff and you can use Highwing to go pretty much anywhere… and as Eric was talking about earlier, it’s probably worth jumping on her to go all the way south unless you want to just transport yourself there, but I would recommend doing the ride. It’s just so cool, and you see some of those landscape shots, those sunsets or those sunrises coming up over Hogwarts, depending on what season it is, and you’re on the back of Highwing. It’s just really cool.

Laura: Yeah, plus one to that.

Micah: I enjoyed that. I had a similar moment to you, Andrew. I love magic.

Andrew: I love magic!

[Everyone laughs]

Kevin: See, now I’m looking forward to it. I haven’t gotten that far yet.

Laura: It’s great.

Andrew: They also try to steer you into doing broom upgrades and I’m like, “I don’t know; my broom seems fine. I don’t think I need anything more here.”

[Andrew and Laura laugh]

Micah: You should just be like, “My hippogriff is fine.”

Andrew: [laughs] I haven’t gotten my bird yet.

Eric: Here’s my first played-further-than-you tip: Don’t worry about the broom upgrades. Get the first one, but after that, I don’t really notice much of a change, and the later ones cost a lot more.

Andrew: Okay.

Micah: They’re expensive; I was going to say that. The first one is like, 1,000 coins and it’s like, “I don’t have that kind of money.”

Eric: The next is 4,000.

Andrew: Galleons?

Eric: I call them monies. [laughs] When the icon comes up.

Andrew: Yeah, what currency is this?

Micah: I’ve heard them say Knut at some point.

Andrew: Knuts?

Eric: Well, they talk about Galleons, Sickles, and Knuts, but the money is not delineated in that way. When you get money, it’s just a gold coin.

Laura: Yeah, I’m just saying gold.

Eric: Monies, gold.

Laura: Can we do a money check-in? Because I’ve seen some comments in this doc about people being concerned about money.

Micah: I’m poor.

Laura: How much money do y’all have right now in Hogwarts Legacy?

Micah: Not much.

Kevin: Very little.

Andrew: Not much, because I spend it as soon as I save up a little bit. Here’s my issue: Initially, you need to gather these random bits of clothing around the wizarding world that you then sell, or you keep ones that will upgrade your defense and offense, and at least for me, it was a little hard to grasp the whole system at first. And here’s one criticism that I think everybody has: You run out of storage slots very quickly unless you complete certain challenges, so it’s frustrating. You need a bigger backpack, so to speak. But one thing I didn’t realize is that there’s these chests with these giant eyeballs on them, and each of those has 500 coins in it. However, I thought you couldn’t open those till a lot later in the game. I didn’t realize you just need to make yourself invisible, sneak up to it, and then you open it up and boom, there’s 500. So once I heard that… shout-out to… I’ve been chatting with MuggleCast listeners in the Discord. We have a video game channel; people have been talking about the game there. I learned that from them, and that was a game-changer for me, because once you can open those chests – and there’s a lot of those – then you start making a lot of money.

Eric: Yeah, that was how I got my initial… I just saw on YouTube, happened to pass by because I follow the channel of the guy doing it named JorRaptor, and he had one that’s like, “Get 10,000 gold in the first 10 minutes of Hogwarts Legacy,” because as soon as you have the invisibility charm, you can go do that. Yeah, those are the best source of income. There’s just not enough sources of income in the game. Money was a constant struggle for me, and everything you want to buy – like, say, a bigger potions table, which will help you later on, when you need to stock up your potions – is like, 3,000 monies.

Andrew: [laughs] Monies.

Eric: And that’s a lot, considering you…

Laura: But you only have to buy it once.

Eric: You only have to buy it once, but your clothing options, even the best clothing option sells for 150 or 200 monies, so that’s like, 60… I mean, I haven’t done the math, but how many clothing options do you need to sell just to get a potions table? It’s not balanced. And you’re also saying goodbye to cool gear, just to get a potions table.

Andrew: I do hate selling cool gear. That’s bummed me out.

Eric: Here’s a tip. The gear is my favorite part of the game. I love accessorizing; I also love being… because all of the other characters are in their Hogwarts robes, so it’s cool just sliding all up into Charms class and you’re wearing huge newt glasses and a hoodie and a mask and all this other stuff, so that’s been really fun. A lot of what you have gotten even discarded in the game as clothing, there’s something called gear appearance options…

Andrew: Okay.

Eric: … and it’s when you’re in the gear menu and hit square over any particular thing. Some of the items you’ve gotten rid of, you can actually change the appearance of your current gear to look like other gear that you’ve had. So I have no idea why they did this, because the gear slot thing is super frustrating.

Kevin: But you do, right? The whole purpose is to keep you playing. They want to put that carrot out and have you chase the carrot.

Eric: But any one dungeon or any one cave that you go into in the game can have five or six chests, which most of them have gear, and so you’re constantly cycling through… I couldn’t complete… in order to get more gear slots, you need to do these Merlin challenges. Throwback because Merlin was a Slytherin; that’s known from extended canon, very much brought into this game. To do the Merlin challenges, I didn’t have enough ability to do enough of those because I didn’t have enough spells unlocked. It was just a constant struggle to have to shed my gear because I couldn’t get more gear slots. It was very annoying.

Andrew: And that feature that you’re describing, Eric, maybe I just missed it, but I feel like they need to do a better job of telling you about that, because HufflepuffTeach is bringing that up in our Discord now as well. And even after hearing about that a couple weeks ago, because Pat mentioned that to me, too, I don’t know where to activate that in the game, so it needs to be more readily apparent.

Kevin: I just hope they don’t add a buy option where it’s…

Eric: Oh, like in-game purchases? Yeah.

Kevin: Exactly, because that diminishes a game.

Eric: It does.

Laura: I want to go back to money, though, y’all.

Micah: I’m basically a Weasley.

Laura: I feel like you’re doing it wrong.

Eric: Wait, how am I doing it wrong?

Laura: Because okay, I constantly have 8,000 to 10,000 gold all the time.

Eric: What?!

Andrew: Whoa!

Laura: I am not struggling with this.

Eric: Are you running a beast-trading ring? [laughs]

Laura: No, not at all.

Micah: You’ve gone down the dark path, haven’t you?

Laura: So what you do is you’ve got to get that disillusionment charm like Andrew was talking about. Get into the eyeball little crates. Also, when you’re completing side missions, you’ve got to ask people to pay you. You can do that. [laughs]

Andrew: Oh yeah, I keep forgetting to do that.

Eric: I could never. I could never, no.

Laura: Why?!

Eric: Because you’re doing something out of the goodness of your heart.

Laura: I’m not!

[Andrew and Kevin laugh]

Eric: You’re doing an adventure.

Andrew: Laura is there for the monies.

Eric: There is always an option to say, “I have this thing for you that you’ve asked me to find, but I will give it to you for a price,” or in some cases it says, “I think I’ll keep it, actually.” It’s just like, “Oh.”

Laura: Yeah, that’s really mean. But no, you ask them for money and they’ll be like, “Okay, here’s 500 gold.” Easy.

Andrew: Oh, that’s a lot. I didn’t expect that much.

[Laura laughs]

Kevin: Andrew is like, “I just changed.”

[Everyone laughs]

Andrew: I’m always tapping through the menu so fast that I accidentally avoid collecting money.

Micah: To that point, I think it was last night I did a side mission, and when I got back and I brought the thing, I demanded some money, and they actually paid; it was like, 300 or 500 gold coins, so it does work. It’s a tough practice to take, I guess, if you have a bit of morality, Eric, but it is just a video game at the end of the day.

[Andrew and Micah laugh]

Eric: No, no.

Kevin: So I haven’t played enough of the game to feel this out, but does the response of the character that you’re interacting with change because of the money you requested? Because in Skyrim, what would happen is that you have some sort of reputation, and that reputation is on a scale, and you don’t see the scale, but your reputation fluctuates based on the responses you give to individual NPCs, non-playable characters.

Eric: The short answer is no.

Kevin: No, okay, so there’s no reputation.

Laura: Right.

Eric: In the moment you’ll get a character respond negatively to that, or like, “Oh, my feelings are hurt,” and you can hurt some feelings in this game, but yeah, it ultimately doesn’t change anything.

Laura: Yeah, we’ll get to that with criticisms.

Micah: My guy was totally cool with it. He was like, “I understand.” I was like, “Okay, I should ask for more.”

[Everyone laughs]

Andrew: Moving along here, the Room of Requirement…

Laura: Oh my God.

Andrew: I’m sure this has been a surprise for everybody. I was not expecting Animal Crossing-level customization in the Room of Requirement, basically building your own little house. [laughs]

Eric: It’s like The Sims.

Andrew: Yeah. Great game.

Eric: You can choose furniture and portraits. Yeah, the Room of Requirement, for those who don’t know, in this game is used as a hub where you can brew potions away from prying eyes; you can also eventually bring beasts into there, into their own little almost Newt Scamander suitcase kind of a thing. And they have various environments, and you can change the environment; you can change the layout, the design… it’s an entire game in and of itself, essentially.

Laura: Yeah, I love going in there and taking care of my beasts. And you can breed them, too.

Eric: Well, you can brush them.

Micah: Feed them.

Eric: Conjure a brush and brush them and then they purr.

Andrew: I was seeing in our Discord, you can breed them and sell them for money, so maybe, Laura, that’s another reason why you’ve got a lot of coins.

[Kevin laughs]

Laura: Yes.

Eric: But only 120 money. It’s not worth the 30 minutes that it takes to breed these things if you’re only going to get 120 gold.

Laura: I mean, what you do is you set them to breed and then you go do something else. You go…

Eric: You don’t have to watch them?

Laura: No!

[Everyone laughs]

Eric: You don’t have to be in the…?

Laura: Wouldn’t that be weird to be like, “I’m going to sit here and watch my Thestrals get it on”?

[Andrew and Laura laugh]

Kevin: Laura has a breeding factory. This is happening.

Eric: I’ve wasted so much time just petting the Kneazles while my unicorn is getting… oh, man.

Laura: Because the thing is, you eventually run out of space in your vivariums and you have no choice but to sell excess species. And there is a shop in Hogsmeade that you can sell them to that is allegedly reputable, so I think you’re led to believe that the animals will come to no harm by being sold there.

Kevin: So you’re the capitalist.

Laura: Yeah.

[Everyone laughs]

Laura: You kind of have to be.

Eric: Essentially, the whole beast angle, which is really cool and very much taking from Fantastic Beasts… the whole beast angle in the game very much owes it to those movies and Newt’s mission. You’re fighting against poachers the whole game; the greater surrounding Hogwarts area is at risk. All the beasts are at risk from poachers, so when you catch a beast in the wild, it says, “You have rescued a Kneazle. You have rescued…” No matter what, you can do no wrong. Your character is providing a home and protection, and that’s such a neat way to swing the fact that you are taking these beasts from their natural environment.

Kevin: But you could imagine the audience is likely… they’re applying to the audience, right? My nephews are likely playing this game, and you don’t want… it’s a child playing this game. You don’t want to be involving a moral conundrum.

Andrew: Scaring them.

Kevin: Correct.

Eric: Yeah, yeah, but it’s very much… again, that element feels more like Pokémon. You have to maybe use a freeze charm to get some of them to slow down a little bit, while you catch them in your knapsack.

Micah: To your point, it’s very much a nod to the Fantastic Beasts franchise, and being able to incorporate that into this game in a way that’s actually a lot of fun. I think we all enjoy Pokémon and we all enjoy going out and trying to catch all these different creatures, and the fact that we can bring them back home with us and breed them, I guess, and sell them…

Andrew: MuggleCast Episode 600: “Laura’s Breeding Factory.”

[Everyone laughs]

Andrew: Thank you, Kevin, for that title.

Laura: I don’t know if we want to make that the title. That might create some perceptions.

Andrew: Yeah, nope, nope.

Eric: Wow.

Micah: From “Laura’s Pants” to “Laura’s Breeding Factory.”

[Laura laughs]

Andrew: Patreon-only title.

Micah: Do you remember that episode, Kevin? “Laura’s Pants”?

Laura: I do remember that episode vividly. It gets brought up all the time.

[Kevin and Laura laugh]

Eric: So you’re not hurting for monies, Laura?

Laura: No, not at all.

Andrew: She’s got a breeding factory. [laughs]

Eric: I agonize over every large purchase I make; it’s been a real… I’m fine now, but it’s a pain.

Micah: Can I ask a legit question? Can you not sell ingredients or things that you pick up?

Andrew: I wish you could. It doesn’t seem like you can.

Micah: I have so much of that stuff. I would make bank if I could sell some of that fur or Inferi.

Eric: All the beast products allow you to upgrade some of the gear that you’re still holding on to. But yeah, just still in the realm of things I love, honestly, there are so many characters in this game that aren’t from the books. There are a few that are, of course; namely, we talked about Headmaster Phineas Nigellus black, although he’s not really in the game so much.

Andrew: Yeah, I’ve noticed that too.

Eric: In fact, instead, your classmates that you meet along the way, and the other professors that are teaching you these spells, are so unique and different, and yet feel that they fit in this world. That’s something that I think is a huge plus. A lot of times characters, especially NPCs, can feel flat, or maybe you have one or two good scenes with them, but there’s entire relationship trees that go… basically the end of your relationship line is five, six, seven episodes with each of these different students that you can find, and that’s way different. And you really get to learn about them as a person, and they’re interacting with you, and it’s like having friends at Hogwarts. It really is well done.

Kevin: The other thing I was going to say is that just out of the gate starting the game, it’s an impressive story, right? The ancient magic line.

Andrew: It’s cool.

Kevin: It makes you realize, “Wow, I’m not as creative as the people who wrote this story.” [laughs] You’re doing very well.

Andrew: Let’s talk about combat, Laura.

Laura: Yeah, I wanted to call this out, and it’s a little bit of a double-edged sword, so I’m going to start here with what I like about it, and I do have a little bit of a criticism that comes later when we get into things that we don’t like as much. I think overall, the combat is super fun. I’ve really been enjoying unlocking spells, leveling up my spells, going around in search of fights, to be honest with you, to level my character up…

Andrew: What a baddie.

Kevin: Breeding factory and a gangster.

[Kevin and Laura laugh]

Eric: Laura’s character is in a leather jacket, just a greaser, like, “Come pay your money to me.”

Laura: Actually, I am wearing a dragon-hide jacket at this point in the game.

[Eric laughs]

Andrew: [toughly] “Don’t mess with Laura.”

Laura: But it makes you be very creative, right, depending on the types of level-ups that you choose for your spells, depending on if you’re paying attention to the enemy guides. So if you go into your inventory, there are enemy guides for all of the different types of wizards, goblins, creatures that you’ll run across, that will specifically tell you which spells are most effective against them. So it allows you to be really, really strategic, and I have found that element of the game to be really, really fun.

Andrew: The combat is really cool. We were cautiously optimistic about it, I think, going into the game because spellwork in previous Harry Potter games, it was always just like, “Meh,” but this is really good, really fluid. Switching spells can be a challenge. There’s a lot of spells they give you and some of them seem redundant; I don’t know if they needed to give us all these spells. On the other hand, we might be complaining if they didn’t give us enough, so maybe it was a tough situation for them to be in. Because I find myself getting stuck switching between spell sets that you can customize, and then having to load back in spells to the various sets that you have. It’s just a little wonky. I don’t love it. But when you do get into battle with somebody and you have your four that you like, and you go through these combos, it’s really satisfying. Dragging somebody towards you, throwing them up in the air, throwing three spells at them, setting them on fire… [laughs] It sounds violent, but is a lot of fun.

Kevin: Well, if it’s anything like Skyrim, it should be a bottomless bucket. You should always have something to do and achieve, so spells seems like a natural way of assuring that.

Andrew: Let’s get a little more critical now; what we don’t like about the game. Maybe this reveals itself later in the game – I’m not sure I want anybody to tell me, Eric – we don’t know early on why our character is joining Hogwarts so late. We just know that they can wield ancient magic, and the ancient magic stuff, especially early on in the game, it’s really cool. It’s really trippy and original; I was very blown away by how they kicked off the game. But the whole late-blooming wizard angle was one of the earliest things we had heard about this game, and we were really intrigued by that, like, “Oh, late-blooming, that’s a refreshing take on Harry Potter,” instead of going through the, “You’re a wizard, Andrew Scorbus,” at 11 years old, and you start off as a kid. You’re starting off as more of an adult in this game, but we don’t know why. Is that addressed?

Eric: I think that why they did it… and I do agree, from a Harry Potter book fan standpoint, “Ooh, a late-blooming wizard, how exciting.” But they don’t really go into who your character was the first 14 years of their life. There’s not… your parent is not going to write you an owl. It’s like you are a blank slate. And the reason they make you a fifth year is just because that’s probably the youngest they can possibly make you for a game where you’re fighting adult wizards, dark wizards, and trolls and goblins, and doing the kinds of things that you have to do in the combat in this game. It wouldn’t make sense for an 11-year-old to do it, and I get the feeling that that’s exactly why you’re a fifth year, because they have you facing off against these…

Andrew: I see.

Kevin: That makes a lot of sense, yeah. It allows them to accelerate the story without having you go through the years.

Eric: Right, then your character would age, and they’ve just removed all of that because 15 is like, “Okay, you’re old enough; you could reasonably survive a goblin.”

Micah: But my character looks like he’s in his early 20s, honestly, not 15.

[Everyone laughs]

Andrew: Yeah, they do look older.

Eric: Well, that’s the movie adaptation version.

Andrew: [laughs] Some of the dialogue as you walk around is very, very repetitive. I don’t know if this is a bug; maybe they needed to record a lot more. They need to get everybody back into the studio and record 30 new lines each. You hear the same comments over and over again, as you enter Hogsmeade, for example. The Floo Network lady is saying the same two things.

Laura: Oh my God.

Andrew: It’s like, why? They need to release an update where those are being heard less.

Kevin: That’s pretty common in Skyrim. Not to keep bringing it back to Skyrim, but…

[Andrew and Eric laugh]

Eric: I’m all excited for our Skyrim review episode.

Andrew: Is this a Skyrim review?

Kevin: No, but it really is. And what it is is just it’s too expensive, so what ends up happening is a world is too large, and they’d have to record thousands of audio clips for it to actually be immersive enough for you to feel like they’re not repeating themselves.

Andrew: But can we just hear the Hogsmeade and – I almost said Skyrim – Hogsmeade and Floo Network lady stuff less?

Kevin: And that’s fair, yeah.

Andrew: Reduce how often we hear that?

Eric: Yeah, with the Floo Network, you’re going to use that function so much, so that’s the number one pain point, if you get tired of hearing her three lines. I love the idea that Ignatia Wildsmith, who invented Floo Powder, who by the way, is a little statue you go up to to use the Floo Network, a.k.a. fast travel in this game, is so vain that she just keeps bragging about her invention. I like that as a character moment.

Andrew: Okay, yeah, that’s a way to look at it.

Eric: Because she says things like, “You won’t believe how inconvenient travel was before I invented Floo Powder,” but when you hear it after the 300th time, you’re like, “Okay, okay, thank you. Just going to use your network, okay.”

Laura: This is something that I want to address that’s kind of the other side of the coin from my complimentary take on the combat. It’s something that both Kevin and Eric touched on a little early: The lack of karma/morality system in this game feels like a miss. It’s probably pretty clear from how I’ve been talking about it, I’ve been definitely playing as a vigilante…

[Andrew laughs]

Laura: … and there just don’t seem to be any repercussions good or bad for the choices that you make in the game, including the use of Unforgivable Curses. There really aren’t any downsides to using them. I have straight-up used Crucio in front of characters who you would think would be anti-use of Unforgivable Curses, and they don’t say a damn thing. [laughs] They don’t say anything.

Eric: Does that embolden you to continue to be the badass witch you are?

[Andrew and Kevin laugh]

Laura: No, so the thing is, the second you whip out an Unforgivable Curse, the combat becomes a lot less interesting, I think, because it nerfs everybody else, right? So I feel like there needs to be something to create a cost here. Like, they’re Unforgivable Curses.

Kevin: A reputation.

Laura: Yeah, Aurors should be descending on you when you’re using Unforgivable Curses. You should have to flee and you should have to fight Aurors in addition to the other people that you’re fighting. There needs to be more of a cost. There needs to be more weight to using them. An even more simple system would be, use Unforgivable Curses? You’re really powerful, but none of the characters want to help you and you have to go it alone. Or you go the good path, you’re not as powerful, but you get more help from other characters. That would make a lot more sense to me.

Eric: Here’s the thing for me: There seems to be some remnants of maybe they almost did that, or maybe they went a little further in doing that. Some of your talents which allow you to upgrade spells allow you to use Expelliarmus and Arresto Momentum as if it were an Unforgivable Curse, by way of saying your victim is cursed. Your target is cursed after doing that. So you have an alternate option if you don’t want to use the Unforgivable Curse; you also have an option not to learn the Unforgivable Curses. Each time one comes up is in a big story moment; it gives you a choice whether you want to learn it, or whether you want to see it be used, because the story treats them with this weight and the game allows you a presumed alternative, but they don’t go so far as to saying you can’t use the spell. The only thing that stopped… yeah.

Kevin: And I wonder if this is not just a, I don’t know, hit against the audience, which is they’re trying to apply this game to a broad, very broad audience. Skyrim, you would never play as a child, right? Because it’s too mature of a game. And as a result, they’re creating this broad swath of, I don’t know, 11-year-olds to 40-year-olds that are playing this game, and as a result, they don’t want to introduce these concepts that might be complicated for a younger audience.

Eric: I mean, I did learn Crucio as part of the gameplay, but when I used it, I quickly stopped using it. And the reason is, I used it against this big old guy who’s real tall, 6’6″ wizard, and when you use it, it does a thunderclap and he gets all subdued and actually has time to say, “What have you done? What are you doing?” And he’s suffering and you’re just like, “Oh my God, what have I done?”

Andrew: Oh, whatever. I love killing people.

[Andrew and Kevin laugh]

Laura: Here’s the thing, though: You can transfigure enemies into barrels and then blow them up with Confringo. You’re killing them when you do that.

[Andrew laughs]

Eric: But they don’t ask you “What are you doing to me?”

[Laura laughs]

Kevin: What’s your address, Andrew? We might call the cops.

[Kevin and Laura laugh]

Andrew: If anybody ever wants to get something out of Eric, just be like, “What are you doing to me?” And he’ll be like, “Oh gosh, I can’t handle this.” [laughs]

Eric: Absolutely, no! That deterred me more than any game storyline mission character dialogue could deter me. It made me think, “What am I doing? I’m using an Unforgivable.”

Kevin: That’s brutal. Yeah, that’s really brutal.

Andrew: It does bring up interesting questions about those spells in the wizarding world and the repercussions.

Eric: That’s what I’m talking about. So it’s your own choice to be using those spells or not. I do like that the game vaguely put in an alternative, but you mostly need to learn it because the character that you’re doing it in front of is going to be a major person that influences the story. I would say, too, combat can seem repetitive, not just because I’m using the same spells that aren’t the Unforgivables, but it’s really… I can’t tell you how many times I’ve gone into a cave and there’s a troll and I sigh, not because I ever feel like I’m in danger, but just because trolls take more hits to get past. I want to move the story along. I want to get past here, there’s a troll, oh God, I’m going to be throwing so many barrels now. It would be different if there were, again, certain specific ways in which you could intelligently and sneakily dispatch these faster, but no, it’s basically just mashing buttons until you get them down.

Andrew: I guess you could maybe use some potions to help you kill them faster, or some plants.

Eric: Yeah, that’s one area that I haven’t explored. I have a full set of… there’s a Maxima potion, a Focus potion, an Edurus which is your defense. But yeah, I haven’t yet experimented with using too many of the plant assistants. Maybe that will diversify the battle option for me, but mostly I just go in and do a spell.

Laura: They’re fun. And also, between cooldowns on your spell set, if you’re just hitting them repeatedly with your R2, it levels up your ancient magic meter so that you get ancient magic sooner and you can take them down a peg sooner and you’re not stuck in that battle as long.

Andrew: I really like the Pikachu thunderbolt you can do with the ancient magic.

Laura: Yep. [laughs]

Eric: Now every time I do that, I’m going, “Pikachuuuu!”

[Andrew laughs]

Laura: I think we touched on this a little bit earlier when talking about finding crates and things when you’re working on a mission; if you take down a really big cave of goblins, for example, where you’re extremely outnumbered, and you have to navigate your way through to the very end, and there’s this really promising crate waiting for you, and you’ll open it up and it’s like, gloves! Sometimes that can seem a little random, so it’ll feel like you work really hard to get through something, but then the reward at the end sometimes isn’t substantial.

Eric: It did call them unbeatable Quidditch gloves, so I was very excited.

[Andrew and Laura laugh]

Eric: But it turned out my current gloves were better, so I didn’t… [laughs]

Laura: Right.

Andrew: I was surprised clothing and accessories were such a big part of the game in terms of opening chests and stuff. Not the most exciting thing. But there is other stuff to collect; I’d prefer those things that you can get for the Room or Requirement, or just more monies.

Micah: And Laura, that’s presuming your gear slots aren’t full when you get to the end of the…

Laura: Yeah, you’ve got to get through those Merlin trials.

Eric: Yeah, which, that kind of goes into… are we ready to move to the things that make us smile? Or Micah, did you want to mention the controls?

Micah: Yeah, just one thing on my end, and this could just be a PS5 thing and I’m using a wireless controller. But I find the controls to be a little wonky sometimes, and it’s not because I casted a spell and it’s restoring itself; it’s literally I’m pressing the button to cast the normal spell and it’s not going through, so I don’t know if it’s a wireless thing or what the issue is, but…

Kevin: It’s a fair question. What platforms are everyone playing on? I’m playing on PC.

Laura: PS5.

Eric: PlayStation.

Andrew: Okay. Yeah, all of us are on PS5, except for Kevin.

Kevin: And the reason I mention that is that when I played on PC, it very much felt like a sandboxed version of an Xbox game, so they probably did some sort of multi-platform translation layer, for lack of a better description, and that type of thing tends to lead to this, which is you have control issues, or the controls differ from Xbox to PlayStation to PC.

Eric: Some of my… so you can control which slot goes into “Push circle and R2,” “Push square and R2,” all that stuff. And I have seen it fire without me asking it to sometimes; I mean, combat, so I don’t necessarily care, but I have accidentally sent the wrong spell or something. I’m like, “Damn, now I need to wait for that to cool down. I was only preparing to use that after this one.” So I have seen the buttons get a little wonky.

Andrew: And again, my biggest hangup is switching spell sets that you can customize.

Micah: Yeah, that’s tough.

Andrew: And if you’ve got to put in a new spell to one of your sets during combat, that’s been really tough for me to do. I know it pauses when you bring up the full spell menu, but still, I don’t know. Something’s not fluid about it.

Laura: I think you’ll get used to it.

Micah: Yeah, it’s just the normal R2, no combination needed. You just tap R2 and it fires your normal spell.

Andrew: The normal basic, yeah.

Micah: But sometimes when I hit R2, it won’t fire it, and I don’t know why.

Andrew: Because you have to press it all the way down? Is that…?

Micah: Maybe that’s it.

Andrew: I think I know what you’re talking about.

Micah: This other point that got brought up by the Half-Blood House-Elf in our Discord: “My issue is in combat, it focuses on someone way far away when I’m trying to hit somebody right in front of me.” I’ve had that problem too.

Andrew: Oh, yeah. You can turn that off if you want, but it is just easier for it to auto-highlight, I think.

Laura: I just like to use R3 to select whichever enemy is closest to me, and it keeps your camera focused.

Eric: Oh yeah, it locks. It locks on.

Laura: Yeah, it keeps your… mhmm.

Eric: Yeah, that’s useful.

Andrew: Little things that make us smile, as we get towards the end of our review here.

Eric: Quick shout-out to diversity. I was thinking about this as I was preparing to talk about it, but there is more diversity in 15 minutes of cutscenes in this game than there are in all the Harry Potter books.

Laura: Yep.

Eric: Combined. Combined! There is so much diversity. Your characters that you meet around Hogwarts have been at Uagadou. One of your teachers studied at Mahoutokoro. They talk about it. This is all brought into the wider world, and the world feels bigger for it and better for it. The fact that you are part of a whole, that Hogwarts isn’t everything, your characters are from everywhere, they look like everything… this is so important, for every reason.

Andrew: Yeah, there’s a trans person in the game. There’s a lesbian woman in the game who mentions being married to another woman. Yeah, 1800s Hogwarts is more diverse than the 1990s Hogwarts. [laughs]

Eric: And anything we’ve ever seen before, yeah.

Andrew: But shout-out to the creators; they set out with an intention to make the game more diverse than the core seven books.

Eric: There’s a blind character as well.

Andrew: There is a blind character, yeah, a Gaunt is blind. I don’t want to spoil this; I’ll just say there’s a very cool Thestrals moment early on in the game and I think that again speaks to that real fans are working on this game. I heard this line – again, fans working on the game – it was something to the effect of one student says, “Of course, you could use Accio on a human,” and then another student replies, “Well, you’d be using it on clothing. You know you can’t actually use Accio on humans.” I thought that was great because there’s been a lot of debate about what you can Accio amongst fans. [laughs]

Micah: So it just rips their clothes off? Is that what happens?

[Kevin laughs]

Andrew: No, it uses the clothes to pull them towards you if you’re Accio-ing them. I thought that was a thoughtful line to include.

Eric: Yeah, those conversations, it’s so rich with that, and that’s everything. This game, because it has been made after Pottermore and all of the extended writings and all of the other world-building things that we’ve seen, incorporates them all. There are things like… the other wizarding schools is just one example where now, “Okay, so we know this about it, but let’s have characters talk about what it was like there. Let’s have characters mention it.” Merlin being a Slytherin, which was just an old J.K. Rowling webchat answer, I think, is canon in the game. They talk about his Slytherin roots and how he’s set you these challenges because he’s very ambitious and trying to cull less accomplished magicians. All this amazing stuff that is all worked in, coupled with when you’re walking around Hogwarts, there are things you wouldn’t expect. There’s a tapestry of Barnabas the Barmy. There’s Baruffio. There’s paintings, portraits, statues, that are all these little references that you’re like, “Of course that would be there, but what does it actually look like?” It’s amazing to see how far they’ve pulled from little teeny corners and put it into this game, and that’s very satisfying. Not to mention areas that you think should be there, like the first floor bathroom, where we know is the entrance of the Chamber of Secrets; you can go visit it. And there’s a page of your field guide, which we haven’t talked about yet, but it’s kind of like your Pokédex.

Micah: Oh, I’ll have to go there. Haven’t been there yet.

Eric: When you go there, something happens. It’s really neat.

Laura: And I think on that note, there’s some significant opportunities for DLC. We’ve already talked about Chamber of Secrets being a big one; there’s what Eric just referenced, but there’s another pretty strong reference to the Chamber of Secrets that I won’t spoil here. Obviously, Quidditch. It gets mentioned multiple times throughout the game that Quidditch has been canceled this year; feels like that’s probably the next thing we’re going to get. As others have mentioned, other wizarding schools, and then I think there could even be an opportunity to expand on what you’re doing with beasts in this game. I’ve really actually been pleasantly surprised by how that’s been done, and I would like to see more of it.

Andrew: I still want there to be a separate Quidditch game in the line of Quidditch World Cup, which we’ve brought up on the show before. However, I am now convinced there will be a Quidditch DLC because they keep mentioning Quidditch in the game.

[Eric and Laura laugh]

Andrew: It’s not like they’re brushing it under the rug and hoping people forget about Quidditch. It’s addressed in the start of term speech from the headmaster, it’s brought up a couple more times… I think they want us to think about it so that one day we are excited when they announce a Quidditch DLC. The Quidditch pitch is there; you can visit it. There are some activities to do around it. But yeah, you can’t actually play a game of Quidditch. So I previously thought, “Eh. maybe they will, maybe they won’t,” but now, because they keep reminding us about Quidditch, I think they’re going to do a Quidditch DLC.

Micah: Yeah, I think that’s definitely coming. And I just want to know, can I fly on the hippogriff instead of the broom?

[Eric laughs]

Micah: Because I find it easier to fly on a hippogriff than it is to fly on a broom.

Laura: It is easier.

Andrew: Oh, is it?

Micah: That’s just me.

Andrew: Here’s one more complaint: You look stiff on the broom. It doesn’t look natural to me. They could have worked a little more on that, I think. And the ghosts that fly around the school, too; sometimes they’re just stagnant. Like, yeah, they’re floating, but they’re not moving. Their bodies aren’t moving.

Micah: And Laura, to your point about the Chamber of Secrets, there’s definitely a very cool reference that’s made at one point in the game, and there’s a letter that you find that references what’s inside of the Chamber, so not to spoil anything too much, but I do think they’re moving potentially in that direction. So actually, when I went through that, I didn’t know, “Oh, is the Chamber of Secrets going to be something that you get to later on in the game?” But it doesn’t seem like that’s the case. And then for me, yeah, I love seeing Peeves just flying around, being up to his normal antics like sliding down banisters and causing problems for you. And then the secret passageways, right? When we talk about them really doing everything, they did everything. And I’ll just use the example of the One-Eyed Witch secret passageway that goes into Honeydukes. It’s not just you press a button and you go from being at the One-Eyed Witch into Honeydukes. You actually have to go through the process of getting from point A to point B, and it’s not that easy, honestly; they really they make you work for it. But there’s a lot of those little secret areas that are so fun to explore.

Eric: After putting many hours to this game, I still find new secret passageways. I froze a fireplace and you can crawl through in one of the offices. It’s really, really cool; leads to this whole area you didn’t expect. One of the bathroom stalls, if you go through it, there’s actually a tiny little boiler room with a chest.

Andrew: I think I saw that, yeah.

Eric: There’s just so many unique, cool things.

Andrew: Some areas, you just go up and up and up stairwells, and it’s like, “I can’t believe they built all of this out.” There’s so much.

Eric: Yeah, the clock tower, which, the clock tower was added to the movies for no reason other than to be an aesthetic thing, but this game had to figure out, “Okay, how would that work? How does that actually…? Structurally, how does the clock tower do it?” And they had to build it, because you have to be able to walk around and climb it.

Micah: And the boathouse. They kept that.

Eric and Laura: Yeah.

Eric: Oh, the underground lake is a thing! The harbor, I mean, the underground harbor where the first years dock. You can get there. And not to mention your common rooms. I’m surprised we actually didn’t talk about the common rooms before, but as a thing that makes me very happy, the Hufflepuff common room, and it’s basically the doors are all Hobbit doors; they’re all circular, and they actually look quite similar. The only thing I’ll say about as far as criticism regarding this, you can’t sit down on the couch and just exist in your common room.

Andrew: Yeah, it does seem… yeah, you can’t seem to sit anywhere, actually. [laughs]

Eric: There’s just no opportunity. For a game that sent out in advance ASMR videos of just “Experience the wizarding world in winter…”

Andrew: Right.

Eric: … you should be able to just take a seat. Lots of games have this where you just take a seat, and then things happen around you or behind you, and it’s this whole thing. That doesn’t exist in this game. And in fact, maybe it’s because everyone is a different House when you play; you could choose your own. But absolutely nothing happens in your common room.

Micah: No. Well…

Eric: There’s just nothing to do. You meet a few students at first, but you never go back there. You don’t even end the day there. The only thing that’s there is your owl, who can read you the letters, but you can do that from the pause menu.

Micah: The other cool thing I like that you can do – you made me think of this – when you’re walking around, you can chug a butterbeer or you can eat an apple, and actually, it made me think about… I was in a certain place – I won’t say where I was – and my character picked up the butterbeer and drank it, and I’m like, “Dude, this has probably been sitting here for a couple hundred years…”

[Everyone laughs]

Laura: Yep, I know what you’re talking about.

Eric: I had the same thought!

Micah: I’m surprised he didn’t keel over and I had to start from the beginning or something.

Kevin: Skyrim: “You died.”

Laura: [laughs] I will say, I’ve seen… so I’m a Ravenclaw. I’ve seen the Slytherin common room because my boyfriend is a Slytherin and so I’ve been watching him play. Slytherin common room? Way cooler. Coolest common room, I think, in the game.

Andrew: Yeah, it is.

Eric: I’m a little jealous. I mean, Hufflepuff’s is very good; I don’t think I would like Gryffindor or Ravenclaw’s as much. But I was flying around the other day outside the castle and I came upon, first of all, the exterior of where the Hufflepuff common room is, which is awesome – it’s just some garden above it – but then I flew up a waterfall and I found what must be the Slytherin common room, the long windows that go underwater, but I can’t see them from the other side because I can’t get into the common room.

Andrew: Ohh.

Eric: There should have been… I was so excited, too, to have found the exit, the outside part of the Slytherin common room, but there really should have been a mission or some way of gaining access to the other common rooms.

Andrew: Yeah, the fans want that for sure.

Eric: Well, and you’re friends with people from each House. There are relationship goals and missions that allow you to become good enough friends with a Gryffindor, a Hufflepuff, a Ravenclaw, a Slytherin, that you should be invited up, even just to hang out during the day so that you can see all the… why not make the most out of this game and limit you? But maybe that’s the authentic Hogwarts experience.

Micah: Eric, here’s the Ravenclaw common room right behind me.

[Kevin laughs]

Andrew: Yeah, now you’ve seen it.

Eric: Oh!

Andrew: Just go on YouTube. There we go.

[Micah laughs]

Laura: Are y’all on Hogwarts Legacy TikTok?

Andrew: No.

Laura: Because that is a headcanon of Hogwarts Legacy TikTok, is that Slytherin throws all the bangers and Hufflepuff and Ravenclaw are invited, but Gryffindor is not invited to any of those parties.

[Eric laughs]

Laura: So that is the 2023 headcanon of relationships between the Houses.

Micah: We’ve spent plenty of time in the Gryffindor common room. We don’t need to spend more time with them.

Laura: Yeah. We’re over it. [laughs]

Andrew: Final thoughts, I think we’re all blown away by the game. The one thing I do want to address still is people who normally don’t play video games, should you get a whole video game system for this? That’s a complicated question. I think you should wait for maybe one of the cheaper systems, like PlayStation 4 or Xbox S and… or sorry, Xbox 360. I can’t keep track. Xbox One! That’s what I’m thinking of. Or Nintendo Switch. It’s going to look the best on PlayStation 5 and Xbox Series S and X and PC, but I don’t think you want to buy a whole system for this. But I do understand why people want to maybe buy a system just for this game, because you do get to explore Hogwarts, which is what people have wanted. So I’m a little torn on this, but I’d say wait. I think that’s my short answer. Wait for a cheaper console.

Eric: We heard from our Slug Club members that are waiting for it on Switch. If you have a Switch, that’s fine. That’ll be out in July. You can survive the wait; it’s worth it.

Andrew: Or just watch on YouTube. [laughs]

Eric: But I will say, and this is a moment where I want to call attention to: I got the game a week after it came out and I bought it used, and that was because the game, people play them and then they sell them right back to the store for store credit, and this was so reliable that I only had to wait five or six days and I got a used copy of the game. I would tell everyone, wait the extra six days, because that way no money directly funnels any negative causes. Unless Gamestop is toxic. I don’t know. I haven’t looked too deeply into it.

Laura: They are.

[Andrew laughs]

Eric: Oh God.

Laura: Sorry. Sorry to break the news.

Eric: What have I done? Cast Crucio. What have I done? Anyway, but if you can, try and procure the game used, is my highest recommendation.

Laura: I think we also learned in our Slug Club meeting that if you’re not really a gamer, you haven’t had a ton of experience with games like this, it can be a little bit intimidating because of all the controls and options. There is a story mode where you can mainly focus on the story of the game and not so much on the mechanics, so it is very accessible, depending on your level of comfort with gaming.

Andrew: All right, well, those are our thoughts on Hogwarts Legacy for now. If you have any feedback about anything we’ve shared today, if you want to share your thoughts on Hogwarts Legacy, you can email MuggleCast@gmail.com or you can use the contact form on MuggleCast.com. You can also send a voice message; just record it using the Voice Memo app on your phone and then email us that file, or you can use our phone number, which is 1-920-3-MUGGLE. That’s 1-920-368-4453. And next week’s episode will be a Muggle Mail episode, so we’ll get to some of that Hogwarts Legacy feedback as we start our next 600 episodes of MuggleCast. [laughs] We’ll also wrap up our reread of Chamber of Secrets a little bit, in part by deciding which Seven-Word Summary we are going to redo from Chamber of Secrets. So no Quizzitch this week; we’ll get back to it next week. Kevin, it’s been so great having you on today. Thanks so much for coming back.

Kevin: It’s been fun, yeah. It’s a throwback for sure.

Andrew: Yeah, so good to hang out with you again. [emotionally] After all this time, we can still connect, which is really nice.

Kevin: I hate you all, as you know.

[Everyone laughs]

Kevin: Let’s insert some drama.

Eric: We’re paying him some substantial amount to come on and not badmouth us.

Laura: Kevin won’t be back for another 600 episodes.

[Everyone laughs]

Andrew: We’ll have to tell him the show’s ending again. [laughs]

Eric: This episode was quite an ad for Skyrim in the end.

Kevin: Right. [laughs]

Andrew: This is a Skyrim podcast.

Eric: I’ve got to play… is there more than one?

Kevin: No, I mean, Skyrim has multiple DLCs at this point. It is an endless game, so I would recommend not going into Skyrim, because you will waste your life in it.

[Andrew laughs]

Eric: Oh, okay.

Andrew: Couple of reminders before we wrap up the show. There’s much more MuggleCast waiting for everybody on our Patreon, which is Patreon.com/MuggleCast. We’re about to record and release a new bonus MuggleCast installment; a little delayed, but that’s okay. It’s going to be a Valentine’s Day… let’s call it a romance-themed bonus MuggleCast. We’re going to share some new dirty Harry Potter pickup lines and we’re going to be reading a sample of a fanfiction that Micah selected for us to narrate.

Micah: I also selected the pickup lines.

Andrew: And the pickup lines, so you all know what to expect from Micah. And we’ll also touch on what is one couple we would have loved to have seen as canon in the Potter series. So we’re doing two bonus MuggleCast installments per month now; again, that’s Patreon.com/MuggleCast. That’s where you can support us. We would not be at 600 episodes without the support of our patrons and those who subscribe to the show on Apple Podcasts, and those who come through with supporting our advertisers. And thanks also to everybody who tells a friend about the show, and of course, everybody who listens to the show! No matter how you support us, we really appreciate it. And that does it for this week’s episode of MuggleCast. Happy 600. Thanks, everybody, for listening. [imitating Dumbledore] After all this time.

[Laura laughs]

Andrew: I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: I’m Laura.

Kevin: And I’m Kevin.

Andrew: Bye, everybody.

Laura: Bye, y’all.

Micah: Bye.

Transcript #577

 

MuggleCast 577 Transcript

 

Transcript for MuggleCast Episode #577, Back to Hogwarts! We’re Teaching Our Own Magical Lessons!


Show Intro


[Show music plays]

Andrew: Welcome to MuggleCast, your weekly ride into the wizarding world fandom. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: And I’m Laura.

Andrew: We’re back at Hogwarts, baby, and we are sharing our own Hogwarts lessons!

Micah: Choo-choo.

[Eric and Laura laugh]

Andrew: It’s a really fun episode we have for everybody this week, and to help us with today’s discussion is one of our Slug Club patrons, Robbie. Hey, Robbie. Welcome to MuggleCast.

Robbie: Thank you for having me.

Andrew: You are so welcome. You actually have a cool background in the Harry Potter fandom; you’re a wand collector, and you share your collection on Instagram, right? Tell us about that.

Robbie: Yeah, on Instagram I’m @RobTonksWandCollector. I’ve been collecting the wands since 2004, so I have all of the Noble Collection ones, and since Instagram I’m collecting within the fandom.

Andrew: Very cool. And you’ll be getting your MuggleCast wand in the next month or two, I think…

Eric: Ohh.

Andrew: … so there’s one to add to your collection. [laughs]

Robbie: Absolutely. Super looking forward to it.

Eric: Robbie, what makes a great wand? What are the things that you enjoy in a wand?

Robbie: I like the differences with them. I like the character wands the most, so I’d like to… part of this discussion today, I like figuring out what the wands of the characters we know belong, who has what and what the wand wood is, what the core is, and why they have it.

Andrew: And so let’s also get your fandom ID.

Robbie: Oh, yeah. My favorite book is Half-Blood Prince. Favorite movie is Sorcerer’s Stone. I’m in Hufflepuff, Thunderbird, and my favorite subject that does exist is Charms.

Micah: It only feels natural to ask, what is your wand?

Andrew: Oh!

Robbie: My wand is silver lime, 10 and 3/4 inches, with phoenix feather core.

Andrew: Is that a Pottermore wand? Or did you just decide on this yourself?

Robbie: It’s the one that Pottermore gave me back in 2011, and I liked the description of it back then and I just stuck with it.

Andrew: Okay, nice. I don’t remember my wand, I’m sorry to say, from Pottermore.

Laura: Yeah, me neither.

Eric: You know what? We just have to go back to that MuggleCast episode, because I bet we say what it was.

Andrew: Oh, yes, thank goodness for podcasters. It’s all logged deep in our archives.

Eric: [laughs] It’s all logged.

Andrew: [laughs] So it’s good to have you here, Robbie, and thanks so much for your support on Patreon.


Main Discussion: Building Our Own Hogwarts Lessons


Andrew: And today’s discussion is a pretty unique one. Since a new term at Hogwarts did just kick off on September 1, we thought we would build our own Hogwarts lessons. And a special shout-out to one of our listeners, Silent Geek, who actually is a teacher himself, we discovered on Instagram this week. He suggested this lesson for us in our Discord for patrons many months ago, and what better time than now to have this discussion? So what we’re all going to do today is we’re all going to pretend to be professors at Hogwarts; we’ve all come up with our own lessons in advance. I think we’ll be primarily using canon, but we’ll also be stepping outside of canon, maybe using some headcanon, maybe just throwing in some other random information for fun and to flesh out our lessons. And we’re each coming to this today with a different subject, so you’re going to get lots of information today. Does anybody want to go first? I don’t think I want to go first.

[Andrew and Eric laugh]

Laura: I think you’re first in the doc, Andrew.

Andrew: I know, but…

Eric: I think that that’s very arbitrary, and absolutely you should do it.

Andrew: [sighs] Okay, all right, fine. This is scary. I don’t…

Micah: It’s like when you get picked to do your presentation first in class, and you don’t want to go first.

Andrew: [laughs] Oh, no, that’s what’s happening right now.

Laura: But Andrew, that’s always the best because if you go first, then by the time everyone’s done, everyone’s forgotten about your presentation.

[Andrew and Laura laugh]

Eric: Yeah, nobody’s going to remember the lesson that you slaved over. [laughs]

Laura: That was always my tactic. I always volunteered to go first in school because I was like, “Nobody’s going to remember what I said by the time these are all done.” [laughs]

Eric: Everyone’s too busy freaking out about having to do their own.

Andrew: All right, all right. You know what? Yeah, you all are right, and I’ll get it out of the way and then I won’t be stressing about it anymore. So okay, you know what? I’m going first. So I was initially going to do a lesson on Divination, because I wanted to think like Trelawney and be Trelawney, but then I was like, “Ehh, that’s really hard.” I don’t know if I can really live up to the standard, not that Trelawney set, but what people would expect from a Divination lesson. So then I was thinking about our discussion a couple of weeks ago about Professor Binns and how he’s overstayed his welcome. He shouldn’t be there anymore. We need a hip, young professor teaching History of Magic, so I thought, “I’ll do that!”

Micah: Sexy, too.

[Eric laughs]

Andrew: Darn right, Micah. Thank you. [laughs] So I’m stepping into History of Magic this week, and I’m teaching y’all about the Hogwarts Express. Again, new year at Hogwarts…

Micah: Choo-choo.

Andrew: [laughs] … all of our students just came in on the Hogwarts Express.

[Micah’s “Choo-choo” sound effect plays]

Eric: It’s really hard to tell how much of that is really Micah and how much is the sound effect.

[Everyone laughs]

Andrew: What’s real and what’s the sound effect?

Eric: I think I just saw his lips move. Did you do it, and then the sound effect played, Micah?

Micah: Yes.

Andrew: So the existence of the Hogwarts Express was born out of the necessity to safely and quietly transport students to school, following the birth of the International Statute of Secrecy in 1692, which, by the way, was approximately 200 years before your former teacher Professor Binns died. Does anyone know how students like you all would get to Hogwarts prior to the Hogwarts Express?

Eric: Ooh, ooh, ooh.

Andrew: Oh, Mr. Scull, in the front?

Eric: Yes, um, they would walk?

Andrew: No. No, I’m sorry. No. Five points from Hufflepuff. [laughs]

Eric: I thought for a second you’d forget what House I was in and then dock the wrong House. I was like, “Okay. Hit me.”

[Andrew and Laura laugh]

Andrew: Right. “Five points from Gryffindor.” “Oh no, woe is me.”

[Eric and Laura laugh]

Andrew: Yes, Miss Tee? I see your hand raised.

Laura: Yeah, maybe the Floo Network?

Andrew: Yes, and also Portkeys.

Eric and Laura: Ahh.

Andrew: That was primarily the way. Initially, Hogwarts used Portkeys to transport kids to school, but they were impractical and very uncomfortable of a solution. But nonetheless, these methods continued to be used for a couple hundred years because no other subtle and secure and safe and comfortable mass transportation method had presented itself.

Micah: Professor Sims?

Andrew: Yes.

Micah: Can you give five points to Ravenclaw, please?

Laura: Yeah, we were half right.

Andrew: Oh, yes, yes. Five points to Ravenclaw.

Laura: Thank you.

Andrew: You’re right. But I want to take away five points because you just interrupted me, Micah.

[Eric laughs]

Andrew: But I won’t. I won’t.

Micah: You can do that.

Andrew: It’s the first day of term; I’ll let it go. I’ll let it go. But you’ve been warned. [laughs] So in the year 1804, a British Muggle engineer named Richard Trevithick invented the first train. Then the first commercially successful steam train came along in 1812. Meanwhile over in the wizarding world, just about a decade later, the wizards voted in Minister for Magic Ottaline Gambol, who decided to [pauses] gamble [laughs] on an idea.

[Eric laughs]

Andrew: What if students were transported via one of these newfangled Muggle trains he had heard about? By the time Gambol had taken office, Muggles had already went through enough iterations of trains to have created a reliable and beautiful method of mass transportation, and Gambol, like many other wizards, was fascinated by Muggle inventions and took up the idea of this fancy new train concept to get students to Hogwarts. He believed the train could easily transport students and their luggage thanks to the size and the strength of the trains that he was seeing. There was just one problem: Wizards didn’t know how to create a train. These complex locomotives represented the best of the Muggle mind, and there was no sense in trying to rip off the idea when the Muggles had already perfected it over two decades. So how did they get a train? Well, they were above ripping off the idea of a train, but they weren’t above stealing a train. Records at the Ministry of Magic indicate that wizards decided to steal a train in the dark of the night, but the cover of darkness was not sufficient enough to pull off a successful heist. In fact, 167 Muggles witnessed the steal, and their memories had to be wiped!

[Eric laughs]

Andrew: And to get the train to the wizarding world, highly skilled wizards put on the largest ever Concealment Charm. So the train was transported to Hogsmeade, where work began on several magical modifications, including the ability to continue keeping it concealed from Muggles and having it break through the wizard/Muggle barrier in order to make it from Muggle land to Hogwarts. Pure-bloods, by the way, were of course initially upset at the decision to use a Muggle creation, but eventually came around to the idea when they saw it was a safe and secure transportation system. And despite that early pushback, the results of the transportation were highly promising, and the Ministry decreed that this would be the only way students could come to Hogwarts. Though students who rode on the train didn’t know it unless they stepped out of line, Gambol had one more trick up her sleeve: She decided to add onboard security by means of the trolley lady. And while this train employee looked unassuming and seemingly only wanted to sell sweets to excited students, the fact was that the trolley lady was a top notch security guard who would enter goblin mode should any wizard or witch try to step off the train during its journey. So that’s a basic rundown of the history of the Hogwarts Express.

Laura: Thank you.

[Applause]

Andrew: Thank you. Thank you so much. Okay, pop quiz! In what year did a Muggle come up with the first version of a train, clearing the way for the eventual Hogwarts Express? Hmm?

[elongated pause]

Andrew: Oh, man.

Laura: We weren’t paying attention.

[Andrew laughs]

Robbie: Or not paying attention to the right part.

Eric: Was it 1802?

Andrew: That’s pretty darn close. Yeah, it was 1804.

Laura: Okay.

Andrew: I’ll give you that, though. Another five points to whatever House you’re in. I mean, Hufflepuff.

[Andrew and Laura laugh]

Eric: Wait, you mean five points back?

Andrew: [laughs] Right, you get your five points back.

Eric: Yeah!

Andrew: All right, so that’s my lesson. And homework, students, three and a half pages double spaced on the magical charms installed on the Hogwarts Express that help it stay concealed and cross between Muggle and wizard boundaries, please. Refer to Micah Tannenbaum’s Choo-Choo: An Express History of the Hogwarts Express for further reading and assistance.

Eric: [laughs] I love your homework assignment is so similar with how I poised my homework assignment. “X amount of pages, double spaced.”

[Andrew laughs]

Eric: It’s very funny. In the books, don’t they talk about inches of parchment that you’ve got to…?

Andrew: That’s what I was… I was trying to think of what it was. I meant to look it up but I didn’t.

Eric: Yeah, it’s inches of parchment, but if you have really small handwriting, it’s awful.

Andrew: Oh, good call, good call. Who wants to go next? [laughs] I think it’s Eric. We’re evidently going in the planning doc order today.

[Eric and Laura laugh]

Laura: Yep, we’re going in doc order.

Eric: Document order. Okay, okay. Well, as you mentioned, Andrew, this particular topic could have gone many ways, and I have chosen one particular way for it to go in, but the course is Muggle Studies, so the view of Muggles as depicted for study by wizards. And particularly, this character at Hogwarts that I will be portraying is the Muggle Studies teacher at Hogwarts. Any questions before we begin?

Andrew: No, but I’m scared. I can’t wait to see what direction this lesson takes.

Eric: Okay, it’s kind of… in the British style of education, it’s more of a lecture, so I don’t know that I’ll pepper in any questions during, but there will be a quiz after. Okay, here we go. Welcome, class. As you well know, wizards and witches are not alone on this planet; there is, of course, the Muggle. Depending on where you live in this great country of ours, you may have a neighbor or two who are without the gift of magic. Maybe your brother or sister, if your parents are Muggles, may also be a Muggle. There’s nothing wrong with this, of course. And while magic folk and non-magical peoples may have quite a bit to learn from the other in a shared symbiosis, today we will be highlighting the overall system of power that governs most Muggle societies. Without having the ability to do magic, we might say Muggles have had the lesser draw in a hand of cards. It’s true; everything from public transportation to things like healthcare might not be concerns or the issues of politics if the Muggles knew that magic existed and could wield it themselves. This is what makes the study of Muggles so fascinating, to examine how they get by without being able to flick their wand and see their way through the darkness in front of them. Well, the answer to this, as to how Muggles get by in the world, is due to something called fascism.

Andrew: Oh, God.

[Laura laughs]

Andrew: Oh my.

Eric: You see, Muggles, not having much power in and of themselves, like to band together in groups and terrorize each other in the names of other things. Sometimes it is religion, sometimes it’s based on skin color, and in every case, it happens when members of a group all submit to the same higher, more powerful Muggle, also known as a dictator. The benefit of banding together under one of these dictators is twofold. Firstly, because the Muggle is not altogether very powerful alone, and Muggles with harmful and unpopular opinions about society are the least powerful Muggles of them all. The only way for that person to feel strong without earning it on merit is to find other like-minded individuals who are equally rotten. Eventually, a member from within that community of ne’er-do-wells will gain a reputation for being the most heinous, the most rotten, somebody that shocks even the worst of the others by being so darned extra, that that person will gain power and mystique. An air around them will be created, an intake of breath whenever they enter a room, and an uninformed person may mistake this shock, this silence in somebody’s presence, the deference of the weaker-minded rotten folk, as reverence for somebody who’s actually earned it. Rather than develop popular social power policies that bring folks together and help the world at large, the Muggle, largely angry that they do not have magical means (even though many of them don’t know it is an option), find power in the profane. In finding a little group that they join and using it to separate themselves from other groups, based largely on superficial things, they go around pretending that they have power until others start thinking that they do also. The trick is in not mistaking the anger and hate that some Muggles have for their fellow man as either wisdom or charisma. Any power these individuals may gather is not deserved. For in giving in to their darkest natures, they remove themselves from humanity entirely. Surrendering power out of cowardice to those who would cause further harm to others is a Muggle trend that is, globally speaking, on the rise. Fortunately, there are Muggles who do understand the power of such things as compromise, of education, of liberation, of freedom, of democracy. The rule of the many by the few is not their way. They prefer the rule by one another, by the people, for the people, and insofar as such institutions are instilled with safeguards to prevent the abuse by those at the top of the chain, peace and prosperity can historically be had by the most people. No outcasts, no minorities, suffer when all are invited to the table. But it is the fascist who seeks to exclude all others, and only through complicity of a vast majority of others could they ever succeed in doing so. After all, their power comes through social contract with one another, and not from the tips of their wands. The end.

Andrew: So um, I was expecting a lesson on a rubber duck.

[Everyone laughs]

Eric: That will be next week’s lesson, Mr. Sims.

Andrew: Ah, okay, a palate cleanser.

Eric: Yes, yes.

Laura: I have a question, Professor Scull. You’re talking about themes of fascism; I think we’ve clearly seen those present in the wizarding world too. Who do you think came up with fascism first? Wizards or Muggles?

Andrew: Chicken or the egg.

[Andrew and Laura laugh]

Eric: An excellent question, Miss Tee. It was definitely the Muggles.

Andrew: Yeah, that checks out.

Laura: Sounds about right. [laughs]

Andrew: I don’t really like those Muggles.

Eric: So pop quiz for everyone: Is fascism good or bad?

[Everyone laughs]

Andrew: Let me get back to you on that. I’m not sure. [laughs]

Eric: That’s the wrong answer. Five points from Slytherin, Mr. Sims.

Andrew: Ah, damn it.

Laura: I’m going to say bad. I’m going to say bad.

Robbie: I think bad.

Eric: That’s correct.

[Laura laughs]

Micah: I’m going to say depends which House you ask.

[Andrew laughs]

Eric: A very measured answer, Mr. Tannenbaum. I would say five points to Ravenclaw for Miss Tee’s answer, two and a half points to Ravenclaw for Micah’s good point, and the other two and a half points back to Slytherin, because of course a Slytherin would say he’ll get back to you on that.

[Andrew and Laura laugh]

Eric: And your homework, everybody, boys and girls, three pages double spaced an essay with the topic of: Are Muggles lonely? Discuss.

[Laura laughs]

Andrew: Yes. Yes, they are. Eric, five points to Hufflepuff for your teacher voice that you’ve been putting on today as well. It’s delightful.

Eric: Thank you.

Andrew: Laura! It’s your turn!

Laura: Good morning, everyone. I’m Professor Tee. I’m here at Hogwarts launching a new course of study that has previously been woefully ignored at Hogwarts, and I think that it’s actually led to some pretty dangerous situations for the students here, so welcome to Introduction to Spell Enunciation.

Eric: Ohh.

Andrew: Good morning, Mrs. Tee.

Laura: [laughs] Right off the bat, can anyone think of a reason why it is very important to be able to enunciate, otherwise pronounce, your spells correctly? Yeah, Robbie.

Robbie: Because some spells sound similar but do vastly different things, like start fire or create water.

Laura: Yeah, 100%. Ten points to Hufflepuff; that’s great. I think that we can see examples of this even in Harry Potter’s time at Hogwarts; there are multiple times where students in his year had unfortunate accidents happen as a direct result of not being able to communicate their spells appropriately – that is, pronounce them, enunciate them – as we would expect. Yeah, Eric?

Eric: Professor, wasn’t it also from history, the Wizard Baruffio, who famously misspelled; he said an “s” instead of “f”?

Laura: Yes, that is a perfect example. I really, really appreciate you bringing that up. Ten points to Hufflepuff. Great job.

Andrew: Ugh, no.

Laura: I know; Hufflepuffs are leading the class today, y’all.

Eric: Hufflepuff is going to win the House Cup!

Andrew: I didn’t realize we were going to have this competition on the show.

[Everyone laughs]

Eric: Class is very divisive.

Laura: So what we’ll be focusing on today is the basis of Latin and how it works in the conjuring of spells in the wizarding world. But first, I would love to get a volunteer to read over the list of spells I have here in the doc.

Andrew: I will!

Laura: There’s no wrong answer here. Okay, Andrew.

Andrew: Okay. Wingardium Leviosa, Expelliarmus, Petrificus Totalus.

Laura: Perfect. Excellent.

Micah: Well done.

Andrew: Yesss.

Laura: Ten points to Slytherin. As you can tell, I’m an American professor, so I don’t refer to you as Mr. Last Name. We’re on a first name basis in this classroom.

Andrew: Oh, you’re a cool teacher, then.

Eric: Oh, yeah.

Laura: Additionally, I’m going to hand out points like candy anytime you do something well…

[Andrew laughs]

Laura: … because…

Micah: Americans like candy?

Laura: Americans do like candy, but if you look into educational pedagogy, it’s an excellent way to motivate students to remain engaged with their lesson if you are doing a really frequent call and response to try and get them engaged with the work, and rewarding them for being correct, or at the very least attempting to participate. So those were excellent pronunciations, Andrew. Really, really appreciate that.

Andrew: Thank you.

Laura: As we know, many spells in Harry Potter have their roots in Latin, so it is imperative for the successful casting of spells that we have an understanding of base Latin pronunciation. Now, that doesn’t mean that we need to learn Latin; it is a dead language, after all. But we need to have certain proficiencies in mind in order to successfully cast spells. So to give you a little bit of historical context here, there are actually two accepted ways to pronounce in Latin. Any guesses what they are?

Micah: Backwards and forwards?

[Everyone laughs]

Eric: Subjective and conjunctive? No, no, no. I took Latin for two years in school and I do not know the answer to this question.

Laura: I was going to say; I was like, “I think Eric might be the only person who’s taken Latin on the panel.”

Eric: I actually have, yeah.

Laura: That’s a really great guess, Eric. But what we’re looking for is more of considering how Latin was pronounced back in the day, as the kids say, when it was commonly spoken, which is referred to as classical Latin. And then there’s how we use Latin today, which is almost exclusively in a religious setting, so that is known as church Latin.

Andrew and Eric: Oh.

Laura: Now, the Harry Potter spells as we know them, I would say are more heavily influenced by church Latin because of the time and place in which they were envisioned and created. Again, that is just a little nugget of historical knowledge that I think is really fun to know, but it is not something that you will be quizzed on, so don’t worry about it. For today’s lesson, though, we’re going to be talking about vowels, and I would love to start with short vowels, because Latin has short vowels and long vowels. In order to get us started today, we’re going to talk about the six vowels in Latin. Who wants to take a crack at guessing what they are? Do not worry about pronouncing them in Latin; you can start with English, if that’s a hint as to what the six vowels are, or what some of them may be.

Andrew: “A.”

Laura: Andrew, I need you to raise your hand.

Andrew: Oh.

[Andrew and Laura laugh]

Andrew: We actually have been raising our hands today, listeners.

Eric: This is audio.

[Everyone laughs]

Andrew: Just so they know. We have been raising our hands, except for this bad Slytherin student.

Laura: Yes, Andrew?

Andrew: “A.”

Laura: Okay. That’s one. Micah?

Micah: “O.”

Laura: Okay. Robbie?

Robbie: “U.”

Laura: Yes. Eric?

Eric: “I?”

Laura: Mhm. Andrew?

Andrew: “E.”

Laura: Correct. There’s one bonus one. Micah?

Micah: “Y.”

Laura: Correct, yeah. “Y” is really interesting, and it’s not one that we’ll actually spend a lot of time on here today, because it’s not one that is overly prevalent in spells in the wizarding world. It comes from the original Greek vowel of “Y” that Latin speakers would have used back when classical Latin was spoken. We’ll say five points to everyone across the board.

Andrew: Woo-hoo!

Laura: And now that we have our vowels laid out, I want to see if anyone can guess what short vowel pronunciation might be based on your knowledge of how spells are pronounced in Harry Potter. So we can look at the original spells that Andrew laid out for us here a few minutes ago. Let’s look at Petrificus Totalus, specifically the “I” as we would call it in English. Can anybody mimic what that “I” sounds like in Petrificus Totalus?

Eric: “Ihh.”

Laura: Eric, do you think that’s a short vowel or a long vowel?

Eric: Oh, I always get this wrong. Is that a short vowel?

Laura: Correct, yeah. Ten points to Hufflepuff

Andrew: No!

Laura: Just handing out the points like candy here today.

Eric: But Miss Tee, in the other spells, it seems to have the other way of doing it. Expell-ee-armus, Wingard-ee-um Lev-ee-osa.

Laura: Yeah, so would you say that that is the short version or the long version of the “I”?

Eric: Oh, God. Oh, God. Long version?

Laura: That’s correct. Another five points to Hufflepuff; well done. So now it’s time for a pop quiz, and I think that Mr. Scull may have given everybody a bit of a hint about where to look here. I’m going to give you a spell, and I want you to tell me which vowel has its short pronunciation and its long pronunciation present in the spell? The spell is Wingardium Leviosa. Robbie?

Robbie: Is it the “A” for both the long and the short? You’d have the Wingardium would be the long “A,” and in Leviosa, you’d have the short “A.”

Laura: That’s one. There’s two in here. So Robbie, ten points to Hufflepuff. Can anyone pick up on what the other vowel is?

Andrew: The “I”?

Laura: Correct. Yeah, you have the “ihh,” and the… what’s the other one?

Eric: ee-osa.

Andrew: Ah, yeah. Is that right?

Laura: There you go. Very, very good.

Andrew: Thanks, Hufflepuff.

Laura: So I would love to wrap this up by revisiting some spell pronunciations and seeing if we can get another volunteer to read the original three spells that we looked at at the head of today’s lesson to see if we’re feeling a little more confident about how to pronounce them.

Andrew: Ooh, pick me, pick me.

Laura: Well, Andrew, you did the pronunciations in the beginning, so I’m going to hand it off to Robbie.

Robbie: Wingardium Leviosa, Expelliarmus, Petrificus Totalus.

Laura: Perfect. Excellent work. Five points to Hufflepuff. Now that we’ve revisited some spell pronunciations, we’re going to talk a little bit about homework. When it comes to this class, I think that you’re going to get the most out of these lessons by doing applied homework. That is, I’m not going to ask you to write multiple pages about spell pronunciation, because that’s not going to help you learn how to pronounce your spells better. So what I would like you to do is go home and record yourselves practicing the short and the long versions of Latin vowels. I’ll be providing a resource list just in case you need a reminder of what those sound like. But that’s it for today’s lesson, everyone. Thank you so much for your participation.

Micah: Professor Tee, can we try them on siblings?

Laura: [laughs] You can.

[Andrew laughs]

Laura: But I would caution being very, very careful. I think we actually in last week’s episode talked about an example of someone who attempted to vanish her sibling and she ended up vanishing herself, so it can be harmful to your sibling, can be harmful to you.

Andrew: All right, so I’m learning to not befriend Micah this school year, because you might try some spells on me.

Laura: Micah, I’m beginning to wonder if we Sorted you too early.

[Andrew laughs]

Eric: Some Ravenclaws really have a hard edge.

Micah: I was a Hatstall between Ravenclaw and Slytherin.

Andrew: Oh, well, there we freaking go. That explains a lot.

Laura: That explains a whole lot.

Micah: But it is our choices, right?

Eric: Some say.

Micah: All right, well, now it is time to learn about international wizarding cultures, and this lesson is wizarding schools around the world. And just in terms of why I decided to pick this, I think it’s important to learn about other wizarding cultures and other wizarding institutions. We don’t really see much of this in the Harry Potter series. Our exposure to the larger international wizarding community really comes in Goblet of Fire through both the Quidditch World Cup and the Triwizard Tournament, and while Beauxbatons and Durmstrang spend time at Hogwarts, we don’t really get to learn all that much about their schools, or at least not as much as we would like to. So there’s definitely an opportunity at Hogwarts to expand beyond those two schools and learn about the larger wizarding community, their traditions, their politics, and, of course, their magic. Now, there are 11 long established and prestigious wizarding schools worldwide, all of which are registered with the International Confederation of Wizards. Much like Hogwarts, the precise location of each of the following schools is a closely-guarded secret. But for the purposes of this class, however, we’re only going to be focused on just a handful of institutions today. But before we get started, can anybody tell me the name of any of the other wizarding schools? Now, I know I mentioned Beauxabtons and Durmstrang. We’re going to take them off the list. Mr. Scull?

Eric: There was Mahoutokoro.

Micah: Very good. 20 points to Hufflepuff.

[Andrew laughs]

Micah: Miss Tee?

Laura: There’s Uagadou.

Micah: Very good. 20 points to Ravenclaw. Mr. Sims?

Andrew: Yes! Ilvermorny?

Micah: Very good. Five points to Slytherin.

[Laura laughs]

Micah: Mr. Stillman?

Robbie: I was going to say Ilvermorny, but I can think of the one in Brazil but I don’t want to mispronounce it. I think it’s Castelobruxo?

Micah: Very good. 20 points to Hufflepuff. I’m surprised Mr. Sims didn’t comment on my only five points to Slytherin, but…

Andrew: I was wondering that, but I was like, “Wait…” I was second guessing. You’re such a troll.

Micah: Well, we don’t care as much about the Americans here. That’s what it is.

[Andrew laughs]

Micah: So let’s learn a little bit about many of the schools that were mentioned, with the exception of Ilvermorny. We’ll leave that for another class. So Beauxbatons, the school is located somewhere in the Pyrenees. It caters to the French, Spanish, Portuguese, Dutch, Luxembourgian, and Belgian students. Its alumni include the well-known alchemist Nicolas Flamel, who is commemorated with a large fountain situated in the middle of the school’s park. This fountain is said to have healing and beautifying properties. Durmstrang. Now, Durmstrang is one of the most secretive of all schools in terms of its whereabouts, so nobody can be quite certain where it is. Visitors – who must comply with Memory Charms to erase their knowledge of how they got there – speak of vast sprawling grounds with many stunning views, not least of the great dark spectral ship that is moored on a mountain lake behind the school, from which the students dive in summertime. Now, I think we all know that Durmstrang has the darkest reputation of all the schools, having fallen twice under the leadership of Dark wizards, and produced at least one infamous pupil. Does anybody know who that infamous pupil is? Miss Tee?

Laura: Is it Gellert Grindelwald?

Micah: Yes, it is. Ten points to Ravenclaw.

Andrew: Oooh.

Micah: And surprisingly, he will be joining us live via Zoom next week to talk about his experience at Durmstrang.

Andrew: Ew.

Laura: Wait, are we getting the Johnny Depp version or the Mads Mikkelsen version?

[Andrew laughs]

Micah: No, this is the real Grindelwald.

Andrew: [laughs] “Real.”

Laura: Oh, okay. So Mads.

Micah: [laughs] It’s not Mads or Johnny. It’s Gellert.

Laura: Okay.

Micah: Now, Mr. Scull, you mentioned Mahoutokoro.

Eric: Yes.

Micah: This school is situated on the volcanic island of Iwo Jima in Japan. The school takes students from the early age of seven years old, although these children do not board at the school until the age of 11. These younger students are actually flown to and from the school daily by flocks of giant storm petrels, which are magical birds. Now, the main feature that sets this school apart from the other schools is that their robes are enchanted to change color as the wearer grows in skill. And fun fact, my mother-in-law actually went here. Horrible woman, but that’s a story for another time.

[Eric and Laura laugh]

Micah: Miss Tee, you mentioned Uagadou, which is located in the Mountains of the Moon in Uganda. It produces many students who are highly qualified in subjects such as alchemy, astronomy, and self-transfiguration. Now, instead of receiving a letter by owl, students are told of their acceptance to the school by a message from the headmaster or headmistress, through what are known as dream messengers. It’s very cool.

Andrew: Wow.

Laura: I want to go there. That school seems way cooler than Hogwarts.

Andrew: You just started here at Hogwarts and already you’re getting ready to leave? Dang.

Laura: [laughs] But we’re all in remedial classes. We’re in our…

Eric: [laughs] I wasn’t going to mention the fact that we’ve already been through school and are now back somehow, inexplicably.

Laura: Hey, we’re late-blooming wizards, okay?

Eric: Right.

Laura: Going back to Hogwarts above the age of 17.

Micah: And finally, for today’s lesson, Castelobruxo. Located deeply within the rainforest, it is shaped like a castle in Brazil, and it takes students from all over South America. Now, the school grounds are protected by the Caipora, small creatures who are said to be tricky and mysterious. The school specializes in Herbology and Magizoology, and offers exchange programs for European students wanting to encounter other types of flora and fauna. Also, one other fun fact: It is the famed failed location for the site of Fantastic Beasts 3: The Secrets of Dumbledore.

[Andrew and Eric laugh]

Micah: All right, well, I hope you all enjoyed learning a little bit about some of the other wizarding institutions around the world. We’ll wrap up here with a quick pop quiz. Which school did my mother-in-law attend?

[Andrew laughs]

Micah: Miss Tee?

Laura: Durmstrang.

Micah: I’m sorry, that is not correct.

Laura: What?

[Andrew laughs]

Laura: I thought she was horrible.

Micah: Mr. Scull.

Eric: Was it Mahoutokoro?

Micah: It was. Very good. 50 points to Hufflepuff.

Eric: Man, I hope Chloé can count this, I am telling you. Hufflepuff is on the rise.

[Everyone laughs]

Andrew: Wait, is she actually keeping track?

Eric: She was, in the Discord.

Andrew: Oh my God. You go, Chloé.

Laura: Yep. Hufflepuff rising.

Micah: We will venture to each of these locations in our minds, of course, throughout the year, but we will also be joined by many a special guest, including Gellert Grindelwald next week, so make sure you come back.

Andrew: Oh, I can’t wait. I love guest speakers.

Micah: Homework, a roll of parchment on which school you would most like to visit, and why.

Eric: Aww.

Andrew: All right, Robbie, time to bring us home today with your lesson.

Robbie: Awesome. And going right after Micah, Ilvermorny is my least favorite school because with wands in particular, they don’t let you keep them in the summertime. They keep them at the school.

Andrew: [gasps] What?

Robbie: They don’t trust you.

Andrew: Ilvermorny is canceled.

Micah: [laughs] Magic filth.

[Andrew laughs]

Robbie: Well, so yeah, wandlore. And just to begin with a little security issue, we don’t start this class until year three as an elective, and there’s minimal use of wands except for close examination. So no spells, nothing like that, so you should keep safe that way. Additionally, this class is unique that to go on to NEWT level, you have to not just have an OWL in wandlore; you have to have OWLs in Herbology and Care Magical Creatures, because you’ll be learning to procure wand wood and use magical cores. Now, today we’re starting with just wand woods, and it’s interesting to start so soon at year three because only a minority of trees can produce wand-quality wood, just as a minority of humans can produce magic. It takes years of experience to tell which ones have the gift, although the job is made easier if Bowtruckles are found nesting amid leaves. Now, today there will be no pop quiz, but I will ask as I’m going to describe two different types of wands, and I’m going to ask if you guys can guess which of my fellow Hogwarts professors have wands made of these woods. The first one is cedar. “One who carries a cedar wand has strength of character and unusual loyalty. The cedar wand finds its perfect home where there’s shrewdness and perception. Those with cedar are incredibly difficult to fool, and I have never yet met the owner of a cedar wand whom I would care to cross, especially if harm is done to those of whom they are fond. The witch or wizard who is well-matched with cedar carries the potential to be a frightening adversary, which often comes as a shock to those who have thoughtlessly challenged them.” Which professor at Hogwarts is a cedar? Professor Flitwick, Professor Sprout, and Professor Slughorn.

Andrew: Can’t be Slughorn.

Eric: Is it Professor Flitwick?

Robbie: It is not.

Laura: Okay, it’s got to be Sprout.

Robbie: It is not. It actually is Slughorn.

[Laura laughs]

Andrew: No, he’s not loyal! Boo.

Laura: Oh my God, look at us over here leading with assumptions.

[Andrew and Laura laugh]

Andrew: Well, you said it’s a loyal professor, right? I just was like, “Slughorn, eh.”

Robbie: I mean, if you think about it, he is loyal. Battle of Hogwarts, and loyal to Dumbledore to an extent. There was a hint in there that I changed one of the words to shrewdness, because that’s well-described for Slytherin.

Andrew: Ooh.

Laura: Very true.

Robbie: Well, no points given for that one.

[Andrew and Eric laugh]

Laura: Womp, womp.

Eric: But no points taken, so that’s…

Robbie: No points taken. I’m not that kind of Professor; I don’t like to penalize people. Now, the second wand wood today is English oak. “A wand for good times and bad, this is a friend as loyal as the wizard who deserves it. Wands in English oak demand partners of strength, courage, and fidelity. Less well-known is the propensity for owners of English oak to have powerful intuition, and often an affinity with the magic of the natural world, with the creatures and plants that are necessary to wizardkind for both magic and pleasure. The oak tree is also called the King of the Forest from winter solstice up to the summer solstice, and its wood should only be collected during that time.” Madam Pomfrey, Professor Sprout, Professor Hagrid.

Andrew: I’m going to say my boy Hagrid. Professor Hagrid.

Robbie: It is Professor Hagrid.

Andrew: Woo!

Robbie: Ten points to Slytherin.

Laura: Good job.

Andrew: My boy.

Robbie: Second question with English oak: There is a wizard within the wizarding world and Muggle folklore who also supposedly had a English oak wand. Any guesses? Mr. Scull?

Eric: Is it Merlin?

Robbie: It is. Ten points to Hufflepuff.

Andrew: Wow!

Robbie: As we wrap up today, the only homework I have for each of you is to write a one-page essay on your own wand wood and what resonates about it with you and what it shows you.

Andrew: Aw. Okay.

Eric: Can I actually email this to you afterwards? I’m interested.

[Everyone laughs]

Robbie: Oh, sure. That would be awesome. Honestly, when Pottermore came out and you could add friends and all that, I would copy and paste what my friends’ wand woods were and I’d just put it in a doc.

Andrew: Oh my gosh. That’s so sweet.

Laura: That’s very sweet.

Andrew: That was great, Robbie.

Robbie: Thank you.

Andrew: And there we go. That’s our first day at Hogwarts. Whew, that was exhausting. I got a lot of homework to do. Chloé, do you know who won? Which House won?

Micah: Hufflepuff definitely won.

[Everyone laughs]

Andrew: Yeah, I think it was Hufflepuff too.

Micah: Not even close.

Laura: I think we know Hufflepuff was first. Gryffindor was last, because there are no Gryffindors on the panel.

[Andrew laughs]

Micah: That’s all that matters, really.

Laura: Watch Dumbledore come busting in here like the Kool-Aid man and he’s like, “3,000 points to Gryffindor!”

[Everyone laughs]

Eric: Oh, at the very last minute?

Andrew: “Ohh, yeahhh,” like the Kool-Aid man. [laughs] Okay, the official tally is… yeah, Hufflepuff won, Ravenclaw second, Slytherin third, Gryffindor lost. Thank you, Chloé, for keeping track. All right, that was fun.

Laura: I loved that. [laughs]

Andrew: Thanks again, everybody. Job well done for putting together lessons.

Robbie: That was a great way to start Saturday morning.

Eric: Oh, man.

[Laura laughs]

Andrew: Way more fun than a typical Muggle Saturday morning. And next week, it begins. Chapter by Chapter returns to MuggleCast. We’ll be going through the first three chapters of Sorcerer’s Stone; grab your books, get reading, and we’ll be back Tuesday with a new episode. Kicking off Chapter by Chapter, we’ve got some new segments in store, and these new segments will also pop up, maybe not in this first installment, but in the weeks ahead, so stay tuned for that. If you have any feedback on today’s episode, or maybe about Chapters 1-3 of Sorcerer’s Stone, you can send an owl to MuggleCast@gmail.com, or use the contact form on MuggleCast.com. To send a voice message, record it using the Voice Memo app on your phone and then email us that file, or just call us on the old telephone. We’re at 1-920-3-MUGGLE. That’s 1-920-368-4453.


Quizzitch


Andrew: And now it’s time for one more pop quiz today with Quizzitch!

[Quizzitch music plays]

Eric: Last week’s question: In year four, what does Ron smush in anger after Draco taunts him about having inside Ministry information regarding the Triwizard Tournament? The correct answer is his Cauldron Cake. And that was submitted correctly from various people, including Buff Daddy; Bubotuber Pus; Artemis Fido the Second; Florian BORT-escue; Hoofly-poof; Youngledore; Not Actually Isabel; and My name is no, My sign is no, My number is no, You need to let it go…

Andrew: Okay.

Eric: … which I don’t know what that’s all about. But congratulations to all those winners and more, and here is next week’s Quizzitch question: From what neighborhood does Harry first accidentally hail the Knight Bus? Submit your answer to us over on the MuggleCast website, MuggleCast.com/Quizzitch, or choose “Quizzitch” from the top menu.

Andrew: Robbie, it was so great having you on the show today. Thanks again.

Robbie: Yeah, thank you again for having me.

Andrew: Yeah, you’re very welcome. And where can we find you on social media again?

Robbie: I’m on Instagram at @RobTonksWandCollector.

Andrew: Excellent. We’ll check you out. And for all of you at home, make sure you’re following the show for free in your favorite podcast app so you never miss an episode, and you can leave us a review if they allow you to. Also, don’t forget to follow us on social media; we are @MuggleCast on Instagram, Facebook, Twitter, and TikTok. And finally, a plug for our Patreon, where Robbie also supports us, and thanks for your support, Robbie. We do really appreciate that. Patreon.com/MuggleCast. You get bonus MuggleCast installments, access to our livestreams, our planning docs, early access to MuggleCast, ad-free MuggleCast, and the list goes on. So enjoy all those benefits, and the support really means a lot to us. So thank you, everybody. Okay, I think that does it for this week’s episode. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: I’m Laura.

Robbie: I’m Robbie.

Andrew: Happy back to Hogwarts! Wait, where is it?

Micah: Choo-choo!

[Everyone laughs]

Andrew: Yeah, you just do it. Why am I playing it? [laughs]

Transcript #576

 

MuggleCast 576 Transcript

 

Transcript for MuggleCast Episode #576, How Are Spells Created? Discussing the Physics of Harry Potter


Show Intro


[Show music plays]

Andrew Sims: Welcome to MuggleCast, your weekly ride into the wizarding world fandom. I’m Andrew.

Eric Scull: I’m Eric.

Micah Tannenbaum: I’m Micah.

Laura Tee: I’m Laura.

Andrew: And this week, as we gear up for Back to Hogwarts season, we’ll be discussing the physics of Harry Potter and seeing where we can fill in the gaps of how the wizarding world works.

Laura: And to facilitate that discussion, we are actually joined today by my boyfriend, Marc. Welcome to the show, Marc. I don’t think you’ve been on MuggleCast yet.

Marc: I have not, I have not. Hello, everyone.

Eric: Hey.

Andrew: Making his MuggleCast debut.

Laura: I know. Thank you for joining us.

Marc: Where’s my movie trailer at?

[Andrew and Laura laugh]

Andrew: Movie trailer at?

Laura: He expected a movie trailer for his intro to the show. [laughs] Well, I thought we could start out like we do with all of our guests by just getting your fandom ID.

Marc: Let’s see, my House is Slytherin. My favorite book, I’d have to say, is Chamber of Secrets because ironically enough, that was the first one I read. My mom gave me that one.

Andrew: Did she know that was not the first one?

Marc: She had no idea at all.

[Everyone laughs]

Laura: You must have been so confused.

Andrew: Here’s the start of this Harry Potter series, the Chamber of Secrets.

Marc: The whole time I was like, “Who are these people?”

[Andrew and Laura laugh]

Andrew: “This is terribly written. Nobody’s introduced properly.”

Marc: Yeah, there’s no character development whatsoever, there’s no intros, so I was very confused.

Andrew: That’s funny.

Marc: I really like Deathly Hallows – Part 1.

Andrew: Was that the first movie you saw? Your mom was like, “This is the first Harry Potter movie. Sorry I screwed up the books.”

[Everyone laughs]

Marc: That would be hilarious. “Here you go. Spoilers, I guess.” My Patronus is an eagle, which is kind of interesting. That I’m a Slytherin with an eagle Patronus is kind of weird. But who am I to argue?

Laura: And what would you say is your favorite magical object?

Marc: Just because of how many interesting conversations it brings up, probably the Time-Turner. Not because of the consistency of it, but just because there’s a lot of fun conversations that come from it. And I’m a sucker for time travel.

Laura: Awesome. Well, getting into things, you are a programmer and a game designer. Just to get a little bit of background, what types of games have you developed?

Marc: I’m a huge horror fan, huge fighting game fan. I just graduated recently, so there’s a bunch of games I developed in school projects, one of which was a medieval fighting game. I made a card game that was pretty fun that was on mobile. And yeah, I mean, my main thing is I just really like messing with the physics engine. It was so interesting to see how many things the physics engine actually handles when you’re designing a game, like something as simple as gravity that people take for granted all the time is a huge issue when you’re coding stuff. If you want your character to move a couple units to the right and gravity is not included, it’s going to just go haywire. I remember the first time I tried to write a jump script and I didn’t put gravity in, and my character jumped and just didn’t stop.

[Everyone laughs]

Laura: Just kept going?

Andrew: He was flying, basically.

Marc: Yeah, literally, he jumped in the air and then just was like, “All right, bye, my people need me,” and I’ve never… that was it.

[Everyone laughs]

Marc: I had to close the app and open it again.

Laura: Speaking of video games, we have some Hogwarts Legacy stuff to talk about here in a few minutes. But we’re obviously all excited for Hogwarts Legacy; you and I have spent a lot of time talking about it. What are your thoughts based on the trailer so far?

Marc: I think that it looks very interesting. I think it’s very ambitious, which excites and scares me, because it’s really hard to pull off a lot of those things well. I can only think of a handful of games that have an open world that big, with a main story, with a bunch of side missions, with a almost Pokemon animal collector aspect that you can store in your own custom space, kind of like Animal Crossing, but then you can actually battle with them… like, it is a lot. That is a lot going on there. So if they nail it, it’s going to be great. If they don’t… I mean, even if they fall short, even if the magical beast aspect isn’t great, everything else is great, then awesome. And also, one thing that I’m super excited for is that combat looks amazing. When I imagined combat when I was reading the book, that’s what I pictured, just a bunch of random stuff happening.

Andrew: Combat and spellwork, I think, is something that’s always been a little “Eh” in the Harry Potter video games so far, so if they nail the spellwork… especially because that’s one of the things we all really want, right? A fun duel, a duel that feels natural through a game controller. If they nail all that, it’s going to be really incredible.

Eric: I just want my character to go around shouting “Flipendo!”

Laura: Oh my gosh.

Marc: Honestly, that’d be a great Easter egg.

Laura: That is a deep cut. [laughs]

Andrew: Quick news item before we get to our main discussion today: There’s an update about Hogwarts Legacy. Preorders are now open. They opened up preorders this past week, and there was a creepy new trailer. We mentioned the Dark Arts a couple of minutes ago; the trailer was Dark Arts-themed. It looked pretty cool. The story details were still scant; we don’t really know much about what this storyline is. But I just wanted to run through the pricing. So we knew this already, the game is going to be $69.99. This is for the standard edition of the game. This is what new Triple A titles are typically priced at these days. There is a deluxe edition that’s going to be $79.99, and this is going to come with a couple of extra digital benefits like a Thestral mount, you’re going to get a Dark Arts cosmetics set, you’re going to get a Dark Arts battle arena, so it looks like you’ll just be able to fight for funsies. That’s pretty cool. You’re also going to get 72 hours early access to the game. This is probably what’s going to make me sign up for the deluxe edition, though I have to say, it feels like you’re paying extra to be a beta tester for them.

[Eric laughs]

Andrew: Because while they are testing the game plenty right now, they’re going to be fixing most bugs after it gets into the hands of many more people. So pay extra and then you can be a little test rat for them. Great! And then you’ll also get a hippogriff mount and Felix Felicis potion recipe, which I assume would help you in battle. And then there’s a Collector’s Edition – is everybody sitting down? – $300 for the Collector’s Edition; you get all of the above, plus a life-size, real floating ancient magic wand with a book base. And it floats, I guess, with using the magic of magnets, I assume. So that’s cool. And then you get a steel case and you get a kelpie robe in-game as well. I’m not buying the Collector’s Edition. [laughs] I have my MuggleCast wand; that’s enough for me. I don’t need a floating ancient magic wand.

Marc: Is the robe in-game?

Andrew: Yes.

Marc: Because if it was an actual robe you can wear, I could kind of see it.

[Laura laughs]

Andrew: Yeah, no real robe, sorry. You can go to the Wizarding World theme park and spend like, $500 on a robe if you would like one.


Main Discussion: The Physics of Harry Potter


Andrew: So let’s move into our main discussion now. Laura, do you want to kick things off?

Laura: Yeah, so I thought we could just quickly, Marc, talk about why do we have so many conversations about the intersection of physics and Harry Potter?

Marc: [laughs] There’s a lot of times when you’re explaining something to me in the Harry Potter universe, or we’re going over something or we just have a random thought, and just because of how my mind works, I try to be like, “Okay, how did that happen?” And there’s not typically a pretty clear explanation for it. And again, as I said, I’m not a physicist. I read a lot of comics, and a lot of comics have some kind of loose, like, “This is how the speed force works in Flash.” Even though it’s completely fantasy, there’s still some kind of thing you can extrapolate off of. Or like, “These are the Infinity Stones; this is what they do,” right? “And this is how they do what they do for the most part.” But a lot of that is open to interpretation in Harry Potter. And magic is huge because there is not magic, really – spoilers – so you can’t really use our rules to be like, “Oh, obviously, because of Newton’s so-and-so law, this spell works like this.” You can’t really do that. So looking for those explanations are where we have a lot of those conversations because it’s like, “Okay, this dragon can breathe fire. How can it breathe fire? Is there a mechanism in the back of its throat that two pieces of flint click together, and then they have a gas thing, and then it ignites like a flamethrower? Is there a room there? Or is it a spell they’re just inherently born with?” All that stuff, which is pretty fun to talk about.

Laura: Yeah. And of course, there’s no established law of physics in the Harry Potter world, and because it oftentimes is grounded in the Muggle world, we can only assume that it’s the law of physics that we know and understand or at least interact with every day just by existing. So part of the conversation that we’re going to have today is trying to use the laws of physics as we understand them to explain how some of these things might be working. But again, we’re obviously asking these questions for fun, but I think Marc and I would also argue that exploring Harry Potter through this lens further enriches the text because it just gives us a deeper sense of understanding and more opportunity for literary analysis.

Andrew: Yeah, absolutely. But just to set the table here, when we say physics, what exactly are we talking about, Laura? I think we should give an explanation for the 9-year-olds listening to the pod and those of us who haven’t been in a science class in a while.

Micah: For me. I need an explanation.

[Laura laughs]

Andrew: Yeah, or those of us who got probably a C or D in science.

Micah: I never took physics, so…

Andrew: Oh, neither did I. [laughs]

Laura: Hey, me neither.

Eric: But have you ever read the book in your video back screen, Micah, the Brief History of Time by Stephen Hawking?

Micah: I have not.

Eric: It’s excellent, because he does a really good job of explaining really wonderful space concepts to a layperson. It’s good stuff.

Laura: Well, I’m going to do my best here to explain this. Marc, please keep me honest, because there are probably some 9-year-olds listening to this who have a better understanding of physics than I do, but I’m going to give it my best shot.

[Andrew laughs]

Laura: So physics is the branch of science concerned with the nature and properties of matter and energy, and the subject matter of physics includes mechanics, heat, light and other radiation, sound, electricity, magnetism, and the structure of atoms. We obviously will not be getting into all of these aspects today, and we’re specifically going to be looking at things like mechanics, mass, and light to try and explain how, from a physics standpoint, these things could work in the wizarding world. Did I get that right, Marc? Is there anything you would add?

Marc: Oh, no. I mean, just if you’re doing it in a sentence explanation, it’d be just the study of the things that make up the universe. So all of these things are a component of the universe as it exists. So yeah, I mean, that’s pretty much spot on. So basically, if you were looking at a crate full of Legos, and that’s our universe, it would be examining each type of Lego, what are the rules for that Lego, how does that Lego function…

Andrew: You would make a Lego analogy here, and I respect it.

[Laura and Marc laugh]

Laura: Thank you for explaining that. See, Marc’s tool is that he actually understands this. My tool was going to Google.

[Andrew laughs]

Laura: When I saw that question in the doc, I was like, “Google.com.”

Eric: Both very valid tools.

Marc: I wouldn’t have graduated without Google, so…

Laura: Fair.

Marc: One of my most valuable professors.

Andrew: [laughs] 9-year-olds, maybe don’t listen to that. Don’t repeat that one to your parents.

[Everyone laughs]

Laura: All right, so we’ve got three topics to look at today. The first one we’re going to look at is the cost of doing magic, and the core question of this is where does the energy to do magic come from and how does it work? Marc, can you talk about some of the reasons why we have this question?

Marc: Yeah, so usually, they talk about it’s in their blood, right? Which, doing magic, and especially some of the spells they do that literally break the laws of physics, just completely shatter them. There would have to be some kind of guideline, some kind of rule to dictate that. Is there a recharge rate for stuff? Do wizards have magic stamina? Is there a mana system like in a game when you do things and you have a resource bar, like a MP bar or whatever, and it goes down the more you do things, and then after time, it slowly builds itself back up? We never really get a clear understanding of how that works. I mean, is the magic being pulled from their environment? Is it being pulled from them themselves? When they said that it’s in their blood, does it mean that it is literally something in their bloodstream? If you gave a wizard a blood transfusion, would they not have that magic anymore? Right? Is it a lineage thing?

Eric: Well, the only time I can think of Harry, for instance, being exhausted after doing spells is the harder spells like the Patronus Charm. That’s where you see him really depleted, like his energy has gone down. But that also, we’re told, is because he has to sort through his emotions, right? So he’s hearing his mother scream, and it’s very draining, but not strictly from his magical reservoir, if you will. It also seems to be because the spell involves a lot of concentration. Same with Legilimency, and same with the Accio summoning spell.

Andrew: I would also argue the Patronus spell is probably more emotionally exhausting, so when we see that exhaustion that you’re describing, Eric, it was just kind of emotional.

Eric: So does Harry then have a limitless supply of magic? Do all wizards have just the ability to keep going?

Micah: Yeah. He’s also doing it at a much younger age, too, so I wonder if he would expend less energy as he gets older, and how does age play into it too?

Laura: Yeah, that’s a great question.

Marc: That’s a good point. I mean, you could make the argument that it is purely emotional-based, right? Because as you mature, you get more understanding or control over your emotions and how you work. Usually, not always. But maybe that emotional maturity can be why some wizards can do more challenging spells. But if it’s literally just limitless, like everybody can just do whatever spell they want, the only thing stopping people is their imagination and their emotional capacity, I guess, which, that still is real vague, because at that point, why are some wizards naturally stronger than others, right? Does it mean that all wizards that are stronger than other wizards are just more emotionally adept?

Eric: Well, if you look at somebody like Snape… so the Patronus Charm says you need a happy memory; you need something very happy. But we see Snape conjure a Patronus in moments of great distress, almost, but he’s so calm and collected that he probably has a little nugget of a happy thought. Whatever it is, doesn’t matter what it is, he doesn’t even think of it. He doesn’t have to become happy in order to conjure a Patronus because he’s got that locked in. He can just tap into it like that no matter what. In the middle of battle, he could conjure a Patronus, whereas somebody like Harry in year three has to really concentrate on something happy, fight the negative thoughts that are coming into his head at all angles. So I just see that as an act of… it’s maturity. It’s exactly like you’re saying, though; self-control, and as you get older, your ability to do two things at once, in a way. Even though that’s been disproven; we can’t multitask. But I think that if anybody could, Snape could.

Laura: It is interesting, because we know the Patronus is advanced magic. We know this from the fact that adults are constantly surprised that Harry can do it at such a young age.

Eric: And a full one.

Laura: Yeah, I mean, remember when he’s doing his OWLs, one of the practitioners is like, “Hey, for some extra points, can you do your Patronus?”

[Eric laughs]

Laura: Because they were just so impressed by it. On the other hand, too, in Order of the Phoenix when Dumbledore’s Army is learning how to cast Patronuses in the Room of Requirement, people are really struggling with it. Which makes sense, but then is the argument if you have to have a level of emotional maturity to even be able to broach the topic, does that then suggest that everyone in the Room of Requirement has the right level of emotional maturity to be able to do this? That’s what makes it so unknowable. It’s so ambiguous.

Marc: And that’s the kind of question that we would dig into, because it’s like, okay, if there is no physical or biological or whatever actual limiter, it would make sense why wizards and witches just use magic for mundane stuff, things they could have easily done without magic, because if you don’t have a reservoir and you don’t have an active balance that’s always going down, you don’t have to worry about it. You can basically just use it however you want. But if there is some kind of limit, like even with the Patronus, which was a great example… and linking it to emotions makes sense because the Patronus is the antithesis of a Dementor, right? So the fact that the Dementor’s whole thing is it sucks happiness from you, you beat it by giving it a bunch of pure, pure happiness, right? So that happiness is still coming out of you, regardless of whether the Dementor sucking it out of you or you’re just blasting it with it.

Eric: Oh, so it’s a math equation.

Marc: So maybe it’s like, if all things being equal, you doing a Patronus puts you in the same or a relative state to you getting that happiness forcibly taken out of you, because you still have to experience it, right?

Eric: That is nuts. And I love that… well, the Patronus is not a force of light. I mean, it is in a way, but remember, the way that it’s described by Lupin is that it’s a neutral. It’s a shield. It’s basically just a force that the Dementor can’t get anything from. So it’s conjured, you’re depleted of your happy memory when you send it out, although you get to keep the memory, but it does drain you in that way. But to the Dementor, it’s just a barrier. It’s just a buffer. It’s not necessarily like it’s sending happy vibes at the Dementor; it’s just the Dementor can’t penetrate it right there. There’s something lost in the creation of the Patronus in that the Patronus doesn’t then be some kind of force for happiness or good. It doesn’t feed the Dementor.

Marc: Yeah. And also, it wouldn’t be that much of a stretch to be like, Dementors just can’t understand something like that, right? Because if they’re beings of darkness that take happiness… I would even posit that they’re not really taking it because they want happiness; it’s just what they feed off of. But I don’t think a Dementor is capable of actually experiencing happiness, so it could just be like, “I don’t know what… this is freaking me out,” and then they just dip.

[Andrew laughs]

Eric: Yeah, well, if you want to get into really high level, the stuff that has been hinted… that’s what I like about the wizarding world, is it seems like the author largely doesn’t want to explain it, but occasionally, you’ll get a really weird excerpt and it’s just like, in the middle of nowhere, there’s an answer for something or a potential answer for something. It’s like when Hermione brings up Gamp’s Law; it’s like, “Oh, wait, if that exists in universe, then some wizard somewhere has really actually tried to understand the world around them and was leagues above everyone else that’s just doing magic for mundane tasks.” But the thing that I’m thinking of now, because we’re talking about Dementors, is the suggestion that they might have been created by a wizard.

Laura: Oh, that’s interesting.

Eric: His name is like, something “the Awful.” He founded Azkaban or something, and they think that he might have created the first Dementor. But if you think about the level of magic needed to do that, and the fact that the Dementors are probably breeding and capable of breeding to actually create something that is so anti-force for good, would require a huge knowledge of magic that we just don’t see anyone, really, short of Dumbledore Voldemort performing.

Laura: I think we’ve established that we know for a fact that there are certain aspects of magic that do sap the caster of energy, right? We know it’s true of the Patronus. We know that with Unforgivable Curses, you have to mean it, so that implies that there is some transferal of energy that allows those spells to function at their highest level. So my thought here is maybe most day-to-day spells don’t cost very much. Maybe that’s what this means. There’s only a special set of spells that actually deplete your energy, cost you something, and then require you to either rest or eat chocolate, for example – we see in Book 3 – to be able to regain your energy.

Andrew: Right, because it’s like, what are you doing? If you’re making a feather float, that’s not going to cost a lot of energy because it’s a very simple task. If you’re trying to push Dementors away from you, that’s emotionally, physically exhausting. It’s like if you’re at the gym and you’re picking up a 5-lb. weight or a 50-lb. weight; one of them is going to take more energy than the other. I do think that all spells should absolutely cost something; it doesn’t seem fair that wizards can just do whatever spells they want and there’s no depletion there. On the other hand, I do not want this in the video game, because most people agree that weapon breakdowns in Legend of Zelda: Breath of the Wild are very… frustrating.

Laura: Stressful?

Marc: Yes.

Andrew: The Master Sword too. That loses energy. Screw that. [laughs]

Marc: Yeah, that wasn’t great. But also, I mean, even if it’s not… I would be fine if there’s just a stamina bar, right? Because that incentivizes you to level up. If there’s a bar where it’s like, you can do ten little spells or three big spells before your energy needs to recharge, at least then it’s like, “Okay, you’re at Level 25 now; now you have 80 extra magic points,” or whatever. So that would help you scale throughout the game versus you start the game pretty much being able to spam a bunch of spells, because you’re right, 50 lbs. versus 5 lbs. is a huge difference. But if you’re lifting 50 lbs. once versus 5 lbs. 200 times…

Andrew: Ooh, yeah.

Marc: … that’s still going to be… there’s no way you could do that, right?

Andrew: Well, I can, but yeah.

Marc: Oh, of course, of course.

[Laura laughs]

Marc: But for mere mortals, you can’t do stuff like that. So that’s where we have this conversation a lot, because if literally the only thing stopping these kids… a whole school full of kids practicing magic, there should be spells going off everywhere, constantly, at all times. Because if you give a kid a new toy, you hear that all the time, right? You give a kid a toy that makes any kind of noise… or I mean, look at kids nowadays with tablets. They’re on that thing all the time. So if you told the kid, “Hey, by the way, you can do magic now; this is a safe place to do magic,” and it doesn’t cost anything, there’s no way that they can exhaust themselves unless they’re whipping out the big guns, yeah, there should be… if it’s just imagination – and who has a better imagination than kids? So these kids should be pumping out some of the most ridiculous spells anybody’s ever seen, because adults’ imaginations, nothing compared to a kid.

Laura: And I think on that note, it’s really interesting to think about how are spells created? Where do they come from? Are they discovered? It seems like that might be part of this. And I think a really good example to look at here is Lockhart; he is obviously not an example of a great wizard, but he is an adult who manages to mess up magic a lot, and he does inadvertent things like removing the bones in Harry’s arm instead of healing it. So if a full-grown adult is making these kinds of mistakes, you have to imagine there are a ton of hijinks going on offscreen at Hogwarts that we just don’t see.

Marc: Oh, yeah, absolutely. And honestly, this is one of my biggest questions, really, because can you imagine…? Especially with how many just casual wizard duels there are around the school… in fact, there’s a class where you have to do it, right? Can you imagine how terrifying it would be? Because they’ve already established that you can have inadvertent effects if you mess up a spell, and they’ve already proven that wizards can make new spells. Like, Snape created a spell, right? So imagine how many spells witches and wizards have that they just keep in their back pocket. Imagine Lockhart, right? Imagine if he did that and he removed the bones but it was somebody who didn’t tell anybody and no one saw it, and Lockhart is about to duel somebody, and it’s like, “Oh, Voldemort, did you make a giant water snake? That’s cool, I guess. Your bones are gone. The fight’s over. That’s it.”

[Andrew and Laura laugh]

Marc: He’s a puddle of muscle and skin on the ground, trying to hiss very, very pitifully. That’s it. It’s a wrap. Can you imagine? And that’s just one example of getting one thing wrong; that’s pretty simple. Can you imagine? It’s like, “All right, you tried to use Lumos, and now instead of bringing light, you accidentally blinded your friend,” or something. So now you have a spell that just blinds people, and they never tell anybody, because why would you? Why would you show your hand? So that’s like walking into a duel and both parties have an outrageous amount of trap cards just set, ready to go.

[Andrew laughs]

Marc: It’s just like, “Oh, you did that? Oh, yeah? Well, here’s this spell you’ve never seen before. Here’s this spell you’ve never seen before.”

Andrew: It seems very unfair.

Eric: Yeah, that’s a really good point. Even an accessible… even just thinking about this, the spells that the students use pretty early on. And this might be a video game thing, but Lumos Solem, which is the solar light. You could blind somebody if they look… if you look directly in the sun, you get blinded. That’s like playing with a laser pointer right there. That’s insane. You could just blind everyone.

Andrew: Or in the movies, they went, “Lumos Maxima.”

Laura: Oh, yeah.

Andrew:Lumos wasn’t enough. We had to add Maxima to it to make it really bright.”

[Laura laughs]

Andrew: I guess the author and just wizarding society… maybe there’s some unspoken agreement – though of course Voldemort wouldn’t follow it – that you can’t have this collection of spells hiding in your back pocket to unfairly beat somebody else. You know what I mean? It’s almost like these are Unforgivable Curses in that they’re so unfair. Removing the bones, destroying somebody’s wand. I don’t know.

Marc: Honestly, like what Eric was saying earlier, I wouldn’t be surprised if Dementors were made this way by accident, like somebody was trying to do… what if somebody was trying to do a Patronus, and they were trying to think of a happy memory, but they just didn’t have any? So instead of a Patronus, that came out. And they’re just like, “Hmm, there’s this shadowy figure that saps the happiness out of people,” because it came from somebody who never experienced it. You know what I mean? Like, there you go.

Laura: That’s dark. [laughs]

Marc: Yeah, and then Dementors were just around. Who knows what kind of crazy stuff could happen with people accidentally altering spells? Again, I don’t know about you, but losing all my bones sounds terrible. I would take being flung across the room, whatever, right? All those spells that just forcibly push you and you’re like, “Oh, man, you really got me.” It’s like, “You got off so easy. You have no idea what could have happened to you.”

[Eric and Marc laugh]

Eric: As far as people making spells, I always got the sense that it was a push and pull between making or creating a spell and discovering a spell. You see Snape’s notes in his notebook; he’s trying to figure out what the incantation will be for the spell to turn out and do what it is that it does. So there’s really a discovery process; maybe all spells that are intentional magic all exist and wizards just don’t know them or haven’t written them all down. Like, everything that it is possible to do with magic… there’s a finite number of things, but it’s also infinite, but what wizards know is like, 1%.

Laura and Marc: Yeah.

Marc: It’d be just like physics, right? Physics exists already. Scientists don’t really make physics; they just are like, “Oh, it looks like when we look at these things this way, or observe these particles and this specific thing…”

Eric: Right. Well, and the rules change. We have rules that really just exist until they’re contradicted, and then we have to come up with a whole new governing system of physics to understand or explain, like, how light works.

Marc: Which is a doozy.

Eric: It’s a real doozy.

Marc: Gravity is still a theory, technically, right? Like, we know it exists, and we know how it works, but we don’t know a lot about it still.

Micah: Right. Well, I guess my question would be with the example of Snape, then: What source is he connecting with as he’s doing those incantations to create Sectumsempra? Is there a connection, then, between language and some other higher entity that exists? Some source energy?

Eric: Yeah, here’s how I think of it. So a wand, right, channels the existing magic into a fine point and really allows you to do spells, because it’s pulling from say, for instance, an energy field, whether it’s out in the universe like the Force, or whether it’s within you because you’re a magical being. Your wand hones and shapes that magic to allow you to do spells. Words are the same way; the incantation part of magic is your body’s way of channeling meaning into your spell. So because the words mean something to you – or at one point in history, when people spoke Latin every day, the words meant something to them – the finding of a spell, or the shouting of an incantation, is another way of channeling meaning into magic and creating something to happen. That’s kind of the way I see it, is the incantation part of a spell is just as important as the wand because it hones, it specifies, the way in which your magical force is going to be coming out of you.

Laura: So do you think it’s just trial and error, kind of like the way we do scientific discoveries all the time?

Marc: Oh, absolutely. I honestly wouldn’t be surprised if they taught the scientific method at Hogwarts, because it’s the same… I mean, you make a hypothesis, right? You try to do the thing you’re trying to do, you observe the results, you adjust your hypothesis, and you try again, right? And think about how many discoveries in physics, in science, in our world are discovered intentionally and then are discovered by accident, so I assume the same thing happens with magic. There are probably plenty of spells that were accidental and they’re derivatives of spells that already exist of somebody being like, “Yeah, I tried to do Accio, but I accidentally made it push away from me instead,” right? And now there’s a spell that just forcibly pushes things away from you.

Eric: Yeah, Depulso, I think it is.

Marc: Yeah, I wouldn’t be surprised if those both were discovered… one was discovered, and then one was discovered afterwards as like, “Oops, I messed up, but hey, that’s kind of cool,” and then they just refined it to make it do what they wanted, versus somebody being like, “I specifically want a spell to turn this water into chocolate pudding. That’s what I really want.”

Laura: Man, that sounds great.

[Andrew and Laura laugh]

Marc: Right? And they just keep on trying to do it over and over and over, just trial and error until they get it right. So I assume both happens.

Eric: Can you imagine being Snape and developing Sectumsempra and being happy with the result? Like, “That’s what I want it to do.”

Andrew: [imitating Snape] “Ooh, look at this, eheheh.”

[Eric and Laura laugh]

Marc: He’s like, “Man, I’m good.”

Andrew: [laughs] “Still got it.”

Laura: None of us has wands that we can experiment with in this way…

Andrew: Sorry, I was just practicing my Snape.

Eric: It’s very good.

Laura: Oh, okay.

Marc: “I did it… obviously.”

Andrew: “Obviously I did it.”

[Laura and Marc laugh]

Andrew: I’m just holding my nose. That’s my Snape.

Laura: I think that’s pretty on on the nose, if you will.

[Andrew and Marc laugh]

Laura: Well, looking at our next topic, I think this one is going to be fun for us. We’re looking at food and Evanesco. So the question that we have here…

Eric: [laughs] Uh-oh, the two opposites here.

Laura: Yeah… is where does food come from? And where does beeeep go?

Andrew: Uh-huh.

Laura: Literal and metaphorical. [laughs] Because we know the history of how Evanesco was used in the wizarding world pre-modern plumbing, but also, you can use the same spell to disappear a lot of things. Marc, why do we ask this question?

Marc: Hoo, well, there is a lot of leeway you can give something when it comes to magic. But usually, one of the main things that stay pretty rock solid in most fiction – well, not most fiction, but most systems, as it is – is you can’t make something from nothing and you can’t return something to nothing, right? And from the conservation of mass and energy, you can’t just… it has to be transferred some way into the system, right? Like if you burn a piece of paper, that piece of paper is not gone, right? It turned into ash; the mass that it lost from turning into ash gets transformed into heat and light…

Laura: Carbon.

Marc: Yeah, all those reactions happen when it’s being transferred to a different state. But if you put a piece of paper in something and it just stopped existing, that couldn’t work, because that mass and energy would have to go somewhere. Same thing with making something; you couldn’t make something just appear without taking that mass or energy from something.

Andrew: So one reason we’re asking this is because of what we see in the Great Hall, I assume; the food just appears, and I think there’s some dialogue in the books about how the house-elves are making it downstairs. But then there’s also questions about maybe… looking at the Burrow, where does that food come from? Is that whipped up? Is Molly, or Arthur, going grocery shopping? Are they farming all the food? I think the simplest answer to all of this is that the food is still being farmed; we just don’t hear about it.

Laura: Yeah. And we do get some explanation about this in the book; I think Eric brought it up earlier. We hear a little bit about Gamp’s Law of Elemental Transfiguration when Hermione is explaining to Ron how food is made. She says,

“Your mother can’t produce food out of thin air, no one can. Food is the first of the five principal exceptions to Gamp’s Law of Elemental Transfiguration… It’s impossible to make good food out of nothing! You can Summon it if you know where it is, you can transform it, and you can increase the quantity if you’ve already got some.”

And this is where me and Marc have some questions, because if you can’t produce food out of thin air, that feels to be in conflict with the statement that you can increase the quantity of something. Because on its face, you can’t increase the quantity of something and maintain the same properties, right?

Marc: Yeah, exactly. If I ordered a pizza and I ate the whole pizza except for one slice, and then I used a spell to make seven slices of pizza reappear, unless that whole pizza pie now has the same nutritional value as one slice of pizza, that pizza literally came from nowhere. To you, you wouldn’t know that it got multiplied by one piece of pizza, right? You would just see a new pizza, and you’re like, “Where did this come from?”, right? So the statement that if you have something you can make more of it contradicts… when they were like, “You can’t make something out of nothing,” I was like, “Okay, I’m on board. That sounds good.” And then it’s like, “But if you have something, you can make more of it,” and it’s like, “But that is literally making something from nothing.” If you’re making a new thing appear and it has the same… if you eat it, and you get the same nutritional properties, then that’s the same… it’d be one thing if you ate it and it didn’t taste great and it didn’t really fill you up, because you’re basically eating an eighth of one slice of pizza.

Laura: I had a dark thought about this. I was thinking maybe this is, one, why Ron was so hungry the entire time they were on their camping trip, because maybe this is what they’re having to do to eat. They’re having to increase quantities of food. So it seems like they’re eating… let’s say it’s a loaf of bread. Let’s say Hermione takes one loaf of bread and transfigures it into three loaves of bread, but those three loaves are actually representative of the nutritional value of the one original.

Eric: The one loaf, yeah.

Laura: But then I was like, Ron is hungry through the entire series.

Marc: He’s a growing boy.

Laura: Yeah, I mean, I’m thinking of the economic struggles that the Weasleys face, and I’m wondering if there are times where, in order to stretch their money as far as they can, if Molly is having to increase quantities of food.

Andrew: Oh, wow.

Marc: That could definitely be a thing. That makes perfect sense. The only thing I will say, though, is there are instances of people doing the same, like McGonagall when she has the tray of sandwiches that just keeps on replenishing itself. It’s like, so are those sandwiches depreciating in nutritional value? Or are those sandwiches being pulled from somewhere? Are the elves in the basement making all these sandwiches nonstop and they’re just teleporting them to the plate as they’re being made? Right? That would make sense.

Andrew: That’s what I would assume.

Marc: That assumption is honestly my main assumption for food in general in the Harry Potter universe, because it makes way more sense to just say if the food maintains its nutritional value, it’s just coming from somewhere. If Harry is like, “I want a sandwich,” and just waves his wand and a sandwich appears, there is some poor soul in the world who was about to take a bite out of a sandwich, and it just popped out of their hands.

[Andrew laughs]

Marc: That would make more sense to me because either the food that you want teleports to you already prepared as you want it, and you saying, “I want a sandwich,” is essentially you putting out a Google search into the ether that is magic and saying, “These are my search criteria, this is what I want,” and it just finds you that somewhere in the world and brings it to you. Or the other, a less clean version of this, would be when you say, “I want a burger,” right? It would go and find wheat, take that wheat out of the field that it was in, it finds the meat somewhere in a butcher shop or something, and finds all the components of what makes the thing you want, and as it’s getting sent to you, it’s being prepared as you would like it, right? You could do that. But as long as it’s coming from somewhere, that’s the main thing, because if it’s just appearing out of nowhere, then it would be less nutritious the more you make. And just like Laura stated with the economic aspect that could be a consideration, too, maybe the families that are a little bit more sketch, like the Malfoys, maybe they just do take food from people, because why wouldn’t they? They’re like, “We don’t care. We’ll just take food from Muggles,” right? They’ll think that they’re being haunted or something, or those are why there’s so many conspiracy theories, because they’re like, “My sandwich just disappeared from my hand; it’s aliens!” I could totally see a whole thing like that playing out. But maybe people like Molly, who also aren’t well off financially, just have the moral stance, like, “I’m not going to take food from people, because it would be devastating if somebody took food from me and my family.”

Micah: This made me think, though: There is no grocery store in Diagon Alley.

Andrew: I’d like to think there’s a lovely farm, maybe somewhere near Diagon Alley or somewhere… I mean, I think we saw it, actually, in this Hogwarts Legacy ASMR video. There was some farming going on there.

Micah: Oh, yeah.

Andrew: So I think they have some nice farms where they get all their food from, and then the house-elves go and pick it up and then they’re making sandwiches all day in the kitchen and transferring those up. I would also think that they have a sense of how much food they need to make for the kids; just with the school being around for as long as it has been, they have some data on that. But HufflepuffTeach is actually bringing up a good point, too, in our Discord. He said, “The magical community could actually help with Muggle food waste from the restaurant industry with how much food is still good to eat but gets thrown out anyway.” Food waste is a huge issue in the Muggle world. So much food is wasted, not just at restaurants, but at home, right? Think of all the food we throw out when we’re full or whatever else. Imagine a scenario where wizards were quietly… [laughs] maybe pulling food out of the trash cans isn’t the best way to do it, but…

Eric: But cleansing it. You could magically cleanse it because the food still exists.

Marc: Or you could just break it down, right? If you broke it down to its core components…

Eric: Then at least that would explain… yeah, I like that a lot.

Marc: … then that’s where the nutrition is coming from. If they’re literally taking the food people don’t eat and discard and there’s a spell that… like bread, it breaks it down to all of its molecular components, and it’s just waiting in the ether there, waiting until a wizard uses a spell that needs bread or those components to make… or say someone really wants a burrito, right? And they want the wheat. Maybe that’s what it pulls from, because if that’s the case, then yeah, that would explain some of the nutritional discrepancies with that sandwich plate, because honestly, people would be pounding those sandwiches if it was only one sandwich multiplied 50 times.

Laura: Yeah. And I think Court in our Discord brings up a good point: They say, “They eat a lot at Hogwarts. I wonder if it’s a both/and situation where the elves are making a ton of food, but also multiplying some of it to justify the large quantities that are being sent up to the Great Hall all the time.”

Andrew: Yeah.

Laura: And yeah, we do know that there is some kind of grocery store. For example, in Order of the Phoenix we see Molly summoning ingredients out of the pantry, so they clearly got that from somewhere. We just don’t know where.

Marc: Yes. And also, moving to the disappearing, right? Because we pretty much… I mean, basically all this food stuff is essentially summoning, right, where you’re summoning the food either “out of nowhere,” or multiplying it, right, or culling it from another location. And imagine Evanesco, right? The fact that you can just wave your wand and something goes away and you’re just deleting it from the universe, again, is a huge no-no, because that energy has to go somewhere the same way that energy had to come from somewhere.

Laura: Right. As a reminder, Evanesco is the Vanishing Spell, and it is famously known for vanishing poo in medieval times before they had modern plumbing.

Andrew: Thank you, Pottermore.

[Marc laughs]

Laura: But it can be used to vanish animate and inanimate objects into nothing, which is to say, everything. And Marc, the issue here is, again, mass can neither be created nor destroyed. Stuff has to go somewhere when you vanish it. You can’t say that it becomes everything and nothing.

Eric: But wait, you can, though. That’s the Ravenclaw door knocker riddle, right? “Where do vanished objects go?” If it goes into everything, then I’m thinking it is some kind of transmutation. It’s becoming energy. You’ve taken matter and just turned it into light or something.

Andrew: That is a good outcome, but don’t you think Evanesco might just transfer it to a landfill?

Marc: And that’s the thing; if it’s teleportation, that means there’s a poop mountain somewhere.

[Everyone laughs]

Marc: Just full of poop. [laughs]

Andrew: Well, like with a real landfill, they’ll cover it up with dirt so you can’t smell it.

Eric: Yeah, and why would a younger person be able to do the same spell as an adult person and have…? Like, does it go to the same…?

Andrew: It gets automatically sorted.

[Andrew and Marc laugh]

Andrew: A single stream system.

Eric: But what system is doing the sorting? What sentient catalog of wheat products and…?

Micah: The Poo Master.

[Laura laughs]

Andrew: You know they’re making the house-elves do this too.

Eric: Oh, yeah. Something that I wanted to say at this point is if you think about Disapparition and Apparition, that is very much a teleport kind of effect, but it’s associated – in the books, anyway – with a crack. There is a sound, and that is, I think, the breaking of the sound barrier, like a cracking of a whip. Right? And there’s also this vacuum; there would be a gust of air where a person was standing and is no longer standing. The air would have to rush to fill that gap, that person-sized gap, and so is that why people who are disappearing, it comes with a crack? Is that J.K. Rowling’s way of saying like, “Okay, something physic-wise is being affected here”?

Marc: Yeah. I mean, honestly, there’s a lot that Apparition could be. I mean, if it’s teleportation, and you’re ripping the fabric of spacetime and connecting two points, it may not even be them moving to a new place; it may be you making their two destinations the same for a split second, right? Kind of like wormhole travel. I mean, honestly, physics, when you get into the real crazy stuff like metaphysics, theoretical astrophysics, all that stuff, is basically magic. If you read some of the stuff of what happens to a particle when it approaches light speed, it’s crazy. It’s both big… if you took a particle and shot it through a barn door, right, and it’s going through a barn, it could be bigger than the barn. But at a point, you could fit both ends of that particle in the barn because it’s moving at light speed. The space of it starts getting wonky, right? Gravity, if gravity is dense enough, it messes with light. There’s a bunch of weird things that happen. So if a wizard is moving at light speed to a position, there’d be a lot of weird things happening that we would have no idea about. So yeah, it could just be the universe folding in on itself, making both points the same, or them just moving so fast that it looks like they’re teleporting, because at light speed, time is stopped. Time does not move at light speed, so they could technically freeze time and just appear in the new place.

Eric: Now I think I understand how those wizards can get in the wall in Fantastic Beasts 3.

[Andrew and Laura laugh]

Laura: Oh, we could have a whole other episode, because Marc was so frustrated by that. Something that I thought was interesting when we were looking into Evanesco is the realization that apparently living things can be vanished as well?

Eric: Murder.

Laura: And Marc, you were doing some reading and brought up the fact that Hermione literally vanishes a kitten in Order of the Phoenix. And before that, when you’re reading about the kids vanishing snails and invertebrates, there’s not as much of an emotional connection. But when they get to the point where they’re vanishing mammals, that starts to raise questions like “Wait, where are they going?” If Professor McGonagall… we know that she says that they are vanished into non-being, and that is… I mean, the literal definition of non-being is the state of not being and non-existence, so that implies that this kitten is dead, but also doesn’t exist. And Marc actually found that in… which mobile game was it, from Portkey Games, Marc, where…?

Marc: Oh, man, it was…

Andrew: Hogwarts Mystery?

Laura: It might have been Hogwarts Mystery.

Marc: Winifred Warrington.

Laura: Yeah, she was accidentally vanished, and disappeared for a couple of years. And this is from official Warner Bros. Wizarding World games.

Marc: It was Magic Awakened.

Andrew: I hate all this extra “canon” that they’re adding through the video games, but..

Laura: I know.

Marc: But I mean, even in the canon proper, that can… it’s gone. There’s a lot to unpack there. Because if you have a spell that you can just make somebody not exist anymore, and if that’s actually what it’s doing… because the statement of non-being, I did some research in that, too, and I think in Taoism and Daoism non-being is referred to as like a empty cup, right? An empty cup is a thing. It is a physical thing. But the valuable part of an empty cup is the fact that it’s empty, right? Its emptiness is the thing that has meaning, which I get that, but in this sense, it doesn’t really apply because it’s not like they’re shifting to a different state. But they’re just not existing anymore. But the thing that I find interesting is, what if it’s not they’re shifting to another state or they’re not existing anymore, but if they are literally getting put in a pocket dimension? Like they’re just being put in another dimension for a while? And even some things that are summoned, maybe the things that are summoned are things that are just existing in a pocket dimension, because we’d already established that different dimensions and planes of existence exist in Harry Potter world, right?

Laura: Right.

Andrew: Well, this also gets back to what we were saying earlier; some things are just unfair. The fact that you can vanish somebody is just unfair. Just a few weeks ago we were talking about Graham Montague and how the Weasley twins made him vanish and basically tortured him, and he was hospitalized after this, because they put him away into a limbo state through the Vanishing Cabinet. It’s really messed up.

Marc: And that speaks to the moral implications of things, right? If there are Unforgivable Curses, and it’s a curse that literally deletes somebody’s soul, why go through that effort when you could just vanish them? Isn’t it the same…? I mean, probably not the same end product exactly, but it gets the job done, right? And especially since people can be vanished, what does that mean?

Eric: Yeah, and if a sentient person who can do magic is vanished, can they un-vanish themselves? Can they get themselves out of it?

Andrew: It reminds me of how in cars, trunks normally have an escape latch within the trunk, so you can’t trap somebody inside. They can get out themselves.

Marc: I’m not going to lie; when you said cars, I thought you were talking about the Pixar movie. I was like, “Where’s this going to go?” [laughs]

Eric: Well, because that’s a whole physics conversation.

Andrew: I kidnapped Micah once and threw him in the back of my trunk and he got out really quick; I was really disappointed.

Marc: Fair enough.

Laura: [laughs] Sounds about right.

[Andrew and Laura laugh]

Marc: Out of all these, it seems like the other dimension explanation is the cleanest one. Because again, we already know pictures exist in a different plane. Different pictures can interact with each other. There is a sense of distance – even though it’s different than our world – between pictures; they have to travel to other places to interact with other occupants of a painting, right? If that exists in the the all-star scene when Lally put that poor dude in the wall… he was essentially wall art, and he couldn’t get out. He was just trapped in some different wall dimension. So if wizards and witches can just casually put people in a different dimension, and that dude was stuck there until another wizard on the outside waved his wand and he came out, right? So if you can just trap somebody in a limbo state like that and they’re stuck in another dimension, why does Azkaban exist?

[Eric laughs]

Marc: Why aren’t you just putting people in this dimension? You should just have a bad dudes book, and you just put people in that, and there’s just a hard-binded book that is all the worst of the worst just sitting in there, and they’re pictures you can just flip through on each page. That would make more sense.

Eric: Isn’t that the plot of Superman III?

Marc: Oh, man.

[Everyone laughs]

Eric: Yes, it is.

Laura: Don’t even get him started. I do have a question, because as we’ve established, there is clearly at least one other dimension, the picture dimension, right? So if we’re thinking about where are things disappearing to, we know wizards don’t have the best history of being kind to other people’s environments. Think about the lake, for example, on the Hogwarts grounds. We know that that’s where the plumbing empties out, for example. They know that there are mermaids and the giant squid living there, but they’re like, “Oh, we’ll just flush the poo down there.” I wonder if with Evanesco, if it’s possible that some of these things are being transported to the picture realm, to that dimension, and that’s why maybe some of these portraits are so grumpy, because they’re like, “Stop sending your bleep here.” You know what I mean?

[Andrew and Marc laugh]

Marc: Yeah, that’s true. And honestly, imagine if it doesn’t stop there, right? Because if there’s a picture dimension, who knows how many other dimensions there are, right? What if there’s a trash dimension? What if there’s just a poor dimension where there’s just a portal open in the sky that random stuff is just falling through?

Laura: [laughs] Oh, God.

Marc: And people are like, “What is that?” It’s just been like that for centuries, and they’re like, “Oh, that’s…”

Micah: Kittens falling from the sky.

Laura: Aww.

Marc: Right, it’s like, “Oh, that’s trash mountain.” [laughs]

Eric: Now I’m thinking of… doesn’t that happen in Loki, where there’s this huge dump of things that are being disappeared, or…?

Marc: Oh yeah, the Pruned…

Eric: Yeah, the Pruned objects. That’s kind of where I went to.

Marc: Or with Cloudy with a Chance of Meatballs. That’s it, just food falling from the sky. [laughs]

Eric: Definitely. Well, if you think about portraits real quick, anything you paint can be made to be a world or existence. So if you paint a ballroom and there’s a couple of people in it, you’re still creating something out of nothing by committing it to your art and then doing whatever you have to do to make it into a portrait world. Pretty much anything you can paint, you can turn into a room that people inhabit. It’s kind of nuts, and it is creating something out of nothing.

Marc: And also even with that, right? This is another thing where if you put somebody in the picture dimension, are they experiencing that dimension as if they’re natively part of that dimension? If I got put into a picture dimension, does everything look like it’s painted to me? Or does everything look normal? Right? How does that work? And even with that, it may be that they’re creating something out of nothing – which, we already established, that’s a big no-no – but if you were to try to figure out a way to make it work somehow… the parallel dimensions theory in theoretical physics, right? There’s technically a dimension – there’s infinite amount of them. So if it’s infinity, anything you draw technically already exists in a parallel dimension; you’re just making a bridge to that thing, right? So by that logic, you painting a picture wouldn’t be you… say, like, “Okay, I want to paint a picture of the movie Cars, where I can talk to cars with eyes in their headlights,” right? You drawing a picture of that wouldn’t be you creating that dimension, it would be you making a bridge to one out of infinite dimensions where that already exists. Because if it’s infinite, then everything technically already exists to some degree.

Laura: Yeah, it’s kind of like the creation of spells that we were talking about a few minutes, right? You’re not actually making something new, you’re just discovering something that was previously undiscovered.

Marc: Yeah, physics exists, right? Just because we’re finding it doesn’t mean that it didn’t already exist, like if you find a fossil.

Eric: I’m glad that all the portraits at Hogwarts are realist paintings and not abstract because I’d hate to think what would happen if abstract art existed in the wizarding world.

Laura: Oh my God. [laughs]

Marc: Oh, man.

[Andrew and Marc laugh]

Eric: You’d see these sentient paint blobs coming at you.

Laura: Like a Salvador Dalí painting, for example?

[Everyone laughs]

Eric: No! Like, brought to life? No, that’s horrifying.

Marc: What was the one with the scream? The yell? What’s it called? The person doing this. The Macauley Culkin.

Eric: Oh, “The Scream”?

Laura: [laughs] Oh, “The Scream.”

Marc: Can you imagine being put in that? That is nightmare fuel.

[Eric and Laura laugh]

Eric: Even just walking through it on my way to find my friend and hang out with her. The Fat Lady wandering through all the Expressionists.

Marc: Right, and who knows what the qualification is? What if somebody just did a stick drawing and you walk in and it’s just a stick world with terrifying stick people walking around? And you’re like, “Nope, nope, I am out of this.”

Eric: Like, what’s the consistency? I think at a certain point when building this world, the author thought, “Wouldn’t that be cool if…?”, and it’s not the author’s job – it’s not really even our job – to be like, “How does that work?” But it’s fun as a thought experiment.

Laura: Yeah, exactly. Well, I know that this has maybe raised a lot of questions for people, but hopefully, we were able to posit some potential answers for why some of these things work in the wizarding world. You can obviously take this discussion to the nth degree, and we definitely want to hear from y’all, so if you have feedback, please write in, and I think Andrew is going to tell you how you can do that.

Andrew: Yeah, so of course, MuggleCast@gmail.com, or you can use the contact form on MuggleCast.com. You can also send a voice message; just record it using the Voice Memo app on your phone, and then email us that file. Or you can call us, 1-920-3-MUGGLE, which is 1-920-368-4453. Thanks, Marc, for coming on and sharing all your physics wisdom with us.

Marc: Yeah, thanks, anytime, anytime.

Laura: I feel like we leveled up today.

Eric: I definitely feel like I learned something.

Micah: I could listen to Marc talk for hours, so we’re going to have to have him back.

Marc: Aww.

Laura: You know what’s funny, Micah, people say the same thing about you.

Marc: Yeah, I was about to say, same to you, buddy. Same to you.

[Laura laughs]

Marc: We’re going to branch off and start our own podcast.

Micah: Ooh, I like that.

Marc: Smooth Sounds from Marc and Micah.

Andrew: Micah and Marc, yeah.

Marc: Switch it up.

Andrew: The Marcah Show. [laughs]

Marc: There you go, there you go.

[Andrew laughs]

Laura: I would listen.

Micah: M & M.

Marc: Oh, perfect.

Andrew: And now we know what happens in Laura and Marc’s apartment on weekend nights. These are the conversations you can expect, so we’re all planning our sleepovers now.

[Marc laughs]

Laura: It’s real. You just got a real-life glimpse into our lives. [laughs]

Andrew: Coming up in bonus MuggleCast today, we’ll actually extend this discussion today, right, Laura? What can they expect over on our Patreon in bonus MuggleCast?

Laura: Yeah, so we’re going to be talking about some of our favorite magical objects and asking the question, “How could physics explain some of these magical items?” We’re going to be talking about the Invisibility Cloak, Time-Turners, and the Deluminator, and trying to answer the question, “How could physics possibly explain why the Deluminator seems to have some kind of pocket dimension?”

Andrew: Sounds good. So that’ll be at Patreon.com/MuggleCast this week. Sometimes we release extended discussions on there or behind-the-scenes chats on our Patreon; we like to open up more behind the scenes. Next week on the show, another super fun and interesting discussion: We are going to build our own Hogwarts lessons. This was at least partly inspired by one of our listeners; The Silent Geek suggested this. We’re just warming up for a new term at Hogwarts. And this is all before we return to Chapter by Chapter, which will be kicking off a week or two later. We’re planning lots of fun little mini segments for Chapter by Chapter 2; I was having a lot of fun coming up with names for these segments the other day, so, excited to finalize all that. Lots of fun stuff coming up on MuggleCast. But before then, it’s time for another round of Quizzitch.


Quizzitch


[Quizzitch music plays]

Eric: Last week’s question: What did the Muggle Mr. Roberts say to the Weasley family as they left the Quidditch World Cup? He said, “Merry Christmas.” And of course, it was like, July.

Laura: I forgot about that.

[Andrew and Laura laugh]

Eric: That poor Muggle. His memory is never going to be the same. Congrats to those who submitted the correct answer, including Ryan; Caleb; Mrs. Breen; Fred the Harry Potter Frog; My cat has a sailor leash; Kaladin Stormblessed; Sir KngofKngs; Dumbledore is gay but it’s actually a publicity stunt dot com…

Andrew: Whoa!

Eric: … Death Eater Colt Member 7; Tom Holland likes Harry Potter (but not more than me); and Hufflepuffing along, trying to spot the official Portkey; and Peggy. Okay, next week’s question: In year four, what does Ron smush in anger after Draco taunts him about having inside Ministry information regarding the Triwizard Tournament? So another Goblet of Fire question. Submit your answer to us via the form on MuggleCast’s website, MuggleCast.com/Quizzitch.

Andrew: A couple other reminders: Make sure you’re following the show for free in your favorite podcast app so you never miss an episode, and leave us a review if they allow you to. Thank you to everybody who leaves reviews; we see them steadily coming in and they’re really fun to read, so thank you, everyone, for your support in however you support the show. And speaking of supporting the show, we would love your support at Patreon.com/MuggleCast, and you’ll get bonus MuggleCast installments, access to our recording studio, our planning docs, lots of other fun benefits all available. Patreon.com/MuggleCast. We couldn’t do this without you, so thanks for your support. And also follow us on social media; we are @MuggleCast on Instagram, Facebook, Twitter, and TikTok. Thank you, everybody, for listening. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: I’m Laura.

Marc: And I’m Marc.

Andrew: Bye, everybody!

Micah: Bye.

Transcript #568

 

MuggleCast 568 Transcript

 

Transcript for MuggleCast Episode #568, Indefensible Characters in Harry Potter, and How to Understand Them


Show Intro


[Show music plays]

Andrew: Welcome to MuggleCast, your weekly ride into the wizarding world fandom. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: And I’m Laura, and this week we will be arguing in defense of some of the most controversial, least favorite, most complicated characters in Harry Potter.

Eric: That’s right. Well, before we begin, I’d like to shout out the brand new Hogwarts Hunt, which is a fundraiser that’s being put on through various members of the Harry Potter community. I’m very excited to say that MuggleCast is the head of Hufflepuff House, but actually, we’re among a lot of greatness. The Gryffindor head is Chanel Williams, who you may know for her TikTok McGonagall impressions. The Ravenclaw head is Chris Rankin, a.k.a. Percy Weasley. And the Slytherin head is Maja Bloom, who plays Carrow in Fantastic Beasts. Anyway, we are up against those fellow team leaders, but really, it’s all a wonderful charity to be doing a scavenger hunt. Look at the MuggleNet socials for more information, and MuggleCast socials as well for the clues, or you can donate to each of our charities. In fact, our charity that we’re playing for this is the Transgender Law Center; we’ve got to support and do anything that we can to prevent discrimination, and that’s where the Transgender Law Center excels. For more information, check out bit.ly/HogwartsHunt, and definitely check out, stay tuned to MuggleNet and our social medias for more info. Thanks, and Happy Pride Month, everybody.

Andrew: So yeah, we’ll have a link in today’s show notes. Thanks, everybody, who helps out with that.


Main Discussion: Indefensible characters in Harry Potter


Andrew: All right, Laura, so let’s jump into today’s discussion.

Laura: Yeah, I’m really excited for this; it’s something that we’ve been toying around with for a little while. It started out as doing a defense of James Potter conversation, but we realized there was more room to expand that and look at some other characters who are complex in the series. But I thought as a warm-up, each of us could bring one character to the table who we think is completely indefensible and why we think that there are no redeeming qualities for these characters. Andrew, it looks like you have everybody’s favorite second year Defense Against the Dark Arts teacher.

Andrew: [laughs] Everybody’s favorite? Not after I’m done with him.

[Laura laughs]

Andrew: Yeah, so Lockhart, obviously. There is a special kind of evil, in my opinion, in stealing the adventures of others, then wiping those adventures and everything else from these unsuspecting people’s memories, and then profiting off of these stories by claiming they are his own, and then to carry the ego of someone who actually did all these things. He’s an extremely egotistical guy. And then to accept a role at Hogwarts with a bunch of lies as your resume, where he will be unqualified to teach, and he knows that deep down. And then, of course, as we see in Chamber of Secrets, he unsuccessfully comes to the aid of students, namely Harry; it’s all based on a lie, and he just isn’t able to help them, and it’s a unique kind of evil. He’s not the evilest person in Harry Potter, but it’s just a special kind of bad person, and it’s always really bugged me. I’m a journalist, so I can’t take when people lie.

[Laura laughs]

Andrew: I’m not really a journalist, but it hurts my soul.

Laura: You’re an independent journalist, Andrew.

Andrew: [laughs] Former independent journalist.

Laura: What I think is really interesting about Lockhart is that I think we’ve all had a Lockhart at some point or another…

Andrew: Ooh.

Laura: … maybe not someone who is as exaggerated and larger than life than this character, but I think that we’ve all had a teacher whose credentials we maybe questioned because they weren’t the greatest teacher, and we all probably found ourselves wondering, “How did this person get this job?”

Andrew: Yeah, or even just a serial liar. I think we’ve all known somebody who loves to lie and finds it very easy to do to make them sound more impressive than they actually are.

Eric: Well, and Lockhart is a great example of just unbridled ambition, right? Unchecked. There’s been no one to ever say, “You can’t do this.” He’s doing it and he’s promoting himself to a ridiculous level and he’s just not worth it inside, and that’s a horrible trait. Usually, if we were looking for a more redemptive character, you would have to have an element of, I don’t know, self-doubt… something lovable. There’s nothing lovable about Lockhart deep down. He’s harming people and actually putting all the students at Hogwarts at an even greater risk. He’s their Defense Against the Dark Arts teacher; they rely on him when stuff hits the fan, and he’s incompetent. He can’t do it.

Laura: Yeah, I think we might have felt differently about Lockhart if he had a threshold that he could reach where he would realize what he was doing is wrong. For example, with Harry and Ron in the Chamber of Secrets, had he said, “You know what, this is too far; I’m going to come clean,” I think that we might be having a very different conversation about Lockhart today, but because he attempted to wipe the memories of two 12-year-olds and it ended up backfiring on him, we don’t feel sorry for him.

Andrew: Right, exactly, yeah.

Eric: He got what he deserved.

Laura: Okay. Eric, what about you?

Eric: I have another Ravenclaw for the list.

[Laura laughs]

Eric: Professor Quirrell! And again, how does Dumbledore choose these DADA teachers?

Laura: I know.

Eric: But yeah, I mean, we know that Quirrell was actually a competent professor and he ventured off before Harry’s first year into the woods to go and find Voldemort, and based on some extended canon, he thought he could either subdue Voldemort or wanted some kind of glory or accolades to locating him. Unfortunately, we know how this worked: Voldemort played him like a fiddle, ended up Quirrell is now Voldemort’s number one supporter, and in fact, sharing his human body with him in a quest to find and get the Philosopher’s/Sorcerer’s Stone and bring it back to life. So because of Quirrell’s ego, which I don’t think we’ve really focused on very much, because of Quirrell’s own “I can do this,” he ends up nearly unleashing Voldemort on the world a few years before we know that Voldemort actually returns. And it’s just a complete disregard for the danger of the situation. When you make a decision that puts yourself at risk, okay, that’s your decision. But when you make a decision that’s going to impact the entire wizarding world, think about the consequences of your actions here. And there was none of that. Again, it was just ambition the whole way through for Quirrell, and he spends his last year or so of life cowering under the guise of a wizard much more powerful than him, which he probably didn’t think existed. So it’s just the worst kind of mistake, because it’s a mistake, but it impacts so many other people.

Andrew: I like how the two non-Ravenclaws on this panel picked Ravenclaws here.

[Laura laughs]

Eric: They are the worst, aren’t they?

Andrew: Yes, they’re totally the worst. I don’t know how you can be one, Micah and Laura. Kidding.

Laura: [laughs] Well, no, I mean, I think that it’s a great point, because some of the ambition that is normally cast as a negative characteristic of Slytherins is also present among some Ravenclaws who turned bad, so I like that we’re equal opportunity offenders on the show when it comes to the Houses.

Eric: I think, too, as a Ravenclaw, if you have a so-called big brain, right, turn that intelligence… I guess the expectation from where I’m sitting on my comfy chair in Hufflepuff is that you turn that towards the betterment of humanity, and if you have more of a narrow focus and decide to use your smarts to propel yourself through high society, all the honors that that gets you, and don’t end up doing something like doing any philanthropic work or anything, then I view you poorly, as a Hufflepuff. And so these Ravenclaws are examples of people that really were just in it for themselves, despite having potentially some level of skill somewhere along the way.

Laura: Yeah. And there’s a lot of hubris there, too, right?

Micah: For sure. I think if you look at a lot of the Ravenclaws that we know in the series – maybe with the lone exception being Luna – there’s a lot to criticize. There’s a lot to look at, there’s a lot to evaluate, because they have all kind of used their wits for negative purposes, especially in the cases of both Lockhart and Quirrell.

Laura: Agreed.

Eric: With great power comes great responsibility.

Laura: Right. Oh, thank you, Uncle Ben. Well, shifting focus here, Micah, you have someone who didn’t get to go to Hogwarts.

Micah: No, but perhaps she would have been a Ravenclaw. Who knows?

[Laura laughs]

Eric: Oh, nicely done.

Micah: Yeah, so I’m curious to get all your thoughts after this, but I think that Petunia may be one of the most overlooked villains of the Harry Potter series. While she has taken her nephew in to safeguard him against the Dark side of the wizarding world, it may be worth wondering if even Death Eaters would be impressed by her treatment of Harry. She imprisoned him underneath the stairs, made him a servant to other members of the family, and allowed him to be shamed at every opportunity, even more so after his wizarding abilities came to light. She’s more than willing to try and repress his magic, and she’s willing to let tall tales be told about her sister, demeaning both Harry’s mother and father in front of him on countless occasions, so that’s why I really don’t think that she is defensible. We know that, obviously, she really wanted to go to Hogwarts, and that Harry represents probably everything she wanted for herself, but again, this is family, and this is also a child that she is responsible for, and she really does not do right by him at all.

Andrew: It’s interesting. It’s almost a hiding-in-plain-sight type of thing, because you don’t think of her as a villain since Dumbledore put Harry with the Dursleys; she is Lily’s sister… it doesn’t scream villain. But when you look at her this way, you get an entirely different impression. So yeah, I don’t know if I would go and say she was one of the worst, but most overlooked, yeah, for sure.

Eric: Well, put it this way: If Harry were anybody else other than Harry, with his unfailing lack of self-doubt, she could have instilled in him some crippling anxieties that he either lived with long into adulthood, or never recovered from because of her treatment and abuse of him. I do agree she belongs on this list of the irredeemable ones, because if you take what a caregiver or mother figure is supposed to be and turn it on its head, you get Petunia.

Laura: Yeah, it’s a great point. And based on this conversation, it has me wondering, did anybody…? When we first read Book 7 and we found out the truth about Petunia’s backstory, did we feel anything for her? Or did that not move the needle for us?

Micah: I don’t know that I looked at Petunia through that lens when I was first reading the series, where I would look back and think about how she brought up Harry. I think that’s more of something that we’ve all gotten to talk about over the course of the last couple years, and looking at the series through an adult perspective, I do think there was probably part of me that felt a little bit bad for her. She seemed like she was on the outside looking in and she really wanted to go to Hogwarts and she wanted to be just like her sister, but for whatever reason, Dumbledore doesn’t let her in and you do feel for her, I think, to some extent.

Eric: I think it’s because Petunia didn’t have a bakery, so she can’t come to Hogwarts.

[Andrew and Laura laugh]

Laura: Right.

Andrew: Wow, when you put it that way, oof, that’s pretty rough.

Laura: Isn’t that rough?

Eric: Dumbledore is like, “What is she going to bring to me, really? Not like that Kowalski guy who always brings me fun pastries.”

Andrew: “I want some fresh bread and pastries. A man with a pan and a plan.”

Laura: A man with a pan.

[Andrew laughs]

Laura: Somebody make that shirt, please. It makes you wonder why wouldn’t Dumbledore have given Petunia a fake wand? He already did it with one Muggle.

Eric: Oh my God.

Andrew: This is why prequels are dangerous.

[Laura laughs]

Eric: I mean, and it’s not like Jacob at this time is studying in Hogwarts. It was just a visit.

Andrew: Right.

Eric: But still, still. I mean, I think Petunia would have appreciated a field trip, a sympathy field trip.

Andrew: Yes! Early on, especially.

Eric: As far as do we feel bad for her after learning that stuff? It’s kind of like Snape for me. There is sort of this tragic backstory; there’s this human moment where we as the audience can be like, “Oh, I get that. I can connect to that emotion of feeling sad and disappointed.” But from that point forward, if your choices are all garbage like Snape’s and Petunia’s were, there isn’t that much redemption to be had. I’m not going to feel that sorry for you. It’s uncomfortable, but it’s not very much because I’m just able to say, “Look, you resolved yourself to hatred and bigotry and all this other stuff later.” It’s like, “Just because you were sad as a kid, and then you went and made other kids sad. So who are you, really?”

Laura: Right. It’s about the choices you make, right?

Micah: Of course. Speaking of that man, though, I think he’s probably an indefensible character to some extent. And as it relates to Petunia, let’s just look at what he did: He denied her entry to Hogwarts – and I know it’s not technically up to him – and then years later, what does he do? He puts the son who has all this magical ability of her sister at her doorstep and makes her responsible for taking care of him, re-exposing her all over again to the magical world. I think there’s something a bit sinister in that.

Eric: Well, then again, that’s how we process emotions. We have to have that exposure therapy of… Petunia was presented with the choice of continuing to resent her sister or starting anew, and she chose the former rather than the latter, so I think there’s only… not to defend the indefensible Dumbledore – I do agree a lot of what he does is indefensible – but I think that there’s only a certain amount of things he could have predicted. We know he needed to put Harry with Petunia because of the particular magic that he was working to protect him.

Laura: Great point. Well, I’ll share mine, and this one is probably one of the more predictable options here. I chose Umbridge. I think that she’s one of the most obvious villains in the series. She’s not leading Voldemort’s movement or marching at the front of a crowd of Death Eaters ever, but she is using her position in the bowels of government to support it. And as Sirius said in Book 5, “The world isn’t separated into good people and Death Eaters,” and I think that is a perfect descriptor of Umbridge.

Eric: Laura, you just quoted Sirius Black in a defense?

Laura: I did. I did.

Andrew: That’s so beautiful.

Eric: I love it so much.

Laura: I know. I have problems with Sirius, but not as many as I have with Umbridge, so…

[Andrew and Eric laugh]

Eric: That’s a good barrier.

Laura: But I wanted to ask y’all, before we move on here: Of these characters that we’ve stated as indefensible, which one of them would you say…? If you had to pick one that was the most indefensible, who would it be?

Andrew: Well, I’ll never be over Umbridge and her detentions for Harry. Just the worst of the worst. And I still remember feeling so mad at her reading Order of the Phoenix, so I think of this list, I have to go with Umbridge.

Micah: Agreed.

Laura: Great.

Micah: But here’s a question: Would any of you have saved her from the centaurs? Or would you have just left her?

Laura: [laughs] I would save anyone from the… I don’t know. I would like to think that my humanity would override and I would say I wouldn’t want anyone to be tortured, even if they deserved it.

Andrew: Yeah, because we’re good people and we want to help somebody when they’re in need, no matter who they are. I mean, there’s some people you draw the line at. [laughs]

Eric: Well, it’s tough because in that moment, they have to get away. Hermione and Harry have to get away.

Laura: Right.

Eric: They can’t even… they don’t have an opportunity to really stop what’s going on, because Umbridge was so unrelenting in letting them go or flee or do what they need to do or listening to them or any of the things a teacher should have done, that it had to be that way with her.

Laura: I am glad to hear that we’re all in agreement that Umbridge is the most indefensible of these characters, because later on in the episode, we are going to be defending her. So great job, y’all.

Andrew: Excellent.

Eric: Half of us are going to be defending her. [laughs]

Andrew: Yes.

Laura: Well, we’ll be coming from different points of view on it. Have that to look forward to. And here in a moment, we’re going to talk about which characters we love to hate, but first, well, I thought we could shift focus a little bit and talk about the characters that maybe they’re not necessarily indefensible, but they are the characters that we love to hate.

Andrew: Oh, man, this one was so easy for me. Percy Weasley. This butt face falls in love with the Ministry. He’s so proud of himself for getting the job. Of course, Fudge just promoted him to Junior Minister to keep an eye on the Weasleys and Harry and Dumbledore, actually, so he’s so excited to get this role. He prioritizes his Ministry family over his own family. He doesn’t believe Dumbledore that Voldemort is back, “Dumbledore is off his rocker,” “Fudge is awesome and amazing and right,” and then, of course, the truth is finally revealed. He comes to his senses, Percy does, and feels really guilty, but he got played big time. And the reason I love to hate Percy is because I just love seeing him realize his mistake, and it was a very big mistake, and it knocked him down a few pegs ego-wise. He was very egotistical with that role at the Ministry, and turns out he was wrong.

Eric: His letter that Ron just gets and scoffs at is a great part of that book because you’re just like, “He’s what now?”

Andrew: Yeah, yeah. So smug, if I recall correctly.

Laura: Well, he’s also… Percy is someone who’s power hungry. You see that even when he’s at Hogwarts; he takes being a prefect and then Head Boy perhaps a little too seriously.

Eric: He also cares about the responsibility, though. That’s the thing, is I think he really enjoyed being a prefect, first for the honor, right? And that’s what Fred and George constantly pick at him for. But I think he also feels like he could handle the responsibilities in any given role.

Micah: I might make a unfavorable comparison here, though: I don’t think he’s that much different in his ambition than Umbridge. If you look at it, they’re both very much disappointed in their father’s lack of achievement within the Ministry that they themselves go to the Ministry to ascend to these levels of power.

Eric: Here’s the difference: Umbridge knows what she’s doing is wrong, and Percy has just bought into the common public perception of the day. Percy is toeing the Ministry line only so far as it seems to be a plausible, reasonable route, and falls out of it. Umbridge actually forcibly creates the world she wants to see and the reality she wants to see by bending the rules and sending Dementors after Harry to make sure that Fudge as Minister would support her actions, and there’s, I think, an entire canyon of distance between those two characters for that reason.

Micah: They’re comparable in the fact that I think they both have some daddy issues. And if you look at Percy, I mean, within a very short period of time, he is already buddy-buddy right there with the Minister. Now, the Minister doesn’t even know his name, so that is a bit of a slap in the face.

[Eric laughs]

Micah: However, I’m just saying, if you look at what he was able to achieve, versus what Arthur was able to achieve in his long career at the Ministry, it would be night and day for those on the outside looking in. And obviously, Umbridge does something not all that dissimilar; she gets very close to the Minister and then can sort of, as you were saying, enact her own policies as a result of that. I’m not saying they’re similar in character; I’m just saying they’re similar in terms of how they chose to approach their careers.

Laura: Yeah, I think the key difference is Percy is, of course, a good bit younger, and he does redeem himself, albeit in the 11th hour of the series. [laughs] But he does eventually come around much earlier in his life than Umbridge, and we’re never led to indicate that Umbridge ever came around after any of this. So that’s really the difference, is just the choice Percy made later on in the series to come back into the fold of the good guys.

Eric: Onto the light side. I mean, it just represents, too – Percy does – the capacity in all of us, even among so-called good families, to stray to a totalitarian fascist regime. Pure intentions, but it really is tricky out there.

Andrew: Admittedly, it happens, so I’ll give Percy that. Especially when you’re growing up. But all teens are rebellious when they’re teenagers.

[Andrew and Eric laugh]

Laura: I just want to say – and this is plugging our Discord and thus our Patreon – I’m really loving the discourse that is happening in our Discord right now where people are making some real-life comparisons to what Umbridge and Percy would do in some real-life current situations happening that you might see reported on the news. It’s very funny. You should join our Patreon; it’s a ton of fun over there. We love hanging out with these folks on Saturday mornings. But Eric, do you want to tell us about Snape?

Eric: This is a really easy one, yeah. Snape, but I put him in the category of love to hate. I think that a function of these books, insofar as they’re formulaic, there is that big misdirect. There is the person that is held up as “This guy’s the bad guy,” but he’s not; he turns out not to be the bad guy. So starting way back in Book 1, Snape being held up as this cruel teacher that is dirty all the time, hangs out in the dungeons, really has nothing going for him…

Andrew: Greasy hair.

Eric: Greasy hair. That git. But it turns out that he’s spent the whole first year of Harry’s year at Hogwarts protecting Harry, and you’re just like, “What? Double take!” That said, once you have that revelation at the end of Book 1, it doesn’t get better. [laughs] He’s still continuing to make life miserable for the students at Hogwarts. He does some really awful things to Hermione and Neville, really just shatters their confidence or tries his damnedest to. And so yeah, not a good guy. But there’s still this element… I think it helps that he ends up being a good guy in the sense that he was working with Dumbledore to topple Voldemort and is possibly the single most important person, the most important cog in that whole set of gears for that cause, so it’s like, “Okay, I love to hate him because he is actually a good guy, but I really hate him.” But then there’s also that element of… the scenes with him are just so ridiculous. I’m thinking in particular when Harry is knocked out after the Dementors swarm him and he wakes up in the hospital wing, and Snape has regained control of the entire situation with Sirius Black and he’s talking with Fudge, and Fudge is just so delighted; he’s like, “Oh, Order of Merlin, second class. First class if I can manage it!” And Snape is just basking in the glow of this righteous act that’s going to get Sirius – who he knows at this point is innocent – is going to get him murdered or worse, and Snape doesn’t care. But that scene is so… because you feel powerless, and then there’s that triumph of Harry… you love having Snape as your, let’s say, mini-villain of any one particular book.

Laura: Yeah. Snape kind of has a one track mind when it comes to doing what’s right, because what’s right for him is that he knows he has to keep Harry alive. It’s very minimalist. It’s similar to Petunia, in a way. She provides the most – and I mean the most – basic of housing for him, so that she can satisfy the requirement of letting him come home once a year, and Snape is doing the bare minimum to keep Harry alive. And it doesn’t… the ancillary characters that Harry cares about don’t really seem to matter to him because he doesn’t care so much about Harry’s quality of life or mental state; he just needs to keep him alive because he made that promise to Dumbledore after Lily died.

Andrew: Also fun to hate Snape just because of the big “Snape good versus evil” debate back in the day. [laughs] Just fun to hate on him from that perspective, too.

Eric: It was kept ambiguous. Well, even the Marauder’s Map makes fun of Snape.

[Laura laughs]

Eric: It’s like, everybody jump on board.

Andrew: Everyone’s favorite punching bag. Poor guy.

Laura: Do we remember what side of that debate we were on back in the day?

Andrew: We’d have to pull up the old episodes of MuggleCast. [laughs]

Laura: I know.

Andrew: Man, I wish I remembered off the top of my head.

Laura: I feel like we were pretty solidly in the “Snape is good” corner because we had done so much theorizing and we were like, “No, no, no.”

Micah: As Eric was just describing, “good” is such a vague term.

Eric and Laura: Yeah.

Micah: He’s not good. He’s both good and bad.

Eric: It’s crazy that a character that murders Dumbledore could be considered a good guy, but I think we all razor focused – if I’m remembering correctly – on the “Severus, please” thing…

Laura: Yes.

Eric: … to really remember that Dumbledore planned this. And I remember feeling after reading Half-Blood that because it was part of Dumbledore’s plan. Snape, again, just is not guilty, is not a bad guy, so to speak, of doing what he’s doing.

Laura: Well, Micah. Love to hate.

Micah: Love to hate but I also think indefensible, so she probably fits both categories.

[Laura laughs]

Micah: And this may be influenced a bit by Helena Bonham Carter’s portrayal of Bellatrix. However, we know that she is easily Voldemort’s second in command, and I believe I’m quoting David Heyman here from our Episode 200 interview with him when he said she has a “deliciousness” to her evil. We don’t know much about Cygnus and Druella Black, her parents, but it is fair to say that the Black name and reputation speaks for itself. She’s clearly a pure-blood loyalist and obsessed with the Dark Arts, being taught by Voldemort himself. She’s the most maniacal of her sisters, Narcissa and Andromeda, disowning Andromeda after marrying a Muggle. And probably most notably, she’s responsible for the torture of Frank and Alice Longbottom and the murder of Sirius Black, so she has quite the resumé. But I still think people love to hate Bellatrix.

Andrew: And she loves being evil, so she welcomes everybody hating her, too, I think.

Eric: That’s a key component, I think, is “Love who you are, even if who you are is a horrible person.” [laughs]

Andrew: It’s an inspiring message. We all should carry Bellatrix’s message with us.

Laura: Yeah. Do you remember when Dumbledore was talking to Snape and made it clear to him, “I would prefer that you kill me, because Bellatrix likes to play with her food”? [laughs] Because he knew he would suffer, right? He knew Snape would make it quick. But I agree; I think that so much of this… and I think we’ve talked about this when we’ve analyzed Bellatrix’s character before: It is surprising to look back at the written word and see how little of Bellatrix there is in the books, actually, but Helena Bonham Carter just made that character jump off the page.

Andrew and Eric: Yeah.

Andrew: Absolutely.

Laura: To this day.

Eric: Yeah, there’s an example of the character sort of even being better in the adaptation than it is in the books, again, because I think in the book if you were to distill it down and erase our minds of any film portrayal and just have us assess the character, we’d say, “Well, she’s the fanatic.” You’ve got to have… this evil regime, you have to have the true believer, evil regiment person, but then we’d just be like, “Yeah, she was in a couple of scenes. She did that thing with the Longbottoms; then she just is always harping on the kids for being against her man, Voldemort.” But there’s a lot of color and flavor that Helena adds to it.

Laura: Agreed.

Micah: Yeah, she also gets Harry to use the first Unforgivable Curse that he uses.

Eric: That’s right. I mean, she murders Sirius Black; I guess I should hate her more because of that. But also, what did it for me was Spinner’s End, getting to see the one person besides Voldemort that she feels some earthly attachment to – not her husband, surprisingly, [laughs] but her sister Narcissa, and their dynamic and their relationship is really interesting. But again, Bellatrix is there to say, “You should be doing what Voldemort wants no matter what,” and so it’s very good insight into her character.

Laura: And for my love to hate character, I picked Rita Skeeter. I don’t know that we’ve talked about her a ton on the show in recent history. She is not an amazing journalist by any stretch, but there is some cleverness to what she does. She was my favorite character to hate in Goblet of Fire, which is also my favorite Harry Potter book. This wasn’t a connection that I made before I started planning for this episode, but I feel like I need to go reread it now to see if the Rita Skeeter arc was one of my favorite parts of the book. It was also really satisfying to see her outwitted by a 14-year-old; I love those moments and these characters who get bamboozled by teenagers. And while everything she does is sensationalized, her work does slightly graze the truth enough to entice her readers and to keep the plot moving along. Even thinking about The Life and Lies of Albus Dumbledore, there’s a ton of sensationalism in there, but at its base, at its core, there is some level of truth. That’s how we find out about Grindelwald and Dumbledore knowing each other. It’s another place where Hermione sees the Deathly Hallows sigil and realizes that there’s a theme here, so it gives Harry and Hermione a direction to move in. So I really enjoy the character, not because I like her, but I do love to hate her.

Eric: It’s another one of those classic takes of how femininity is bad in the view of the author, the way she shows up and she’s very posh and accomplished, but she actually does not want what’s best for the wizarding world, if we all can believe that.

Laura: Nope. [laughs]

Eric: She wants success and fame and fortune and all the usual trappings.

Micah: She’s Lockhart with a quill, essentially.

Andrew and Laura: Yep.

Laura: Do you think she was a Ravenclaw too?

[Laura and Micah laugh]

Micah: We could probably check on that.

[Eric and Laura laugh]

Micah: I do think, though, too, just like Bellatrix, there’s a deliciousness to her evil, and that may also have to do with Miranda Richardson’s portrayal of her. We don’t get her a whole lot in the fourth movie, right? We actually don’t even get her after that when she does make a couple of appearances, so that’s disappointing.

Laura: I know.

Andrew: Y’all…

Micah: Rita was a Ravenclaw, okay.

Andrew: Yeah, I just Googled it. She was a Ravenclaw.

Laura: [laughs] Oh no!

Eric: Oh my God.

Andrew: There’s a trend here.

Eric: There’s a Ravenclaw in every book that’s evil.

Andrew: [chanting] Leave this House. Leave this House.

Laura: No, Micah and I have to redeem the reputation.

Andrew: Oh, fine, fair.

[Laura laughs]

Andrew: Slytherin! Slytherin!

[Andrew and Laura laugh]

Laura: It’s a different kind of evil.

Andrew: Yes.

Laura: Well, I thought we could chat about now, after we’ve warmed up with talking about some completely indefensible and some love to hate characters, what makes a character defensible or even complex enough that we enjoy them as readers? I think Snape is most often the example that fans of the books look to. There are even a lot of readers of the books who cite Snape as their favorite character, not because they agree with him ideologically, but because he is such a gray area complex character. And I was just thinking off the top of my head, what are some of the characteristics of a character like this that maybe people can connect with or at least understand? And I think it’s he’s deeply intelligent, he has this tortured childhood, he’s got an unrequited love angle… we’ve all been there at some point. I’m wondering, though, what is the most common defense of Snape that we’ve heard from Snape fans over the years?

Eric: I think that Dumbledore really manipulated him. We see Snape was a good enough person in the sense that he could love somebody – that’s questionable whether it was healthy love, etc., etc. – but then to have the back half of your life be dictated by this megalomaniacal Machiavelli character that’s going to say, “Oh, you felt for this person? I’m going to use that to put you exactly where I want you the next 20 years.” It’s arguable whether Dumbledore was doing what absolutely needed to be done because he needed an inside man because that’s just Voldemort was that terrifying, but at the same time, it’s wrong that Snape never really got to process those emotions necessarily, because he had to just be in it for the last 13-15 years of his life.

Andrew: Yeah. Yeah, I agree. I think Dumbledore is the most common denominator as to why Snape was most defendable. It’s hard to argue with the fact that Dumbledore and Snape were working very closely together and we consider Dumbledore mostly a good guy.

Laura: Do we on this show? I feel like we critique Dumbledore on a lot on this show.

[Laura and Micah laugh]

Andrew: No, we do. We definitely do. But I think I say from time to time that he’s one of my favorite characters, if not my favorite character.

Micah: He’s a fascinating character.

Laura: Oh, yeah.

Micah: I just think looking back on it, we’re able to see how he was this master manipulator and moved all these different chess pieces throughout the Harry Potter series so that ultimately, we got the result that we did.

Laura: Well, I mean, when we look back at the indefensible characters that we started at the beginning of the show with, Dumbledore is the common denominator with all four of these people.

Eric: Oh, God. You’re about to… you just blew my mind. But look, but look, here’s my rule of thumb, good guy versus bad guy: Are they nice to children?

Laura: Yep.

Eric: That’s it. Snape is not… he’s no. Petunia is not…

Laura: That’s a good barometer. [laughs]

Andrew: Yeah, I mean, rereading some of the ways he treats the students, it makes you sick. And in those moments, I’m like, “Damn, this guy really does suck.”

Eric: But then Dumbledore is like, “Alas, earwax.”

[Laura laughs]

Eric: He really makes effort, I think… even with Ron, when he… and he gives the points to Neville at the end of year one. I think because Dumbledore was good with kids, he’s okay, or a little bit more all right.

Laura: Well, he’s good with kids interpersonally, but he doesn’t put kids in the greatest position either. [laughs]

Eric: [sighs] Yeah, there are kind of all those security nightmare moments that we talk about.

[Andrew laughs]

Laura: Yeah. Well, speaking of something that could potentially lead to a security nightmare, or at the very least an emotional nightmare, let’s talk about Filch. I think Filch is not a character that gets discussed often, but I think that there is somewhat of a defense that you can make of Filch and his really terrible sour personality; he’s a member of a society that treats him like a second class citizen.

Andrew and Micah: Yeah.

Micah: And not to bring up Dumbledore again, but I will.

[Laura laughs]

Micah: I was wondering, do we need to really defend Filch? Or is it more of a question of Dumbledore’s judgment? Because Dumbledore essentially makes Filch the Hogwarts custodian, and Filch is a person with no magical ability that has to clean up after children who constantly remind him of what he is not. He’s already at a major disadvantage in his attempts to discipline and do his job, maybe less so with the younger students because they’ll obey authority, but certainly the older ones are not going to listen to what he has to say. And I really think that comes down to the fact that it’s doubtful he has the students’ respect. He can’t even use magic to do his job, and given his job, this would be a major benefit. So I think one point we looked at how inclusive Dumbledore is in terms of his staff at Hogwarts, but I feel like in this role for Filch it’s very difficult for him to do his job. It’s almost like Dumbledore is putting him in a position to be ridiculed.

Eric: I really would have liked… now I see there’s this absence of why Filch does it. We get the sense… we know what he’s missing, which is magic. We see the Kwikspell whole thing in Book 2, which is a big deal, him being a Squib and all. But I don’t understand why he would put up with all these – forgive me – shitheels at Hogwarts, these students that are just going to make his life a living hell. Is it just because he feels inferior for not having magic that he then needs to be in the only magical position he can be as a custodial worker for this magic school? Because that’s a lot of scrubbing old trophies. That’s a lot of polishing. That’s a lot of bullcrap that you’re putting yourself through that otherwise you wouldn’t. I really wish we would have gotten that component of why does Filch continually subject himself to the abuse?

Andrew: Yeah, I don’t think we ever did. I was just looking around and I don’t really see any official backstory. That would be nice to know. And we probably… I would assume that there is some reason and story that if we read it, we would be like, “Oh, okay, now it all makes sense.” I assume it has something to do with him wanting to go to Hogwarts. But yeah, you would think that, okay, you take this job, and then you do it for a few years. You’re cleaning the trophies and all that. You’re like, “What am I getting out of this?” And then maybe after that, he decided, “Well, I’ve got nothing else going on in my life. What am I going to do outside of this?” Maybe it’s one of those examples of he was looking for another job and just never found one.

[Andrew and Eric laugh]

Eric: The job market in the wizarding world is very, very slim.

Andrew: Yeah, although I could see him being a bartender at the Hog’s Head or something like that.

Eric: Oh, that would be great.

Andrew: Dumbledore could have hooked him up with Aberforth.

Micah: Yeah, I could see that. But I also think there’s something really cruel, though, about the detention aspect of Filch, right? A lot of times he’s the one that’s carrying out detention and imposing that on students for doing something that he himself is not capable of doing. And I’m also thinking about taking the students into the Forbidden Forest like he does in Sorcerer’s Stone. He’s not qualified to protect them in any way. Should something happen, the students are more equipped to protect Filch than Filch is the students, so…

Andrew: Security nightmare.

Micah: [laughs] I don’t understand Dumbledore’s rationale here.

Eric and Laura: Yeah.

Laura: My assumption was always that job prospects for Squibs are extremely limited in the wizarding world, and that assuming completely positive intent, Dumbledore was thinking, “Well, this is at least a safe” – I’m doing air quotes here – “a safe place for a Squib to be, because Hogwarts is a fortress.” And I can see him going about it that way. But we also have to remember the Kwikspell moment that we got with Filch in Book 2, when Harry found his correspondence, magical learning courses. Remember when he was in his office, and he found them on his desk and there was that moment of realization that, “Oh, Filch really wants to learn magic”?

Andrew: “I want to be a wizard.”

Laura: Yeah, and it’s a deep insecurity of his, so it makes me wonder, did he want to be at Hogwarts because maybe he thought proximity to an educational institution might rub off on him and give him some chance?

Andrew: Maybe. And we’ve heard, isn’t this the premise of the new video game? You’re going to be a late-blooming wizard?

Eric and Laura: Yeah.

Andrew: And so maybe he’s always just held out hope that one day that magic is going to kick in. But by the way, I do really like this comment from Danielle, who’s listening live. She says, “Hogwarts offers great pet insurance. That’s why he stays.”

[Andrew and Eric laugh]

Laura: Aww, Mrs. Norris.

Andrew: Sometimes it’s all about the benefits. That makes a lot of sense to me.

Eric: [laughs] I don’t know. Pet insurance? Mrs. Norris straight up is Petrified the whole second year.

Laura: Hey, maybe Filch got a great payout from that.

Eric: Oh, yeah. “Sorry for your damages. Here.”

Laura: [laughs] He’s got a great ADD policy on Mrs. Norris. But why are these conflicted characters so interesting? Filch is a character – I think it’s pretty obvious from the way I talk about him – I find him interesting, and I find the prospects of what might explain his character to be really fascinating, and I feel like we missed out on some of that sometimes. I wonder if there was supposed to be more there than what there really was, because there was so much establishment of his character early on in the books that kind of fades away as the books progress. I want to know what makes these characters so interesting to us, and we can use Filch or Snape or really any complex character in the series as an example here. There can be things, like Snape for example, things that he does that we’re not in favor of. He objectifies Lily, he practices the Dark Arts, he’s a pure-blood maniac, and yet, we can still see some good or at least track the trajectory of when they had their departure from the bad side or from the darker side of things.

Andrew: I think part of it is the mystery, the intrigue around the unknown.

Eric: I think, too, it’s crucial that there’s a point of connection for the audience on any character of seeing either themselves in a character or a universal truth in a character to see, again, where specifically they diverged, and it’s like, “Oh, I could have been this way if I had made these same choices or if I had the same trauma.” That’s a point. Or in the absence of all of that, just seeing a master of his craft, which Snape is. As potions master, you’re like, “Okay, I hate this guy, but look at him brew a potion. And then what makes him…? What qualities that are these horrid qualities makes him really good at this? Because I’m going to learn what makes a potion master get to where he is, and see if any of that involves some of the stuff that Snape is displaying.” So I think Snape was interesting from that angle, too, the fact that he was not only a Head of House, but objectively the best potion-er in the entire series.

Andrew: Or, “Oh, I hate this guy, but aww, unrequited love; that’s so sad,” or, “Oh, he’s working with Dumbledore? Okay, well, maybe there’s something here.” [laughs]

Laura: Yeah. Or, “Oh, he was bullied horribly during his schooling years.”

Andrew: Yes!

Laura: “I was bullied during my schooling years.” And that stuff – I was about to say a different word – that stuff leaves a mark. It does.

Andrew: What is that different word? I honestly don’t know. [laughs]

Eric: So again, it’s a point of connection. You need a point of connection, I think, with the best characters to really love them so thoroughly.

Micah: Conflict is king, as they like to say.

Eric: There you go.

Laura: Well, speaking of that point of connection and Snape’s bullying during his Hogwarts years, let’s talk about James Potter. James Potter was the original inspiration for today’s discussion, and I think that he warrants some nuanced conversation. Do we think that James Potter as we see him in the memories – in Harry’s – or in the books, is he better or worse than Snape? Or are they the same?

Micah: For me, it’s so hard to answer this question because we don’t get a lot of James, and a lot of what we do get of James is through Snape’s perspective, which is likely going to be skewed. Now, I’m curious, though, is it fair to say that James’s treatment of Snape helped define Snape’s decisions and who he would ultimately become? Because I think that the bullying of Snape was likely a constant reminder of how Snape was being treated at home, how he saw his mother being treated by his father, and it’s fair to say that Lily ultimately choosing James was probably similar to his mother staying with his father.

Laura: Ooh.

Micah: I know that’s digging levels deep into some of the psychology of what’s going on here, but I don’t want to pigeonhole James here. People have disagreements.

Laura: No, I think that’s… I mean, looking at it from Snape’s point of view, I’ve never thought of him potentially comparing James to Tobias, but I think you’re absolutely right; he probably sees these archetypes of men in his life who are abusive towards him and he lumps them all together and assumes that because Tobias was incapable of growth or improvement, that James probably wouldn’t be either. Snape cast him as a role and assumed that he was static and wouldn’t grow.

Micah: Right. And in both cases, the women that he loves end up going to these abusive individuals.

Laura: Oh, man, that’s deep.

Andrew: Yeah, and you can think about how that would really bother you as a person. You’re like, “Wow, I see this happening again here at Hogwarts. Will I ever get out of this cycle? Are a lot of people like this? Am I just going to keep encountering people like this?”

Micah: I tried dropping the mic, but it didn’t work.

[Andrew and Laura laugh]

Eric: You could try, but don’t. Yeah, I mean, for me, too, we were just talking about what makes an interesting character, and I’m like, “You need that point of connection with that person and how they grow and it’s very exciting…” I don’t have that with James. I think you’d be hard-pressed to find it. James is very… for how close he is to the main hero of the story – one degree of separation, his father – we have probably the least about him than we do for most of the peripheral characters in the series, and we’ve seen him the least, partly because he’s dead. But I think that unlike Lily, whose love is this resounding ever-present thing for Harry and allows the series to really continue, James is relegated to just a few moments here and there where people are commenting about James to Harry, and so we don’t have that point of connection. It’s really hard to say that James grew or evolved because we don’t see it firsthand.

Laura: Yeah. And I think, to a point that I think one of y’all inserted here in the doc, the only lens we have through which to observe that change is Lily. We know that when Harry first sees them interacting in Snape’s Worst Memory in… Book 5? Yes. She clearly doesn’t like James, so something had to have changed between when they were 15 and when they got married and had Harry. So I’m wondering, do we believe that James could have truly outgrown his bullying tendencies? I think we actually brought this up in a Slug Club meeting last month with our patrons there, where we were wondering, “15. James dies when he’s 21. Is six years enough time to really grow out of that?”

Andrew: No. No. And this is my big reason for trying to defend James. Sometimes when you’re growing up, you’re not a great person. You’re a bully. But a lot of people do grow out of that. Think of our own high school bullies; I think a lot of them are pretty normal now. That doesn’t mean I necessarily forgive them for what they did back in those days, but you grow out of it. And Harry became a great person, right? He’s a good guy. Some of that comes from being James’s son. He’s a Potter. So I have to think that James would have been a good guy – was a good guy – post-Hogwarts.

Eric: Really interesting. For me, it comes down to an either/or surrounding Lily. Either she compromised her principles and married a jerk, or he became less of a jerk. And maybe there’s an in-between; maybe Lily, feeling bad about the falling-out with her lifelong friend Severus Snape, started to feel as though James’s tauntings of him were more valid than they were, or had cause as a result of Severus’s choice to completely surround himself with the Dark Arts and Dark side. So maybe James was right that there’s something off about Snape because he chose not to be friends with Lily anymore. And so I think that there’s some nuance there, sure, there’s some room there, but ultimately, Lily would not have married somebody that wasn’t good for her. So that’s the way I answer that question of James’s whole personality: Well, Lily, who we love, chose this guy, and I don’t think she was doing so in a self-deprecating manner, so he probably did change a little bit.

Andrew: #TrustInLily.

Laura: Yeah. And I think that there is a degree to which we can assume that the one year Harry spent with his parents was a happy one. There’s a comparison to be made here between Harry and Voldemort as babies. And there’s a ton of psychological research into the impacts of your upbringing, particularly during your first year of life, that things that happened to you during that time, even though you won’t remember them, do have an impact on your capacity to grow and thrive and handle certain things. So if we’re looking at Harry and Voldemort as opposites, Voldemort was in an orphanage and would not have been receiving the level of care that Harry would have been receiving from his loving parents who he lived at home with, so we can at least say… it’s probably safe to say that James was a loving father…

Andrew: Absolutely.

Laura: … which to me, indicates some kind of growth.

Andrew: Yes. He was also part of the Order, he also trained to become an Animagus when Remus was transforming with Sirius and Pettigrew, so there are some elements that show he likely was a good person. We can’t listen to everything that Snape said. Snape thought that he was extremely arrogant, but Snape has reason to have bias towards James, so you have to take some of what Snape said with a grain of salt too.

Laura: Well, and Snape is also extremely arrogant. I mean, this is the guy who came up with a villain origin hero name for himself.

[Andrew laughs]

Micah: Right.

Eric: Wow. That’s a good point.

Micah: Right. Well, I’m also thinking, too, not just about James, but how some of the other Marauders, particularly Sirius and Remus, behave towards Snape. At least with Remus and Snape, they seem like they’re both… they tolerate each other, even if they don’t necessarily like each other, whereas Sirius and Snape, it’s very much a defense of James, right? And I don’t know, is Sirius sort of the wildcard in all of this? And would James at 30-something be behaving more of an adult towards Snape than Sirius is? It’s really interesting to look at the psychology of it all, but we’re never going to know because unfortunately, James passes at 21, as you said.

Laura: Yeah. Do we ever feel like…? Because reading over Snape’s Worst Memory again, I almost wonder sometimes if James is performing for Sirius, or maybe they perform for each other.

Andrew and Eric: Yeah.

Andrew: I was going to say something similar to that. These four together, I think they might amp things up when they’re together. They’re the Marauders, they’re a little gang, they’re a little squad trying to impress each other, and that’s kind of what you do as you’re a kid as well. You have your clique, and if you start interacting with other people, you’re also trying to impress your clique while you’re interacting with those other people, I think. We all just want to be loved and impress our friends and look cool for the girls, and unfortunately, sometimes that involves being a bully to other people.

Micah: But to Eric’s point earlier, the barometer for Snape is how does he treat children? Because he’s a bully towards children, which is not acceptable as an adult.

Andrew: Yes. And do we see James treating kids like that? No. 1,000% no. As an adult, no.

Laura: Well, one last point on James: I just wanted to ask y’all – and we have no idea of knowing this, really – but I’m wondering what is your headcanon about what we think James did to change Lily’s mind?

Eric: Maybe stopped trying so hard. Maybe once he saw that she was actually devastated over her loss of Snape as a friend… and she would never have told this to him directly; I think he would have relied on either Alice Longbottom or one of her female friends to be like, “Hey, what’s going on with her? Evans seems a little under the weather,” whatever, then somebody would tell him, and it’d be like, “Oh,” and maybe in determining how he should approach still trying to date her, he had to come up with some maturity points to help her out in that time, and actually became more of a friend than this stooge, I guess, so to speak.

Laura: And I feel this is exactly the kind of thing that fans have always wanted to see. We want to see what those early days of Order of the Phoenix looked like. We want to see what it was like for the Marauders as they’re coming of age under the threat of Voldemort rising to power, and then ultimately, how all of these interactions played out. So what’s the name of our friend? Zaslav? [laughs] Like, are you listening? This is what we want.

Andrew: I also read that James bought one of those “Happy wife, happy life” T-shirts, and Lily was really impressed by that.

[Laura laughs]

Eric: Ohh.

Andrew: She was like, “He’s the one.”

Eric: Did he get that down at the Jersey Shore on the boardwalk?

[Andrew laughs]

Laura: You did the bare minimum.

Andrew: I hate those shirts, those license plate border things…

Laura: Oh, yeah. It’s like, “Man, that tells me a lot about what you think of your wife.”

Andrew: Yeah, it’s just such a suck-up thing to do. [laughs]

Laura: Well, to round us out today – something that I hinted at earlier on in the episode – we are now going to try to make a difficult defense case of Umbridge. So we’re working in teams, so Andrew and Micah are team one; they’ll be arguing that Umbridge is the way she is because of her childhood. Eric and I, we’re going to talk about Umbridge’s career aspirations being the real moment that she made some evil contributions to the world. But it sounds like, Andrew and Micah, you’re ready to kick it off.

Micah: I came all the way to Leavesden for this, as you can see by my background.

[Laura laughs]

Eric: Oh, yeah, yeah.

Andrew: Micah has an Umbridge office background today, yes.

Micah: With the cat.

Andrew: With the cats. Micah and I are arguing that Umbridge is the way she is because of her childhood. So Umbridge – and this is all canon – Umbridge had an upbringing that put her in this position. Her father raised her to dislike her Muggle mother and her Squib brother, which then, in my opinion, rooted an evil bias in her. The harm she and her father caused pushed her mom and brother out of their home and life – that’s true – which showed Dolores the power that came with treating others as less than. So then she gets to Hogwarts as a student, and she never received a position of power that she had wanted, like Head Girl or prefect, and that left her feeling deprived. It left her with a hole in her heart. She wanted control, and this was all the more reason for her to aim for power and control later in life, right, Micah?

Micah: Absolutely right, Andrew. And if you want proof that her childhood influenced the way she is today, look no further than the relationship she forms with Filch, who is a Squib. Given what happens with her brother, also a Squib, and that her father worked in the Department of Magical Maintenance at the Ministry – a custodian, let’s just say – and that’s essentially Filch’s Hogwarts role, one could argue that she sees her brother and her father in Filch and is in fact trying to make amends for past family issues. Separately to Andrew’s point above, Umbridge got a taste for what it was like to treat others as less than in her upbringing and remove said people from her home early on, and effectively does the same thing at Hogwarts with various professors who she considers to be beneath her. She removes Trelawney. She removes Hagrid. She tries to remove Dumbledore, but she considers… I wouldn’t argue she considers Dumbledore less than her, but I would argue certainly she considers Trelawney to be less than her, certainly, she considers Hagrid, as well as others, so I definitely see a correlation here between her upbringing and where she’s at today. Thank you.

Andrew: Agree. We’ve got canon to back us up. There’s no beating us today, I’m sorry.

Laura: Well, speaking of canon, I totally agree with you that what happens to someone during their childhood can have a significant impact on their capacity for adulting, right? And doing so in a way that is productive, and not harmful to society. I completely agree with that point. But there are also plenty of examples in these books of people who were abused as children who didn’t grow up to be bigots. I give you Neville. I give you Harry. I give you Sirius, who is a great example of somebody who was raised in a very similar ideological environment to Umbridge. None of them grew up to be this way. And I think ultimately, Umbridge is someone who was so driven by the desire to hold on to power that she saw the writing on the wall at the Ministry, and realized that she needed to fall into line with Fudge to have a chance to climb that career ladder and grow her power and influence. This was a choice she made as an adult, not as a child. And yes, she was already primed to hold these kinds of reprehensible views before she got to the Ministry, but had the ideological tone at the Ministry not allowed for her to help fill the bigoted vacuum, there wouldn’t have been anywhere for her to go. There are bigoted adults everywhere; I’m sure some of us have known some. But the key difference between those people who are bigots in their day-to-day lives, and the ones that are then handed political power, is that the person who’s a bigot in their day-to-day life has a much smaller sphere of influence, but someone who is able to step into a position of power and exercise that can have a much more negative impact down the line on a greater number of people, which is what Umbridge does.

Eric: Agreed. And I’ll only add that thinking about what you guys were presenting about her childhood and her relationship with her father and how he supposedly taught her to dislike her sibling and mom, she also distances herself from her father. Umbridge’s ambition – which may have been learned at a young age – is so unchecked that she also chooses to distance herself from her dad because he was a custodian at the Ministry of Magic. So she has no relationship with her father, and that’s because she sees it as a barrier to her own success and rising within the ranks of the Ministry, so that’s cold, that’s calculating, and that takes a whole generation, I think, to develop. And the idea that she could rise to power so quickly and stop at nothing to get that power shows me a very mature sense of following one’s dreams. There’s nothing childish about it; she has chosen time and again to be this way, and it’s gotten to the point where being this way brings her joy, that we see her throw a temper tantrum when she doesn’t get those moments of joy, because she needs it. But this is all born out of this gradual evolution into the character that she is, which these are adult choices that she’s making.

Micah: But I would just say… she is the way she is, you’re arguing, because of her career aspirations. But where do those career aspirations come from? Her childhood. Her upbringing.

Andrew: Yes! She wasn’t a good person as a child. This would be one thing if maybe she was, but she wasn’t.

Laura: I mean, neither was Sirius.

Micah: Right, but Sirius didn’t grow up in the same circumstances as she did. And I would say, too, that certainly, it’s all about her own choices, but those choices subconsciously are influenced by her childhood and how she was brought up. How she developed the relationship with her father certainly impacted her decision in terms of her career choices. She wanted to be more than her father; she wanted to hold a higher position of power than her father did at the Ministry. She sees her father as a failure. And her father taught her things that she then grew to take into later in life, how her mother was treated, how her brother was treated. She enacts those things out constantly in Order of the Phoenix, and later on in Deathly Hallows, against those that she considers to be less than, so I would argue that it all begins in her childhood.

Laura: But there’s a definitive choice for her. She is someone who receives a full education, she works for the government, so there is a definitive moment of choice for Umbridge where she decides to use that influence to fuel her bigotry and her bad acting through her job at the Ministry. Again, it’s our choices that define us, not where we came from.

Eric: Yeah. And there’s a point where all of her hobnobbing can only get her so far, and she causes the events of the beginning of Order of the Phoenix in order to further her own selfish cause. Even her beloved Cornelius would not agree to send Dementors to Little Whinging, and it’s up to her. She decides that she is going to… that Cornelius will be so thrilled by the circumstances, if Harry is just removed from the playing board. That’s a serious calculation on her part that I don’t think has anything to do with her childhood or how she was raised, and more to do with her ambition, more to do with her career prospects. She sees a way for her to immediately get at the top of the pile, and it’s by doing that.

Micah: It totally does, though, because that’s pleasing an authority figure, and you can argue that’s trying to please a parental figure as well in Fudge.

Eric: But it’s so shallow. I don’t think she actually believes that she’s going to get… it’s not seeking daddy’s love here; it’s seeking power.

Micah: Well, no. I mean, she has a picture of him on her desk.

[Andrew laughs]

Eric: Performative.

Laura: I mean, we drew some comparisons between Percy and Umbridge earlier on in the episode. Percy’s upbringing couldn’t have been more opposite than Umbridge’s upbringing, and yet they both ended up in very similar places.

Micah: Right, and I’m not disagreeing with you about the choices aspect of it, but in as much as Umbridge’s choices are informed by her childhood upbringing, so are Percy’s.

Andrew: Yeah. You have to, I think, at least admit that some of her actions as a child influenced her later on. It’s not like none of that was carried into her adult years.

Laura: Oh, of course.

Eric: Well, I think with every waking day you have to choose what kind of person you want to be, and after a certain point, it’s either going to… you’re going to grow weary of choosing to be a bad person, or you’re not, and she doesn’t.

Laura: Well, and I think it depends on, again, what you choose to do with that. Like I said, there are plenty of people who are brought up in racist, bigoted homes with backwards views…

Andrew: Umbridge.

Laura: … that want to take us all back – agreed, Umbridge – that want to take us all back 50 years, but not all of them seek political office. That is a conscious choice. When you are going from saying, “I believe these things and this is the way I want to live my life,” yes, you will still have negative impacts on people that you meet in your day-to-day life because of who you are, but that sphere of influence exponentially increases the second that you pursue a job in politics, because you’re making decisions for everyone at that point.

Eric: Well, think of it like why Dumbledore backed off from being Minister. He knew that he couldn’t trust that aspect of him. He knew that his views at one point in his own life would have had devastating consequences on a large number of people, and that’s why he never allowed himself to be Minister. Umbridge sees that part of herself, if she has so much self-reflection, and just goes for it. She’s like, “No, I’m right. I’m going to get all the power I can get.”

Micah: Right, but you’d have to ask yourself that question: Why does she choose to go the route of becoming a member of the Ministry in the first place? It’s because her father worked for the Ministry and she saw him as less than in performing a role that she considered to be beneath him and beneath their family, so what is she trying to do? She is then trying to go to the Ministry herself and raise the Umbridge name to a higher level.

Eric: That sounds like a career aspiration to me.

Andrew: Stemming from her childhood.

Micah: But the choice is informed by her childhood.

Eric: Informed, yes, but not because of.

Micah: I think all of this is true, by the way.

[Andrew laughs]

Laura: Well, of course, but that’s the point of a debate, right? You’re taking very black and white sides of a conversation.

Micah: Well, not always one-sided.

Andrew: I cannot accept that if she was raised well, she would have suddenly transitioned into the evil person that she is today. No way. No way!

Micah: You’d have to find some trauma in her past that would have caused her to behave that way.

Andrew: Yes.

Eric: You do get people who choose to see others as less than. I think overall, bigotry is a learned behavior. Hatred is a learned behavior. Intolerance is a learned behavior. I do think that, but at the same time, there are still those people that are inclined to view themselves with an unhealthy level of superiority, and I think all of this is true. I think that what Umbridge chooses to do in her career feeds into the worst possible part of herself and her superiority complex that drives her to make horrible choices with devastating consequences.

Laura: Well, thanks for participating in this exercise, y’all.

Eric: It’s fun.

Laura: It’s obviously intentionally difficult because one, we’re defending Umbridge, but two, we’re taking two statements that are both true, right?

Andrew: Yes.

Laura: And trying to argue where the most influence came in, when the reality is, it’s both. It’s both.

Andrew: That said, listeners, which side of this debate do you fall on? We’ll have polls up on social media this week, so you can vote one way or the other. We’re @MuggleCast on Twitter and Instagram; I believe that’s where the polls will be, but we’re also @MuggleCast on Facebook and TikTok, so follow us.

Laura: And we definitely had a bank of controversial characters that we didn’t even get to today. So of course, there’s Cornelius Fudge, there’s Ludo Bagman – that’s someone we haven’t talked about a ton – there’s Lavender Brown, Cho Chang, Marietta Edgecombe, Mundungus Fletcher is another really interesting one. So we may revisit some of these in the future, but we would love to hear your thoughts.

Andrew: Yeah, yeah, let’s try to keep that in mind. Don’t worry, other controversial characters. We didn’t forget about you. We’ll get to you one day.

[Eric and Laura laugh]

Andrew: You didn’t sneak out of this, not yet. Well, if you have any feedback about today’s discussion, you can pen an owl and send it to MuggleCast@gmail.com, or use the contact form on MuggleCast.com. To send a voice message, record it using the Voice Memo app on your phone and then email us that file, or use our phone number, 1-920-3-MUGGLE. That’s 1-920-368-4453. However, if sending a Howler, please give us a warning so we can turn our volume down. Thank you in advance.

[Laura laughs]

Eric: I can just see that email now. “This is a Howler.” It’s like, do you think we’re really clicking on that, though?

[Eric and Laura laugh]

Andrew: Warning. Warning.


Quizzitch


Andrew: All right, it’s time for Quizzitch!

[Quizzitch music plays]

Eric: Last week’s question: Dumbledore’s nose appeared as though it had been broken how many times according to the first chapter of Philosopher’s Stone? The correct answer was at least twice. Correct answers were submitted to us by Bally Who Thunder Plump; The only bort he ever feared; Whiskey da goat; Ginny the G.O.A.T.; Eleanor; Buff Daddy; Vecna’s man bun; Bubotuber Pus; Kate Lyles; The Rouge Niffler, and others. I think it’s supposed to be Rogue Niffler.

Micah: Was that a Stranger Things reference too?

Eric: Yeah, Vecna’s man bun.

Andrew: Think so, yeah.

Micah: There’s a Harry Potter tie there as well.

Eric: There is, with the actor. Congrats to all who submitted the correct answers. Here is next week’s question: Since we talked about Umbridge so much on this episode, which of Umbridge’s educational decrees – what number – barred teachers from giving students any information that was not related to the subjects they were hired to teach? Submit your answer to us over on the MuggleCast website, MuggleCast.com/Quizzitch, or go to MuggleCast.com and click on “Quizzitch” on the nav bar.

Andrew: Fourth of July is coming up here in America, so we will be off next week. We will see you the week after. But if you’re missing us, check out our Wall of Fame for more episodes on MuggleCast.com. And also, check out me on Swish and Flick, another Harry Potter podcast; our friends run that show, and we discussed the history of Dumbledore’s sexuality. Of course, I was there when the author revealed that Dumbledore was gay, so I retold that story, and we discussed everything that’s developed or lack thereof since then. So again, that’s happening over on the Swish and Flick podcast, and we’ll have links up on social media. Again, we’re @MuggleCast on Instagram, Facebook, Twitter, and TikTok. Also, make sure you’re following the show for free in your favorite podcast app so you never miss an episode, and leave us a review. And as we mentioned a few times now, don’t forget to support us at Patreon.com/MuggleCast. It’s easy to forget, but it’s the reason why we’re a weekly podcast. So I think that’s about it. Thank you everybody for listening to today’s episode. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: And I’m Laura.

Andrew: Bye, everybody.

Laura and Micah: Bye.

Transcript #567

 

MuggleCast 567 Transcript

 

Transcript for MuggleCast Episode #567, ‘Philosopher’s Stone’ Illustrator Thomas Taylor Reveals the Secrets Behind the Cover


[Show music plays]

Andrew Sims: Welcome to MuggleCast, your weekly ride into the wizarding world fandom. I’m Andrew.

Eric Scull: I’m Eric.

Micah Tannenbaum: I’m Micah.

Laura Tee: And I’m Laura.


Thomas Taylor interview


Andrew: And this week we have a very special guest, someone who we actually teased during Quizzitch last week, whose work is instantly recognizable and who was present at the very beginning of the Harry Potter phenomenon. We are thrilled to speak to author, artist, and illustrator Mr. Thomas Taylor. He is the illustrator of the very first Harry Potter book in the UK, and it went on to be the cover in many countries around the world. Welcome, Thomas, to MuggleCast.

Thomas Taylor: Hi, hi. Thank you for inviting me on.

Andrew: Absolutely. You have a five-star zoom background, by the way…

[Micah and Thomas laugh]

Andrew: … all the books, perfectly organized, colorful.

Thomas: Oh, thank you.

Andrew: Is a lot of that your own work?

Thomas: Yeah, a lot of it. I do a lot of zoom calls into schools with my own fiction series, so I have a lot of nautical things behind me. Often more than this, even. I toned it down a bit.

[Andrew, Eric, and Thomas laugh]

Andrew: That’s amazing.

Eric: You were like, “Ah, that’s too many krakens in the back. I’ve got to take them off the shelf.”

Thomas: Absolutely.

[Laura and Thomas laugh]

Andrew: Can you tell us a little bit about yourself?

Thomas: Yeah, so I’m Thomas Taylor. I’m an author and illustrator of of children’s books. I like to think that I’m best known as the author of the Eerie-on-Sea mysteries, but I know that I’m also best known as the artist who did the cover art for the very first British edition of Harry Potter and the Philosopher’s Stone back in 1996. I painted that, and I guess that’s the reason why you invited me on. And it’s great because I don’t often actually talk about it, or I haven’t over the years that often talked about it, so it is good to come out of the woodwork and discuss it a bit.

Eric: That’s what surprised me. There was a recent article in the Observer on the Guardian website that actually Micah sent to me, about you, interviewing you. And I was like, “I never thought to ask… this guy…” I didn’t know who you were. I didn’t know name recognition. “Yeah, surely there’s some guy out there who drew this,” and I had no idea. But come to read in the article, it’s this wonderful interview about your inspiration about some things we’ll be asking you about on this interview. And I said, “We have to reach out and see if this guy is interested in talking to us,” because MuggleCast is the first Harry Potter podcast. We started this in 2005, as podcasts were first starting out. And I like to think that we’re a little OG about Harry Potter fandom, but I never dreamed that we’d be speaking with somebody that was really there prior to even Harry Potter in America. Harry Potter in America was not a thing when you were doing that work. So it’s really a very, very special opportunity to interview our most OG guest yet.

Thomas: [laughs] You make me feel ancient.

[Andrew laughs]

Eric: Oh, sorry, sorry, sorry.

Thomas: No, but it’s true. I think I must have been one of the first people in the world to read the book. And I hadn’t really stopped to think about that until quite recently, [laughs] so it is quite an extraordinary thought.

Andrew: Yeah, we have a very special kinship here. You had the first cover; we had the first podcast. [laughs]

Thomas: Excellent.

[Everyone laughs]

Eric: So actually, another reason that I’m assuming there’s been a lot of press around this recently, is because there is a wonderful rerelease in hardcover of your Harry Potter book cover, along with a – yep, there it is…

Andrew: He’s got it.

Eric: … a 25th anniversary Harry Potter and the Philosopher’s Stone edition published by Bloomsbury in the UK. I actually got a copy as well, from amazon.co.uk, which people don’t really realize; the last time I was on there was probably to buy a paperback boxset of the original first four Harry Potter books. So because American fans… it’s like, “Are you really a Harry Potter fan if you don’t buy the UK covers?”

[Andrew laughs]

Eric: And so back in 2002 or 2003, I was like, “I need the British ones,” and then I got the boxset. But interesting to see it in hardcover. I haven’t had hardcover of that book at all, so it’s wonderful to finally have that.

Thomas: Oh, okay. Yeah, there weren’t many published when it was first published. I think it was 500, maybe 400 hardbacks of that very first edition. It’s a very rare book. So it is fun to see it come back in the anniversary edition.

Laura: You were 23 years old when you designed this book cover and fresh out of art school. Is that right?

Thomas: Yeah, I was, and I worked in a children’s bookshop. So I got a job straight away in the children’s book industry, but in a bookstore. And I could see that Bloomsbury, the publisher, were creating children’s lists for the first time. So they didn’t previously publish children’s books, so they were creating a list. They were publishing a lot very quickly. And I thought, “Well, I could probably find an opportunity there. I can go in with my portfolio of sketches, leave it there, and then…” which you could do at the time and hope somebody would find something of interest in there. Maybe give me my first professional commission. And of course, that is what happened. I had some drawings of wizards and dragons in there by chance – I think more dragons than wizards, but still – and then a few days later, I was in the bookshop and the phone rang. I think somebody else answered it, but they passed it to me. And it was Barry Cunningham, who was the editor at Bloomsbury, saying, “Well, we’ve got a book by an unknown author, a completely new book. Do you fancy having a go at doing the book cover?” So of course, I was very excited. And it was my first job, so I mean, I was over the moon. I had no idea that it was going to be what it became. So I went into London and I met him, and he gave me this great big printed stack of paper, huge, only printed on one side, and that was Harry Potter and the Philosopher’s Stone, and he asked me to do the cover.

Andrew and Laura: Wow.

Laura: Obviously, at this point, nobody had any idea that Harry Potter was going to be Harry Potter. Was there ever a point when the series was first blowing up, where you had that reflection of “Oh my God, I was part of this from the very early stages”? Did it feel overwhelming? Was it exciting? How did you feel about it?

Thomas: I think to start with it, nothing really happened for a few months after it was published. But then it started to appear in papers, and I could see it in the newspaper. I could see occasionally there would be talks about it on television, usually in quite a small way, but people would mention it. And then of course, people would be coming in the shop, asking for it, and my colleagues would put me over towards this customer and sort of hold up the book and say, “And he did the cover art.”

[Laura laughs]

Thomas: Of course, that didn’t seem very convincing to the average customer, so it was a bit awkward. And I had to tell people to not do that, please, because they didn’t believe it. You could tell they didn’t believe it. A few asked me to sign the book, but you could tell they weren’t sure. [laughs] So it was a bit awkward. And in fact, my early experiences of Harry Potter, as it became really big, were quite negative for me, really. So that’s partly why I’d buried it a little bit, because it’s a big thing for your very first illustration job. Normally when you start out as an illustrator, you want your first work to be quietly forgotten, because it’s not your best, you know?

[Laura laughs]

Andrew: Right, right.

Thomas: [laughs] In my case, the very first thing I did. Here I am 26 years later, talking about it still, so it’s there warts and all, and I have to live with that. But now it’s fine. I mean, I quite enjoy talking about it and thinking about how I was there at the beginning, and that’s a great thing. I mean, it’s really exciting. But at the time, it was a bit tricky. Because it was so big, it became so big that for someone like me trying to grow a career organically moving from one job to the next, the fact that my very first job kept on jumping back and overshadowing everything else was a bit tricky. But I’ll just say now, it’s great fun to think about.

Eric: Kind of like that feeling like you peaked in high school over everything else.

[Thomas laughs]

Eric: We started this podcast and were traveling the world while we were still in high school, so it’s like, “Oh, how do we get out from under our own shadow?”

[Andrew, Eric, and Thomas laugh]

Andrew: How do you beat that? Yeah. That’s so interesting.

Eric: Well, but it does speak that you had a great deal of hustle there. I mean, if you’re talking about dropping your portfolio directly at Bloomsbury, which you could do, working in a children’s bookstore, you must have had some inkling that that was your trajectory. And it seems like you really made a lot of effort to make that happen for yourself, which is really cool. I really admire the ambition there and putting yourself out there like that.

Thomas: Yeah, thank you. And it wasn’t pure chance, because I had thought of the opportunity and gone out to try and seize it, but of course I didn’t know how that would pan out. But yeah, I mean, you can’t sit around waiting for things to happen; you have to go out there and find them. But what’s quite funny… I mean, you were talking about being the first person to read it; of course I didn’t know that as I sat on a train going home from London reading this manuscript on my lap. And of course, my station to go home from London was King’s Cross Station.

Laura: Wow.

[Andrew laughs]

Thomas: And the platform my train left from was platform 9, and so I was reading about Platform 9 3/4 – I mean, I’d already left [laughs] – but I was reading and realizing that I catch the train right next door to this magical portal that takes wizards to Hogwarts. So that was quite an interesting thought.

Andrew: It was destiny.

[Thomas laughs]

Eric: It’s almost like the book was written for you. [laughs]

Micah: Did you ask the conductor to stop the train so you could go back and then try and get through 9 3/4?

[Everyone laughs]

Thomas: Yeah, “On the wrong train. I should’ve run through the wall just next to where I was,” yeah.

[Eric and Thomas laugh]

Andrew: Did you get to keep that manuscript?

Thomas: I knew you’d asked me about that. So can you guess what I did with that manuscript?

Andrew: Uh-oh, you got rid of it and you regret that now.

Eric: Recycled it?

Thomas: [laughs] Yeah, well, it was blank on one side, so obviously, I’d used most of it as rough for sketching.

Eric: Oh my gosh.

Thomas: And then I threw all of it away in the recycling bin in the end. So it was covered in drawings, and it also had notes in the margins from the editor. But it all went to be recycled, so there you go.

Andrew, Laura, and Micah: Wow.

Thomas: That would be quite something to have now. That would be a unique thing to have now, but of course…

Andrew: Absolutely, and you having sketches on the back sides of these pages? Oh my gosh.

Eric: Oh man.

Thomas: [laughs] I know. But that just goes to show how I had no idea. I didn’t know what it was going to be.

Andrew and Eric: Yeah.

Micah: How did you feel, though, when you were reading it? Did you get a sense that this was going to be a success? Were you fully engaged in the story? Or were there maybe even some doubts when you were going through, saying, “Eh, I’m not quite sure if this is going to be a success”?

Thomas: Well, I mean, I’ve always loved fantasy stories. I grew up reading Tolkien and Pratchett and so it was in my courtyard; this was the kind of thing I liked. So I was pretty excited about it. And I was pleased to be… I mean, I wouldn’t have drawn those sample drawings if I wasn’t already interested in that kind of subject matter. And I enjoyed it, I enjoyed it very much. But I didn’t know it was going to go and become so massive. I had no idea about that. I’ve always admired how the author captures that sense of warmth, of friendship; I think she writes about friendship really well. And I remember thinking about that, even when I was reading it for the first time, that these friends are great to read about.

Micah: Definitely.

Laura: I love that.

Eric: Yeah, the character dynamics, definitely what drew, I think, a lot of us in as kids too. We wanted… they were our friends, too.

Laura and Thomas: Yeah.

Micah: Was there a character that jumped out at you at all?

Thomas: I don’t know that there was. I think Dumbledore was always a very impressive character because I’ve always been drawn to Gandalf, the sort of Gandalfian presence in the story. But of course, completely unrelatable to me at the time, but somebody very impressive. Always, always imagined there must be this rich backstory to a character like that. But I just liked Hogwarts Castle. I liked Peeves the ghost. There were so many details that were really likable in the story. And Diagon Alley. I mean, just the idea of Diagon Alley just seemed really, really great.

Andrew and Laura: Yeah.

Eric: As far as getting back to the cover real quickly, I know in the book, which is the 25th anniversary edition, you actually get a write-up at the back, which is really cool. And you get into very specifics about the materials used for the cover. But could you reiterate just how did you create what became the book cover?

Thomas: Yeah, so I had worked… I mean, I had done samples before, so I had a technique. I used watercolor paper and concentrated watercolors. This was before digital media was really good enough, and I hadn’t really trained in it. So I’d come out of art school using traditional media, and so that’s what I did. I painted it. It’s concentrated watercolors. It’s Charisma soft crayon for the black line. It’s cold press watercolor paper, which was stretched over a board. And it took me about two days to paint the picture. I did a kind of first pass, and then… this was after sending in sketches. So I used a fax machine, if anybody remembers what one of those is…

[Andrew and Eric laugh]

Thomas: … to fax drawings into Bloomsbury. Guys, you can hardly believe these things existed. And so I did some drawings for Barry Cunningham, who was the editor, and I should just say Barry was the one who asked for that scene. So he said to me, “Could you please draw the train, draw the Hogwarts Express? Please draw Harry approaching the train. Draw Platform 9 3/4.” I don’t know why he liked that, but I mean, fair enough. And so I was basically just trying to get my first professional job done, trying to get it done properly, and I think maybe if I’d been more experienced, I might have said to him, “Well, I could do that. But I could also draw Hogwarts Castle, or I could do Diagon Alley with all the shops, so I could do some magic happening.” But at the time, I just did what he wanted, because I wanted to get the job done properly. So I’ve always regretted that I didn’t put a bit more magic into it. But like I said, first jobs, you know?

Andrew: Interesting. Yeah, yeah. Well, that was going to be my next question, how you chose that scene, and you just answered, the editor asked you to do that. But I really like that scene, actually, because it is sort of Harry’s first entry into the wizarding world, at least one of them. It’s the starting point.

Eric: The humble beginnings.

Andrew: Yeah, to me it feels appropriate that he’s seeing that train for the first time on the cover. But you wanted to do something…. maybe him approaching Hogwarts, are you thinking?

Thomas: Something with a bit more drama, maybe, but I was very, very inexperienced, and not really in a position to start throwing my weight around. And I mean, it’s fine; I’m not really criticizing it. And I know there’s a lot of attachment to that image and it’s got a really strong and nostalgic charge for people, so that’s great. I’m not trying to run it down. But as an artist who’s gone on to do other things, looking at it now, I think, “Oh gosh, why didn’t I do something…? Wow, why didn’t I do…?” And of course, Jonny Duddle has gone on to illustrate the whole series, I think in the US as well – I don’t know, actually, in the US – anyway, and he’s done such a great job. He’s done the kind of thing I could have aspired to try to aspire to do. He’s done it brilliantly. So it’s all worked out okay. But yeah, I was asked to paint that scene. And on the back, I know you were curious about the wizard on the back. So I was also just asked, kind of offhand, as I left the meeting with Barry, he said, “Oh, well, just do a wizard for the back. We need a wizard to just decorate the back.”

Eric: I want to talk about that wizard in a moment. Sorry to cut you – I want to talk about that wizard in a moment. But actually, just talking about trying to put more magic in the cover, I did notice there are a lot of stars on the front…

[Thomas laughs]

Eric: … in between billows of smoke, and that’s very magical to me.

Thomas: Yeah, there are, and I remember being criticized for those stars, actually, quite early on.

Laura: Really?

Eric: I think they’re great.

Thomas: Somebody said, “They look like they’re pieces of paper floating around.” [laughs]

Eric: They’re perfectly serviceable stars. [laughs]

Thomas: Thank you. Well, the thing is, the image is much bigger than this, actually. This is a detail from a much bigger image that was supposed to be full bleed; it was supposed to go right to the edge, and the text was actually just written across the smoke. So there was a lot more going on in the original image. And they created this graphic border to offset it; I’m not quite sure why. I didn’t see it. I didn’t see this until it was actually published. So in my mind, I’d seen a color mock-up of the cover, which they’d sent me, but I never actually saw this design until it appeared. So I didn’t recognize it to start with.

[Andrew laughs]

Eric: Right.

Thomas: Like I said, we had them in the shop because I’d done the cover. We would never probably stock the book otherwise, but because I’d worked on it, the manager bought ten copies. So we had a pile of ten hardbacks on a tabletop of a book nobody’d heard of, and we really struggled to sell them. But of course, now those books, I mean, in good condition, they go for something like 80,000 pounds each. So in fact, for a while, there was the better part of a million pounds worth of book standing there.

[Eric and Laura laugh]

Thomas: And I didn’t buy any of them. I didn’t buy a single one. [laughs]

Eric: Man.

Thomas: And no one did. And looking back, I think, “Crikey, I could be living off those if I’d bought the lot.”

Andrew: Truly.

Thomas: But it just goes to show.

Laura: Hindsight is 20/20.

Thomas: Yeah, absolutely.

Laura: I think if any of us knew then what we know now, we all would have bought a copy back in the day.

Thomas: [laughs] Absolutely.

Eric: If I could ask, what made it difficult to sell? You mentioned the bookstore wouldn’t have normally stocked them. It was a children’s bookstore, was it not? So was it just the lack of…?

Thomas: Yeah, well, they might have stocked them, but they might have had one copy maybe.

Eric: Oh, okay.

Thomas: But I think because they were a commercial bookstore, they would probably have wanted paperbacks, which were out later on. The hardback was done mainly for libraries, so they probably wouldn’t have had those hardbacks in, and people coming in initially wouldn’t have had any kind of name recognition or have understood the book as anything noticeable. It might have just been one copy on a shelf. But of course, then once it became a big bestseller, then it was different. But in those very first weeks, those books just sat there. [laughs]

Laura: I’m wondering, in those first weeks and months before Harry Potter became a household name, it was obviously a much smaller universe of people who were in the know about the stories. And I’m wondering if because of that, did you ever have an opportunity to speak to J.K. Rowling? And if so, would you be willing to share more?

Thomas: Yes, so I did meet her, actually. I didn’t meet her in the initial phases. I didn’t meet her while I was working on… it’s quite uncommon, actually, for an artist and author to to get together, because the publisher always mediates that. But a couple of years later – I forget exactly when – well, she was still doing events to promote the publication of the new books, so it would have been pretty early on. She came to the bookshop, and the manager said, “Well, you need to be the one who looks after her, and then you can talk to her and you can get to meet her.” So I did get to meet her, and that was very nice. And we talked about… yeah, we didn’t talk about books at all. We talked about gardening, I think, I seem to recall.

[Everyone laughs]

Thomas: I think we had both decided to grow tomatoes, and it wasn’t going very well. So we had something to talk about.

[Eric and Laura laugh]

Thomas: Yeah, but it was great to meet her because I’d obviously wanted to. And then being on the margins of the book industry anyway, being in the bookshop was a great opportunity to meet lots of authors, anyway.

Andrew: Yeah. And you were also like, “I accidentally recycled my manuscript. Can I get another copy of that, please?”

[Everyone laughs]

Thomas: Yeah, well, imagine that. Even if I bought one of those hardbacks, that would be my moment to say, “Could you just sign my book?”

Eric: Goodness, then it’ll be up to the 200,000 pound level, or more.

[Eric and Thomas laugh]

Thomas: But no, she was lovely. She really was. And she was great with children and everything, so it was a great example to see.

Eric: Again, for me, buying that UK addition, it really felt like I was completing my Harry Potter fanhood, my journey, because it was the original. For years, I remember seeing news articles out of the UK, and anytime somebody was talking about Harry Potter, you would pretty much see your book cover. And it was the people with those books, and that’s why it’s so ingrained in me as being just in the complete DNA of Harry Potter. And as we mentioned before, I actually have the full country list. So our friend Jacob is a collector, a listener, and he actually compiled and figured out… I asked him earlier in the week; I said, “How many other countries use that cover? Because the France cover, the US cover all have different illustrators.” But the full list he got back to me said that – he does believe this is definitive – it’s Macedonia, Wales, Ireland, Canada, Australia, New Zealand, Ancient Greek, Sinhala, Latin, Luxembourgish, Catalonia, Valencia, and more recently, the Scots translation edition all used your art. I mean, how does it feel? I guess just, again, from the blowing up standpoint, I know it’s probably insane. But just that your work is so around the world is so… that for many people, that was their cover of their first book of Harry Potter, something which they may have taken with them throughout their lives the way we’ve done. How does that feel?

Thomas: It’s something that’s only crept up on me recently, because I did spend a period of time playing it down and not really promoting myself with this image. But then, of course, on reflection, yes, it has been used widely. It’s been used very widely around the world, and so it does feel quite extraordinary to think so many people have seen this image. And I wonder how I would have felt when I was painting it if somebody told me that it would have been seen so widely; I don’t think I would have been quite so relaxed about doing it. I think what touches me, though, is that sense of nostalgia. I pick up on this a lot, especially lately; people come and they don’t really want to hear me say how, as an artist, I would have done it better. They just want to hear about it because they were children perhaps, or they were young, or they were finding Harry Potter for the first time as adults, or whatever it was. They were finding the stories and falling in love with the characters, and they just have a lot of nostalgia and warm feelings about that image, and I’m really very proud of that. So that’s probably my strongest response to the question.

Eric: Excellent. Should we all talk about the back cover now?

[Eric and Thomas laugh]

Andrew and Laura: Yeah.

Andrew: Let’s get back to that.

Laura: I’m ready.

Eric: So there is something about a mystery around this, I think.

Thomas: Yes.

Laura: Yeah. And I think that we probably theorized about this on the show at some point way back in the day.

[Everyone laughs]

Andrew: “Who is that mystery man?”

Eric: I think we all had different editions. It was hard to find this guy because some of us – I think even I had the later version.

Thomas: Yes.

Eric: But images… because at MuggleNet, we had a book cover section. And I remember seeing an original book cover and I said, “That’s not who I have on my back cover. Who…? What’s going on here?”

[Laura and Thomas laugh]

Thomas: Yeah, so if your listeners aren’t sure what’s happening here. When I was asked, I said earlier – I spoiled it slightly – about that back wizard, I was told to just draw a back wizard to decorate the book. I just imagine – because I’d read the book, and really liked it, and I understood that there was a wizarding world, I just thought, “There are bound to be loads of wizards out there, I’ll just make one up.” I didn’t understand that anybody needed to see a character from the book. I just thought I understood the instruction as “Make up a wizard.”

[Andrew and Laura laugh]

Thomas: So I did make up a wizard, who isn’t actually in the story at all. But of course, when the books became more and more well known, more and more successful, especially when it came on a full-on Potter mania, people began asking, “Who is this character?” Because it’s clearly not Dumbledore. And it was always that people wanted to see Dumbledore, expected to see Dumbledore, and it’s not Quirrell and it’s not Snape, so who is this? Is it Nicolas Flamel? So there were lots of questions being asked; even online things were getting quite heated in some places, and there were lots of theories. And the truth of it is, it’s just my dad. I just painted my dad as a wizard.

[Andrew laughs]

Laura: Aww, I love that.

Thomas: Because he is quite an eccentric character; he used to wear quite flamboyant clothing. And I liked the idea in the story that in the Muggle world, you could spot somebody who’s connected to the wizarding world by how they’re dressed or something like that. So I thought, “Well, maybe people would see my dad and maybe think he was a wizard.” So I thought, “Right, I’m going to make him a wizard.” So I painted him as a wizard, and I really didn’t think much would come of this or anybody would ask anything about it, but of course, in the end Bloomsbury were being so flooded with questions. “Who is this? Who is this person?” And then specifically, “What is that in his pocket?” Because if you’ve got an image, there’s a painting, I painted a bulge in his pocket because I just thought wizards are just going to have stuff in their pocket, some interesting stuff.

Laura: Right.

Thomas: So yeah, so in the end, I was asked to replace my dad. He was retired as a wizard and Dumbledore was put in his place.

[Andrew laughs]

Thomas: And so I came back for the project several years later and painted Dumbledore, which is on there. He’s on the anniversary edition as well. But even there, I had a little bit of fun, because – people haven’t asked about this, actually – but if you look on Dumbledore’s cloak, if you get a chance to have a look, there are Runic letters down the side of his cloak. And these are the runes that you can understand from reading The Hobbit. If you read The Hobbit, he lets you understand in the beginning of the book how you can work out the Runic alphabet from the maps in the book. So I worked out the Runic alphabet, and I wrote something on his cloak.

Andrew: Oh my gosh.

Thomas: And no one has ever asked me what it says or commented. I mean, some people might know. But yeah, so there’s a bit of mystery for you there, if you get a chance to see it.

[Laura and Thomas laugh]

Thomas: I’ve written something on the back of Harry Potter.

Andrew: Yeah, I want to ask what the message is…

Thomas: Well, I could tell you.

Andrew: Well, or should we keep it a mystery? I don’t know. I feel like people should go figure it out. [laughs]

Laura: Yeah, I’m super curious, but I also don’t want to ruin the mystique.

Thomas: It won’t take a lot to figure it out.

Andrew: Okay.

Thomas: It’s not rude; don’t worry.

[Everyone laughs]

Andrew: “I don’t like Harry Potter.”

Eric: That would be an all-time great, because how many hundreds of millions of copies of this book have that on it?

[Eric and Laura laugh]

Thomas: But no one else… I mean, I thought Bloomsbury would get straight back and say, “Uh, what does it say?” But they didn’t.

[Everyone laughs]

Thomas: I’d’ve said, “Don’t worry; it’s nothing shocking. It’s nothing shocking.”

Eric: Yeah, it’s probably “Hello.” [laughs]

Laura: Maybe it’s been a while since they picked up a copy of The Hobbit. [laughs]

Andrew: What does it say? I guess we may as well find out. What does it say?

Thomas: Well, it just says his name, “Albus Dumbledore.” That’s it.

Andrew: Oh, okay.

[Andrew and Thomas laugh]

Andrew: That sounds like something he would do, put his own name on his clothes.

Laura: It is. That’s in keeping with the character.

Thomas: Yeah, but I was just trying to make it clear, so that if anybody questioned who this wizard was, there was actually proof who it was on the cloak. [laughs]

Eric: Ahh, yes, yes.

Laura: I love that.

Eric: Well, honestly, for me, it’s the long hair tucked into the belt.

[Andrew and Laura laugh]

Eric: I don’t know anybody else that’s done that other than Dumbledore. That’s very Dumbledore-esque.

Thomas: Yeah. And if you notice, he’s wearing the same trousers and shoes, almost, as the other one. [laughs]

Andrew: I was going to bring that up, yeah. That’s a nice tribute to your dad.

Thomas: Yeah, my dad was really touched by it, actually. And my dad lived in Denmark for many years, and when the Danish press found out about this possible connection with Harry Potter in Denmark, they actually came to interview him to see whether anything of Harry Potter had come from where he lives, from the town where he lived. And he had to tell them, “No, I don’t think so. My son’s just the illustrator of the first book. He’s not the author.”

[Eric and Laura laugh]

Thomas: But people were quite keen for any story at one point. There was a moment when it was really… people were really looking for stories.

Eric: I don’t think we said, what is it in your dad’s pocket on the back cover?

Thomas: It’s just a hedgehog.

[Andrew laughs]

Thomas: Because I thought that was quite funny.

Eric: That was my first guess. Yeah, I would’ve guessed hedgehog.

Laura: Yeah, it’s a natural guess.

Thomas: Oh, of course, yeah. If you’re a wizard, you’re going to have all these animal familiars and potion ingredients and things. But I just thought a hedgehog was funny, because how do you get a hedgehog out of your pocket? You’ve got to put your hand in your pocket, and then there’s all these spines in there.

[Andrew and Laura laugh]

Thomas: So it made me laugh. [laughs]

Eric: Well, it reminds me a lot of Newt Scamander, the hero of the new wizarding world film franchise, because he has a Niffler and many other animals in his pockets all the time. And it really throws it back to Hagrid, as well.

Thomas: Okay, yeah.

Eric: He’s got an owl in his pocket or something.

[Eric and Thomas laugh]

Andrew: Yeah, I was thinking about that too. It’s a nice little connection.

Eric: It’s so wonderful to be inspired. And I’m glad that your father seemed to really appreciate that.

Thomas: Yeah, he did. He passed away during the pandemic.

Andrew: Oh, I’m sorry.

Thomas: But he always, always, always appreciated that anecdote that [laughs] gave him his brief career. Well, not that brief, because he was on the back of the cover for three or four years, I think, before he was found out.

Laura: Right.

Andrew: And the original Harry Potter cover, even if they eventually replaced them with Dumbledore, that’s still incredible to be on the first cover.

Laura: It’s still iconic.

Andrew: Assuming you’ve followed Harry Potter even after the first book, what did you think of the first Harry Potter movie when it came out? And did you feel like it was a good adaptation of the first book?

Thomas: Yeah. Well, I loved it. I got to see one of the preview showings in London. I think it was the first time it was shown in London. I was invited along, and I just thought it was brilliant. I mean, I still like it. I still think it’s a great adaptation.

Andrew: It really is, yeah.

Thomas: But I mean, I haven’t even seen all the films. I mean, my experience of Harry Potter is locked into that early phase, so I haven’t even read all the books. [laughs]

Andrew: Oh, really?

Thomas: I mean, I really am very, very much… yeah. And in fact, I remember, I read the first three and I really enjoyed them. And then I remember somebody gave me a copy of the fourth one, Goblet of Fire. It was a bookseller who gave it to me early before it was released, so they shouldn’t have done that. And I think they were trying to impress me.

[Andrew laughs]

Thomas: And I remember seeing it, and I would never, never expect to be given this book. And, well, as soon as I saw how big it was, I thought, “I don’t think I’m going to read that in a hurry.”

[Eric, Laura, and Thomas laugh]

Thomas: And it’s true, I didn’t read it. But I have to say that all this talk about Harry Potter recently and the fact that I’m being interviewed a few times just made me curious about it, so I have started reading it.

Andrew: Aww.

Thomas: So I’m a few chapters in and I’m really enjoying it, so I’m sort of recapturing a little bit of that sense of how much I enjoyed it in those those early days.

Eric: Book 4 is Laura’s favorite book, I think.

Thomas: Okay.

Eric: Isn’t that right?

Laura: Yeah, it’s my favorite. And honestly, I have to say, as people who read the books when we were much younger, it is a really special experience to revisit them as adults, because you get so much more out of them as an adult. There’s just a different lens that you have. So I think you’re really going to enjoy the experience.

Thomas: Yeah, I really am so far. I mean, I’m a great believer in… I mean, I don’t really believe in a distinction between children’s books and adults’ books anyway. I just think a good story is a great story, and we all love great stories. And I’m really enjoying being back there again.

Laura: That’s amazing.

Eric: At what point did you find out that you were not going to be illustrating the sequel? The first sequel to Harry Potter? Chamber of Secrets?

Thomas: Yeah, I think… I mean, I was a bit disappointed about that initially. But then I sort of shrugged it off. I think it was when I actually saw pictures of the book cover, it was a pretty clear hint that I wasn’t going to be asked.

Eric: Oh no!

[Everyone laughs]

Andrew: “I don’t remember doing that!”

Eric: “Hey, um, yeah.” [laughs]

Thomas: Yeah, I know. But I think really, there came a certain point where if I was going to be asked, I’d have been asked by now, because they’re going to need it pretty soon. But it’s fine, because the guy they replaced me with had already done some books with wizards in and was sort of a more established artist. And so I understood that world. That’s how it goes.

Andrew: You still set the tone, I think. Especially in the early books, right? I mean, you defined what these covers are going to look like.

Thomas: I hope so. I think so. Somebody told me that Gryffindor colors are defined by the scarf I painted, but I haven’t been able… I haven’t gone back through to check whether the author says what colors Gryffindor are. So I don’t know. But yeah, I mean, I wouldn’t make too many claims about it. But I just think that having had the opportunity to set an image for Harry Potter really early on, a year before it was even published, is quite something. So I am very proud of that.

Andrew: I wanted to ask about that, actually. So yeah, Harry does have a scarf on in this cover that you illustrated, and it’s red and gold. But you’re saying you didn’t know Gryffindor was going to be red and gold? Because that is the House colors.

Thomas: Yeah, I can’t remember now if it says it in the text that it’s red and gold. Because I was basing my whole illustration… I think it’s in Chapter 2, there’s a little description of Harry, and basically, I just worked off that description.

Andrew: Interesting.

Thomas: So I’d be interested if anybody could find out whether that’s true or not, but people have told me that, that there was no red and gold until… I mean, could be. I don’t know. [laughs]

Andrew: Well, because some people… and we actually brought this up on the show, I think, a while ago: Some people were like, “Well, wait a second, how does Harry already have his Gryffindor scarf if he’s seeing the Hogwarts Express for the first time so he hasn’t been to Hogwarts yet?” People are like, “Loophole!”

[Andrew and Thomas laugh]

Eric: I think the movie fixes that by establishing that when you go to buy your robes, you can buy… it’s the crest that’s the multiple color one.

Andrew: Ahh.

Laura: Yeah, you can buy it as memorabilia. But also, there’s not anything Hogwarts-specific about having a red and gold scarf; let’s be honest. [laughs]

Andrew: Right.

Laura: It’s totally possible.

Eric: Could be a coincidence. That would be a heck of a coincidence.

Thomas: But I don’t remember. I mean, I certainly didn’t paint it to be to be Gryffindor; I just painted red and gold stripes because it was a vibrant color.

Andrew: Interesting.

Thomas: I wanted something in that corner to pop out.

Laura: Yeah, it’s perfect.

Andrew: That’s a very fascinating factoid.

Micah: I think what we’re really finding out here is that Thomas is in fact Godric Gryffindor.

[Everyone laughs]

Andrew: The founder of Gryffindor.

Eric: Oh, in Diagon Alley, there is a… so I’m reading – this is page 22 of the US edition – it says, “They had reached a snowy white building that towered over the other little shops. Standing beside its burnished bronze doors wearing a uniform of scarlet and gold was a goblin.”

Andrew: Oh, well, there you go.

Eric: At Gringotts. Perhaps it’s the Gringotts colors.

[Laura laughs]

Thomas: It could do. I don’t remember.

[Eric laughs]

Laura: Maybe.

Eric: No, no. Very interesting stuff, though.

Laura: And because we’re talking about Houses here, we’re a Harry Potter podcast; we ask every guest this: What is your Hogwarts House? [laughs]

Thomas: Well, look, I would aim for Ravenclaw; of course I would. But I’d probably get Hufflepuff. I think I fit there best. [laughs] So I’d be happy with that.

Laura: Hey, we love Hufflepuffs. [laughs]

Eric: Hufflepuff.

Andrew: But there are two Ravenclaws on this panel. Micah and Laura are both Ravenclaws.

Thomas: Oh, okay. I remember reading it thinking, “Why would anyone not want to be a Ravenclaw?” That was my impression after reading the book.

[Eric and Laura laugh]

Thomas: “Why would you not want that?” But I don’t think I quite cut the mustard. [laughs]

Laura: No, I think so. I mean, the whole point of the Sorting Hat is there’s an element of choice involved, so I would say you’re a Ravenclaw.

Eric: You know, what’s interesting is more of the books’ villains than not are Ravenclaw, especially in the early ones. Quirrell was the Ravenclaw, and so was Professor Lockhart.

Thomas: Oh, okay, okay.

Eric: The second one. So Ravenclaws not always just the best and the brightest. They can turn dark.

[Thomas laughs]

Eric: I thought you’d appreciate that.

Laura: Hey.

Micah: Well, I would still argue they’re bright. I don’t know if they’re the best.

Eric: Oh, yeah, yeah.

Thomas: It’s a great invention. The Sorting Hat is a great narrative device for the story for how to generate story out of that element in a story. It’s great.

Eric: So I wanted to ask… I just finished The Malamander, the first book of the Eerie-on-Sea series. I really loved it. I thought this was wonderful. Very engaging, told in first person perspective, so it just grips you from start to finish. And you’re actually working on… so the fourth book is coming out this fall. Is that correct?

Thomas: Yes, that’s right. I think in the US, it’s coming out actually in the spring, but in the UK, it will come out this autumn, this fall. And yeah, I mean, I can’t quite understand where the time has gone. Because I mean, I’m already working on the fifth book, and that’s pretty much finished. So it’s been quite an exciting process. It’s a five-book series. It’s a story. I mean, obviously, sometimes Harry Potter fans ask me, “How is this connected to Harry Potter?” And I have to say, “Well, of course, it’s not. It’s not connected to Harry Potter.” [laughs] But it’s still in that sort of middle grade, magical mystery vibe that I really love. So it’s a similar sort of setup, I guess, but a mysterious seaside town.

Eric: Yeah, having read the first book, I appreciate all first books of series that focus or have something to do with a small glowing red orb with magical properties.

[Laura and Thomas laugh]

Eric: Pretty interesting, actually.

Thomas: Oh, yeah. Are you alluding to the Philosopher’s Stone?

Eric: Yeah, perhaps.

Thomas: I hadn’t ever really thought about that. Oh gosh. [laughs]

Eric: And grant some life… it seems intentional. [laughs] But I won’t get into spoilers about Malamander.

Thomas: No, but people often find things and say, “Is that because of Harry Potter?” and I have to say, “No, I’m sorry.”

[Andrew and Thomas laugh]

Eric: But based on your life. So you live by the sea.

Thomas: I do, yeah.

Eric: How much of your life experiences inspired the characters and settings of the series in general, but also Malamander?

Thomas: Yeah, well, it’s just because I moved by the sea about ten years ago, and I found out that by the sea in the winter, it’s very different. The town changes a lot. Quite creepy. It’s quite strange. And when all the fun and bright things of summer are locked up and covered in a bit of frost, and the wind is really strong, and it’s quite spooky, that can be quite creepy, really quite, to some, disturbing. And so the town of Eerie-on-Sea is based heavily on the town near where I live, and some of the characters I’ve met. And this town is beset by legends, and there are these magical creatures that people encounter. And where I live, I live one of the few places in UK where at low tide, if you’re very lucky, you can actually find dinosaur remains on the beach, just sort of rolling dinosaur bones.

Laura: Wow!

Andrew: Whoa.

Thomas: 135-million-year-old fossil bones, and even dinosaur footprints. So I’ve been inspired sort of directly to create a… you can understand why I’ve written about a sea monster, when you think that you can actually see all these theropod footprints down on the beach, and they’re wet. They’re in the stone, they’re in the rock, but it’s wet when you see them, and it almost looks like the creature has just made that mark. When you’re down there in the mist, you want to turn around and just check it’s not still there. So that was the inspiration for these mystery stories.

Laura: That’s incredible.

Eric: And how did you come up with Herbie and Violet, for instance, as characters? What was your inspiration?

Thomas: Yeah, well, Herbie is basically me. So Herbie would be a Hufflepuff, I think.

[Andrew, Laura, and Thomas laugh]

Thomas: He’s basically me, and I just sort of regressed back to childhood to write that character. And then I needed, because I’m a bit of a bit of a wuss, really, a bit bound by the rules, perhaps, but then Violet is just a kind of foil to that. So Violet is the opposite. So they work together, they complement each other, and together they are this great team. That’s the intention. And they’re named after traditional British candy. This isn’t always apparent, I think, to people in the US, but they’re named after Sherbet Lemons and Parma Violets, which are… instantly, people in the UK get where the names come from, but I have to often explain that.

Eric: Herbert, ohh.

Thomas: Herbert Lemon is Sherbet Lemon, and Parma Violets become Violet Parma.

Andrew: Got it. Yeah, we are all Americans here; that went over our heads.

[Everyone laughs]

Thomas: I actually came to the US to tour these books a little bit, and I got asked that everywhere. So I actually brought these sweets with me, and I was sort of fighting trying to stop children from just grabbing them, because I only had this very small supply and they were… [laughs]

Andrew: “Let me explain to you why I brought these first!”

[Thomas laughs]

Eric: Yeah, yeah. A wonderful book-themed candy. It’s wonderful that they made this candy based on the characters of this beloved book series.

[Thomas laughs]

Eric: Oh my goodness.

Micah: I think, actually, “Sherbet lemon” is one of the passwords to Dumbledore’s office in the series.

Eric: At some point.

Thomas: It could be, yeah. It could be. Because it’s that sort of thing that’s a very, very traditional Victorian candy.

Andrew: Ahh.

Micah: Yeah. I’m curious, though, going from illustrator to author, what that process has been like, and maybe what the most challenging aspect in that shift has been for you.

Thomas: Yeah, I think the hardest thing was getting people to take me seriously as a writer. So I did after Harry Potter, I actually had a career about ten years of working in picture books, mostly as an illustrator. And that was great, and I enjoyed doing that. But I kind of ran out of steam; I had run out of picture book-shaped ideas, and was itching more and more to write more substantial texts. Because I started to write as well as illustrate while I was working on picture books, and so making that jump to actually start working on a piece of fiction that was going to be longer, yeah, it was a psychological barrier to jump over, and then having to admit to my agent further up and say, “You know you took me on as an illustrator all those years ago. Well, I’ve written a book; would you like to read it?”

[Andrew laughs]

Thomas: And she was a very, very formidable lady and wasn’t going to take any nonsense, and she made it very clear that I would have to win her ’round, that I wasn’t going to get a literary agent by sneaking in through the illustrators door and then sitting down with the office. [laughs] I had to actually prove myself. So it was quite nerve-wracking when she read the book I wrote, which is completely unpublishable; it hasn’t been published. But she was incredibly encouraging, and so that gave me the impulse of “Keep going.” Had she said, “This is awful; go back to painting,” maybe things would be different, because I did respect her opinion. But she was incredibly encouraging.

Andrew: So illustrating or being an author, do you prefer one or the other?

Thomas: These days I think of myself as an author primarily. I do still draw a bit, so the UK editions of my books have little chapter heading drawings I do, and I draw the maps and things like that. In the US, they’re illustrated by Tom Booth, absolutely brilliantly illustrated by him, really excellently. But he’s illustrated them far more than I would like to have done. These days I don’t like to do big illustration jobs; I think I find it just a bit exhausting. I started to get repetitive strain problems in my hands; especially trying to use digital means, it gets really quite exhausting. And I find I just really love writing. You can conjure anything. You think about how long it takes to write the word “elephant,” and then think about how long it takes to draw the elephant.

[Andrew and Thomas laugh]

Thomas: You can see how writing can be so much more immediate and you can get a lot more done.

Laura: [laughs] Definitely see the appeal there, for sure.

[Eric and Thomas laugh]

Laura: Pivoting to considering your time as an author, what feedback have you most enjoyed getting from readers who read Eerie-on-Sea?

Thomas: Well, the best thing is when children dress up as my characters on World Book Day, which is just an amazing thing.

Andrew: Aww.

Thomas: As an author, if you get up for anything in the morning, that’s what you get up for. Because to get those pictures sent to me, “Here’s my little boy dressed as Herbert Lemon,” and “Here’s my daughter dressed as Violet Palma going to school,” it’s just amazing. And then children write to me, and I write back as if I’m in the Grand Nautilus Hotel, which is the hotel in Eerie-on-Sea. I write back on headed notepaper.

Eric and Laura: Ohh!

Andrew: That’s so great.

Thomas: And I’ve been told that that always creates quite a bit of an excitement when it arrives. And it looks like I’m actually in one of the rooms there, and their letters reach me there and I’m just writing back.

Laura: That’s amazing.

Andrew: I bet. That’s awesome.

Thomas: So things like that, the interaction with readers is just really, really exciting.

Laura: Wow, that is so cool. As a kid I would have flipped.

[Thomas laughs]

Laura: As an adult I would flip, honestly.

Andrew: [laughs] Yeah, yeah.

Eric: Wrapping up, what other work outside of Eerie-on-Sea, and outside, of course, the early Harry Potter journey, have you done that you’re most proud of or would like to shout out?

Thomas: I don’t know, really. A few years ago, I managed to realize an ambition to do a comic book. I’ve always wanted to do a comic book for many years. I have a friend who is an author called Marcus Sedgwick, who is very, very successful, and he and I have always talked about doing a comic book. A few years ago we did, and First Second published it in the US; it was primarily a US Publication. It’s called Scarlett Hart: Monster Hunter. And yeah, he wrote the text, I did the drawings, and so that was quite exciting. And it’s out there, and that’s a bucket list item ticked off. And I really enjoyed working on it, but it kind of broke my hands working on it, because just in the actual physical work of creating panel after panel after panel for hundreds of pages was pretty exhausting. So I realized I probably am not going to do many more of those. But yeah, that’s out in the US if anybody wants to look it up, and it’s got monsters in it. So there’s always that.

Laura: I just made a note. I love comic books. So I’m definitely going to head out and get that.

[Andrew, Laura, and Thomas laugh]

Andrew: Thomas, this has been really great. Where can our listeners find you online?

Thomas: My website is ThomasTaylor-Author.com. I’m on Twitter quite a lot, and Instagram. On Instagram I’m on @thomskagram. I should change that, really.

Andrew: [laughs] That’s a fun name.

Thomas: But I’m quite findable. You can search me up. There are hundreds of millions of Thomas Taylors out there. Many of them have written books, but ultimately you will find me if you search.

Andrew: Yeah, okay, awesome. And so we’ll check out the 25th anniversary edition of Philosopher’s Stone over in the UK. And we’re also going to check out the Eerie-on-Sea series, and we’ll keep an eye out for the fourth book this September.

Eric: I’m very excited to keep going on the Eerie-on-Sea. I love the characters. I’m very engaged.

Thomas: I hope you enjoy the next one.

Eric: Okay.

Andrew: And stay tuned for a letter from Eric, and he’s expecting that letterhead back.

[Everyone laughs]

Eric: “Hi, um, I love the book, thanks,” waiting for him to write me back like, “Yesss.”

[Andrew and Thomas laugh]

Thomas: Well, I’ll look out for that, yeah. Thank you so much for having me on. It’s been a great pleasure. Thank you.

Andrew: Yeah, thanks.

Laura: Wow, he was delightful.

Andrew and Micah: Yeah.

Andrew: That was such a great interview. That was so much fun. Everyone, check out his series Eerie-on-Sea, and we’ll include links in the show notes. I’m still shook by this Gryffindor scarf revelation on the cover. [laughs]

Eric: Yeah, the fact that that wasn’t intentional.

Micah: We got a couple of exclusives between the Gryffindor scarf and then the Hobbit writing on Dumbledore’s cloak.

Eric: That Hobbit thing is real, yeah.

Andrew: We need to write articles about this on MuggleCast.com. “What’s that code mean on the back cover?”

[Laura laughs]

Eric: “Decoding the back cover of Philosopher’s…”

Laura: As long as we don’t make it one of those annoying click-baity articles that’s like, “What does it mean?” and then the text goes on for like eight miles where we’re like, “Albus Dumbledore is the renowned headmaster of Hogwarts” before we even talk.

Andrew: Laura, that’s how we make the money! We put 30 ads before you get to the answer.

Eric: Yeah, Chloé knows. She said she’s pro-click bait.

[Laura laughs]

Andrew: We also need an article on what the bulge is on the original back cover in Thomas’s dad’s pocket. [laughs]

Micah: It’s a Hobbit.

Andrew: [laughs] It’s a Hobbit.

Eric: It’s the Niffler. It’s Teddy.

Andrew: No, he said porcupine, right?

Laura: Yeah, it’s a porcupine.

Eric: A hedgehog.

Andrew: Hedgehog, right.

Micah: Sonic.

Andrew: Anyway. Well, if you have any feedback about today’s great interview with Thomas Taylor, you can write or send a voice message to MuggleCast@gmail.com. If you’re going to send us a voice message, just record that message using the Voice Memo app on your phone. And you can also use the contact form on MuggleCast.com if you don’t want to do the old school email, or you can leave a voicemail on our phone. The number is 1-920-3-MUGGLE. That’s 1-920-368-4453. By the way, coming up on our Patreon today, Patreon.com/MuggleCast, many of our patrons are tuned in live this morning and they got to watch our interview with Thomas Taylor, so thanks to everybody who’s joining us this morning. We are going to have a bonus MuggleCast installment to celebrate Pride Month: Gay Harry Potter pickup lines.

[Andrew and Laura laugh]

Eric: ‘Nuff said.

Andrew: Explicit content warning.

[Laura laughs]

Andrew: That’s all I’ll say before we go into this.

Eric: Happy Pride, everybody.

Andrew: Micah messaged us last night saying, “I’m having way too much fun writing these pickup lines.”

[Micah laughs]

Eric: Oh no, I haven’t looked since Micah has been in… oh no.

Andrew: Brace yourselves. I might… yeah, I’m going to scream a couple times. [laughs]

Micah: That’ll make it even better.

Andrew: We do a monthly bonus MuggleCast installment on our Patreon to thank everybody for their support. We did a pickup line bonus MuggleCast back in February 2021 around Valentine’s Day, but now this one is Pride Month-themed, so that’s going to be a lot of fun.


Quizzitch


Andrew: All right, it’s time for some Quizzitch.

[Quizzitch music plays]

Eric: Last week’s question, bit of a teaser: Who illustrated the first book cover for Harry Potter and the Philosopher’s Stone published in 1997 by Bloomsbury in UK? The correct answer, of course – we just met him – Mr. Thomas Taylor. Congratulations to the few people who did enter and get it, including Jessica your friendly neighborhood Slytherin; What does the Fawkes say?; Yo I don’t want to fight Cerberus; Liz Ravenclaw; Colin Creevey’s brother; The rogue Niffler; and A small glass of firewhisky with a gilly water chaser plus a slice of lemon. Sounds good.

Micah: Oh, I’m disappointed. I entered as Jonathan Taylor Thomas. I thought I got…

Eric: I was just going to mention that!

[Everyone laughs]

Eric: Thomas Taylor, Jonathan Taylor Thomas… I’ll tell you, Micah, maybe you’re doing it wrong. This whole time I had to switch it. Where you put the name…

Micah: Yeah, I noticed I did that, yep.

Eric: Okay. Yeah, the name, the answer…

Micah: I noticed that.

Eric: Okay, okay. Just so you know. I want to make sure you can succeed at submitting to Quizzitch in the future. Next week’s question: Dumbledore’s nose appeared as though it had been broken how many times, according to the first chapter of Harry Potter and the Philosopher’s Stone? Kind of on a theme there, looking back 25 years. We didn’t mention, by the way, that the actual 25th anniversary, supposedly, of Harry Potter in print being published in the UK is the 26th of June this year, which is a couple of days from when this episode will air.

Andrew: Yeah, where did you get that info from? Because I think over the years, it’s been a bit of a mystery, the exact publication date, right?

Eric: It has been, and it wasn’t until Thomas Taylor’s publicist mentioned it as being the date to shoot for with our episode. And I’m assuming she got that from Bloomsbury.

Andrew: Okay, so that’s another exclusive that we need a 8,000 word article for with the 40 banner ads.

[Laura laughs]

Eric: Yes! “When exactly was the book published? Well, it is uncertain because no good records were kept before the Internet, yes.”

Andrew: “But stay tuned; we have a theory.” 30 banner ads.

[Eric laughs]

Andrew: “So the first Harry Potter book…” blah, blah, blah.

Eric: Yeah, so happy 25th anniversary to the book that changed all of our lives. This was a great way to celebrate that.

Andrew: Yeah, he was a lot of fun, Thomas was.

Eric: So if you’re looking to enter Quizzitch, submit your answer to us on the MuggleCast website, MuggleCast.com/Quizzitch, or go to the website and click “Quizzitch” in the menu bar.

Andrew: Make sure you’re following MuggleCast for free in your favorite podcast app so you never miss an episode, and leave us a review if you can in that podcast app. Also, don’t forget to follow us on social media. Our username is MuggleCast on Instagram, Facebook, Twitter, and TikTok. And once again, don’t forget to pledge on Patreon if you love what we do here and want to support the show and see it thrive. Patreon.com/MuggleCast. If you can’t pledge, that’s okay; we understand. Just make sure you’re following the show for free so you get every episode. If you’re interested in any of our sponsors, feel free to use those promo codes and links. It all helps. Tell a friend about the show. It all helps grow the show and support the show, so thank you. Laura, what’s coming up on next week’s episode of MuggleCast?

Laura: So on next week’s episode, we’re going to be doing a full-on “In defense of” episode in which we talk about a number of characters from the series that we’ll be playing a little bit of devil’s advocate on. I think the first one we’re going to kick it off with is James Potter. Did he mature? Are we to believe that had he lived longer, he would have been a more exemplary adult than he was a teenager? You’ll have to listen next week to find out.

Andrew: Yeah, this is sort of a follow-up to our “In defense of each of the Hogwarts Houses” series, where we’re going to support some of the characters who maybe get a bad rap, and sometimes, not deservedly so. So we’ll talk about that next week, getting back to some old school Harry Potter talk just like we did today. All right, thanks, everybody, for listening. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: And I’m Laura.

Andrew: Bye, everyone.

Laura: Bye.

Transcript #566

 

MuggleCast 566 Transcript

 

Transcript for MuggleCast Episode #566, WB is Planning HBO Max Harry Potter Shows — We Pitch Lots of New Ideas!

Andrew Sims: This week on MuggleCast, the new owner of WB is personally involved in organizing some new Harry Potter TV shows for HBO Max, and we’re pitching lots of great new ideas for him.


Show Intro


[Show music plays]

Andrew: Welcome to MuggleCast, your weekly ride into the wizarding world fandom. I’m Andrew.

Eric Scull: I’m Eric

Micah Tannenbaum: I’m Micah.

Laura Tee: And I’m Laura.

Andrew: And this week we are going to review what WB’s new leadership and Fantastic Beasts‘ recent box office performance means for the future of the Wizarding World franchise. And we have lots of ideas for TV shows, including ones you are definitely not expecting, so this is going to be a really fun episode. I have a presentation prepared for everybody, so I hope to educate everybody in the process as well.

Eric: Ooh.

Micah: PowerPoint?

Andrew: No PowerPoint. Maybe some Google Slides, though. I don’t touch Microsoft Office.

Micah: Yeah, you don’t seem like a PowerPoint guy.

Andrew: That’s so 2004, Micah. I’m here in the Cloud, enjoying Cloud life. [laughs] But anyway, we are joined by one of our Slug Club patrons this week, Neil. Welcome to the show, Neil.

Neil: Thanks for having me on.

Andrew: Yeah, it’s our pleasure. And you’re in South Korea, and it’s very late there. Also, shout-out to your excellent Harry Potter background. You’ve got everything Harry Potter going on on your bookshelf, which is perfect for our social media channels. But let’s get your fandom ID.

Neil: My favorite book is definitely Deathly Hallows. Movie is Half-Blood Prince; it’s just so funny. Hogwarts House, Ravenclaw. Ilvermorny House, I am a Horned Serpent. My Patronus is a Rottweiler, which is great for me because I love dogs. And my favorite beast, definitely a Niffler.

Andrew: Excellent. And you have a Niffler, I think I see, on your bookshelf. Are those two bookshelves completely covered in Harry Potter stuff? Is that all Harry Potter stuff?

Neil: Not quite; I’ve got two shelves for Game of Thrones and a couple other things. But eight out of ten.

Andrew: Okay. And wait, you were living in California? Like I said, you’re now in South Korea; did you bring that all over from America?

Neil: I did.

[Andrew laughs]

Neil: It took two months to make it to South Korea, but it’s here.

Laura: Wow.

Andrew: Oh, that’s fantastic. [laughs] True fan right here, bringing all this Harry Potter stuff.

Micah: Love the Niffler, by the way, if you can’t tell.

Neil: Love yours, too.

[Andrew laughs]


Main Discussion: Wizarding World TV Adaptations


Andrew: But anyway, are you all ready for my presentation about what should happen next with the Wizarding World franchise?

Eric: Yes. I’ve been waiting with bated breath for a few weeks on this.

Laura: Same.

Eric: This is going to be great.

Andrew: Okay, thank you for coming to my TED Talk. I appreciate it. So we’ve already discussed a few times, should there be another Fantastic Beasts movie? How many more will there be? We’re not going to really rehash all that today; we are going to take this in a different direction. And the reason I wanted to have this discussion today is because there’s already reports of WB and the new leadership being very interested in some new Harry Potter television content. So first, let’s look at what went on with Fantastic Beasts 3, now that it’s on HBO Max and it’s barely in theaters anymore. So Secrets of Dumbledore made $95 million in the United States, and a smidge over $400 million worldwide. That worldwide total does include the $95 million from America. It was the smallest Wizarding World and Fantastic Beasts film in the franchise.

Eric: Wow.

Andrew: For comparison’s sake, Fantastic Beasts 1 made $814 million worldwide. Fantastic Beasts 2 made $654 million worldwide. Last year, it was reported that there would be a break in between filming Movies 3 and 4, because there was that downward trend with the box office even before Movie 3 came out and I think they just assumed number 3 would do worse than Movies 1 and 2. Since we last spoke about that break in between Movies 3 and 4, longtime director David Yates, who has directed four Harry Potter movies and all three Fantastic Beasts movies, Yates has lined up another project called Pain Hustlers, and it begins filming this August. And this is his second project outside of Fantastic Beasts. We learned last August that he was going to work on another project for Sony, so David Yates is currently hanging out anywhere but Wizarding World Inc. right now. And remember, I think we speculated when we heard about this break that they were going to see how Fantastic Beasts 3 did box office-wise and then decide what to do. They weren’t going to make any decisions until after Movie 3 came out. Meanwhile, now, Discovery Networks – yes, this the media conglomerate that owns HGTV, TLC, The Food Network, Lifetime, and a huge, huge media company – they merged with Time Warner, who owns Warner Bros., this past April, and Discovery CEO David Zaslav is taking the helm of the newly merged company. So WB is now owned by this new media company, and the new media company is called Warner Bros. Discovery. And according to a recent profile in the Wall Street Journal, Zaslav has little patience and keeps a close eye on spending. He is happy to cut expensive projects if he thinks they’re a bad investment.

Eric: Oh, God. Uh-oh.

Andrew: [laughs] Since taking the reins at WB, he’s already canceled a big DC film project. And just this past week, he passed on a $200 million project that J.J. Abrams was pitching. He said no to J.J. Abrams!

Laura: Whoa.

Eric: I am shocked.

Laura: “No movies heavy with lens flare for me!”

[Andrew and Laura laugh]

Andrew: Now I will say, the J.J. Abrams project, it wasn’t based on existing IP. Abrams wasn’t like, “Yo, I got a great idea for Batman or Harry Potter.” It’s something entirely new. And when there isn’t existing intellectual property, it’s riskier. So Zaslav looked at a $200 million project from Abrams, and said, “No. Unless you put something recognizable on this, no.”

Eric: I think original content is where it’s at. But clearly, that’s not as bankable as the stuff you’re talking about.

Andrew: I know.

Eric: So I’m sure JJ’s project will find a home somewhere. It’s JJ, after all. But yeah, that’s nuts. This guy’s real cracking down, huh?

Andrew: Yeah. Now, here’s where it gets interesting – and this wasn’t leading to me saying “All hope is lost for future Harry Potter spinoffs because this guy doesn’t like spending money.”

[Eric laughs]

Andrew: So in the same Wall Street Journal profile about Zaslav, we learn that talks regarding the future of the wizarding world are about to be active if they haven’t been already. Quote: “Mr. Zaslav is looking to make fresh Harry Potter-related content for HBO Max, people familiar with his thinking said, and plans to meet with creator J.K. Rowling in the coming weeks to discuss the matter.” So presumably, he’s taking the private Warner Bros. Discovery jet over to England to talk shop with J.K. Rowling and figure out what the hell they can do on HBO Max. And this is something that we’ve all been wanting for a while. And I think there’s a few different ways to read this comment, and maybe they’re all true. Maybe Zaslav will ask J.K. Rowling to let them write scripted material on their own; that’s something we’ve been wanting. Maybe he’s going to beg J.K. Rowling to help them write new stories and/or reboot existing content. Maybe he’s going to review with J.K. Rowling plans that have already been in the works. We presume something has been in the works, but we don’t know what, and now he’s getting involved. So what are your all reactions to this? How do you all read this?

Laura: I think that no matter what happens, there’s no way that we’re getting content on HBO Max that doesn’t somehow link to J.K. Rowling. I think even if none of the original ideas are hers, she’s still going to get a credit. So as viewers, I don’t know that we’re ever going to have a full picture of how much or how little J.K. Rowling is involved in these future projects, which I know has been a concern for some of us who aren’t happy with the author these days. I also hope – and it seems like it based off of this comment – that Zaslav is looking to produce some kind of new content. I don’t get the impression from this that his top idea is just to reboot the entire series as a TV show, for example, even though we would all love that.

Andrew: Right. Or similarly, he’s not flying over to England just to be like, “Hey, can we do another season of the trivia show?” He must have bigger plans in the works.

Laura: Exactly.

Micah: Yeah, he could solve that on an email, right? I’m thinking about normal work; people have all these Zoom meetings. How about, just send an email?

Andrew: “This could have been an email.”

Micah: Dear JKR@Hogwarts.com.

[Andrew laughs]

Micah: No, I agree with what Laura is saying. I just wonder how potentially contentious this meeting could get between the two of them…

Andrew: Oh, agreed.

Micah: … if he is somebody that is willing to just cut things without any recourse? I was also curious, who owns the rights here? Does WB own the rights, if in fact they did want to move forward and create something within the Wizarding World franchise? Or does it have to get approval from J.K. Rowling?

Eric: That’s interesting, because didn’t they say originally they were going to do the series with or without J.K. Rowling? The Fantastic Beasts, I mean. Because they had the film rights they optioned the book into for film rights, so whatever the terms of that, whatever that means, means that they would be able to produce a film based on those books. And since they already did the Harry Potter movies, they may have to renegotiate some things, but I’m inclined to believe that most of the heavy lifting has already been done for them to produce that again. That’s the way that the same studio would reboot, like, A Star Is Born every 50 years or whatever.

Micah: We have a tendency to say that Potter is this cash cow, but based on Andrew’s presentation, it’s not, so…

Eric: Well, historically, it has been, right? So if you’re inheriting…

Micah: The original.

Eric: So Zaslav has been the CEO since 2006 of Discovery Networks, I’m looking up now at a very extensive Discovery Inc. Wikipedia page. And you’re coming into this merger with… it’s now Warner Bros. Discovery, and you’re bound to look through the catalog of what Warner is bringing to the table. And historically, one of the most reliable franchises – past two entries excepted – in Warner Bros.’ movie catalog, film catalog, has been Harry Potter. So it’s impossible to get out of this merger without having some kind of a conversation with the people who are foremost able to make new content, or approve or green light new content, about doing so. So I just think this might just be a formality; I don’t know that he has any specific ideas. But to meet with J.K. Rowling, to kind of put a finger on the pulse of what the network is interested in doing, and then what J.K. Rowling may or may not be interested in doing, seems like it makes sense.

Andrew: Definitely. And in terms of like, could they do anything without her? That’s a really tough question, and I’m sure there’s tons of contractual agreements that work all this stuff out. I would assume even if they could do it without her express permission, her explicit permission or green light, they still would want to get her blessing because they want to stay on her good side. This is a relationship that could last the next 100 years, if it’s all played right, so I think they still would want to have her involved. And of course, even though she didn’t with the third movie, it would be helpful if she was out there promoting this new content as well. [laughs] I mean, they also seemingly have a relationship to repair. That’s what this flight could be, right? I mean, she didn’t even talk about Movie 3. We promoted it more than she did. [laughs]

Eric: It’s hard.

Andrew: Let’s just make some quick predictions now about whether or not there will be a fourth Fantastic Beasts movie. I will note that the movie has crossed, like I said, $400 million worldwide. A couple people on Twitter, including some people who dabble in the business of Hollywood, have predicted that because it has made $400 million now, it has broken even; that’s kind of the green light for Warner Bros. to make another movie. I would take that with a huge grain of salt. But this movie was able to break even, so congratulations to Secrets of Dumbledore for making back what it spent.

[Eric laughs]

Andrew: Because we’ve discussed this before, I don’t want to spend too much time on it, but let’s just make some quick predictions so we can look back on it and laugh, celebrate, or cry later. Will there be a fourth Fantastic Beasts movie? Neil, let’s start with you. Do you think there will be one?

Neil: Yes, I do. Honestly, I think it’s going to be scaled back. I’m not convinced, especially if he’s trying to tighten the belt, that they’re not going to have “No expenses spared” like in the past movies. We have to remember, it didn’t do badly. $400 million is a lot more than I have in the bank account. It’s only badly by Harry Potter standards.

Andrew: Yeah, that’s true.

Laura: Great point.

Eric: Here’s the thing: Micah and I were talking recently on MuggleCast 564 about this topic and what we want out of the next film, and I think that my pipe dream of having character-focused, slowly developed, slow burn, non-Grindelwald, non-Dumbledore story, is unfortunately unrealistic if they’re going for a bigger box office return. I think what’s more likely to happen is they omit what would have been the fourth movie, no matter what it is. And the next movie that they make is actually set – they finally do the time jump, everybody – it’s going to be 1945, which is when we know that Grindelwald is finally defeated by Dumbledore. I think that they’re going to make the so-called fifth Beasts movie instead of what would have been the fourth and just call it an end after that, but it’s going to feature the huge confrontation, and that will be the huge selling point because they’ve learned nothing about the whole Hogwarts marketing and stuff about this series. They don’t have confidence it can stand on its own, so I think that’s what they’re going to do.

Laura: That’s a good call. I think – and I’m not thinking as detailed about what the plan could be as Eric did – but I don’t think there’s going to be a fourth Fantastic Beasts, not something that releases in theaters anyway. I could see them potentially doing something on HBO Max to tie the story up if they really felt like there was enough story left, so maybe a limited series or a direct-to-HBO Max movie release. But I think if they did that, the budget would be scaled back pretty significantly. Think about direct-to-TV movies, even ones that come to services like HBO Max; they tend not to have the same budgets as theatrical releases.

Micah: I guess I’m taking the hardline approach here; I think that this series is done. And the reason why I say that is really due to the ending. Dumbledore walked off into the snowset…

[Andrew and Laura laugh]

Micah: … there was no cliffhanger, Tina and Newt are together, Jacob and Queenie are married, we know Ariana was an Obscurus, we know Credence is Aberforth’s son, the blood pact was destroyed… so I just don’t think there’s enough story here to get us to that big duel, which we know happens anyway.

Andrew: That’s an interesting take. We know enough. We’ve seen enough. That’s what Micah is basically saying. [laughs]

Eric: Yeah, we know how it ends.

Andrew: That’s enough, yeah. I agree more, I think, with Neil, Eric, and I guess sort of Laura. I do think one and done, but it will be a smaller, more focused movie – now that they’ve crossed that allegedly all important $400 million threshold – and just move on, because I do think it kind of leaves a stain on the series if they leave things hanging. And I know, to Micah’s point, things were finalized; it did feel like a good ending. But you think about the fourth one, they can mark it as the final movie; they can really lean into that in the writing. Just really put a bow on it.

Micah: I think the way that they ended the last movie gives them the option to not have to create the fourth if in fact they make that decision.

Laura: I agree; it has a sense of finality about it that I think makes it “okay” that they don’t move on if they don’t move on. But I also don’t feel that they completely shut the door. I think it was an ambiguous ending, and I think that was intentional because they wanted to see how this movie was going to do.

Andrew: Okay, so putting aside Fantastic Beasts; for the rest of this episode, we are dreaming up Harry Potter/wizarding world television ideas, and we have many to present today. And I hope Mr. Zaslav is listening as he takes his private jet over to England…

[Neil laughs]

Andrew: … and he can pitch all these to J.K. Rowling because we know what we’re talking about! Let’s say Zaslav goes to J.K. Rowling and says he wants several scripted series, and J.K. Rowling says she isn’t down for a traditional reboot of the original seven books or a film adaptation of Cursed Child, but she’s open to exploring anything that hasn’t been told on screen. And Zaslav tells J.K. Rowling that he listened to some Harry Potter podcasts to get up to speed with what fans are thinking, and he really liked what those traitors at MuggleCast have to say…

[Laura laughs]

Andrew: … though he did think all of the goat talk on the show was a little strange; he doesn’t understand what all that is about. So he likes what we have to say…

Micah: I’ll straighten him out.

[Everyone laughs]

Eric: We’re sending Micah. We’ll airdrop Micah into the combat zone.

Andrew: Micah has a presentation on goats. [laughs] So Zaslav is going to fly us…

Eric: Oh!

Andrew: … to LA and allow us to pitch to him our one show idea each in the Hog’s Head at Wizarding World Hollywood. And he’s such a nice guy, he’s going to buy each of us one butterbeer for our time. Isn’t that sweet?

Laura: Wow. I mean, I know he’s budget conscious, so I really appreciate that.

[Everyone laughs]

Andrew: Yeah, and there’s no foam on top. It’s just the liquid part of it. He’s being a real cheap you-know-what.

Eric: Probably healthier.

Andrew: Yeah, that’s true; it is healthier. In Hollywood they’re so healthy. So Laura, let’s start with you. You get the first meeting with Mr. Zaslav. [laughs]

Laura: Sure. My show pitch for him – because this would absolutely need to be a TV show – it would be called Wizarding World Unlocked, and this would be a show dedicated to exploring all of the unexplained parts of the wizarding world that we still have questions about. My pitch for Episode 1 is that it would be called “The Lost Day,” and it would chronicle what happened between the time Voldemort killed the Potters and Hagrid delivered baby Harry to Privet Drive. Fans have wondered about this timeline for years, because we know during this time that Sirius confronts Peter Pettigrew and that whole scene plays out. We want to see what happens there. We also want to see, why does it take Hagrid so long to get Harry to Privet Drive? [laughs] So I think that it could be a very interesting sequence to show the immediate reactions of the wizarding world to Voldemort’s fall, but also explaining how we get to Chapter 1 of Sorcerer’s or Philosopher’s Stone. How does baby Harry end up on that doorstep? I think that there’s a lot of potential to explore other areas of mystery for us in the wizarding world, like what is the life of a Squib like?

Eric: Ohh.

Laura: I know this is something that I’ve brought up on the show before, but it feels like a really missed opportunity that we never got very much in-depth exploration into what life as a Squib is like. How do they get educated? Why is it that this society relegates them to janitorial jobs, for example? And what are the possible consequences of doing something like that? I don’t know that it would necessarily need to center on Filch, but that’s a good starting point we could think about. Is there a Filch origin story that would be substantial enough for an episode? I really view this as a vignette style show where each episode focuses on one area of the wizarding world that is still very mysterious to the fans. And y’all know that I also want a Department of Mysteries episode, because I’ve been complaining about this on the show for like, 13 years now, I think.

[Everyone laughs]

Laura: But we never got further explanation into what the heck is going on in the Department of Mysteries. I want it. Fans want it. It would give opportunity for jumping back in time and doing some Hogwarts founders original content. It could be one episode or even a series of episodes about each of the founders. There’s just a wealth of untouched parts of the wizarding world that could be unlocked for fans through this experience. Thank you for coming to my episode pitch.

[Eric and Laura laugh]

Andrew: I really like that. Yeah, I really like that. I like the lost day idea, too, because that plays into the fandom; that’s what people want. And it also says, “Hey, we’re listening to you. We know what you’re talking about. We want to give you what you are curious about.” And I think it’s so important to fill in those empty gaps. That’s what’s going to get people tuning into all this stuff, answering questions that we all have been thinking about for a really long time.

Eric: Yeah. Laura, what I like about your pitch is that it really reminds me of Discovery’s original days on Discovery Channel, where it was this scientific focus, or a focus on a topic that then explores, and you learn so much about it, like a real educational side of entertainment, which I really, really love. Because back when it was Discovery Channel, I watched Discovery Channel all the time growing up.

Laura: Me too.

Eric: I loved those shows. And looking on the Discovery Channel Wikipedia, here’s a quote, “It initially provided documentary television programming focused primarily on popular science, technology, and history, but by the 2010s had expanded into reality television and pseudo-scientific entertainment.”

Andrew: Yeah, I mean, honestly, it’s kind of turned into a trash media network, and we’ll get to that. [laughs]

Eric: Which really breaks my heart…

Laura: I know.

Eric: … because Discovery as I remember was very much like, “How does an asteroid work? What’s black matter? Were there aliens in ancient Egypt?” [laughs] All very scientific things. So Laura, I love your idea and exploring those nooks and crannies, so to speak. Uncovering the tombs of the world. I just love that idea.

Neil: But what’s really cool about your idea, Laura, is that it has potential to not be a series; it could be specials. I could see them saying, “All right, we’re going to do that lost day for a special wizarding world episode,” and then when it does well, because it’s a great idea and it’ll do wonderfully, then they might make another one, and then another one.

Eric: I like that.

Andrew: Totally.

Neil: Specifically for the stuff we love and want to know more about.

Eric: Neil, that’s a great idea. And it fits perfectly with a more current modern release style of programming. So rather than commit to a series, they can just do these spots, and as they continue to be successful, they continue to produce them. I think it’s brilliant.

Andrew: And Micah, let’s hear your idea for Mr. Zaslav at Wizarding World Hollywood with your one free butterbeer.

Micah: [laughs] Sure. Hey, David. Micah. Nice to meet you.

[Andrew laughs]

Micah: I’d like to introduce you to my friend Whiskey over here. I heard you had some concerns about him…

[Laura laughs]

Micah: … but I think in time, you’ll grow to…

Andrew: Whiskey the goat?

Micah: Whiskey the goat.

Andrew: Okay.

Micah: So my pitch idea is The Rise of the Dark Lord, and I think that this TV show can span multiple seasons. The story begins with Merope falling in love with Tom Riddle, Sr. We get the Gaunts and many of the memory scenes that we never saw in Half-Blood Prince, then Tom being raised in the orphanage and ultimately offered a place at Hogwarts. We get to see what actually happened in the cave, his time at Hogwarts, the opening of the Chamber of Secrets, the murder of Myrtle, the coverup, and then the building of his relationships with fellow students and professors. Did he ever have a love interest? Canonically we’re told no, but we know that canon doesn’t really matter anymore. And then Horcruxes, Horcruxes, Horcruxes. We get to see how he manipulated Slughorn and created all the Horcruxes; get to go to those actual moments. How did he plan the creation of those Horcruxes? Post-Hogwarts, where did he go? What did he do? His rise to power and the first wizarding war, and then it could end with that night in Godric’s Hollow and even transition into the first episode that Laura just mentioned from from her show, so we’re connecting the threads here.

Andrew and Laura: Ooh.

Micah: But I think this has a lot of potential. Like I said, you can get multiple seasons out of this. And you can show Tom Riddle growing, maturing, evolving, and everybody loves a baddie. So this is the series that I’m ultimately pitching. Thank you, David.

Laura: I love it. Villain origin stories are pretty popular. I mean, think about what The Hunger Games did.

Eric: President Snow.

Laura: I forget; who’s the author of those books? Her name is slipping my mind right now.

Andrew and Eric: Suzanne Collins.

Laura: Suzanne Collins, thank you. She released a whole book about President Snow’s backstory, and people were so excited about that. People do love villains.

Andrew: That’s a really good point. And now that’s going to be a movie; they already cast the new Snow.

Eric: Really?

Andrew: Yeah. And I don’t know how I feel about that, because they’re going to try to make us like Snow as a person.

Eric: That’s problematic, to make a villain who’s committed genocide…

Andrew: An awful person, yeah.

Eric: … yeah, sympathetic. There’s a difference between adding a gray area for a villain and making that villain sympathetic, because that has like, alt-right tendencies. [laughs]

Andrew: And of course, it’s a really attractive young guy, so you’re like, “Oh, I want to like him, but oh, God, he’s horrible. Snow is horrible.”

Micah: And I think one of the other things that’s great about this series is that you can bring in characters that we all know, but younger versions of them, and then we could obviously see them as they get older.

Eric: Those moments from the memories in Book 6 with young Tom Riddle and Hepzibah Smith and Slughorn are some of the not only best scenes from that book, from Half-Blood Prince, but some of the best writing in the entire series.

Laura: Agreed.

Eric: It’s so captivating. It’s so interesting, and so an adaptation of that would make a lot of sense and be very engaging.

Laura: And we already have young Dumbledore in Jude Law, who could seamlessly transition to this series. We already have a young McGonagall cast, who could transition to this series. [laughs]

Eric: Nice, nice. Hey, I’m so glad to be going third and that my idea was not already stated, because this to me is still the number one thing that I would like to see if there’s not going to be an exact reboot of the Harry Potter books and if Fantastic Beasts is done. The series I want to see is the Marauders. I know there’s been some disinterest from Rowling to actually write it apart from that little thing she did for charity, which you all have to read, between James and Sirius on the motorbike evading Muggle cops. [whispers] It’s amazing. But this would really be a wonderful opportunity because there’s a lot of things you could do with a young Marauders series. And here’s just a quick example, Mr. Zaslav, of some things that I would like to see in this series. I want to see some attention paid to the character of Peter Pettigrew, because the question I still have after reading the books countless times and podcasting for 16 years, is how the heck was he Sorted into Gryffindor?

Neil: Yes.

[Laura laughs]

Eric: And what makes him a Gryffindor? Because I’m not saying it’s wrong; I’m saying there’s not enough information. So I want a series that fully explores the relationship dynamics between the Marauders themselves, Peter Pettigrew, also what it’s like… we know he’s just cowardly; that’s why he goes to the Dark side. So does he have anxiety? Does he have low self-esteem? Where does that…? You could cast a young actor that would really nail this nuance of being made fun of by your friends, looking up to them, and just eventually having enough of it and betraying them. It would be a very impactful moment if dramaticized correctly over the course of several seasons, and I want it. Also, Remus Lupin has low self-esteem. He’s this prefect, and he’s really, really good, and he’s our favorite Hogwarts teacher after all these years. What was he like as a kid? And the whole discovery of him being a werewolf, and how the friends all become Animagi to help him would be wonderful moments, made for television. That would be really, really, really great to see. And in terms of diversity and inclusion and having more female characters, I’m saying bring in Lily Evans. Bring in Alice Longbottom. Bring in the parents of other students that we know from before. Have more women, have more just fleshed-out characters from these 1970s, and show them at Hogwarts actually having relationships, and just build the whole thing out. We know that the world in the 70s in the wizarding world is sliding into fascism; Voldemort’s first reign is coming up. You could tell a very relevant story about these heroes that we only know about vaguely from the background of the original Harry Potter books, and I think it would be a very well-received series.

Andrew and Laura: Yeah.

Andrew: I think if they do have people who truly understand Harry Potter and the Harry Potter fandom working at high levels, making these types of decisions – maybe they have that fan panel that we wonder about from time to time – I feel like this is something that’s probably at the top of the list. It just seems like the most obvious choice, and they want to please viewers, they want people to tune into something, this is the answer. So just go for it.

Eric: Yeah. I mean, if you can’t have Harry Potter as your main character, why not have his dad?

Laura: Yeah.

Eric: That is next-level escalation of like, “Oh yeah, this is Harry’s dad, and also a character who’s problematic, but learns and grows.” That would be a really interesting main character.

Laura: Agreed. And also, this was part of the original film franchise that left fans dissatisfied; we didn’t get very much Marauders content at all. So this could be an area to repair that perception, but also really dive in and say, “Hey all, we know you want this, so here’s a whole dang series. And we’re not only going to cover what you know from the books, but we’re going to expand on the story that you already know.” I think it’s brilliant.

Micah: Yeah, Laura, to your point, Lupin doesn’t even explain how he knows what the map is in the third film…

Laura: Nope.

[Andrew laughs]

Micah: … which always just kind of surprised me. But I agree; I think this is at the top of the list for any executive moving forward. This is something that we’ve heard so many people talk about wanting, we’ve talked about it, so Eric, I’m on board.

Eric: Thanks, and I would actually just shout out, I kind of got this idea from the episode that we did 60 episodes ago, MuggleCast 505, where we watched those seven fan films.

Andrew: Oh, yeah.

Eric: And the one that I watched and loved was between Lily Evans and Alice Fawley called “Lily Evans and the Eleventh Hour,” and it’s on YouTube. All of the ones we watched showed those crucial moments in between other scenes and were so well acted that it really sold me and convinced me that writers other than J.K. Rowling can tell very compelling, very interesting stories, working with those characters. And that’s still what I want to see out of the future for filmed Harry Potter content.

Laura: Agree.

Neil: My idea is the time period in between essentially the moment when Harry, Ron, and Hermione disappear from the wedding, and ending when they get the call to rally Dumbledore’s Army and the Order of the Phoenix at Hogwarts. So basically, it would be the activities of the DA and the Order during the seventh book. Now, we get a mention of that on Potterwatch when Shacklebolt mentions the heroic stories of wizards and witches protecting Muggles, defying Death Eaters, but I really want to see more of that. The whole seventh book is almost entirely focused on Harry, Ron, and Hermione, except for the Battle of Hogwarts and the chapters leading up to and including the wedding, so I want to know and see more of what everyone else was doing.

Eric: Yep.

Neil: Honestly, I see this kind of as an Obi-Wan Kenobi type series from Star Wars.

[Andrew laughs]

Neil: Kind of a break in between the two.

Eric: Oh, yeah.

Neil: Yeah, third movie and the fourth movie for Star Wars, in this case.

Laura: I love this idea, Neil. It also gives room for some more exposition on what conditions were like at Hogwarts during this period of time. Of course, as readers, we hear about it from the students who were there, but we don’t really get to see it firsthand. And I just love the idea of getting to expand on the world in this way and see, yeah, there was actual stuff going on in other parts of the world, outside of our view of the trio camping for a year.

[Laura and Neil laugh]

Eric: Yeah, it’s fine to put up a sign and say “Resist!” And these movie series do this all the time of like, “Oh yeah, there’s a resistance growing,” but not actually show it on screen. This idea for a series would by law have to show Ginny, Neville, Dean, all of the students actively resisting Death Eater occupation of Hogwarts. It would be all the stuff they did against Umbridge in Book 5; it would be that kind of stuff, but to a just macro level in Book 7, and the stakes couldn’t be higher. So I think you’ve got your dramatic tension, and I think you’ve got your contemporary messaging, and I think you’ve got your hope. And those are all the ingredients you need to make a good, cool TV series.

Andrew: There’s so much focus in the book and movie around just the trio, and there’s so much going on during that time period, so it’s time to show it all.

Eric: Yeah, remember when they showed the Hogwarts Express? And they showed Neville on the Hogwarts Express? The Death Eater stops it in Movie 7? Or Movie 8.

Neil: Oh, yeah.

Eric: Which movie is it? Anyway…

Neil: It was Movie 7.

Eric: I was blown away! I was like, “Oh my God, it’s the students that we don’t see at all in the book, and they’re here in this one scene!”

[Andrew and Neil laugh]

Eric: I want that, but the series.

Micah: The one where Cormac was there, but he technically graduated the year before.

[Andrew laughs]

Eric: Oh, yeah. David Yates held him back in school.

Andrew: Okay, so my idea for Mr. Zaslav is a spin on CSI. Popular show on CBS, very popular show. But it’s called Crime Scene InvestiWizards, and the Aurors, led by Harry and Ron, investigate various crimes happening across Europe. And when the going gets tough, they will ask their friends from the Ministry and their old pals at Hogwarts to assist them. So for example, let’s say Harry and Ron and maybe their co-Aurors are investigating and attacked by a beast. Well, I guess Newt is alive during this timeline, but also, they could call up Hagrid and be like, “Yo, you taught us back in the day; remember us?” They wouldn’t say “Yo,” but “Hey, Hagrid, remember us?” They could enlist Hagrid to come on for an episode and help Harry and Ron investigate a crime. I think this would be a really fun show because it would just be one crime per episode. We already know that they went on to become Aurors; that’s canon. They could enlist some of their friends. And then for fans, you’re getting all those old characters to come back from time to time. And it can just be one episode; that’d be perfectly fine. It’d be awesome to have an episode with just Luna getting involved, just Hagrid getting involved, just Bill or Charlie Weasley getting involved… there are so many options here. And then we would also get glimpses of their home life and how it may influence their day to day work, or vice versa, how it influences things the opposite way around. So that’s Crime Scene InvestiWizards.

Eric: Procedurals are some of the most watched TV shows of all time. In style, they’re very endlessly watchable, and one featuring the Aurors with some interesting mystery elements, as you proposed, is real cool. It’s a knockout, it’s a home run, it’s a great idea, and I’m very excited for it.

Micah: Agreed.

Andrew: Awesome. Yeah, I’m excited about it too. Now let’s pivot into other types of show ideas. Let’s Star Wars TV-ify a wizarding world premise. Now, what on earth do I mean by this? Eric’s got a Star Wars poster behind him. So we have often pointed to Star Wars as the other long-running, still-thriving pop culture fandom, and in many ways, Star Wars should be a model for Harry Potter to look at in terms of longetivity. In recent years, and even weeks – Neil had mentioned Obi-Wan Kenobi a little earlier – two wildly popular Star Wars TV shows, The Mandalorian and Obi-Wan, have followed an adult and child teaming up. And these two pairings on these two shows have delighted viewers, and it’s creating some really compelling storytelling. And of course, it’s probably also selling a lot of merchandise as well. We all know about the child in The Mandalorian, Baby Yoda, if you will. I’m not going to say the adult/child pairing in Obi-Wan because that one just started airing, so we’ll avoid spoiling that, but it’s very good. So the question here is what adult/child duo would you like to see team up from the Harry Potter world, and what could they do together? So Laura, let’s start with you. What is your idea?

Laura: My idea is to pair up Salazar Slytherin and a new character that we haven’t heard of before. It would be a Muggle child, but it would be a Muggle child of prominence, probably from a prominent aristocratic, or royal family, even, during the time period. And I envision the series starting out involving prominent society, or at least, leaders in society, getting some idea about the wizarding world’s existence, and in order to protect that and in order to prevent from aristocracy at the time leaking this knowledge to the masses, or potentially launching some kind of initiative or attack against Hogwarts and the wizarding world, Slytherin orchestrates the kidnapping of this Muggle child. He’s a baddie; we know he would do it. But through the course of having this Muggle child in his presence, he knows that he has to keep the kid alive, right? Otherwise, all bets are off. So he is incentivized to care for this child. And before anybody is like, “No, we’re not going to paint Salazar as a changed man,” I see this as an opportunity to add some gray area for his character. I don’t see it turning into an opportunity to be like, “Actually, Slytherin was a good guy all along.”

Eric: Big Daddy energy from Salazar there.

Laura: Yeah, no, no. He will recognize the importance of caring for this child. They will have a number of adventures together where it becomes clear to him that this child has things that he or she can offer to the world and that the world is not really so black and white as to say that magical blood is the only kind of blood that matters. And although Slytherin would, I think, very begrudgingly acknowledge that based on the history that we know, it does give an opportunity to show Slytherin’s cunningness, his ambition in saying “I have these strongly held beliefs about blood status, but in this particular circumstance, where we’re dealing with a political game of chess between the wizarding world and the Muggle world, there are benefits to teaming up.” I think that the one area that we might get maybe a little more sympathy for Slytherin out of this is that he’s going to look at the kid and be like, “Well, I’m not going to kill a kid. I’m not a complete monster.”

Eric: Yeah, Laura, I envisioned your series lasting one episode, and it was because he’d see the Muggle kid and just kill it right away.

[Andrew and Laura laugh]

Eric: But no, you make a really compelling… you found, I think, this crucial component, right? Which is that Muggles outnumber wizards, so no matter how many… Salazar just can’t go on just killing the members, like you said, of the aristocracy. It just wouldn’t work. So yeah, watching him wrestle with that’ll be great. And I also agree with your point that of all the characters that could use more of a gray area, Salazar is really up there.

Laura: Yep.

Eric: I don’t think giving him more of a gray area would hurt him at all, because he’s all bad, basically.

Andrew: And I think one idea we haven’t really shared today and we won’t be is the idea of a founders television series, and we’ve mentioned it from time to time, so this could be a nice way to give people a little more backstory about one of the founders as well. And who knows? Maybe, let’s say this idea turns into a big hit; they can do three other standalone series with the other three founders.

Micah: Definitely. And I think, too, this could even take place pre-founding of Hogwarts, where it sets him on his track. I know we’re not trying to justify him in any way, but maybe some of the interactions that he has with this kid along the way are ultimately what cause him to make the decision that he does. Maybe there’s that definitive moment where he’s just like, “Oh, I thought that this kid was going to be different and that maybe there could be this synergy between the two worlds, but clearly there can’t be,” and that sets him to become the Slytherin that we know ultimately is the founder of Hogwarts. I really like this.

Laura: Yeah, I love that.

Eric: Yeah, maybe the kid’s a real jerk.

Andrew: All right, Micah, let’s get your idea.

Micah: I think this one pales in comparison to Laura’s…

Laura: I don’t think so.

Micah: … but a little bit of a different kind of a television show. Hagrid and Luna, I think, are both seen as outcasts in their own right. And I think that if anything has been proven, people enjoy shows about outcasts or people who don’t exactly fit in with the “mainstream.” And I think it would be really cool for these two to team up – post-Hogwarts for Luna – and for them to go on adventures together using their own experiences. And I almost see it as a way for Luna to ultimately be introduced to her future husband Rolf Scamander; I see Hagrid and Newt having a really strong bond and relationship. I see a lot of discovery of creatures and beasts, and Luna being very much about that, but bringing her own perspective and twist on it. So this is more of a fun-loving, easygoing show; discovery of things around the wizarding world through the eyes of Hagrid and Luna.

Eric: Aww.

Andrew: Yeah! I see this being a nice, family-friendly show as well. The whole family can gather.

Micah: We don’t get a whole lot of them together at all in the books, so this would be a pairing that comes together post-Deathly Hallows.

Laura: I love this, and I love the Rolf tie-in.

Eric: Yeah, opportunity for Eddie to show up as a really aged version of himself.

Neil: Yeah, I love the idea of Hagrid introducing Luna to her future husband. I’d sit through a hundred filler episodes if that was going to be the finale.

Eric: Aww.

Andrew: [laughs] Yeah.

Eric: Nice way of putting that.

Andrew: All right, Neil. Well, let’s hear your idea now.

Neil: My idea would be to pair Tonks and Mad-Eye Moody.

Eric: Ohh, yes!

Neil: We get just a taste of this in the books, and I really want to see more of that. Particularly it’d be about Moody’s years as an Auror and Tonks when she’s young. Now, we know she’s always been a Metamorphmagus, so that could easily come into the story. Maybe he rescues her as a child from someone who wants to use her powers for themselves, somebody like the Dark Lord, who wants to turn themselves into a human chameleon or whatever sort of evil plan that they would have. And it could go beyond just this initial thing; this rescue could be what gives her the inspiration to become an Auror. It could talk about those initial years of training after graduating Hogwarts. And since we do know that he was a mentor to her at the Ministry, we can see that relationship in greater detail: the gruff but ultimately good-hearted Moody teacher relationship.

Andrew: Aww, yeah.

Neil: Plus, I think…

Andrew: I love this idea.

Eric: Yeah, huge fan of this.

Andrew: Oh, sorry, go ahead.

Neil: Plus, I love the idea of him having to put up with her clumsy side. Eye just falls right out, the leg, tripping over him… all sorts of funny shenanigans.

Laura: Oh my gosh, this checks so many boxes. It goes into expanding on a story we already know. It’s funny. We get to potentially see a different side of Moody. I love this. 10 out of 10. Let’s do it.

Andrew: Yeah, and ever since I saw this in the doc, I just keep thinking about a younger Tonks. I think fans would just be enamored with a younger Tonks. We see other characters in other franchises, like younger versions of themselves, and I feel like we don’t have many younger women that we spend a lot of time on in the wizarding world. And Tonks is somebody fans have always looked up to. And then the younger but still grunty Moody that we know from the books and the movies being a little charmed by Tonks, pun not intended.

[Neil laughs]

Andrew: It would be a very cool yin and yang.

Eric: Tonks gets results.

Andrew: Yeah. Well, speaking of opening up an area that we’ve seen bits and pieces of, I wanted to focus on Snape and Draco. And of course, this would primarily follow the events of Half-Blood Prince, what these two are working on behind the scenes, and the show could just simply be called The Unbreakable Vow. And it opens with the Unbreakable Vow being made and then follows Draco in year six as he trains up with Snape to kill Dumbledore. And scenes and plot points could include the Death Eaters learning of the news that Draco has this mission, it could show Snape and Draco in training, it could show Bellatrix teaching Draco Unforgivable Curses and Occlumency – that’s canon; Bellatrix was helping Draco – it could also show Draco’s first two failed attempts at killing Dumbledore. We hear about these in the books, but we don’t see them. I mean, we see bits and pieces, but we don’t see Draco getting these ready. And all the while, in this series, Draco and the Malfoys are grappling with this decision and Lucius and Narcissa are struggling with the fallout from the end of Order of the Phoenix. So I think there are many elements that could be shown here. And I’ve always found it very interesting how Voldemort is making Lucius pay for his mistakes in Order of the Phoenix, and I would love to dig more into that in this television show.

Eric: I love it. Draco is such a deep… there’s a lot that can be said and a lot that could be seen about Draco; he’s such an interesting character. And same with Snape, honestly.

Andrew: Yeah, we would get more insight into both of their characters. We would also get Snape and Dumbledore’s relationship. And I feel like based on what we saw with Secrets of Dumbledore and them calling the movie that, WB feels like Dumbledore is a safe, very marketable – jury’s out if it worked – choice for that.

[Andrew and Eric laugh]

Andrew: So if they can wedge Dumbledore into this, too, I think that would be a big selling point.

Eric: Jude Law would never not work again, with all these ancillary series.

Andrew: [laughs] Yeah, he’s good. He’s set for a while.

Eric: I think David Zaslav should greenlight all of these projects and Jude Law will star in every single one of them.

[Laura laughs]

Micah: What I like about it, though, is that you’re taking two already popular characters and expanding upon their story, or giving us insight into story that already exists, but things that we didn’t get a chance to see. I think fans would really like this.

Andrew: Yeah. And also watching Snape balance his relationships with Voldemort and Dumbledore would be super cool too.

Laura: Yeah, that would be cool.

Andrew: Even though we know where his loyalties lie.

Eric: Well, and it takes the edge off just doing a Snape series, right? Because then you run into all those issues we were talking about before with humanizing who’s mostly a villain, etc. But having Draco there, too, really changes it.

Laura: And I like that we would also get to see Draco’s mental state throughout all of this. We obviously get a little bit of that in the books and movies, but we remember that it became very apparent in both the book and the movie that Draco’s attempts to kill Dumbledore were really half-hearted, because as he got in he realized he was in too deep, he realized he was underwater, and it would be fascinating to see that character development firsthand.

Micah: Yeah, because it ultimately informs his decision-making in Deathly Hallows, right? When he doesn’t give up Harry at Malfoy Manor. And I think, too, the fact that he’s seeing somebody, as a result of his actions, being killed right in front of his face… regardless of how he truly feels towards Dumbledore, it’s still somebody who has been a major part of his life for six years, and ultimately, he’s the one responsible.

Andrew: Yeah. Okay, glad you like it. And Eric, bring us home for this segment.

Eric: All right, this one’s going to be a little wild, y’all, but I just had an idea and I had to run with it. Hello, Mr. Zaslav. Thank you. Here’s my Disney Plus adult and child relationship show. Miriam Margolyes reprises her role as Hogwarts’s quirky Herbology teacher Pomona Sprout, and has to coach a 15-year-old Neville Longbottom through his Herbology OWL exam.

[Andrew and Laura laugh]

Eric: But that’s not all. So she does that; maybe that’s episode one or the pilot or whatever. Part one of episode one. Then at the end of that year, we know they have the Battle of the Department of Mysteries. So Neville is in the time room when he’s hit with a spell and accidentally sent back in time. He’ll be 10 years old now; he himself de-ages, kind of like we see the Death Eater do. Then during the whole next year, Sprout has to teach first year Neville Longbottom everything from Hogwarts’s one through five years. So it’s basically Sprout and Neville, and they’re learning about plants, and they’re learning everything you could ever learn about magical plants. Fantastic Plants and How to Grow Them, because we know how successful the Beasts films are and how much everyone thinks beasts are really cool and central to the story of that franchise. And the CGI budget, good news, will be very limited, apart from the initial time travel and de-aging. You get a 10-year-old Neville Longbottom, who I think is just adorable in concept, but also doesn’t have a lot of confidence, and so it’d be really nice to see Professor Sprout’s nurturing capabilities. But ultimately, this character is played by Miriam Margolyes, so there’s going to be some crazy Sprout moments – probably like, five per episode – and some heartwarming Neville moments, kind of like I imagine Young Sheldon has a heartwarming moment where it’s like, “Oh, we love him.” So there’d be like, three heartwarming Neville moments and five crazy Sprout moments per episode.

Micah: Miriam Margolyes is a baaad…

Laura: I love her.

Andrew: She’s got a foul mouth, yeah.

Eric: She cannot be contained.

Micah: I didn’t know what term to include there.

[Neil laughs]

Eric: That’s why I love this idea.

Andrew: You know what, Eric? Dare I say, this could be an educational television series. If we’re talking about plants, this could be, again, a show for the whole family. I’m thinking, like, Bill Nye the Science Guy type of thing here.

Eric: Yeah! Again, going back to what Discovery is angling for, but have it still be a story told through this whole timey-wimey stuff. There’s still an adventure aspect to it.

Andrew: Cool. I like it. And I love the title, Fantastic Plants and How to Grow Them.

[Andrew and Eric laugh]

Andrew: To wrap things up today, we’ve mentioned numerous times today how Mr. Zaslav was running Discovery, and Discovery is the home of many television networks, which are the home to many wild television shows. Americans probably have heard of these; I don’t know about people abroad. But just to run through some of the television shows Discovery owns, we’re talking 90-Day Fiance, My 600-lb Life, Hoarding, Buried Alive, Say Yes to the Dress, House Hunters – one of my favorite shows – Long Island Medium, Sister Wives, Dr. Pimple Popper

[Laura laughs]

[Eric sighs]

Andrew:Fixer Upper, Windy City Rehab, Extreme Makeover: Home Edition… so many shows; I just barely scratched the surface. Many of them are really trashy, but people like that. They like to just turn their brain off and maybe background watch Dr. Pimple Popper. A lot of these shows you see in the waiting room of the doctor’s office. [laughs] So I thought, because this guy from Discovery is coming in, just for fun, let’s come up with an idea for a television show that would air on Discovery that’s within the wizarding world. And brace yourselves for some ridiculous ideas here as well; don’t take these too seriously. Though, I think some here on the panel tried to come up with a serious show. Spoiler: I didn’t.

[Neil laughs]

Andrew: But Eric, let’s start with you.

Eric: All right. Again, out of my love for early 2000s Discovery documentaries, space, animals…

Andrew: [laughs] Eric is an OG discovery fan. He’s like, “Bring back the glory days of Discovery Network.”

Eric: It used to be good, people. Back before they popped pimples, they cracked into black holes.

[Andrew laughs]

Eric: All right, so before black heads, they had black holes.

[Laura and Neil laugh]

Andrew: Nice.

Eric: Thank you, everybody. Thank you. I’m bowing. Okay, so Fantastic Life, a lifestyle documentary narrated by Newt Scamander, reprised in the role by Eddie Redmayne, that traverses the globe but only talks about non-human creatures. So again, “We spent eight weeks with these Diricawls and here’s where they go when they disappear,” that kind of a thing. Just real straightforward, a nature documentary. Everything that I would have wanted Fantastic Beasts to be if it didn’t also have to be an adventure film. So that’s my idea, and then if you did want, by chance, a little more out there version – because I did like all of those space shows – Space Wizards: the attempts made by magical people across the world to explore the cosmos, and why, so far, they have failed. Wizards in space, everybody. What could possibly go right?

[Neil laughs]

Andrew: Honestly, this is an idea that has never crossed my mind before, and I love it. Because if we as humans think there’s life outside of earth, then if you jump into the wizarding world, you have to think that there’s other planets where there are other beings who also possess magical properties. Maybe there are wizards in the Muggle world out in space. That can be explored in this series too.

Eric: Wait, isn’t this just Star Wars then?

Andrew: Oh. [laughs] Right.

Eric: But no, it’s really neat, yeah.

Neil: See, I like Space Wizards because there’s actually a mention in the book when this guy is trying to chat up a Veela and he’s bragging that he had a broom that could go to Mars or something like that.

Laura: Oh, that’s right.

Eric: Oh my God.

Andrew: Oh my gosh, so it’s canon.

Laura: That’s a great memory.

Neil: Yep, in the fourth book when they’re running away from the Death Eaters.

Andrew: Wow.

Eric: That’s so cool. So yeah, what does it look like? This reminds me of… there’s a meme I saw once, or a comic strip, where it says, “Hey, I’ve created the first telescope that doesn’t rely on mirrors.” And he looks through it and it’s just all these vampires with little glass orbs.

[Everyone laughs]

Eric: It’s like, space is full of vampires, but we didn’t know because of the mirror thing. Yeah, that would be the wizards thing.

Andrew: All right, Laura. What’s yours?

Laura: Okay. So for mine, we’re coming back down to earth.

[Andrew laughs]

Laura: Do y’all remember in the early 2000s there was a reality TV show called Airline that just focused on Southwest Airlines? And it was filmed in the airport, so it covered the trials and tribulations of travel. Did anyone watch that?

Andrew and Eric: No.

Laura: It was a thing that happened. I swear to God.

Andrew: I believe you.

Laura: But my envisioning is that this could be replicated for the wizarding world. It would be called Floo.

[Eric laughs]

Laura: And it would be a reality TV show chronicling the trials, tribulations, and joy of travel in the wizarding world.

Eric: Yes. 100%. Sign me up.

[Andrew and Laura laugh]

Andrew: There’s like, departure delays when you’re trying to take off with a broom.

Laura: Yeah, exactly. Or the Floo Network is down and somebody’s wife is at St. Mungo’s having a baby and he’s just losing his mind because he can’t get there. [laughs]

Micah: Globus Mundi finally has some relevance.

Laura: Yep. [laughs]

Andrew: Aw, man. We had such high hopes for Globus Mundi.

Eric: Globus Mundi, the series. There you go.

Andrew: [laughs] Yes.

Laura: I love it.

Micah: I went sports-themed, and my show would be called Deadliest Snatch.

[Eric laughs]

Micah: A play on Deadliest Catch. This is a show dedicated to the most dangerous catches of the Golden Snitch in Quidditch history.

Andrew: Oh, yes.

Eric: Love it.

Micah: Quidditch has been around now about a thousand years or so, so there’s some good moments. Hosted by Viktor Krum and Ginny Weasley.

Eric: I love this. I actually love the juxtaposition of Viktor and Ginny because Ginny would obviously know what Viktor’s history was with Hermione. But Ginny and Viktor are obviously both very talented international Quidditch players; they’re apt to comment on it. Can we also get Andrew Lincoln in there as a throwback as Kennilworthy Whisp, though? Can we please do that, Micah?

Micah: Sure!

Eric: Okay, awesome.

Andrew: As the narrator of the audiobook, yeah.

Eric: Now I’m sold.

Andrew: Okay, Neil, what’s yours?

Neil: My idea is Chaos in Charming. Basically, it’d be to look at all the most ridiculous stories of charms and transfiguration gone awry throughout the wizarding world.

[Andrew laughs]

Neil: I love how there’s all sorts of little moments where they just mention something ridiculous, like Gilbert Wimple from the Committee on Experimental Charms, and how he got his horns.

[Eric laughs]

Neil: Or Wizard Baruffio, who said “s” instead of “f” and found himself on the floor with a buffalo on his chest. Like, that stuff is just so ridiculous, and I really want more.

Eric: Oh my goodness.

Andrew: Yeah, that’s a great idea because to your point, all these little tidbits are mentioned throughout the series and then you never hear about them again. And we understand why, of course, but it’d be so cool to just pull all these out and be like, “We’re actually going to depict all of these now.” Love it.

Neil: Yeah, and of course we’d have Fred and George’s experiments gone wrong for the finale.

Eric and Laura: Oh, yeah.

Andrew: That could be a whole episode, or a whole series. [laughs]

Neil: Yeah, we get mention of their experiments going badly in the books, but there could be real potential for something here. [laughs]

Andrew: Fred and George Exposed.

Eric: Speaking of Fred and George, they could do basically MythBusters, but only the experiments that went wrong that just don’t work or whatever, and it’s the Fred and George shop on Discovery. That would be really cool.

Laura: Oh my gosh.

Micah: This reminds me of America’s Funniest Home Videos a bit.

Andrew and Eric: Yeah.

Eric: Play some “Yakety Sax.”

Andrew: [laughs] Okay, so you all took the assignment pretty seriously, and I applaud you for that. But I was thinking since there are so many trash television shows, that I need to do a trash television show for Discovery.

Eric: Embrace the trash, Andrew.

Andrew: Mr. Zaslav is so offended by me calling all his content trash. So one of the shows on, I think it’s A&E, is called Ice Road Truckers. So I was trying to think how we could get the wizarding world involved here. And so what I did… I’m going to read my synopsis of the show. It starts with… this is a real synopsis for Ice Road Truckers, but then it pivots into how the wizarding world gets involved, okay? So “truckers with nerves of steel take their lives in their hands driving heavily loaded vehicles across frozen lakes to deliver supplies to remote locations in Canada and Alaska. Whether they’re bringing supplies to Canadian diamond mines, supplying offshore oil rigs in Alaska, or even charting new territory driving over frozen swamps and rivers to bring much-needed supplies to small towns, these extreme truckers face troubles from their machines and from Mother Nature.” That’s a real show.

[Eric and Laura laugh]

Andrew: Okay, now here’s how the wizarding world gets involved. “In a new partnership with the wizarding world, Sybill Trelawney is joining the Ice Road Truckers team to predict weather and driving conditions! Watch as the Trelawney Truckers depend on Sybill’s predictions to survive the wintery north. Will Sybill’s bets on road safety come true or will these truckers be sinking more than just tea leaves?”

[Andrew and Laura laugh]

Laura: That is hilarious. And I don’t see it going well for them. She’ll get like, two predictions right.

Andrew: Exactly, you just never know how a Trelawney prediction is going to go. So now these truckers are driving over ice because Trelawney said they’d make it across. [laughs] Half of them are going to sink into the water.

Eric: And then once a season she has a real prediction but we know that’s terrifying as all hell, so they crash the truck because they’re like, “What’s going on here?”

Andrew: [laughs] And then you just cut to Trelawney watching them actually try to cross the lake when the lake collapses and she’s like, “Oh no. Oh my goodness. Oh my goodness. I was so certain.”

Micah: Chloé, don’t hate me, but can we Photoshop Trelawney into the cab of a truck with one of these drivers?

[Eric and Neil laugh]

Andrew: Yes. Trelawney’s Truckers.

Neil: Yeah, or if she was just talking to them on CB radio. “Breaker 1-9, breaker 1-9, this is Sybill 3-0.”

[Everyone laughs]

Andrew: “You’re good to go. You’re good to go. Full speed ahead. The weather’s going to be fine.”

Micah: Then breaks into prophecy mid-transmission.

[Andrew and Neil laugh]

Andrew: [imitating Trelawney] “The one with the power to drive across the ice rises.”

Laura: The trucker is like, “Sybill, I have zero visibility. I need you to stop giving a prophecy right now and tell me what to do.”

Andrew: [laughs] “Straight ahead till morning.” All right, well, that was fun. Mr. Zaslav, are you listening? We have lots of ideas here, some of them very good, genuinely very good. Ice Road Truckers you can probably pass on, but everything else was very good. Great job, everybody.

[Laura laughs]

Eric: I love your idea of doing a trash TV, because that absolutely gets millions of views.

Andrew: Oh, yeah. I was trying to think of… remember Duck Dynasty?

Laura: Oh my God.

Andrew: That show was legitimately huge. People were obsessed with that show set in the south, and they were just duck hunters or whatever.

Laura: And Honey Boo Boo. Remember that one too?

Andrew: Honey Boo Boo. So many great shows. I was honestly a huge fan of Jon & Kate Plus 8 on TLC.

[Andrew and Laura laugh]

Micah: That’s basically the Weasleys.

[Andrew and Eric laugh]

Andrew: Yes, yes! Oh my gosh. Well, that was a lot of fun. If you have any feedback about today’s discussion, you can write or send a voice message to MuggleCast@gmail.com. If you’re sending a voice message, you can record a message using the Voice Memo app on your phone. You can also use the contact form on MuggleCast.com. Or you can call us; the number is 1-920-3-MUGGLE. That’s 1-920-368-4453. So what is coming up on next week’s episode, Eric?

Eric: Well, we have, actually, a very special interview I’m extremely excited for. It’s a very special guest. I want to tease it a little bit.

Andrew: Mr. Zaslav himself is joining MuggleCast.

[Andrew and Eric laugh]

Eric: Yes, yes. No, but it’s absolutely amazing. This is somebody who is as close to the very, very beginning of the global sensation that is Harry Potter. They are a guest who would have been great to have at any point along our journey, and I am extra thrilled to be speaking to them now. And I know that they will have some very interesting stories to tell. I really can’t hype this up enough.

[Andrew laughs]

Eric: It’s been a while since we interviewed somebody, but isn’t this cool, guys who know? [laughs]

Andrew: Yeah, no, we’re excited. We’re excited. Eric wants to tease everybody. [laughs]

Eric: I want to tease people.

Andrew: Yeah, it’ll be great. We have lots of questions for this person. And that’ll be coming up on next week’s episode of MuggleCast. Yes, we’re keeping it vague. Sorry. You’re just going to have to tune in next week, I guess. [laughs]

Eric: You’re going to find out. You guys are going to be very excited. It’s going to be great.

Laura: Gotta give you a cliffhanger.

Eric: Yep.

Andrew: [laughs] Yeah, we’re like a TV show now. We’re giving people cliffhangers.

[Laura laughs]


Quizzitch


Andrew: It’s time for Quizzitch!

[Quizzitch music plays]

Eric: Okay, in the scene in the cave from Half-Blood Prince, what does Dumbledore toast before drinking the potion? And the correct answer is “To your good health, Harry.” Congratulations to those who submitted the correct answer, including Duke Stroganoff; Every day I’m hufflin’; Evil Ringo TV; Mads Mikkel-Nielsen; Micah’s good looks; Pig the Owl; Sir King of Kings; Smush Golden Snidget; Sam Nightingale; Mother of cats; Loud and proud Hufflepuff; Forever and always in love with hubby Piers; and a Dr. Filibuster’s Fabulous Wet-Start No-Heat Firework left in the cupboard of Diagon Alley. Really brought it on the made-up names here, everybody. Congratulations.

[Andrew laughs]

Eric: And it’s time for next week’s Quizzitch question! Who illustrated the first book cover for Harry Potter and the Philosopher’s Stone, published in 1997 by Bloomsbury in the UK?

Micah: What a curious question, Eric.

Eric: A real throwback. Back before I think any of us were Harry Potter fans. Submit your answer to us via the Quizzitch form located on the MuggleCast website, MuggleCast.com/Quizzitch, or go to MuggleCast.com and click on “Quizzitch” on the nav.

Andrew: Okay, great. Neil, thanks so much for joining us today. Appreciate you coming on, and your contributions were excellent. Mr. Zaslav thanks you as well.

Neil: Thank you for having me, everyone. It was a lot of fun. Glad to have been here.

Andrew: Awesome, yeah.

Neil: Even if it is the middle of the night my time.

Andrew: Yes. Well, sleep well tonight knowing you recorded a great episode of MuggleCast. So thanks again, Neil, and thanks for your support at Patreon.com/MuggleCast. We have this benefit; our Slug Club supporters can one day join MuggleCast. We’ve had many listeners on now; it’s really been an awesome experience. And Neil is just the latest in a line of excellent listeners who are also excellent co-hosts of the show. If you want to support us just like Neil and others do, you can go to Patreon.com/MuggleCast and there’s lots of benefits waiting for you. Next week – the week after next, I guess you can say – we’ll have a new bonus MuggleCast installment that is Pride Month-themed. We’re going to be doing some gay pickup lines in honor of Pride Month.

[Eric laughs]

Andrew: Explicit content warning, in case I need to make that clear.

[Andrew and Laura laugh]

Andrew: Thank you, everybody, for listening. And don’t forget, make sure you’re following the show for free in your favorite podcast app so you never miss an episode. And leave us a review if the app allows you to, and we read all of them and they all mean a lot, so thanks, everybody. And also, don’t forget to follow us on social media. We are @MuggleCast on Instagram, Twitter, Facebook, and TikTok, our latest social media account. Thanks again, everybody, for listening. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: I’m Laura.

Neil: And I’m Neil.

Andrew: Bye, everybody.

Laura: Bye, y’all.

Micah: Bye.

Transcript #555

Transcript for MuggleCast Episode #555, ‘Hogwarts Legacy’ Reveals Huge Sneak Peek, ’98-’99 Hogwarts School Year Deep Dive


Show Intro


[Show music plays]

Andrew Sims: Welcome to MuggleCast, your weekly ride into the Wizarding World fandom. I’m Andrew.

Eric Scull: I’m Eric.

Micah Tannenbaum: I’m Micah.

Laura Tee: And I’m Laura.

Andrew: On this week’s episode, we’re going to be discussing what happened in the 1998-1999 school year at Hogwarts. It’s actually a question that came up in Muggle Mail a few months ago, and it was such a good question that we were like, “We need to do a whole episode around this.” Because it’s a pretty big question and pretty interesting question, too, so we’ll talk about that in a little bit. Should also note, this is Episode 555; that is kind of cool.

Eric: It’s a bit generic. It’s the movie safe episode.

Micah: Well, you know what that means? The next episode that we have triple digits on? 666.

Andrew: Oh, yes.

Laura: Ohh.

Eric: It’s a big, big Nicholas Flamel birthday episode, because that’s how old he is in the first Harry Potter book.

Andrew: [laughs] We should just skip that episode like hotels skip the 13th floor, which I always find so stupid because if you look at an elevator and all the numbers, you see 12 then 14. If I’m on floor 14, I know I’m actually on 13, so what’s the point?

Eric: The point is not inviting that energy into the universe, Andrew. Just don’t do it.

Andrew: Right.

Laura: No, we should make a bad episode for that one.

[Andrew laughs]

Eric: You know what we should do? We should do another 12-hour livestream. We’re going to do another 12-hour livestream and then release it after the fact, so we’ll have episodes 660 to 672 just there.


Hogwarts Legacy trailer discussion


Andrew: There was a pretty big news item this week that we wanted to discuss. And by the way, we are aware there have been a lot of Fantastic Beasts clips and behind-the-scenes looks over the past couple days, and we will get to those next week. In our news segment this week, we wanted to focus on this big new preview that was released of Hogwarts Legacy. We’ve mentioned this game from time to time; this is a new game coming to PS4, PS5, Xbox, and a couple others, I guess. It’s an open world wizarding world game. It’s set in the 1800s; it was confirmed today. I don’t know if we knew this previously. It had leaked, but it was confirmed today that you are going to be playing as a late blooming – so to speak – wizard. You join Hogwarts in your fifth year, which is pretty interesting. Everybody here saw the teaser; it was 15 minutes long. There were some interviews with the development team after. What’d y’all think?

Laura: I was super impressed. To be honest, I was a little bit worried because we hadn’t heard much about this game in quite some time, and it made me concerned about sort of… usually when movies or games are really getting pushed out like that, it’s sometimes not a great sign, but I was really impressed with this. It looks beautiful. The combat looked really amazing. I was watching it with my boyfriend, who is in game design, and he was like, “This is the best combat I’ve ever seen in a wizarding world property, period. Forget the movies; the combat that we saw in this trailer, in this teaser, was way better than anything we’ve ever seen before.” And there’s so much customization involved; you get to get Sorted into your Hogwarts House, you can customize what your character looks like, and it seems like there are a couple of different paths that you can choose to pursue as well. You can choose to, it seems, go good or go bad, and that’s just really appealing to me. I love games like that. I love getting a game like that that I can play both paths on, basically, to see what the different outcomes are. This actually got me really excited for Hogwarts Legacy. I was not very excited before; I am now.

Micah: One of the things I thought about was that when you take time to develop something and maybe even delay things a bit, this is what it should look like.

[Andrew laughs]

Micah: If you get what I’m saying.

Eric: Come out the gate being like, “Ahh, here we are.”

Micah: And I agree, Laura. I thought the graphics looked phenomenal, the world amazing. I can’t wait to jump into it, not just to explore Hogwarts and its grounds, but everything else that you can do. I mean, I was blown away, honestly. I’m really looking forward to this. Huge fan – I know, Andrew, you are as well – of Breath of the Wild

Andrew: Zelda.

Micah: … and reminded me of this a bit in terms of just how expansive everything is and how much you seem to be able to do. It’s definitely a game that I can’t wait to play.

Eric: The bar these days is real high for story adventure games, I think; there’s a lot of really good ones out there. I know at least three of us are playing Horizon Forbidden West right now. Andrew, that’s your first PS5 game, right?

Andrew: Yeah. I mean, the detail in the game is absolutely incredible. And so yeah, it’s going to be like that in that it is open world-ish, and you can level up your skills, and you can be crafting. There are a lot of similar elements, but this is very common for these types of video games, so I’m very glad that it has all those elements.

Eric: Yeah, yeah. And I mean to say, the story narrative woman in the interview that they did after the initial 15 minute… there’s five minutes of interviews with people. She even used the term “side quests.” So there are your active missions, there are your side missions, you can go around the countryside. You can leave Hogwarts and help people, like townspeople. Not just Hogsmeade townspeople, but hermits in the middle of nowhere, they said, with things using your magic. So I’m pretty excited for just how open world it is. But I find myself being drawn… I think they’re right when they say “When you think of the wizarding world, what anchors people to it, what excites people, is Hogwarts.” So the idea of these mysteries, this ancient magic that your character can tap into, seems like they got a really good idea, a good kernel of a story in the plot and are just exploring that to its fruition.

Micah: That’s one thing that I really like about it, is the fact that it’s not tied to Harry Potter in any way.

Laura: Same.

Micah: So I think it removes any kind of expectations that people have coming in in terms of seeing certain storylines play out, or certain characters show up. Although, we did get a bit of a tease that we may see some familiar faces along the way. Who? They would have to be old enough, obviously, to show up…

Eric: Or dead.

Micah: Or dead.

Andrew: Yeah, they showed some of the ghosts.

Micah: They did.

Andrew: They showed Nearly Headless Nick, for example.

Laura: Or poltergeists.

Eric: And I’m pretty sure I saw Peeves, yeah.

Andrew: Yes, Peeves!

Laura: I got so excited when we were watching it. Marc was like, “Who the heck is that?” And I was like, “Oh my God, it’s Peeves! They actually put Peeves in something!”

[Eric and Micah laugh]

Andrew: Some of the things I noticed – I took some random notes while I was watching – you do get to attend classes. The professors seem very colorful and unique, I mean, personality-wise, and I thought that was great because we see a lot of unique personalities at Hogwarts in the core series, so I’m glad they kept that in mind when creating new professors. They mentioned iconic locations you haven’t been able to explore before; you see the Hogwarts kitchens and you can go down in there and you see house-elves. And you saw, I don’t know, Moaning Myrtle’s bathroom or something like that, the original version of it or something. Did you guys see that very fancy bathroom?

Eric: Oh, the prefects’ bathroom, yeah.

Andrew: Prefects’ bathroom. That’s the prefects’ bathroom? How do you know that? [laughs]

Eric: Yeah, I think so, with its grandiose kind of… the way that it was designed.

Andrew: Wow. That is hilarious, because few video games actually create bathrooms. Goldeneye maybe created bathrooms, but how many video games have bathrooms? [laughs]

Eric: You’re right, there’s not a very… yeah, there’s not a huge… but it’s possibly part of the plot, or it’s one of those things where you read about it and you want to see it.

Andrew: But that’s good news that they’re adding all these different rooms, because then you can only imagine how many rooms they actually created at Hogwarts. It truly feels like, so far, that you will be able to explore every nook and cranny at Hogwarts. I’m sure some doors might be locked, but there’s going to be a ton to explore at the school alone.

Eric: That seems really well done. I mean, games have just been able to accommodate more and more space lately as the technology improves, as the systems improve. This is not the world’s first open world Hogwarts. It’s probably… they’ve had sort of free-roaming Hogwartses back in the Chamber of Secrets PC game, that era of gaming, and those were all very good too. There were secret passages, there were portraits that you had to shoot a certain spell to get behind them… really cool stuff. To see that brought into the next generation of gaming is exciting, though, because it still has that level of playfulness that… what it felt like to be 14 and playing a Harry Potter video game? That kind of mood feels like parts of this trailer.

Andrew: Yeah. And by the way, now that they have this whole game engine built, we could see a sequel sooner rather than later. It might not take ten years; it might only take a few years, and they’ll just use that castle as a starting point and just build from there, so that’s exciting to think about. But some other things I noticed: You can fly brooms and you can fly on the back of hippogriffs. The world seems very expansive. Eric, you mentioned small villages, but there’s a point where it looks like you get near the ocean, the English coast, so it looks like you could travel pretty far. It makes you wonder how close Hogwarts is, but whatever. [laughs]

Micah: Yeah, there was a scene, right, where they do Reparo and it repairs this bridge or pathway that goes out to something that appeared to be sitting out in the water, so that was pretty cool.

Eric: At first I thought it was Azkaban and I was like, “Oh, wait, there’s nobody in it, so it can’t be Azkaban.” [laughs]

Micah: Your point about expansiveness, though, Andrew, and expanding on the actual original video game, I would love to see them do this to other parts of the globe, being able to go to the US, to Ilvermorny and the surrounding areas, or to many of the other wizarding schools that we’ve talked about on the show before. I think that would be really, really cool.

Laura: Yeah, and that could also be the answer for how we get more expanded details on these schools and on these other wizarding communities, because as we all know, we were supposed to get that with the Fantastic Beasts franchise, and it’s falling kind of flat. But having a whole game studio focused with all of those people bringing their diverse backgrounds and experiences to the table, I think that’s the right way to do it, so I’m hopeful. Again, Marc was sitting there like, “This is how they save the Wizarding World! This is how WB saves the expansion of the franchise.”

[Andrew laughs]

Laura: And I feel the same way. I think that it’s stuff like this; it’s again, opening the sandbox and letting other creators in to make something new and fresh.

Eric: Well, and what did Marc say about the beasts in this trailer?

Laura: [laughs] Oh, yeah, he was like, “There are more fantastic beasts in this trailer than there have been in the whole franchise, or in the whole series.”

[Andrew and Eric laugh]

Eric: He’s not wrong!

Andrew: Yeah, you see some beasts that are recognizable from Fantastic Beasts, so that’s some synergy.

Laura: Yeah, but also just a lot of beasts in general. There’re all kinds of animals.

Andrew: So we’ll include a link to the… I don’t even want to call it a trailer; it’s an extended look at Hogwarts Legacy, if anybody wants to watch it for themself. I think the TLDR from us is that it lives up to expectations so far. We can’t wait to play it. By the way, they did announce it’ll be available holiday 2022, so they’re not committing to a specific date yet, but holiday usually means Thanksgiving, obviously before Christmas, so I would expect it late November, early December. One thing I didn’t see was Quidditch. There was a cut scene where you see Quidditch in the background, but there’s a big question around “Will you be able to play Quidditch?” I’m wondering if they’re going to have a DLC at some point, basically an expansion of this game where you do get to play Quidditch and maybe compete, and maybe it’ll be like Quidditch World Cup, which Eric and I have spoken about, or everybody’s spoken about over the years. So there’s a lot of flying, but Quidditch was suspiciously absent. Maybe they just want to save that surprise for later, because obviously that would be a very popular feature.

Eric: Maybe. I did see there was a moment where you’re moving blocks and balls around what looks like I guess what I would call a bocce court kind of a thing.

Andrew: Kind of, yeah, it was some sort of puzzle.

Eric: So that struck me as being… maybe they’ll invent a few popular pastimes, or we’ll see Gobstones, or we’ll see other wizarding games besides the three that were shouted out in the books.

Laura: They could also be leaning on Quidditch Through the Ages to draw some inspiration for what Quidditch at Hogwarts would have looked like in the late 1800s…

Andrew: 100%.

Laura: … so there’s just a ton… there’s a wealth of detail that’s just awaiting this game, so I’m excited.

Eric: Yeah, definitely worth a further look.


Main Discussion: The ’98-’99 Hogwarts year


Micah: We really should have some nostalgic late ’90s music for this episode. Maybe we try and figure out what the graduation song will be at the end.

[Andrew laughs]

Micah: We all grew up in the ’90s, and so I feel like…

Laura: You know what it would be. It’d be the Vitamin C graduation song. [laughs]

Micah: I know.

Andrew: Yes. [hums the graduation song]

Eric: Let’s see, Billboard Hot 100 singles of 1999: Cher’s “Believe,” TLC’s “No Scrubs,” Britney Spears’s “Baby One More Time,” Sixpence None the Richer’s “Kiss Me.” That’s the prom song for sure.

Micah: All right, we have some options here. So as Andrew mentioned earlier on in the episode, we got an email a while back from one of our listeners, Anette, who wanted us to dive deep on what it would be like in that 1998-’99 school year, post-Battle of Hogwarts, the year that Ginny and Luna would graduate; we know Hermione went back for her final year, so she would have attended with them. And so this is really going to be a discussion about what that year looked like, at least according to us.

[Andrew laughs]

Micah: And we got a bunch of questions…

Andrew: We make the rules now.

Micah: We might as well just write it; it’s our own fanfiction. We got a lot of great questions submitted by our patrons that we’re going to get to. So Anette asked us a few questions in that email, which we actually did address on the episode. A couple of questions that she had asked us were, “We know that Hermione did go back for her final year after the Battle of Hogwarts and finished her education, which means that she would have graduated with Ginny and Luna. Do we think that the three of them would have been really tight in their final year?” And we actually discussed that back on Episode 539. She wanted to know, “What would it be like for students whose families ended up siding with Voldemort?” That might be a little bit awkward when they walk back in for their first day of classes – if they walk back in for their first day of classes. [laughs] “Any new traditions that the school would have had? Would Snape end up with a remembrance plaque in the Entrance Hall?” Big question that came from a lot of patrons; I think it was probably the most asked question – I know Eric, we’re going to dive deep into this – but, “Would there finally be grief counselors at the school, given everything that happened?” To set the stage, this would have been September of ’98, four months after the battle.

Andrew: Not long at all.

Eric: Wow.

Micah: A lot of PTSD to deal with.

Andrew: Those wounds are still open.

Micah: Filch is probably… yeah, he’s still cleaning it up with his broom.

[Andrew laughs]

Eric: Yikes.

Andrew: Cleaning up what, exactly?

Micah: Mrs. Norris helping the best she can. All the… well, the leftovers.

Andrew: [laughs] That’s a good way to put it.

Micah: So we’re going to get to all of Anette’s questions, but a really good one to start out here is start of term: Would the Sorting Hat have had a special song, given everything that had transpired just four months earlier? Or was he destroyed?

Andrew: No! Maybe some beat poetry, the Hat would’ve had instead.

[Laura laughs]

Andrew: Just like… I don’t know. Maybe a song would be too dreary. It’d have to be something somber.

Eric: The Hogwarts staff is just like, “In lieu of grief counselors, here’s a really moving beat poetry song or poem from the Sorting Hat.”

Andrew: Yeah, yeah. I mean, sometimes we rely on music as therapy. [laughs]

Eric: That’s true.

Laura: I like this.

Eric: Maybe the Sorting Hat would sing Vitamin C.

[Everyone laughs]

Laura: I like the idea of the Sorting Hat’s song – beat poetry, maybe even a rap – basically going somewhat along the lines of, “I warned you guys, remember? I told you this was going to happen.” Yeah, I could see the Sorting Hat being a little petty.

Micah: One thing I actually just thought of, though, is given everything that just happened, would we still Sort? Does it make sense?

Eric: That’s an interesting question.

Andrew: I think so. I think so.

Micah: Would Slytherin still be a House?

Eric: I think…

Andrew: Yeah.

[Eric laughs]

Laura: It has to be, right?

Eric: Yeah, because there’s still upperclassmen. That’s the thing. That’s the thing, is there’s people from all seven years that are… unless you’re… it would be weird to take the people from years one through six previously, and say, “You can’t be in your House anymore” if they’re returning. Even if they didn’t Sort anybody new into Slytherin, there are still those Slytherins from before.

Andrew: I think it’s important from a unity standpoint, too, just to have everything go on as normal. Everybody would want to welcome Slytherin, hopefully, with open arms.

Laura: Also, Harry’s son is Sorted into Slytherin 19 years later, so presumably they keep it.

Micah: That’s a fair point.

Eric: In 19 years they get over the prejudice.

[Andrew and Laura laugh]

Laura: It’s the first year back, and he’s like, “Dang it, my first year at Hogwarts, I get put in Slytherin. I’m Harry Potter’s son.”

Eric: [laughs] I feel like we have to suspect that a lot of what we’re going to be talking about and discussing is hopeful, but I think realistically, a lot of what we see at Hogwarts during the school year will be the same, will be exactly the same, because we are all creatures of habit. I think that the mechanics that are put in place, like school Sorting and everything, are just going to be that way, not because they’re right, not because they’ve been assessed. Nobody’s going to have time to really think immediately, especially with a four month turnaround. People are still going to memorial services and really trying to figure out how to emotionally process everything that just happened. I feel like they’re just going to… if Hogwarts does come back, which I guess we heard that it did, they’re going to be keeping it as familiar as possible, and dealing with those other issues on the fly, I think.

Micah: That’s a good point. I just wonder, is four months enough time to even get things back to a state of normalcy? Certainly, magic can help with the rebuilding of the castle grounds and making everything there look as if nothing had happened, but I don’t think that’s necessarily the right way to handle the situation either. I think there needs to be some sort of recognition of what’s happened, some tribute in some way, given that a majority of these students went through an extremely traumatic event, and also would be curious how many parents would be willing to send first years off to the school after everything that has just transpired.

Laura: It would be interesting… I could see the new incoming class of students being much smaller, so first year classes might be a bit odd because there’s maybe five kids per House, or something like that, coming in.

Eric: Just like in the Harry Potter books.

Laura: Well, yeah, no, that is just like in Harry Potter, actually.

[Eric laughs]

Laura: Yes. I mean, it could be even less than that.

Eric: I can see people looking to do homeschooling or looking to do other alternative means of education after finding out that a huge war was fought. I think the world at large is… they’re no longer to be able to conceal the fact that Hogwarts is a security nightmare from people.

[Andrew and Laura laugh]

Eric: Like, really? The Dark Lord showed up and killed a bunch of students? Dozens of people died?

Andrew: Or maybe they vowed to start securing things down.

Eric: Yeah, I mean, what kind of promises would you need to make the parents that are sending their kids here? What kind of procedures would you need to put into place? Maybe it’s the buddy system, walking to classes, escorting to classes, things like this that don’t really do anything, but they make you feel safer.

Micah: It is a school of magic, though, at the end of the day, so things happen or can happen just naturally. [laughs]

Eric: I can see that on the Hogwarts letterhead. “Dear ladies and gentlemen, things happen.”

[Everyone laughs]

Eric: “We are a school of magic, and it’s 1999, so we’re going to party.”

Micah: And we may get to talking about this a little bit later on when we get into the whole grief counselor aspect of it, but I think if we were to take it and make any kind of comparison to modern day, it’s not all that different from some sort of traumatic event taking place at a school. And unfortunately, we’ve seen more than our fair share of that happen here in the United States over the last 20 years or so, and I think that probably a lot of what we’re going to talk about will be informed by what we’ve seen happen after those events. But I think the most important thing is that we don’t just forget it, like we have a tendency to do here in the United States, at least from a mainstream standpoint.

Eric: I can see them leaving a part of Hogwarts destroyed; maybe it’s the courtyard or something like that, where it’s a space for commemoration. A lot of people lost their lives, I’m pretty sure, in the courtyard, so that would be something where they’d just be like, “Yeah, this is us. This is part of our history.” So right in the front, right when you’re walking into the school, and then people can go and hang out there afterwards to think back, but then the rest of the school when you get in, the functional parts of the school are pristine and up and running.

Laura: Yeah, I think that tracks, because they do the same thing with Lily and James’s House in Godric’s Hollow, right? It’s preserved as it was the night it was destroyed when Voldemort killed Lily and James. That makes sense that there would be some sort of place that’s frozen in time. But I do have to say, I’ve been thinking about this “Hogwarts: Things happen,” and I’m imagining kids getting to school for the opening feast and being given swag bags that have water bottles in them that just say, “Hogwarts: Things happen.”

Andrew: [laughs] School’s new tagline.

Laura: And they’re like, “It’s okay, guys. We hear you.”

[Andrew and Laura laugh]

Laura: “Drink water. You’ll feel better.” And I feel like we need to make this water bottle now. Needs to have an image of Hogwarts on fire on it, and it can say, “Hogwarts: Things happen.”

Andrew: Sure. [laughs]

Eric: Swag bags. I mean, who’s the headmaster? Gilderoy Lockhart?

[Laura laughs]

Andrew: WB would probably sue us if we included Hogwarts, so we’d have to…

Eric: Oh, right.

Laura: Oh, it would just have to say “Things happen.”

Andrew: We just have to put, “Wizard school.” Well, “Wizard school: Things happen,” or “Things totally happen at wizard school.” I don’t know. We’ll workshop it.

Eric: We’ll workshop it.

Micah: Eric, though, you raise a really interesting question in that, who would be the headmaster or headmistress of the school for this year? I think that, given what we’re talking about, one of the things that can lend itself to at least feeling a level of comfort is having familiar faces from a professor standpoint, and so I was wondering what professors would still teach at Hogwarts after what transpired? We naturally identify with the students and wondering who would come back, would they end up even going to school in the first place if they’re first years? But let’s not forget, there’s also the professors, and they’ve been through a lot themselves as well. And do we think that maybe some of them would just say, “You know what, I’ve had enough. Hanging it up. That was too much for me.”

[Andrew laughs]

Eric: Yeah, they all deserve a retirement with full benefits and many, many, many Orders of Merlin first class, but I think that the pressure would be on to show some strength, and I think they would all be asked to stay on for one more year at least, so that they can get Hogwarts back under its ground. A year not run by Death Eaters, and with no Voldemort trying to get in the castle, the first time in seven years that that hasn’t happened. To reset, basically.

Andrew: Yeah. And I think what normally happens after tragedies is there’s an effort to try and continue whatever they can, whether it’s at a school or anywhere else, like having the same teachers there from the before times would be helpful for the students because they can see the teachers have confidence and they still believe in the school. If all the teachers just bailed on Hogwarts, I think I as a student might be afraid to go back too, because it’s like, “If they’re bailing, why am I going back?” [laughs]

Eric: That’s a great point, actually. I was wondering whether Slughorn would stick on because you know he was hesitant to return to begin with, but he did stand his ground and fight in the battle. I think he might just gain some kind of peace with himself. I think he would probably stay, but it wouldn’t be an easy choice for him.

Laura and Micah: Yeah.

Micah: I mean, he fought Voldemort, I believe, in a three-on-one confrontation.

Eric: I’m pretty sure that’s right.

Laura: He did, yeah.

Micah: He also was part… I mean, he didn’t really do a whole lot, but in that scene where McGonagall ends up confronting Snape to save Harry, it’s the other three Heads of House that show up, so there was a unified front, at least on the surface, amongst them. But yeah, I do wonder if some of the teachers would have just said, “I’m good. I’m taking my Hogwarts pension, my five Sickles and three Knuts, and hanging it up.”

Eric: Teacher salaries in the ’90s.

Laura: You think Professor Binns is done? He’s like, “You know what?”

[Eric laughs]

Micah: No, he just taught through the whole thing.

[Laura laughs]

Eric: He didn’t know what was going on.

Laura: He’s like, “Why is nobody turning up for History of Magic?”

[Andrew laughs]

Eric: “The most important class of them all!”

Micah: Well, he’s got a whole new couple chapters to add to his class now.

Laura: Right. I was going to say, history is literally happening right now, Professor Binns. Where’re you at?

Eric: I think McGonagall is the obvious shoe-in for headmaster. I mean, I would have said after Dumbledore died that she would have been the headmaster, and obviously, we had to do the Snape thing for a very good reason. But she was deputy headmistress forever, and only through a bizarre twist of Umbridge and Snape usurping that power in their own respective years… she would be the person that I would go to to become the new head person at Hogwarts.

Andrew: Yeah, I think she’s the heir apparent.

Micah: I do find it interesting, though, that none of the Heads of House were killed in the battle.

Andrew: Are you saying there’s a conspiracy here?

Micah: Well, actually, none of the professors were killed in the battle, on the current staff.

Eric: Huh. Yeah, unless you… because Lupin was but he was previous staff.

Andrew: They received security nightmare training at the school, so they knew how to survive. Survival training at Hogwarts. [laughs]

Eric: They did the drills. Yeah, they did the Battle of Hogwarts drills, where it’s like, “Okay, if it really comes down to it…”

Andrew: [laughs] How to survive Hogwarts. The teachers got the class; the students didn’t.

Micah: They all hid in the Chamber.

Eric: Maybe being a Head of House gives you special protection. I don’t know.

Micah: Maybe. But there’s a good question here, though: Assuming McGonagall does become headmistress, who takes over Gryffindor House in this school year?

Eric: I love this question.

Laura: Me too. I was thinking about it, and I feel like the most fun possibility is that it’s maybe a recently graduated Gryffindor, not someone who just graduated, but maybe someone on the younger side. And I was like, what’s Oliver Wood up to? Could he come be the Gryffindor Head of House and teach flying lessons?

Eric: Ohh.

Andrew: [laughs] Yeah!

Eric: I love that.

Andrew: That’s a good pick. Yeah, I didn’t really have any other ideas, but I like the general idea of a recently graduated Hogwarts student. You actually see this happen in the Muggle world, too; I’ve seen people who I went to school with through middle school or high school go back to those schools just a few years later to become a teacher. I always think that’s super cool.

Eric: Well, and so McGonagall not only is leaving behind the Head of Gryffindor position, but she’d be leaving behind Transfiguration class, so you’d need somebody to teach that. Maybe not the same person that’s also Head of Gryffindor House, but somebody who we know that’s also been good at Transfiguration?

Micah: That’s a good point.

Laura: Yeah. The only other person I can think of is Hagrid could be Head of Gryffindor.

Andrew: Is that role for him?

Laura: Here’s the thing: Is he a great teacher? Eh, but I think that you could make an argument for him being an amazing Head of House. He would be so caring with those students, especially with first years. Remember how he was with the trio when they were young? He would show up at the common room with his not-so-great cooking, but people would like him so much that they would at least try to eat those rock hard cakes he makes. I think that it would be a good match, potentially.

Andrew: I just… the reason I asked that is because I figure he’s more of an outdoorsy type, and would he have to spend more time in the castle? I don’t know the answer to that. Maybe he could get away with not spending more time in the castle.

Eric: Right.

Micah: That’s a lot of stairs for him to climb.

[Andrew laughs]

Eric: Maybe Gryffindors could do more outdoor activities.

Andrew: He’ll bring the common room outside.

[Laura laughs]

Eric: Yeah! Maybe everyone could do more exercise this year, more walking.

Laura: The Gryffindor common room is now in the Forbidden Forest.

[Andrew and Laura laugh]

Micah: That’d be cool.

Andrew: Right along the edge.

[Eric laughs]

Laura: All of a sudden, people are sitting on the Sorting stool being like, “Not Gryffindor, not Gryffindor…”

[Everyone laughs]

Andrew: “I don’t care if Harry was in it.”

Micah: I thought about Percy as an option.

Eric: Yeah, I’m wondering if he’s too wet behind the ears; I’m wondering if he graduated too recently. But it’s just that we don’t know those sorts of people, right? Bill Weasley graduated a few years before Harry starts; I’m thinking, “Oh, maybe Bill,” but we don’t really know many people who would fit that niche of they’re old enough to be a competent and confident teacher, but Harry wouldn’t know them, necessarily.

Micah: Right. Well, if we had Lupin, he would have been a good choice for that, I think.

Andrew and Eric: Yeah.

Eric: And we can pluck from former retirees, the ones that didn’t die. I guess most of the DADA people are gone. [laughs] But any of the teachers… like Grubbly-Plank could get promoted to a full-time position somewhere. There’s definitely people that we could reach out to. As well as… it wasn’t just Hogwarts that was attacked. It was the Ministry was infiltrated; it was a horrible place to work for a year. I can see some more government types being like, “You know, if I want some peace and quiet, I’m going to get into teaching to try and do something for the people, for the future generations.”

Micah: Earlier, we were talking about the fact that this would be graduation time for Ginny and Luna, and also Hermione, who made the choice to come back for her final year. And I’m just curious what we think a Hogwarts graduation would look like, and as a follow-up to that, do we feel as if we were robbed as readers for…? We spend seven years at school with these students, but then never, ever do we see a graduation ceremony.

Eric: I just assumed it was like the leaving feast, where they throw their hats up at the end and it’s “Hooray.”

[Andrew laughs]

Laura: Yeah, because the seventh years are at the end of year term feast, and it does… there’s never anything said about them having a separate ceremony, is there?

Andrew: I don’t think so.

Eric: It’s interesting the way that the seventh year of Hogwarts was proposed as optional sort of late in the game, because everybody turns of age before they go to that year, so I think it’s just… it was one of those things you would expect to see, but then it’s like, “Oh, wait, but the law means you don’t even have to go to that year, so why would they graduate?”

Laura: I do wonder, assuming there is some kind of graduation ceremony or acknowledgement, if we would see each student killed in the Battle of Hogwarts being posthumously honored during the year that would have been their graduation.

Eric: I can see a big funeral for everybody, or a big memorial service, start of term so everyone’s back kind of a thing. And yeah, it’d be a little bit of a downer, but I think that the only way to move forward is to commemorate what happened. And to that end, I think the Sorting Hat would definitely have a song about it, and there would probably be a mandatory meeting of the entire school.

Micah: I mean, I could see some fun stuff going on at graduation. You know how there’s always that tendency for people to do crazy stuff when they go up on stage to accept their diploma?

Andrew: Shoot some spells off. I would just ride out on a broom.

[Laura and Micah laugh]

Andrew: Or maybe summon a Hippogriff and fly out on that. I’d have to make a grand exit, I think.

Micah: Who would hand out the diplomas? Do you think it would be McGonagall? Would it be maybe the Minister, which is Kingsley at the time?

Andrew: No, I think it’d have to be the Headmaster or the Heads of House. But I feel like you would shake the hands of the headmaster and all four Heads of House, then maybe try to high five the ghosts or something.

[Eric laughs]

Laura: Awkward.

Micah: Who do we think might be a good commencement speaker for this particular year?

Eric: Harry Potter.

Micah: I knew somebody was going to say that.

[Andrew and Micah laugh]

Eric: I mean, maybe.

Andrew: It seems most appropriate.

Eric: Harry would give the worst commencement speech. [laughs]

Laura: He also wouldn’t want to, I don’t think.

Eric: Well, Hermione would have her valedictorian speech.

Micah: But I don’t know if… well, maybe by the time May or June rolls around, people will be in more of a spirited mood and willing to celebrate.

Andrew: Well, unfortunately, though, by around that time…

Micah: It’s the anniversary, right?

Andrew: … you’d hit the one year anniversary, yeah, exactly.

Eric: Oh, no.

Andrew: So it’s like, can you even have a…? Yeah, I think you… it’d be complicated. They’d have to be a month apart.

Laura: Although there’s something strong, wouldn’t there be, in having a celebration on the one-year anniversary? Like, “We have overcome, look how far we’ve come, we’re moving on with our lives. We’ve reclaimed Hogwarts; it’s ours. We won, and we’re not letting what happened deter us from our goal of educating the people of our community.”

Andrew: Right. “We’re stronger together. We’re united. We’ll never let this happen again.”

Eric: Yeah, maybe there’s a year-long project to develop something that helps commemorate or help celebrate… like if they build the memorial, if the year is spent turning around the space in, say, the courtyard or something, into something where every student has a hand in creating the magic for it.

Micah: So I know we talked a lot about the grief aspect of the fallout of the Battle of Hogwarts, and a lot of patrons posted questions about whether or not there would be the appropriate support in place. And I know we also have a section here in the discussion for that as well, so Eric, I don’t know if you want to lead us through this?

Eric: Sure. I feel like this is the year Hogwarts has to have grief counselors, or somebody who knows something about what mentally is going on with these students and is addressing it. Right out the gate… although I said things would be mostly similar, as similar as possible – because human beings do not handle change well, period – I think there are certain little things that the school could do right out the gate that would help. So more break times in student schedules. More downtime. Maybe there’s not this huge push towards exams, because we’ve actually seen in the Harry Potter books, sometimes exams get canceled. Maybe there’s just sort of refocusing; not trying to squeeze the meat out the hole, get these students out of school. Just be like, “We’re here. We’re working on our identity.” Downtime, downtime, downtime.

Andrew: Yeah, or maybe just less classes you need to take each term, just so you have less of a workload.

Eric: Yeah, I mean, there’s just chaos everywhere. And to that point, every student that goes to Hogwarts, their parents are facing that same chaos. The government was infiltrated. The government was actively sending harmful propaganda, which you just don’t forget, you just don’t back down from. So I think everyone who lives in the wizarding world during this year – and the years immediately to follow – have to really cope with what happened, and so they’re all going to be doing this work. They’re all going to be doing this… take a step back, grieve, process, that kind of a thing. So Hogwarts should get the first pick of mental anguish counselors, for sure.

Micah: It is truly amazing, though, that they weren’t put in place before.

[Andrew laughs]

Micah: I know we spend a lot of time talking about how this school is a security nightmare, but just thinking of all the things that transpired during Harry’s time at Hogwarts, if you were to single out any one of the events that are the main events of each of the books, in and of themselves they’re enough for grief counselors, right? Chamber of Secrets, students are being turned into stone.

Eric: You could be next!

Micah: Who knows what is going through their mind, if anything?

Andrew: It toughens them up. Builds some character.

[Eric laughs]

Micah: Yeah, moral fiber.

Eric: Speaking of that incident, they were going to close Hogwarts for that. I mean, there was… if a student… if another… if those attacks kept happening… they removed Dumbledore, but if one or two more students got Petrified or killed, the school was going to be closed, and then what would people do? If that was a real concern… Hogwarts is governed by the Board of Governors; they would have shut the school down, and then people would have had to have done homeschooling or something. There seems to be all these other alternatives for schooling than Hogwarts, but Hogwarts needs grief counselors, because all of this is happening to these students. The threat was so real that Hogwarts could close. Now that the threat has passed, fill the vacuum that was left by not talking about it, not dealing with it when it was happening, by now talking about it.

Micah: Dumbledore really is the primary reason why this school is in desperate need of grief counselors.

Laura: Yep.

Micah: He was willing to put the school in this position through the decisions that he made in the lead-up to Deathly Hallows, and I’m just shocked that as a headmaster, he had such disregard for his students that he would basically allow to happen what happened, so that an entire battle came to the doorstep of the school. And not even thinking enough of himself to be around to defend that school.

Eric and Laura: Yeah.

Laura: He definitely noped out there.

Micah: Sorry, I’m being tough on Albus tonight.

[Andrew laughs]

Laura: He was like, “Good luck, y’all. Deuces.” Just yeet. [laughs]

Andrew: “I set you all up for this. You’re all ready.”

Eric: So for the ’98-’99 year, I think that Hermione, Luna, Ginny, the Dumbledore’s Army members would assume kind of a de facto prefect rule. I think maybe McGonagall as headmistress might rely on them the way that you normally would during a normal year on the prefects to keep order, check in with students about their mental health. You actually know that Ginny, Luna, and Hermione would be really good at doing that, checking in with students.

Andrew: Yeah, I was going to say, what if there was sort of group counseling, in a way? Like, kids got together, part of the Gryffindors got together for… maybe group therapy is the wrong way to put it, but just these designated times where everyone could get together and maybe just reflect on their friends who passed. And it wouldn’t always be a downbeat discussion, but there would be times where it did get serious, but then other times it would be lighthearted and more fun, so they can all remind each other that they still have each other and there is a life after Battle of Hogwarts. Life goes on after Battle of Hogwarts.

Eric: I think there would definitely be a huge pull away from tribalist sports where it’s like, “This House is against this House.” The call for unity goes beyond just still putting up with “We’ve got to win the House Cup.” If anything, if they want to create peace, they should cancel the House Cup and House points, more so than exams, because that was driving people into this toxic, again, tribalism. I think having multi-House group therapy sessions – or group hangouts, whatever you want to call them – in the Room of Requirement with comfy chairs would go a long way.

Laura: I was going to say, maybe the Room of Requirement will come in real clutch and procure counselors.

Eric: Oh!

[Andrew laughs]

Laura: People go there and all of a sudden there’s just built-in counselors.

Eric: Well, or there’ll be those practice training dummies that you get in the movies, like, “Tell me about your feelings.”

Laura: [laughs] “How does that make you feel?”

Eric: Yeah, and it’s just… you pull the string and then they say, “How does that make you feel?”

[Andrew laugh]

Eric: Well, one thing I wanted to touch on… so growing up in both middle school and high school, unfortunately, there were students in my school that died, and in high school, it was a devastating car accident; in middle school, it was a different tragedy altogether. But I wanted to talk about, if you guys share this experience, what the school might have done to commemorate those students? In particular, I know at the end of the year definitely something in the yearbook was written about commemorating these students. I know their locker, if you walked by their locker throughout the year, it was not given to another student. It was like… that student’s locker is basically like a memorial shrine sort of thing. Were there any other things that happened to your guys’ school that might apply to Hogwarts?

Andrew: I definitely remember… because we lost a couple of students and teachers in my high school years, and I definitely remember them really emphasizing that we have brought in extra counselors to talk through things, and if you need to leave class and take a minute or maybe meet with a counselor immediately, it’s perfectly fine, or if you need to take some time off, some extra days off, it’s okay. They were just extra welcoming in those ways. But I think your list kind of covered it; the tribute in the yearbook and the grief counselors, the locker tribute, I assume we did something similar. It’s a nice touch.

Laura: I remember that. I feel like outside of those items, though – the locker tribute, the yearbook tribute, maybe a letter home to parents – there wasn’t really much else done. They were like, “Yeah, feel free to go to the counselor if you need it,” but they didn’t bring in extra grief counselors as backup. And there was also… and it’s probably something that we’ve gotten better at in our schools – at least, I would hope – at the time, it always felt like there was this assumption that if you weren’t friends with the person, that you wouldn’t be affected by it, which we know is not true. So my hope is that schools have gotten better at that now, and that Hogwarts would be recognizing of the collective trauma that all these kids went through. Even if you did not fight in the Battle of Hogwarts yourself, certainly you had friends who did.

Micah: Yeah, very similar to what’s been shared already, and I just think, too, that at the time, given that… if we’re talking about middle or even high school years, you’re not able to fully process what’s happened in many cases, too, so I also think that again… I was in middle school and high school in the mid to late ’90s when these types of things happened. You don’t know if, by taking the time that Andrew mentioned, or going to see a counselor if it’s available to you, there’s that perception of you potentially being weak or not strong, and it’s looking around at your peers, too, and seeing, “How are they coping with it? How are they managing the situation?” And so you may actually feel pressured, in a way, to not take advantage of those resources that are available to you, so I think…

Andrew: Yeah, “Don’t talk about your feelings, don’t show your feelings,” stuff like that.

Micah: Exactly. But for Hogwarts, I would hope they would do some kind of hall of remembrance, whether those are with maybe portraits or statues… a way to properly recognize…

Andrew: Oooh, yeah. I think statues for teachers, though we did say that no teachers died at the Battle of Hogwarts. I mean, there could be a statue of Dumbledore, even though he wasn’t directly killed in the Battle of Hogwarts. Yeah. I like the portraits idea too.

Micah: But Lavender would never be in her portrait, so you wouldn’t know…

[Laura laughs]

Andrew: Lavender, there’d be a question mark next to her portrait. Maybe, unless she shows up for school this year? We’ll find out soon. So we have this thriving community on Patreon, and from time to time we ask for answers from our patrons about certain topics. We did get some answers from patrons pertaining to this question, some really good ones.

Eric: This one is from Courtney, who says, “When they fixed the castle, did they take the opportunity to update things? Did they get better security? How about open and clean out the Chamber of Secrets? Do we get elevators and unisex bathrooms?”

[Andrew laughs]

Eric: Hey, listen, one thing at a time, okay? That Chamber is going nowhere. It’s not hurting anybody. Nobody’s priority.

Micah: I thought the prefects’ bathroom is unisex.

Laura: It is.

Eric: Yes, but very exclusive.

Andrew: We’re going to get so many answers to so many questions in Hogwarts Legacy.

Laura: I know.

Andrew: Whether they call it canon or not, we should just call it all canon. [laughs]

Eric: Yeah, it’ll save us some some headaches; I agree. Why build back? Why not do something totally new and fix what was broken to begin with? I like the idea of a lift.

Andrew: I do think there would be improvements security-wise, because they have to make the students and teachers feel safe there. Even if there is no threat, there needs to be some theatrics. Like here in America, we added the TSA after 9/11, and there’s a pretty general consensus that the TSA – God bless them, love all the people who work for them – does it actually help? Does it actually make our planes and our airports more secure? I think the jury is very much out on that. So there needs to be a little more security theater, I think, going on at Hogwarts, starting in the ’98-’99 school year.

Micah: With McGonagall, though, as headmistress, I don’t think she’s taking crap from anybody. So while Dumbledore was very lenient – for lack of a better word – in his policies, I don’t think McGonagall would allow anywhere close to the amount of security nightmares that went on. But that’s not to say there shouldn’t be new policies.

Eric: Yeah, I think that’s right on. I mean, like you were saying, Dumbledore pretty much put a target on Hogwarts every year by his actions – his actions, his inactions, his choice of appointments of staff, everything – and so it’s crazy to think about how much safer Hogwarts will be with Dumbledore not at the helm.

Micah: Yeah, I mean, he should never have let Harry come to Hogwarts in the first place; that would have made…

Andrew: [laughs] “No, you shall not pass!”

[Laura laughs]

Micah: He should have sent him off somewhere else. Homeschool.

Eric: Private tutoring. Yeah, pretty much.

Laura: I mean, who was going to home school Harry Potter? [laughs]

Eric: Well…

Andrew: Yeah, did he want to be at home for a second longer? He was ready to get the heck out of there.

Eric: Send him to Figg’s.

Micah: I’m still trying to figure out the elevator part of this question. [laughs] Because of the moving staircases?

Eric: It’s an accessibility thing. It’s just in general thinking about a smarter layout, because they built these things a thousand years ago. I mean, the bathrooms are newer, we know.

Andrew: Well, and think of how tall the castle is. It’s probably ten floors of stairs just to get up to top, minimum.

Micah: Well, I think…

Eric: Yeah, so if you think about what percentage of the castle is rubble, there’s no reason not to switch some things around, make it a little bit better, make it a little smarter, a little bit more accessible and inclusive.

Andrew: How about a nice single-story floor plan for Hogwarts? No stairs at all. Single story. [laughs]

Micah: ADA accessible.

Laura: I was going to say, open floor plan. Those are very in now.

[Andrew and Eric laugh]

Andrew: Nice stainless steel refrigerators.

Eric: Wow.

Micah: And as far as the unisex bathrooms go, I think it depends who’s continuing to write the story.

[Andrew and Laura laugh]

Eric: There you go.

Andrew: Nice three-car garage. Nice LED lighting throughout. Okay, I’ll stop with my wish list.

Eric: You’re just discussing your dream house. [laughs]

Andrew: Nice pool in the backyard, jacuzzi…

Micah: No, he’s discussing what he has right now.

Andrew: [laughs] It’s not single story, and no pool.

Eric: But how many car garage?

Andrew: [laughs] Two. Only two.

Eric: Okay, okay.

Andrew: Steph says, “Did Harry finally take a damn break? Or more likely, was he caught up in 12 months of trials and hearings at the Ministry? Also, where did he stay? Was he living with the Weasleys at the Burrow? Or did he rent a flat somewhere?” Those are good questions. I hope Harry took a break.

Laura: Yeah. I could see him staying at the Burrow for that year.

Andrew: Yeah, be good to be close, living very close with friends and family.

Laura: And he and Ron probably visit Hogwarts fairly regularly to see Hermione and Ginny.

Eric: Oh, their SO’s are there. So then what’s that like when Harry comes back? What’s it like for him? What’s it like for the students? Does McGonagall have to ask him not to do that?

Andrew: See, yeah, I was going to say I would think Ginny…

Laura: It’s like that SNL sketch.

Andrew: I would think Ginny would go home for the weekends just to escape Hogwarts. Harry doesn’t want to go there; there’s going to be a lot of attention on him. Hogwarts is still probably triggering to him. So I would say Ginny would go home. When I was in college, I would always go home to record MuggleCast, no joke, and do my laundry. And because I didn’t like my roommate.

Eric: They could just go to… Ron and Harry could go to Hogsmeade and stay above the Hog’s Head, and Ginny and Hermione could hang out with them there.

Andrew: I could see Harry and Ron splitting a bachelor pad, a two-bedroom bachelor pad. And of course, Harry and Ron aren’t bachelors, but you know what I mean. Just two bros living together.

[Laura laughs]

Micah: They’re bachelors. They’re not engaged yet.

Eric: As far as whether there would be hearings for Harry, I think that’s accurate based on what we know of the wizarding world, but I don’t think he would be victimized… or I don’t think he would be oppressed the way that he… he wouldn’t be in the same position that he was placed in at the hearings that he’s been to before. This is the “Everyone, let’s kiss Harry’s ass right now” kind of hearing where we’re moving forward, especially because the Ministry… I’m sure the public won’t know everything bad that happened, but the people where it counts do, and knowing that Kingsley is going to be promoted to Minister for Magic, I feel like, inevitably, you know they’re going to be having those talks about “How do we shape the future of the government? What oversights did we have that we can…? What security breaches can we sure up?”

Laura: True.

Micah: Yeah, I mean, we know he ends up working for the Ministry, which to me still is a shocker. I’m stunned that he ended up going to do that. But yeah, I agree.

Eric: I think you’ve got to create a world that you believe in, though, right? So it’s a mark if Harry is working for the government, it must be a government that he believes in.

Micah: I don’t know; he just fought so hard against them in the series, it’s just wild that he would end up working for them.

Laura: Yeah. Well, and I have to think, with the idea of Harry potentially going through hearings and trials and things like that, I don’t see him having very much patience for that after everything he’s been through with the Ministry, so I could see him going to Kingsley and being like, “We’ve got to keep this short. I’m not going through weeks and months of this crap. One hearing, and I’ll tell you everything you want to know, but that’s it.” And I think Kingsley would go for it.

Eric: And at the end he’s going to go, “I am Iron Man.”

[Laura laughs]

Andrew: Next question is from Sean: “How badly do y’all think Hermione smoked everyone on exam scores, since she didn’t have to save Harry or Ron’s skin and do half of their homework anymore?” [laughs] That must have been great.

Laura: Must have really ticked off whoever the top student in the sixth year was in Ginny and Luna’s year. They were poised to be valedictorian, and then Hermione stays back an extra year.

[Andrew and Laura laugh]

Eric: Yeah, that’s amazing.

Laura: I’d be so mad.

Micah: I just had read it initially like, “Do you think Hermione smoked?” And I was like, “Wait, what?”

[Andrew and Laura laugh]

Eric: “Huh?”

Laura: You know what? You gotta have that stress relief.

[Andrew laughs]

Micah: That’s true.

Andrew: That’s how they’re getting kids to come back to Hogwarts. They’re going to be like, “Hey, we know you need a way to relax. We’ve got some ideas, okay?”

Laura: We don’t have grief counselors, but…

Micah: Geoff Hutton wants to know, “Do you think the Room of Requirement would be used more often, since so many people had to use it over the past year and awareness is probably more widespread?”

Laura: Probably.

Eric: Yeah, I think so too. I think that the Room of Requirement… because we saw this in the Hogwarts Legacy trailer, too, that it’s maybe like a hub of operations. It clearly comes and goes in fashion; people know about it or they don’t. But there are probably a few years where it’s a lot more active, and I think that the ’98-’99 Hogwarts year would be another year where it’s active, while those students… like you’re saying, the students that either used it to escape from the Carrows, or any other reason, would now seek new ways of using it. And I think… can it be used by multiple people at once, or can it only be…?

Andrew: That’s what I was just going to ask. I don’t know.

Eric: Because Harry can’t get in there when Draco is using it, right?

Laura: Right.

Andrew: So no. Could the room split itself up into six separate rooms if demand gets so high? That’s my only guess for how.

Eric: I think that seems…

Micah: The multi-purpose Room of Requirement?

Laura: It’s like Zoom waiting rooms. Zoom breakouts.

Andrew: [laughs] “All right, everybody, break out into separate rooms,” yeah.

[Laura laughs]

Micah: But no, doesn’t Draco show up there, though, when Harry is going after the diadem?

Eric: Yeah, he gets in because… yeah.

Laura: Well, because doesn’t he figure out – and this might have actually been in Book 5 – he figures out how to get into the Room of Requirement when Harry is there? He figures out he needs to be like, “I need to know what Harry Potter is doing,” or “I need to see what he’s doing.”

Andrew: Ohh.

Laura: So maybe that’s how he got in in Book 7?

Eric: And I think maybe that one time Harry wasn’t doing the backfill thing where you have to be like, “And you cannot let Draco in here.” Interesting there. Cameron Kelly says, “We know Hermione went back for her seventh year, so I gotta know, what were the sleeping arrangements like? Did they just shove a sixth bed into Ginny’s dorm?” Yeah, maybe.

Laura: I don’t want to get too dark here, but we don’t necessarily know that five female students would be coming back in Ginny’s year, right?

Eric: Oooh.

Andrew: Hermione probably deserves her own room. Maybe they can remodel one of the old classrooms into a private bedroom for Hermione. Feel like she’s earned that.

Micah: She could just stay in Hogsmeade, too, if she really wanted to.

Andrew: There you go.

Laura: True.

Micah: Commute. Take that short walk.

Andrew: Nice little walk. [laughs]

Laura: All right, Jennifer wants to know, “Was there still a very strong stigma against Slytherin House the following year? After the initial Sorting, do you think the students would mix (like sitting at each other’s tables during meals) more and be given more opportunities to have shared spaces?”

Andrew: I’m hopeful at the start of term there was a very powerful speech from, let’s say, McGonagall about how we need to welcome all students in all Houses, and maybe specifically calling out Slytherin. But I think there would be a real opportunity there to convince the students to treat Slytherins no different than anybody else.

Eric: That’s a bit ironic, because wasn’t it McGonagall that put all the Slytherins in the dungeons?

Andrew: She could be like, “Everybody makes mistakes. I have evolved on this matter.”

Laura: [laughs] Everybody has those days. Is the dungeons thing a movie-ism, though?

Micah: I thought it was more of just letting them go if they wanted to, right? Telling them that… yeah, Chloé is pointing out that they can just leave if they want to. I think the dungeons was done in the movies for effect.

Andrew: And it does make sense why McGonagall would say, “Leave if you want to,” because things are a little awkward in terms of the people who are fighting Hogwarts and the students. [laughs]

Micah: We talked about grief counseling, but I think they need to do more to promote inner-House unity throughout the year. If they’re really going to try and acclimate Slytherin into the fold here, I think they need to do more student bonding or breaking down barriers.

Eric: They also need more PR. They need better ways of communicating each House’s traits to their own members, even, and saying, “Look, if you’re ambitious, that’s not a bad thing.” They need to basically take our MuggleCast episodes that we did on each of the Houses and blast them, or have somewhere you can listen to them in the library or something. Because I feel like growing up, even if you get Sorted into Slytherin and you’re like, “Ooh, I don’t know how I feel about this because my friends say that it’s the bad House,” to have somebody who’s probably supposed to be your Head of House… but we never see McGonagall having to answer for toxic athleticism that Wood has, but I feel like you really need a lot more understanding of how to value those traits within yourself, instead of going with whatever the common conception is of that particular trait in the moment, or in the school, in your student body.

Micah: Totally. I think you should have to take a class on the other Houses.

Eric: That’s a great idea.

Andrew: That would be great, yeah. House history.

Laura: Hogwarts studies.

Micah: Merlin was a Slytherin, right?

Eric and Laura: Right.

Andrew: All right, next question. HufflepuffleKittFluffle said, “What happened to the knight statues after Piertotem Locomotor?” That was my McGonagall.

Eric: Very good.

Andrew: Well, hopefully they returned to their positions.

Eric: [laughs] They went to the pub.

Laura: I don’t know. If you were granted sentience for the first time, would you go back willingly?

Eric: Listen, it fades. It fades.

Andrew: Well, maybe McGonagall was like, “Edit, undo” after the job was done.

Laura: That’s tragic.

[Andrew laughs]

Micah: Some of them got smashed, so yeah, they would need a Reparo spell.

Eric: You said, they went to the pub – oh, you mean a different smashed, yeah.

[Laura laughs]

Micah: Remember those giants with the big billy clubs that came in and destroyed them?

Andrew and Eric: Yeah.

Andrew: I like the going to the pub idea. That’s fun. Or going to the local…

Eric: That would just be fun to see. You’re waiting in line for butterbeer, and who’s in front of you? You can’t see; it’s these giant gray things, and you’re like, “Oh, it’s the Hogwarts statues.” Yeah, I mean, if their whole purpose… McGonagall in the movie is like, “Do your duty to our school,” so if it was a duty thing, then they are just going to return to their stations and lose their sentience until the next time that they are called upon to defend the school, and they’re going to feel like it’s their purpose.

Laura: It’s messed up.

[Andrew laughs]

Laura: I mean, there’s a lot of stuff at Hogwarts that’s messed up. You can summon food from nowhere, apparently, but they make house-elves prepare food in the kitchens.

Andrew: Good point.

Laura: I don’t know.

Andrew: Well, Laura, maybe in Hogwarts Legacy you’ll be able to free the house-elves from the kitchen.

Laura: Apparently not, because they’re still there during Harry’s time.

Micah: Good point.

Andrew: But remember the tagline of Hogwarts Legacy? “Write your own story.” Or no, “Live the unwritten.” [laughs]

Laura: There we go.

Micah: “Holiday 2022.” Next question comes from Emily, who wanted to know, “We’ve obviously talked about Hermione returning to Hogwarts for her final year, but any other students we think would have followed suit there and finished up their education?”

Eric: Well, who do we often talk about about being in league with Hermione academic-wise? Draco would definitely go back to Hogwarts, I think.

Andrew: [sighs] Would he?

Laura: But would he need to? He was there for his seventh year, mostly, wasn’t he?

Eric: You know what? You’re right. Never mind.

Andrew: But also, I feel like it’d just be awkward for him.

Eric: I feel like people who… it would definitely… he would be the textbook example of somebody who is made very uncomfortable by the association that he has, especially because he carries the Dark Mark. Yeah, he wouldn’t go back. I take that back. But there should be people… honestly, anyone who was at Hogwarts during Harry’s years should just get a do-over, should be able to come back. There was so much going on, like, “This year we didn’t even have this class with this teacher, because the teacher was…” I just feel like…

Andrew: Or even just a shortened school year. Just be offered a shortened school year by Hogwarts. Or maybe they can teach those students on the weekends in Hogsmeade or something. I don’t know. You should give them some nice alternative situations, since they did go through hell that year.

Laura: Or summer classes. Not that year, but the following year.

Andrew: Yeah. Okay, and our final question comes from Julia Paradis, or Paradise. I’m going to pretend it’s Paradise, because that sounds nice. “How Harry and Ginny got back together. I’ve definitely read a hundred fanfics about it.” Eric, I wanted to include this, since you are a Ginny fan.

Eric: Thank you, I appreciate it.

Andrew: How did they get back together? How much time passed?

Eric: Here’s my headcanon… oh, how much time passed? It would be pretty quick, because all of his stated reasons for going away are kaput and he would know that it was a mistake. Harry would have a line, something that was prepared in advance, like a speech, like “I was wrong, I’m sorry…”

[Andrew laughs]

Eric: And he would get maybe the first three words out, “I was wrong,” and then she would put her finger on his mouth and be like, “It’s okay,” and then kiss him.

Andrew: Aww.

Laura: Very wholesome. Yeah, I feel like there would be a degree of understanding, like “We just went through hell,” so nobody really has to sit here and explain why they felt the need to go hunt down Horcruxes. Because honestly, that’s the… Harry saved the world at the end of the day, so is she going to be mad at him for that?

Eric: So he gets a mulligan on the whole relationship thing.

Laura: Yeah, I think so.

Andrew: Clearly, whatever happens, it worked out. And that concludes this week’s discussion. Hope everybody enjoyed that. Hopefully we answered some of your questions and maybe gave you some material to chew on. If you have any feedback about today’s discussion, you can contact us by writing or sending a voice message to MuggleCast@gmail.com. If you’re sending a voice message, just record a message using the Voice Memo app on your phone. You can also use the contact form on MuggleCast.com, or you can call us the old fashioned way. We are 1-920-3-MUGGLE; that’s 1-920-368-4453. Next week, we’re going to review some of the official Fantastic Beasts: Secrets of Dumbledore material that has been released over the past week or so, some very – capital V – very interesting clips have surfaced. These have been officially released by Warner Bros., so it’s not like we’re spoiling, per se; we hope they’re keeping lots of other secrets for the actual movie. But we’ll talk about what they’ve released so far, and there is some exciting stuff to talk about. So stay tuned for Episode 556. By the way, one of our listeners, Justin, while we’ve been talking, did the math: MuggleCast Episode 666, if we were to do an episode every week between now and if we were to take no more weeks off until we hit 666, Episode 666 would fall on May 2, 2024.

Eric: Wow.

Andrew: Battle of Hogwarts anniversary! 666!

Laura: That’s… oof.


Quizzitch


Andrew: All right, it’s time for Quizzitch.

[Quizzitch music plays]

Eric: Yes, we’re back by popular demand. Also, now we’re in the chronological way of recording these episodes, so Quizzitch from last week’s question was: What is Yusuf Kama’s mother’s name?

Micah: Bunty. Oh, sorry.

Eric: That’s a secret. That’s a spoiler. Shh. Okay, the correct answer is Laurena Kama, in the story that he tells. And congratulations to the following folks who got that right: I missed Laura last week, says somebody…

[Andrew laughs]

Eric: … Mad-Eye is a Hufflepuf, Micah; Snapes on a Plate; Inosia B.; SlytherinPrincess97; Bubotuber Pus; Sir King of Kings; Legalize Gillyweed; Jess is Slytherin; Mila; Snape Is Our King; Remus John Lupin; The Jessly Hallows; Buff Daddy; Yusuf’s Mama; and Tommy Haddad.

Laura: [laughs] Yusuf’s mama.

Eric: Yeah. I feel reinvigorated, like there’s an energy that I didn’t know was depleted, and now it’s back after reading those names.

Andrew: Nothing like a good break.

Eric: Yeah, so in spirit of a new direction for Quizzitch, the following question is multiple choice. Okay, this week’s Quizzitch question: Finish this line of dialogue. “Minister, the evidence of the Dark Lord’s return is _____.” Is it A) incomparable, B) inconvenient, C) inconceivable, or D) incontrovertible? Submit your answer to us on the MuggleCast website, MuggleCast.com/Quizzitch, or click “Quizzitch” from the menu on the top.

Andrew: We’re sure everybody’s missed Quizzitch, but if you’re missing Quizzitch Live, we’ll have some news about that in another week or two, so stay tuned. A couple of reminders before we wrap up: Make sure you’re following the show for free in your favorite podcast app so you get every episode when we release it on Tuesday mornings. You’ll get it Monday mornings if you’re a patron at Patreon.com/MuggleCast. You’ll also get bonus MuggleCast installments – we’re recording a new one this week about spring break in the wizarding world – and you get access to our livestreams and our planning docs, the new MuggleCast Collectors Club, and so much more. Patreon.com/MuggleCast. We couldn’t do it without you, so thanks, everybody, for your support there. And also, follow us on social media; we’re @MuggleCast on Instagram, Tiktok, Facebook, and Twitter. Thanks, everybody, for listening. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: And I’m Laura.

Andrew: Live the unwritten.

Transcript #551

 

MuggleCast 551 Transcript

 

Transcript for MuggleCast Episode #551, The Importance of Black Representation in Harry Potter (feat. Adriana Redding)


Show Intro


[Show music plays]

Andrew Sims: Welcome to MuggleCast, your weekly ride into the wizarding world fandom. I’m Andrew.

Eric Scull: I’m Eric.

Laura Tee: And I’m Laura.

Andrew: And on this week’s episode, we are discussing diversity in Harry Potter, specifically the lack of Black characters across the story in honor of Black History Month, and so we can recognize the importance of diversity in the stories that we consume, not just with Harry Potter, but elsewhere. And to help us with today’s discussion, we are joined by Adriana Redding. Hi, Adriana. Welcome to the show.

Adriana Redding: Hi, thanks for having me! I’m super excited.

Andrew: Awesome! Well, tell us a little bit about yourself.

Adriana: So my name is Adriana, but sometimes people on the Internet know me as @BibbidiBobbidi_Broke. I am a theme park blogger/influencer and I also may have been seen on Harry Potter: Tournament of Houses.

Andrew: We didn’t just see you; we saw you win!

Adriana: I won! [laughs]

Andrew: She was on team Hufflepuff. Such a fun show; we loved it. We were talking about it for a few weeks on the podcast. Let’s start with that. So what was that experience like? That must have been so cool.

Adriana: Oh my goodness. From the beginning, I was just super excited. There was a whole audition process and all those fun things to be on the show, and going through that took months. And when I made it… because we really didn’t know that we had made it onto the show until Helen Mirren called our name…

Andrew and Eric: Wow.

Adriana: … so that is a very real moment of seeing us react because, yeah, there was a potential 24 of us, and so we knew that 12 of us out of the 24 were going to make it and the other 12 weren’t. So we didn’t know until literally it happened live during the recording, and that excitement was a lot because we just saw the set and it was beautiful and it looked like a Hogwarts library. And the crowd was hyping; you were seeing everybody in your House colors and everybody just wanted to represent their Houses so well. And so to get called and to know that you’re about to represent your house in front of thousands if not millions of people on television, it’s a lofty thing to take on, but it was definitely fun.

Andrew: Yeah!

Eric: You did Hufflepuff House proud. Thank you so much.

Laura: Yes, you did.

Andrew: Eric is a Hufflepuff.

Adriana: I hope I did my House proud, so here is my little piece…

[Everyone gasps]

Adriana: … wow, ooh!

Andrew: She got a trophy! A real trophy.

Laura: That is so cool.

Adriana: So yeah, and it says on here… it has my name. It says Harry Potter: Tournament of Houses, Adriana Redding, Hufflepuff, Winter 2021. And this is exactly what the giant trophy that they show on TV, this is what it looks like. And then they did a spell on it and divided it into three equal pieces so me, Luke, and David can share…

[Everyone laughs]

Adriana: … and we all got our own little piece of the trophy.

Eric: I love it.

Andrew: That is amazing. Thank you for sharing all that. I thought of auditioning, but then I was thinking about what if I did… it was extremely unlikely, but let’s say I do get to compete on the show. If I failed answering some of the questions, I would be so embarrassed, so that alone stopped me from even thinking of auditioning. [laughs]

Adriana: So honestly, I’ve heard so many people say that, especially people who grew up with Harry, been a part of the fandom for 20 years; more than 20 years, because the books came out more than 20 years ago. But that’s what the show was celebrating, the 20-year anniversary of Philosopher’s Stone. And I think that for me personally, it was pressure because I was the newbie; I was the person who hadn’t grew up with Harry Potter

Laura: Ooh.

Adriana: … but I also didn’t feel that insane pressure like you felt, some of you. If I had a podcast that was solely about Harry Potter

Andrew: Exactly. [laughs]

Adriana: … I would say everybody would think that I know every single thing, and so I kind of felt like, “Oh, well, I don’t have that pressure. I have pressure because I have social media and people… I don’t want to go on this show and make a fool of myself.” But also, I was like, “I’m just going to go and have fun,” so I can totally understand you being like, “That would just be too much.”

[Adriana and Andrew laugh]

Andrew: No, your position makes a lot of sense being newer. So you mentioned that you are newer; how long ago did you get into Harry Potter?

Adriana: I watched Harry Potter when it first came out 20 years ago, yes, just like everybody. It was a big part of pop culture, but it never really stuck with me, and I never read the books. I had only seen really up to movie number three, so I wasn’t a huge Harry Potter fan. But I do really love Disney and I love sci-fi, and I love the concept of magic in itself, and so I really wanted to get into Harry Potter, and I had kept saying, “I’m going to read it, I’m going to read it, I’m going to read it,” but it’s a lofty thing to pick up.

Laura: Absolutely.

Adriana: It’s seven books, it’s eight movies, it’s a huge fandom, and a huge universe to navigate. And then 2019, my mom passed away, and I just was in this hole of like, I didn’t really believe in the magic anymore. I didn’t really have a lot of things that I was excited about. And I was like, “I just need to throw myself into something and let something consume me,” and so I started reading Harry Potter. And I finished all seven books in about three months, and then I started watching the movies again and really getting into it. And then when quarantine started, some of my friends were like, “Let’s start a Black Harry Potter book club,” and I was like, “Yeah, I’m down, I want to be in a book club.” So then that was my second time going through it and reading it, and it was just such a fun experience to do this with other people during a time where we didn’t know what was going on in the world, and to come and do that every week, it was really fun. And so then I got the call for the show, and they were like, “Hey, do you think you’d want to be a part?” because I was so much Hufflepuff once I got into it. I was Hufflepuff down to the socks.

[Andrew and Laura laugh]

Eric: Nice.

Adriana: Yeah, absolutely. So on my social media, you can see I’m the Hufflepuff girl. People know. And so they were like, “You want to do this?” and I was like, “Trivia? I don’t think I know everything, but I could try.”

Andrew: Yeah. Oh, that’s an incredible story. Well, welcome to the show; it’s so great to have you on. And Adriana, your username on social media is @BibbidiBobbidi_Broke, and we’ll have links in the show notes for today’s episode. And of course, we’ll tag you on social media, too, so everybody can easily find you. Your social media is such a joy, by the way, your Instagram. I’m just living for it.

Laura: It really is.

Andrew: Especially that Dunkin’ Donuts post because I’m a big Dunkin’ Donuts fan. [laughs]

Adriana: I am a Dunkin’ Donuts girl.

Laura: You are in good company. We are Dunkin’ lovers here.


Main Discussion: Black representation in Harry Potter


Laura: Well, as we dive into today’s discussion, we wanted to ask about your relationship with the core Harry Potter books through the lens of representation. We’ve all spoken about the ways in which we see ourselves represented in these books, and we also know that there is room in this franchise to improve on representation of non-white characters. Could you speak to the impact of consuming a piece of popular media that contains characters who look like you?

Adriana: Yeah, absolutely. So I think one of the amazing things about being a part of a fandom, or being a part of a fandom that is fantasy, you can see yourself in a lot of different characters. And when it’s fantasy, you can kind of suspend belief, and I can almost see a little bit of myself in each character. It’s not so much about them, about their individual color, but at the same time it is. So it’s like, when you first consume it, you can kind of let those things go, and you’re like, “Yeah, I just really want to get into the story,” but then once you really become a fan, you do really want to see yourself represented within these characters. And that was one of the things that I was very weary about when I first started reading Harry Potter, because I had only really seen two and a half movies. And so originally, the first book we get Lee Jordan as the first person of color we see. In one of the very first couple of chapters we were introduced to Lee Jordan; it’s very obvious that he’s Black. They talk about his dreadlocks and they talk about how he’s friends with Fred and George. And so I’m like, “Okay, there’s a character,” but then we don’t really get him a lot. And we get Dean Thomas, and we get pieces here and there. So every character of color, or every Black character specifically, you don’t get a lot of of them. And I think that’s where the missed opportunity is, because if we’re going to be honest about it, every character in Harry Potter is so very well-rounded. It is a full thought-up character with the backstory, and it gives us little inklings of that backstory, and it’s like, “Why?” We just want more, and they could have been featured in such an impactful way. More specifically, I think about Kingsley Shacklebolt a lot as a character that just could have been so much more than he actually was. He’s obviously someone of a standing in the wizarding world. They talk about him being part of the Sacred 28, he has such a well-known wizarding world name, he’s pure-blood, and they just give us little quips. The Black person comes in and they’re funny, or they’re witty, and it’s like, “We want more. We want to be a part of the story as well.”

Andrew: Yeah. And to this point, I thought we could run through the non-white somewhat prominent characters in the original Harry Potter books, because exactly what you’re saying: There aren’t many Black characters or people of color, and where there are, they have very small roles, or they have those witty lines. So Dean Thomas, Cho Chang, Padma and Parvati Patil, Kingsley Shacklebolt, Lee Jordan, Angelina Johnson, Blaise Zabini. Five of those characters are Black. And all the lead characters are white in the Harry Potter books, and all people in leadership type roles – save for Kingsley – are white as well. It’s just a very noticeable issue with these books. And some people say, “Well, during the ’90s, there weren’t as many Black people over in the UK.” And I actually did look at some census data. In 1991, 7% of the population in England and Wales was non-white; this figure did grow to 14% in 2011. So some people try to make that argument that because England and the UK weren’t Black, the books weren’t going to be either. On the other hand, [laughs] it’s a fantasy series. Everything is possible.

Adriana: I think everything is possible, but also, I cannot believe that in your daily… everybody sees people of color in their daily life. Everybody sees Black people in their daily life every single day. So for you to be like, “Oh, well, you know, that’s just indicative of the type of people that were around at that time” is a complete and total lie, and it’s an excuse that people use in order to get away with or just dismiss not having a diverse set of characters, or having the diversity but they’re smaller roles. They’re not intricate to the storyline. It’s definitely an excuse, and it’s naivety.

Andrew and Laura: Yeah.

Laura: I always find this argument funny when people want to go the route of saying “It was just a different time,” as though Black people didn’t exist in the ’90s.

Andrew: [laughs] 20 years ago.

Adriana: We just popped up, yeah, and then people were like, “Oh, you do exist?” No, and I consume so much pop culture, and I consume so many different fandoms, and I remember when The Harder They Fall came out, and people were like, “Why are we making cowboys Black? Cowboys weren’t Black.” And I’m like, “Did you think that in the world of all the cowboys, there wasn’t a couple Black cowboys? Or maybe more than you thought of? And you know what, history was written predominantly by white people, so they might have left out a lot.” So I just don’t buy that argument at all, and I do think it’s an excuse, and it’s just weird to even hear people say it out loud. You’re like, “Ooh, is that what you really think?” [laughs]

Laura: I think that it’s possible to accept multiple truths here and say we love Harry Potter. Harry Potter had an immense impact on all of us in one way or another. But it can also be true that the author is a white woman, and likely grew up around and socialized mostly with white people, and due to that, she wrote what she knew or maybe was most comfortable with.

Adriana: Yes, absolutely.

Laura: But just because of that does not mean that we can’t critique the series and say this is a fandom that has not died out, it’s a fandom that is living on, and if we’re looking at expanding the fandom – whether it’s through plays, whether it’s through the Fantastic Beasts franchise, whether it’s through perhaps rebooting the Harry Potter series as a TV show, which I know we would all love – there is enormous room in there to tell that story through a lens of better representation of the world as it really looks.

Adriana: Absolutely. And I don’t want to get too too far off topic of just the books, but I do think there is something to be said about, “Okay, well, how do we fix that now?” We can always sit around and critique what isn’t there, but now that we’re aware of it, now it’s like, “What’s being done?” And so the show Harry Potter: Tournament of Houses was a great opportunity, and the blogs and the Twitter and people’s reactions were going crazy. And I do think a lot of people saw the diversity in the show. Some people might have not liked it; I’ve seen quite a few comments about the diversity in the show and people not accepting it.

Andrew: What?!

Adriana: [laughs] Yeah. We’re gonna call a spade a spade. There’s definitely…

Andrew: Well, I’m glad you’re calling it out. I’m just shocked that people actually said that.

Adriana: Oh, yeah, there’s definitely pushback. I understand that the Internet is an ugly place and people feel real brave behind a keyboard, but I’ve seen comments that was like, “Oh, it’s obvious that these aren’t real fans, that they’re…”

Laura: Oh… my God.

Eric: Wow.

Adriana: Yeah, that the show is playing the diversity card. Yeah, “It’s all good for more diversity, but give us real Harry Potter fans.” I do want to say, the producer of the show was amazing. I’m not just saying that because I was a winner.

[Everyone laughs]

Adriana: I’m saying that there was an effort, right?

Eric: I believe you. This is genuine.

Andrew: “I might have a trophy, but…” [laughs] Yeah.

Adriana: There was definitely effort made to make sure that everyone felt represented, and that their teams represented more than just white people. And like I said, it got pushback, but the show is very, very diverse, so that’s one of the opportunities that people took in order to show the true diversity of the fandom, even though the stories lacked that sometimes.

Andrew: Yeah. Well, and I think in a way that this was Wizarding World Inc.’s chance to start diversifying Harry Potter. We’ll touch on diversity in Fantastic Beasts in a little bit. But I think we actually noted this on MuggleCast when we first started talking about the trivia show that it was refreshingly diverse! I mean, as a gay person myself, finally seeing somebody gay involved with Harry Potter in official capacity was like, “Oh, about time.” [laughs]

Adriana: There was two there. Luke and Annie – I love them both very much – were two contestants on Harry Potter: Tournament of Houses that were openly gay and talked about it, and talked about being gay and what Harry Potter meant to them. And I just felt like it was such a refreshing moment to see that and to feel that everyone felt represented. And even age groups; there wasn’t just 30-somethings who love Harry Potter. David is 77. Sophia is 15. It was so broad. It just showed that any and everyone can be a Harry Potter fan and needs to be shown, because if we don’t see ourselves, we don’t know what it is that we can really do. People can’t ascend to their highest self if they don’t see themselves represented in social media, in media, in movies, in books, and in everything.

Andrew: Amen.

Laura: Yeah, I mean, as a fandom – and I love this fandom – but we can talk about how Hogwarts welcomes everyone home, but in order for that to be true, we have to be welcoming to everyone. So that’s why I’m really glad that you called out some of the social media responses you saw with regard to some less than desirable opinions about the casting in Tournament of Houses, because there’s just not room, in my opinion, for that kind of attitude in this fandom. On this show I know, all the major fan sites, the major podcasts, the last couple of years in particular, there has been a lot of conversation about the importance of making this fandom inclusive for everyone, and it’s a great reminder that everyone means every one.

Adriana: Every single person. Absolutely.

Eric: I’m proud to love something that reaches so many people from so many different backgrounds. The more people that like something that I like, the more affirmed I am in that.

Andrew: Yeah, that it’s a really good high-quality story, too, that it can reach so many different people, appeal to so many different people.

Eric: In spite of itself.

Andrew: Yeah. So I know, Adriana, one thing that I was excited to talk to you about was the recasting of Lavender Brown, because we were talking about this the other day, and you said this really bothers you. And this was a real issue with the movies. So the role of Lavender Brown was originally played by a Black actress in Chamber of Secrets. Her name was Kathleen Cauley. And then in Prisoner of Azkaban, she was played by another Black actress, Jennifer Smith. But then the role went to Jessie Cave, a white actress, in Half-Blood Prince. What the heck happened there? [laughs] I think we can assume that she went from being played by two Black actresses to a white actress when they needed to make Lavender Ron’s love interest and they said, “Oh, God forbid we have Ron interested in a Black girl. People wouldn’t be able to handle it.” They whitewashed the character.

Adriana: They absolutely whitewashed the character. And like I said, I’m not the… I cannot pull out every tidbit about Harry Potter ever. But I do really want to know whether it was, “Okay, this character is named Lavender Brown. We could take this and make it more diverse. Lavender, Brown, sounds like a Black name. We’re just gonna call it what it is,” and they cast a Black actress twice. And I know Harry Potter is very specific about keeping the actors the same, and so whatever happened with the first actor, they still recasted another Black actress. And then, I don’t know whether it was when they got the text, they were like, “Oh, okay, the way they described this character, whoops, we made a mistake, and this character is Black. Let’s change it to white.” Or was it really, “Well, we don’t know how people are going to react to Ron having a Black love interest, so let’s just make her white.” I want to know, really, what the difference was. And also, even if it was the first thing where it was like, “Okay, ooh, we didn’t get to this book yet, and we realized that this character is white and we made her Black,” why couldn’t you just run with it?

Laura: Great question.

Adriana: What was wrong with just keeping…? Because that’s the thing in Harry Potter: They keep all the actors the same…

Eric: Yes, yes.

Adriana: … unless there is an issue, like they just can’t do it anymore.

Eric: Or like, are in jail. [laughs]

Adriana: Yeah, right, right, or are in jail. And also, is it that the actress that is playing Lavender Brown at that time, is she not what is conventionally pretty? Because it is a dark-skinned Black girl that plays Lavender Brown. Is it too much? Is she not, you know, Eurocentric enough? I really want to know what it is. But it really makes me upset, because I feel like that was such an opportunity that they could have took to take a character who was not Black, or that they thought wasn’t Black, and to keep her Black and add that diversity, because I would have loved Won-Won.

[Everyone laughs]

Adriana: I would’ve loved hearing that come… that even sounds like something a Black girl would say.

Eric: I didn’t know about this until we started preparing for this episode. It really seems damning. Also, consider this is not 1997, 1998, when the first books are coming out. This is 2002, 2003, 2005, and we’re talking about diversity being an ever forward-moving momentum thing. For them to have made that decision when the sixth film was coming out, that is a heck of a lot of… even a just different conversation in general in origin than you’re talking about with the books.

Andrew: And the Half-Blood Prince movie came out in 2009, so there’s even less of an excuse.

Adriana: Black people existed in 2009.

[Everyone laughs]

Andrew: Adriana has confirmed it, thank you. We’re reporting this to CNN now and all the other news outlets. Associated Press, are you listening?

[Adriana laughs]

Andrew: What’s ironic, of course, is that they did eventually make Hermione Black for the Cursed Child, which was amazing, but that’s Ron being with a Hermione who’s Black, [laughs] so he does end up being with a Black girl anyway.

Eric: That’s an interesting point.

Adriana: It is interesting. Also, George ends up with a Black girl as well, Angelina Johnson.

Eric: So what were they afraid of?

Adriana: So many opportunities that are just missed in Harry Potter in the books and in the films. And I think going forward in the films, like we said, Fantastic Beasts really has an opportunity to knock it out of the park, and I think the fans deserve to get what they want.

Laura: I agree. When I think about this case with the recasting, and giving this role to Jessie Cave… no hate towards her.

Andrew: No.

Laura: She was great in the role. Great actress. But it also makes me wonder about what level of unconscious bias was at play here, that someone somewhere was like, “Oh yeah, Jessie is perfect for this,” and nobody thought to point out, “But… she used to be Black.”

Andrew: [laughs] Twice!

Laura: “Why are we changing this?”

Andrew: Oh, you know they thought it, though. I’m not going to pretend that they, like, “Oops, we forgot she was Black in Chamber of Secrets and Prisoner of Azkaban.” They knew, and they didn’t want to put Ron with a Black girl on screen because they were afraid of some sort of backlash or something. It’s extremely unfortunate, but I’m willing to bet that’s what happened.

Adriana: We’ve talked about this at length in our book club, and so this is just one of the hot topics where I’m just like, “I don’t understand the reasoning.” And it would have played so well onscreen because she’s such a funny character too. And she’s not a character that is going to even be around. Well, she’s around, but she’s not a main character. She comes in for a moment, and she has her moment and you love her, and then she kind of fades into the background with the other kids for the rest of the time.

Andrew: Right. Okay, so continuing on, Eric, I know you wanted to bring up a point about Dean.

Eric: I want to talk about Dean Thomas specifically, because we talked about his backstory, and J.K. Rowling has this comprehensive backstory for all of her characters. And I was reminded, actually, that J.K. Rowling talked about Dean having this extensive backstory that she had written down. I think it was the classic napkins type story where she’s writing out furiously his whole backstory. She did eventually address this on her own website, and I found a quote here. Now, as a lead into this, I’m wondering if it was better or worse that we did never get this Dean Thomas backstory. So what she said is, “I had a lot of background on Dean, though I had never found the right place to use it. His story was included in an early draft of Chamber of Secrets but then cut by me, because it felt like an unnecessary digression. Now I don’t think his history will ever make it into the books. Dean is from what he always thought was a pure Muggle background. He has been raised by his mother and his stepfather; his father walked out on the family when Dean was very young. Naturally, when the letter came from Hogwarts, Dean’s mother wondered whether his father might have been a wizard, but nobody has ever discovered the truth: that Dean’s father, who never told his wife what he was because he wanted to protect her, got himself killed by Death Eaters when he refused to join them.” And that was J.K. Rowling’s own words on it. So you have a hero dad, who dies doing the right thing, right? “Death Eaters? No way, I’m not joining you.” But in this backstory, if it made it into the books, you have a Black character, one of the series’ only Black characters, having an absent father. And I’m like, that perpetuates its own kind of stereotype.

Adriana: 110%.

Eric: So what do we think about this in general?

Adriana: If Dean Thomas was a bigger character and he had this backstory, I feel like we could look over it being so haphazard. But because he’s such a small character, if we would have got this weird backstory of like, his father really was a hero, but this father walked out on the kid. And it’s just like, everybody has two parents in Hogwarts, every single person, and a mother and a father. So why is the Black kid the only one without a mother and a father?

Eric: Well, he does have a stepfather, she says, but still, it’s kind of the same thing.

Adriana: Right, exactly.

Eric: It’s like, “Oh, broken family” kind of thing. It’s like, “Why is that kid the one with it?”

Adriana: And then, okay, so if we’re really going to go there to think, “Oh, it’s never going to make it in,” or it felt like it was a weird digression, Seamus Finnigan tells us his whole family story over breakfast.

[Andrew laughs]

Laura: I know, that’s what I was thinking. We get so much exposition on ancillary characters’ background stories. Why did it feel like Dean’s was not relevant?

Andrew: Interesting.

Eric: Reportedly, it was Neville’s backstory that pushed out Dean’s, and you can understand with the Harry prophecy thing why that became the more central winning plot backstory. But at the same time, because of the extensive work J.K. Rowling does – again, I don’t think we’re calling her racist – I think that there’s a lot of missed opportunity in terms of representation and equality with what we were given in Harry Potter to be even more… looking at it now, we can look back and say, “This could have been better,” or “This was omitted and possibly should not have been.”

Adriana and Laura: Yeah.

Adriana: And I would like to go on record: For me personally, She-Who-Shall-Not-Be-Named is a lot of things…

[Andrew laughs]

Adriana: … but I do not think racist is one of the things I would consider her. I just think, like Laura said earlier, it is a bias. It’s an unconscious bias. And now that we’re aware of it, it just needs to be addressed and fixed.

Laura: Agreed.

Andrew: Right.

Eric: Love it.

Laura: The acknowledgement of it, the recognition of it, and then doing the work to make progress is what this is about. I don’t think anyone here is coming on this panel to say, “I think J.K. Rowling is a racist.” It’s more about a lot of people have unconscious bias and a lot of people have blind spots that they are not aware of, and I think this is one of them, especially at the time these books were written. Maybe things are different now, and we’ll see this when we get into some of the more diverse casting for Fantastic Beasts. Maybe there has been work done to improve on this, but it’s still totally valid to point out that this is a valid critique of these books.

Adriana: 110%. And I hope… am I saying it…? Kuma? I’m probably saying his name wrong. I’m pretty sure I’m saying it wrong. In Fantastic Beasts

Andrew: Oh, Yusuf Kama?

Adriana: Yeah, Kama.

Laura: There we go.

Adriana: I was like, what’s that?

[Andrew laughs]

Adriana: Yusuf Kama. I hope that they’re going to give us more of his backstory, because even in the preview they’re like, “Someone from a very old wizarding family…” I’m like, “Okay, I know that’s him,” so I hope that they give us what we want.

Andrew: Yeah, or even Leta, played by Zoë Kravitz. Excellent role; I would love to see more there. We also…

Adriana: They did Leta dirty.

Eric: Yes.

Laura: Yeah, they did.

Andrew: Well, they did, I know. And it doesn’t seem like she’ll be in the third, but I feel like the door may have been left open. I think she may have said she might come back. I don’t know. We can see her in Batman next month at least. [laughs]

Laura: I was going to say, she was too busy filming Batman, so that’s why she’s not in the third.

Andrew: [laughs] WB was like, “Come to Batman; this franchise is going a lot better than Fantastic Beasts.” But while we’re on the subject of Fantastic Beasts, just to bring up a look at how maybe they’re trying to diversify, Claudia Kim was cast as Nagini. This is a South Korean actress. Unfortunately, there was a lot of backlash around this, too, because you’re having one of very few people of color playing a character who is cursed and becomes a slave to Voldemort. It’s not a good luck.

Adriana: It’s not a good look, and also, it’s another instance of a person of color not being a human, which is a constant theme in pop culture. It’s like, turning us into frogs or blobs or snakes. [laughs]

Eric: I can name the recent movies that came out where that same thing just happened that you just mentioned.

Adriana: And it’s like, what are we doing here? Why does this keep happening? And nobody’s pointing out that it’s weird, and it continues to happen over and over and over. Even when Soul came out, we were like, “But he’s a blob!”

Andrew: Transforming again. Come on, Pixar. You can do better than that. [laughs] You’re Pixar. Bam.

Laura: Well, it just makes you wonder who’s in the room when these concepts are being conceived.

Andrew: Right.

Adriana: Exactly. And we’re not in the room where it happens.

Andrew: Yeah, I mean, if you look at senior leadership of Pixar and Disney alone, it’s a very white picture. But one character I think, objectively, we can say “Great casting,” all that – Seraphina Picquery, whose Funko I think you actually have behind you.

Adriana: Yes!

Laura: Love her.

Eric: Yay.

Andrew: So she’s the Minister of Magic at MACUSA, so that was exciting to see. And then of course, Hermione in the Cursed Child, now played by Black actresses; she’s the Minister for Magic at England’s Ministry of Magic. So that’s all great, but I think we’re all in agreement that they haven’t gone far enough with Fantastic Beasts.

Eric and Laura: Yeah.

Adriana: So when Fantastic Beasts first came out, there was a big backlash about it being even more white than Harry Potter in general. Because even in Harry Potter, you get a lot of background characters and side characters, so side and background characters who are of color. If you watch Harry Potter, you can count at least two or three Black people or people of color on the screen at all times, unless it’s just the trio. And in Fantastic Beasts, you cannot. Everybody white. [laughs] At least, the first Fantastic Beasts. So I think once the first Fantastic Beasts came out, people were like, “Okay, let’s try to fix that and add some more to it.” And I think with Crimes of Grindelwald, I have a lot of thoughts and feelings and opinions, and I hope that we get the diversity that we deserve. But I’m excited to see more than just Serafina and Yusuf.

Andrew and Laura: Yeah.

Laura: I’m excited for Jessica Williams. I love her.

Andrew: Oh, yeah. Eulalie Hicks, an Ilvermorny professor. Yeah, that’ll be great. I think we… did we get a couple of glimpses of her in the trailer? I think.

Laura: We did.

Eric: She’s one of the group that’s going to be traveling around and paired with the heroes.

Andrew: Right. Yeah, okay.

Adriana: Yeah, we did. We got glimpses of her in the trailer. And she’s an amazing actress and I love her; when I saw her, I’m like, “Oh my gosh, this is going to be so cool.”

Andrew: And she has also said she is a huge, huge Harry Potter fan, and you don’t see that too often with the actors coming out and being like, “I’m a diehard Harry Potter fan.” Like, Evanna Lynch, Luna Lovegood: diehard Harry Potter, unapologetic. I get the same impression from Jessica Williams, so I can’t wait to see her in a wizarding world role.

Laura: Plus, I think all of us have followed her career to some extent, but I remember back when she was on The Daily Show, she was one of my favorite correspondents. And I remember hearing that she was a huge Harry Potter fan and I was like, “Oh my gosh, that’s amazing,” because I already love her, so it made me love her more. And then hearing that she was going to be in this franchise was just like, “Oh, that’s just spot on.” It’s perfect. I can’t wait to see her.

Adriana: Yeah, I’m very excited.

Laura: Jumping back to Cursed Child, around the time that Noma Dumezweni’s casting was announced for the role of Hermione in Cursed Child, J.K. Rowling implied that the casting of Hermione, or around that time, that Hermione was not written as explicitly white. I think her tweet said something along the lines as, “Hermione is described as having brown eyes and bushy hair,” and she included a winky face as though to say like, “I never said she was white.” And unfortunately, people had feelings and reactions to that; we all remember. But I do know from being on this podcast over the years, from speaking to others in the fandom, that that has been a headcanon for people for quite some time, long before Cursed Child came out, that Hermione could be read as a Black character. And I’m wondering if we think there are any other characters that are like Hermione in this respect, that can be read through a different lens and not seen as white.

Adriana: So I don’t think that she wrote her as a Black character, or could be a Black character. I 100% think that Hermione is her; it’s JK. And I mean, she could be, so we can take that and say, “Sure, she could be,” but she wrote her so vaguely because she’s her. You always insert yourself into a story, and it’s very obvious that Hermione is her. But I do like that she could be recasted as a Black character, and a lot of people, yeah, headcanon… a lot of people saw Hermione, even reading for the first time and being familiar with Emma Watson being Hermione, I still could see where Hermione could be Black. They talk about her being tan a lot, they talk about her curly hair, they talk about her brown eyes. But also, in literature people do this really weird thing that I wish that they would stop doing, which is when a character is Black, they won’t just say that the character is Black. They’ll use other words to describe Black. And I’m like, “That’s weird; just say Black,” because Black isn’t a bad word. But I do enjoy, and I’m going to see, Cursed Child – thank you winnings from the show…

[Eric laughs]

Adriana: I am going to go see Cursed Child in New York, so I will be very excited to see this Hermione.

Andrew: Oh, I’m so excited for you.

Laura: That’s awesome. I know on a previous show – this has probably been a year and a half ago or so – we did talk about our headcanon recasting of characters if a TV show were to happen, and someone who always stuck out to me as somebody who I would love to see playing the role of McGonagall is Viola Davis. I just feel like she could embody that character so well. And when I think about McGonagall’s character in the books, to me, I think that is a perception, that’s a reading, that I could have of the book. I could see McGonagall not being explicitly white. There’s so much room for several of the characters to look different than I think the default setting that we’re given through the early books provides us.

Adriana: I 100% can see Viola Davis as McGonagall. I guess my headcanon characters that could possibly be Black or be recasted as Black: Go ahead and do the whole Weasley family.

Andrew: Oh! [laughs]

Adriana: Black people can have red hair all day long.

Laura: Yes, they can.

Adriana: So for whatever reason, Black people really do feel kin to the Weasleys. Everything about the Weasleys is so fun. And my boyfriend always jokes all the time that he’s like, “That’s my family. I’m a Weasley.”

Eric: Aww.

[Andrew laughs]

Adriana: And so I feel like we could just redo the entire Weasley family as a Black family. I would love that. [laughs]

Laura: That’s amazing. I love that idea. So thinking about what the core books represent, and the opportunity that exists to diversify this franchise, I’m curious if you think that a lack of representation in the stories could have an impact on a diverse audience’s connection to the story.

Adriana: 110%. I think if you don’t see yourself, you don’t think something is for you. I don’t think that Black people, specifically people of color – not so much in Asian culture – but I feel like Black people have never really seen themselves be magical. I feel like all our lives, we’ve been told… as children, “You’re girl; you like princesses. Black girls can’t be princesses.” That’s the number one of kids being like, “Well, you can’t be a princess because you’re Black.” And you’re just like, “Who told you that?” So I think that if there was more representation in Harry Potter, 110% you would see more diversity in the fandom. And I think it’s become… not a new thing, but it’s more prominent now, Black people coming up and being like, “I’ve always been a Harry Potter fan. I’m a huge Harry Potter fan.” And I think this weird misconception that Black people aren’t nerdy and don’t like fandoms is a misconception because there’s so many… I grew up and my cousins loved comic books, and had crates and crates and crates of comic books, and were into video games and anime, and it was just a part of life. And so when you’re like, “Oh, yeah…” I did something recently and somebody was like… I gave them my phone to take a picture, and they didn’t realize whose phone it was, and it was like, “Oh, is somebody a Harry Potter fan?” And I’m like, “Oh, yeah, it’s me.” They’re like, “Oh, cool, I’m a Slytherin,” and I’m like, “Yeah, I’m a Hufflepuff.”

[Andrew laughs]

Adriana: The surprise in their eyes. And I’m like, “You think I can’t like Harry Potter?”

Eric: Did they give the phone back, a decidedly un-Slytherin trait?

[Andrew laughs]

Adriana: They gave the phone back. And sometimes when people find out that I’m a Harry Potter fan, I try not to slight flex, [laughs] but I’m like, “Yeah,” they’re like, “Oh, cool,” and they’ll start talking about their level of fandoms and whatnot, or their level of Harry Potter, and I want to resist the urge to be like, “Yeah, and I was on a Harry Potter TV show and I won it.”

[Andrew laughs]

Laura: You should!

Andrew: “I’m the real deal.”

Adriana: “You want me to blow your mind? I can really blow your mind.”

[Adriana and Andrew laugh]

Eric: I love that so much.

Laura: Wear that loud and proud.

Adriana: I do kind of get shy about it sometimes because I don’t ever want to feel braggy, especially in the Wizarding World. But when I’m there with my boyfriend, he’s very much like, “Oh, did you see the show?” And they’re like, “What?” [laughs]

Eric: You’ve got to have a wingman like that. You’ve got to get a shirt that says “Watch me now on HBO Max.”

Andrew: Yeah, I was just going to say that, so you don’t have to tell people; they can just read your shirt and be like, “Oh, okay, cool.”

Adriana: He’s totally my hype man. But no, to bring it back to if people see themselves represented, they’ll be more into it; so I have a really fun story. When Celebration happened at Universal about two or three weeks ago, and a lot of people from the show… it was the last week of January. A lot of people from the show got together and we all went to the Wizarding World, and because it was such a big event, it was one of our first times all being out together. And I do get recognized sometimes because my hair is the same. But this time, we got recognized more because there was just people who are more aware there, and also, we all had on our sweaters, so we looked like we looked on TV. [laughs] But anyway, long story short, people were coming up to us. A lot of kids coming up to us. “Oh my gosh, I watched you on the show; it was fun.” But it caused… not a huge commotion, but a little bit of commotion. I was walking out of Wizarding World and a whole Black family walked up to me and they were like, “Hey, what TV show were you on?” And I was like, “Oh, yeah, it’s called Harry Potter: Tournament of Houses.” And they were like, “Yeah, we want to watch it, because we didn’t know we was on it!” I’m like, “Yeah!”

[Andrew laughs]

Adriana: My friend Alex – Alex was one of the 24 contestants – she didn’t make it on the show. She’s a wonderful, wonderful person. She was itching to tell them… she’s like, “You haven’t seen it? Oh, you’ve got to watch.” She wanted to tell them so bad, “And she won!”

[Andrew laughs]

Laura: I know. Oh my gosh.

Adriana: I was like, “Let them be surprised!”

Laura: Imagine their reaction when they’re at home in their living room and you win.

Adriana: Right?

Eric: Amazing.

Andrew: “Why didn’t we get a picture with her? Darn it!”

Adriana: Right, that’s so… I have a social media following; even my followers who aren’t Hufflepuffs, they’re like, “I’ve never rooted for a Hufflepuff so hard.”

[Andrew and Eric laugh]

Adriana: They were like, “We were just so excited to see you on the show, but to see that you actually won…” And I had to hold that secret for months. [laughs]

Andrew: Yeah, I was going to say, that must’ve been tough.

Adriana: It was very hard.

Andrew: Speaking of representation and normalizing, this show is very helpful for normalizing Hufflepuffs, because Hufflepuffs always get a bad rap. And look at you guys now; you’re the winners. [laughs]

Adriana: No, that made it feel even sweeter because no one expected the Hufflepuffs to win. And there’s a point in my vlog where it’s right after the first episode, and we’re getting ready to do promo shots. It’s like, five o’clock in the morning, we’re trying to hype ourselves up, and I turn the camera to Luke and he goes, “We’re doing it for the Puffs.” And I’m like, “Yes, we are! We’re doing it for the Puffs!”

[Everyone laughs]

Andrew: That’s so great.

Laura: Oh my gosh, I love that. I love the energy.

Andrew: Well, speaking of – and just getting back to something from a few minutes ago – Adriana, you said that others thought that Harry Potter wasn’t for Black people or pop culture wasn’t for Black people because they’re not represented. And maybe these white people would actually realize that Black people are into it, too, if they actually saw Black people in these stories. So that’s another reason why I think it’s important to actually have lots of diversity in these stories.

Adriana: I think that’s one of the big things, is that when people are surprised that Black people like Harry Potter or Star Wars or different fandoms, you hit the nail on the head. It’s because we aren’t represented in these things. And if you never see yourself, you never know that you could do it. And it’s such an opposite feeling, because how do I tell you, “Well, you don’t think that I like this because you’ve never seen someone like me like this, and what is it like to have not ever not seen yourself?” Everybody is white. If you watch a sci-fi, the hero is… any movie, the hero is always white. Sometimes it’s a white woman. Sometimes it’s a white man. But the majority of the heroes are always white, and the side characters are always white. So if we had more representation, people wouldn’t be so surprised, and they’d be like, “Oh, yeah, that makes sense. Duh.”

Laura: It is funny to push back on people who… perhaps they’re well-intentioned, and they just don’t understand the importance of representation. But I can just speak for myself here and say I started reading Harry Potter when I was 11, and as a little white girl, I saw myself represented in those books quite a bit. And if you encourage people to put themselves in someone else’s shoes and think about how would you have felt as an 11-year-old, as a child, if you were reading this series that you loved, but you didn’t see anyone or you only saw very few glimpses of people who looked like you?

Adriana: Yes.

Laura: It’s a different experience.

Adriana: There’s something to be said about it. To this day, I get teary-eyed when I see kids dressed up in the Wizarding World and they look like me. I wish that when I was 9 or 10 or 11, that I had this connection to this book, that I could cosplay and dress up and do all of those things. But I also didn’t think those things were for me, because I didn’t see myself represented as well. So it’s just like, I feel like it’s a missed opportunity for… not so much a missed opportunity for other people, but also, for the person who’s consuming it, I would have really liked those things too. I would have liked to have those experiences. But now I’m an adult and I can afford to do it on my own, ha ha.

[Andrew and Eric laugh]

Laura: Exactly. You’ve got that disposable income.

[Adriana and Andrew laugh]

Adriana: Right, nobody can tell me. I can have seven butterbeers if I want. [laughs]

Andrew: Yeah, no one’s going to tell me it’s too much sugar. [laughs]

Adriana: Exactly. Until I pass out.

[Everyone laughs]

Andrew: So Adriana, turning our attention back to our discussion with you today, I assume one big aspect of being in the Harry Potter fandom for you has been the community you’ve found here, right? And meeting fellow Black Harry Potter fans?

Adriana: Yeah, absolutely. Like I said, I got into Harry Potter when my mom passed away. A lot of the story does resonate with me, dealing with grief. I didn’t realize that the story was about… he literally has to relive the death of his parents every book and learn how to deal with that. And so reading it, and grieving and learning how to get over my grief through Harry Potter, and then finding a group of people who liked what I liked as well, and it wasn’t… there’s a Black Disney community as well, and so I was already a part of the Black Disney community. And so then when I got into Harry Potter, and I found… I’m like, “Okay, y’all like Disney; y’all like Harry Potter too?” And so we all got together and it was a great experience. And we all have our own little backstory; everybody has their own original character, but we all have our own little backstories and where we fit in the story. What was we doing when Harry caught the Snitch? Is there a Black Student Union? Are the girls doing a little cheer on the sidelines?

Andrew: I love that.

Laura: Can we just make that a thing in the TV show whenever the time comes?

Eric: Yes.

Andrew: [laughs] We’re going to have a big list of requests.

Adriana: Absolutely. There 100% needs to be a Black Student Union. There is one at every college, so it might as well happen at Hogwarts.

Laura: Right.

Andrew: Yeah, really. And by the way, in the next week or so, we’re going to have a post on our social media channels highlighting some Black Harry Potter content creators, including Adriana, of course, but also Bradley Bakes; we actually had him on the show last March. We had a great interview with him on his YouTube channel, what he’s doing. We’re also going to be featuring Nikki of @ItsDarlingNikki; Trey, who is @IAmBlackHarry, who was on the trivia show as well; Brittany Noelle, @B_NoelleFitness; Chanel Williams, at @ChanWills; Niky, who is @MagicParatus; and Briona, who is @StitchesAndSpells; and then Gerard Oliver, who is @DapperMinisterOfMagic; so stay tuned for that post coming to our social media channels. But yeah, so to start wrapping this up, we also got a little bit of feedback from our listeners. We reached out asking them, our Black listeners, if they had any feedback here. Danielle said, “Growing up I saw myself in Hermione and Angelina Johnson. As a kid the way they were described physically in the books I was for sure they were both black. I was very disappointed to find out Hermione was not black because I really identified with her.” And then in terms of how she’d like to see herself represented in Harry Potter, Danielle said, “I would have loved to go further into what it is like to be a black Wizarding family and what that community would be like. It seems like there were very few in England so I would want to know that experience.” Well, stay tuned, Danielle, because if Adriana and the rest of us get our way, we’re going to have a whole Black Weasley family, and then we’re going to be finding out. [laughs]

Adriana: 110%.

Andrew: @Singa4hire actually had a critical piece of feedback. “Black people in Harry Potter? That’s crazy because people almost boycotted Hermione being Black in the Broadway show. But you can’t ask a transphobic billionaire in the hills of Scotland to write about something she knows nothing about.”

Laura: You’re not wrong.

Adriana: That part. [laughs] I do think, 110%, we cannot continue to ask anything more of a person who isn’t aware of the world as a whole. But what we can do is move forward, like we’ve been saying this entire podcast, and demand for more representation. Not only for Black characters; we need trans characters, we need gay characters, we need more Asian characters… everybody needs to see themselves and be a wizard. We’re all magical, so why can’t we see that on the screen?

Andrew: Aww.

Laura: That is perfect.

Eric: That’s a great thought.

Andrew: Anything else, Adriana, you want to discuss today? Want to make sure we…?

Adriana: No, I mean, I don’t have anything to add other than, one, thank you for having me on.

Andrew: Absolutely.

Adriana: This has been an amazing conversation. I think conversations like this need to be had more often. And I encourage everybody who’s listening to be more aware of that everyone needs to be represented. If you’re part of a community that is always represented, a way you can be a good ally is to demand for representation of other people. And let’s just all work together and be in this together, because at the end of the day, it’s entertainment, and if that’s what the masses want, they’re going to give it to us, so we just need to be strong in speaking up and asking for these things. As the old adage goes, closed mouths don’t get fed, so we need to ask them to give us what we want.

Eric: Wow. That’s really good.

Laura: So great.

Andrew: And you know what, I think we as a fandom are teed up to ask for more diversity. WB is listening. They’re a little desperate right now in a couple of ways. [laughs]

Eric: That’s true.

Andrew: I mean, Fantastic Beasts hasn’t gone too well, so I really think that now, the next few years, is a great time to be speaking up and making sure WB notices, because you really can get the fans rallied right now.

Adriana: What I love very much about the Harry Potter fandom is that we are so strong that we literally excommunicated the creator.

[Andrew laughs]

Adriana: When you’re just like, “No, thank you; we took this from you,” that’s such a strong community. And if we can do that, what else can we do?

Andrew: Exactly, exactly. And this is my point; we can see it working. We can see what happens when we get together and speak out, so that’s why now is the time to be calling for more diversity in these stories. Adriana, where can people find you online?

Adriana: So you can find me on Instagram at @BibbidiBobbidi_Broke, and I’m also on TikTok. Same exact way it’s spelled. @BibbidiBobbidi_Broke.

Andrew: Awesome.

Eric: Adriana, something we ask all of our guests: What is your favorite book and movie, by the way?

Adriana: Ooh, okay. This is a good question because they’re different. My favorite movie is Half-Blood Prince

Eric: Okay.

Adriana: … because it’s so emotionally charged, and it’s really the movie where shit gets real.

Laura: [laughs] Good summary.

Adriana: And people are really going to have to deal with the choices that they’ve made, and it gets a little violent at that point. And you can tell that it’s getting to a climactic end; it’s the rise. And I’ll say my favorite book is probably going to be Sorcerer’s Stone. It’s just the classic. It’s the beginning of the… it’s where the magic starts. And it’s never going to be the best story, but it is where it all begins, and so I never want to let go of the beginning. It’s the movie that I watch the most. It’s the book that I go back to the most. It’s where we fall in love with Harry, Ron, and Hermione. It’s where we fall in love with this world. So that’s why it’s my favorite.

Laura: Great answer.

Andrew: That’s why Sorcerer’s Stone movie is my favorite movie; between that and Deathly Hallows – Part 2 I’m always tied up. Because it is the beginning, and it’s extra whimsical.

Adriana: So the first movie is extra, extra whimsical. It’s where we get the infamous scene where we’re seeing Hogwarts for the first time. I get chills every time I think about it.

Eric: John Williams’s clanging and banging score.

Adriana: Yes! Oh yes, the score, the music. It’s where we all connect to it. But Deathly Hallows – Part 2 is so heavy and it’s so good, and you’re just emotionally… it’s probably the one I’ve watched the least amount of times, and it’s not for lack of loving it; it’s because I literally sob from beginning to end, and I’m like, “Today I just can’t be an emotional wreck.”

[Everyone laughs]

Eric: Brutal.

Andrew: I still vividly remember being in the theater for that movie, midnight release, and just hearing people all around me crying in surround sound. Everybody’s sobbing during…

Eric: We still suspect they were paid to do that, right? Professional criers at every…

[Laura laughs]

Andrew: No, I didn’t get paid. Where’s my check for that? [laughs]

Eric: It seemed that way in my group.

Adriana: So it’s in my vlog. If you ever want to see any of the behind the scenes for Harry Potter: Tournament of Houses, I have three vlogs on my Instagram. If you go to videos, you’ll see them; they say part one, part two, part three. But in part three, me and Luke, the day of the finale, we decide, “What movie haven’t we watched enough? Which movie haven’t we internalized enough?” So we order coffee and we watch seven part 2, and I kid you not, from beginning to end, we sit on that bed and just cry, because it was just such a cool experience, but also, this movie is so good. And then we started laughing because we’re like, “Look at us, two Harry Potter nerds just sobbing profusely. This is like, the seventh time we’ve seen this movie, and we’re still like, [cries] ‘Harry is brave!'”

Eric: Amazing.

Laura: Oh, yeah. No, we’ve all been there.

Adriana: So I don’t want to go over time too much, but I do want to know… everybody has different opinions on what they want. Each one of you, what do you want to see going forward? Do you want to see a TV show? Do you want new movies? A cartoon? What do you see for the future of Harry Potter?

Andrew: I’ll tell you exactly what I want in one breath: Reboot the Harry Potter books as a TV series. That way we would get everything in the books, and there’s tons to work with, obviously. They could add so much that we never saw in the movies, so that’s all I want.

Eric: I want an inexpensive – that’s a joke now these days – Hogwarts Hotel.

[Andrew laughs]

Eric: Go take classes. Be part of the experience for a weekend, whatever. At least a quarter of the cost of Universal tickets. Let everybody in. Let them go to Hogwarts.

Adriana: Oh my God, that would be… talk about tears. Oh my God, I would cry the entire time.

Eric: Andrew, when you said you were going to do it all in one breath, I thought you were going to say, “Dumbledore’s Astronomy Tower of Terror!”

[Andrew and Laura laugh]

Eric: The whole ride idea.

Andrew: I do have a theme park ride. So Adriana, you’re a big Disney fan. You know Tower of Terror? I think they should do a Dumbledore’s Tower of Death. What do I call it? Astronomy Tower of Death or something.

Eric: It was a whole thing, yeah.

Andrew: Anyway, you fall like Dumbledore, but then you go back up and you fall again. [laughs] I’m sick, I know.

Adriana: You want us to relive Dumbledore’s death every time we ride this?

Andrew: I’m sick.

Adriana: Sir, seek help.

[Everyone laughs]

Eric: He does have help. He has us. We boost him.

Andrew: [laughs] They encourage this.

Eric: We’re like, “Yeah, great idea, buddy.”

Laura: Are we good help, though?

Andrew: I think so.

Eric: We’re not better help. He’s got to seek better help.

Laura: That’s a nice reference to one of our sponsors.

Eric: Real quick, guys, I had an idea. We don’t have to use it. I thought, what if we did Quizzitch, but I ask Adriana last week’s question as one other trivia question, given that she was on Tournament of Houses?

Laura: Ooh. You okay being put on the spot like that?

Eric: I just thought of it.

Adriana: I’m okay with it. I like answering trivia questions.

Andrew: But hold on – Laura didn’t get in her idea.

Eric: Yeah, when Quizzitch comes we’ll do the whole thing, but I just thought of that.

Laura: I’m going to sound like a broken record to all of our listeners, and to Andrew and Eric, but I really want the TV show, obviously, but I think that the survival of this franchise depends on the decision to let other creators into the sandbox and play with the story. I want to see something similar to what Disney has done with Star Wars in terms of letting other creators in. I want to see something similar to what the MCU has done in terms of letting multiple people come in and help tell the story and shape future narratives. That is my dream scenario. I don’t know if we’re going to get it, but it’s really what I want, and I talk about it all the time.

[Andrew laughs]

Adriana: I 110% agree with Laura. I want it to kind of be an MCU situation. I want you to give us some more movies, and I also want a TV series, and I need them all to coexist and work within each other but all be different voices. But more specifically, I would like a show that’s about what the other kids were doing during the Harry Potter series, and I just think it’d be a comedy almost, like literally, “Oh, you know those three weird kids that always get in trouble? Yeah, I don’t know about them.”

Eric: Like Puffs. Like an adaptation of… have you seen Puffs, the play?

Adriana: Yes! I would love that. And it could have cameos of the three main characters, but I don’t want the show to be about them. I want the show to fully follow another storyline of some other magical things that was happening, and other maybe little… you know how when you play a game, you got the big boss, but you’ve got the side missions?

Andrew: Yeah, the side quests.

Adriana: I want to see others. Yeah, I want side quests of other things, like, “They’re over there fighting Voldemort; meanwhile, we’re trying to do X, Y, and Z.”

[Everyone laughs]

Eric: Meanwhile, things are heating up at the Gobstones Club.

[Andrew laughs]

Adriana: Exactly.

Laura: Or like, final exams got cancelled because of the Chamber of Secrets being open; what were the seventh years supposed to do? They’re trying to graduate and they’re like “Oh my God…”

Eric: There’s the one study bug that’s really upset about it besides Hermione.

[Laura laughs]

Adriana: And I also think it could be like an anthology, where it doesn’t follow one story, just a bunch of different stories. I would like that as well.

Andrew: Absolutely. Great idea, great idea. Well, hopefully… HBO Max, they need ideas, so I think this would be a great one. Listeners, we’ll put Adriana’s Instagram and TikTok handles and links in our social media channels and in the show notes; please do follow her. This has been a great discussion. Thank you so much, Adriana. This has been really, really special.

Laura: You’ve been fantastic.

Andrew: And if you have any feedback about today’s discussion, you can contact us by writing or sending a voice message to MuggleCast@gmail.com. For voice messages, just record the message using the Voice Memo app on your phone. You can also use the contact form on MuggleCast.com, or you can leave a voicemail on our phone; the number is 1-920-3-MUGGLE.


Quizzitch


Andrew: Okay, now it’s time for Quizzitch.

[Quizzitch music plays]

Eric: Welcome to this special edition of Quizzitch, where first we are going to be asking last week’s question to Adriana, who led her team Hufflepuff to victory on Hogwarts Tournament of Houses. Adriana, are you ready for last week’s Quizzitch question?

Adriana: I am ready.

Eric: It’s a question from Deathly Hallows. In Deathly Hallows, Hermione suggests two spells for Ron to use when it’s raining inside Yaxley’s office. What are the two spells?

Adriana: Finite Incantatem

Eric: That is one of them.

Adriana: Ooh… I don’t know.

Andrew: You can pass, it’s okay.

Adriana: I know one of them!

Andrew: I’m impressed you got one! What’s the other one?

Laura: Yeah, I wouldn’t have known either one of them…

Andrew: Me neither. [laughs]

Laura: … so you did way better than I would’ve.

Adriana: I feel like the moment you said, I’m going to be like, “Ahh, I know it!” So a bunch of the contestants on the show also feel like they put a charm inside of each question that removed more knowledge from your brain, because we legitimately… afterwards, if you asked us anything, we’d be like, “What?” [laughs]

Andrew: That’s a high-stress environment, too; you’ve got the lights, the cameras, Helen Mirren… I would totally blank on everything. [laughs]

Eric: So here’s the paragraph from page 244 of Harry Potter the Deathly Hallows. “‘Try Finite Incantatem,’ said Hermione at once. ‘That should stop the rain if it’s a hex or a curse; if it doesn’t, something’s gone wrong with an Atmospheric Charm, which will be more difficult to fix, so as an interim measure, try Impervius to protect his belongings.'” The answer is Finite Incantatem and Impervius.

Adriana: Okay, so I got half points.

Andrew: You did.

Eric: Right away. You were like, “Okay, that’s one of them.” Nice work. People who did submit the correct answer to last week’s Quizzitch include Landon; Bort Voldemort; Miss Mel; Pottaaahh; The Cactus Returns; Must be a Weasley 92; A lost packet of Drooble’s Best Blowing Gum; Me 2010; The Evil Weevil; Ron; Remus John Lupin; and Buff Daddy.

Andrew: [laughs] Love Buff Daddy.

Eric: Congratulations to all of those winners, and here is a question for next week. In honor of Black History Month, here’s a question about one of Hogwarts’s Black characters: How many Quidditch matches does Lee Jordan commentate while Harry is at Hogwarts that Harry himself plays in? How many Quidditch matches does Harry play in that Lee Jordan commentates?

Laura: Ooh. Those are some pretty specific parameters.

Andrew: Adriana, let me ask you something: Whose quiz music is better? The TV show’s who you were on, or our quiz music?

Adriana: I think you guys’ quiz music.

Andrew: Yes! Take that, Helen Mirren!

[Laura laughs]

Adriana: It’s very much better. I like your quiz music better.

Eric: Andrew is picking a fight he can’t win.

Andrew: Wow. That is the nicest thing I think anybody’s ever said about the show. Thank you, Adriana. We appreciate that.

[Andrew and Laura laugh]

Eric: Yeah, we weren’t fishing for that compliment at all.

Adriana: I also have, like, PTSD attached to the show’s quiz music, so… [laughs]

Andrew: Well, anyway, couple of closing reminders before we say goodbye. Make sure you’re following MuggleCast for free in your favorite podcast app, so you never miss an episode, and leave us a review if they allow you to. Also, don’t forget to follow us on social media; our username is @MuggleCast on Instagram, Facebook, Twitter, and TikTok. And keep an eye on those social media channels this week because once again, we will include links and buttons to Adriana’s Instagram and TikTok. Thank you, everybody, for listening. This has been so fun. So insightful. I’m Andrew.

Eric: I’m Eric.

Laura: I’m Laura.

Adriana: And I’m Adriana!

Andrew: Bye, everyone!

Laura: Bye, y’all.

Transcript #549

 

MuggleCast 549 Transcript

 

Transcript for MuggleCast Episode #549, Female Friendships and Male Vulnerability in Harry Potter


Show Intro


[Show music plays]

Andrew Sims: Welcome to MuggleCast, your weekly ride into the wizarding world fandom. I’m Andrew.

Eric Scull: I’m Eric.

Micah Tannenbaum: I’m Micah.

Laura Tee: And I’m Laura.

Andrew: On this week’s episode, it’s wizarding Galentine’s Day and Valentine’s Day. We’re getting close to both, so we’re going to spend this episode looking at relationships between the women in the series to celebrate Galentine’s Day – this might be a MuggleCast first – and then we’re going to look at another MuggleCast first, the top seven moments featuring male characters getting emotionally vulnerable, with one another in particular. This is something that doesn’t really happen too often, both in fiction and the real world. And it’s a discussion…

Micah: Oh, it happens in fanfiction.

[Andrew laughs]

Micah: Just ask Andrew.

Laura: Gotta love fanfiction.

Andrew: We’ll get into that in a moment. But first, just a couple of quick reminders. Don’t forget to follow us on our brand new TikTok; we are now @MuggleCast. @MuggleCastPod no more; we are @MuggleCast. So follow us there for lots of fun stuff. And if you have a moment, we would appreciate a review on Apple Podcasts or Spotify. Both of them have review features and it’ll only take a second to review us. We will not be leaving Spotify.

Micah: [laughs] I was just going to say.

Andrew: While we don’t agree with all of Spotify’s decisions, we do still have to be there, so please review us if you don’t mind. [laughs] Spotify is just a quick starred review; it just takes a split second. And then Apple Podcasts, you can actually write a review. By the way, we do see these reviews, and people write some really nice stuff. Panel, if you’re ever feeling down or anything, just go look at the Apple Podcasts reviews about the show. They are so nice.

Micah: I’m going to do that.

Laura: Agreed.


Discussion: Female friendships in Harry Potter


Andrew: All right, so let’s get straight into our main discussion today. We’re going in two different directions today; both are under the theme of love. We’ll start with female friendships in honor of Galentine’s Day, and then we’re going to look at male characters who show vulnerability, something that’s rare amongst men. [laughs] So first, Laura, what is Galentine’s Day? A lot of people don’t actually even know what this is.

Laura: Yeah, I’m so glad that you asked. Galentine’s Day is actually February 13th, not the 14th, and it’s the day when women celebrate their female friendships. The holiday was “created” in 2010 during an episode of Parks and Recreation, and it’s now become a huge deal and is celebrated across the world amongst women who want to celebrate their friendships and their bonds with each other. Something else that I wanted to say here is an enormous thanks to our social media manager, Chloé. When this concept came up, actually, it was her brainchild; she went all in on the Galentine’s Day research, put together some amazing documentation for me to draw from when I was putting this discussion together, and I just want to say, Chloé is my Galentine.

[Andrew laughs]

Eric: Aww.

Laura: She’s amazing.

Andrew: That’s so sweet.

Eric: Laura, what’s a bigger holiday, Galentine’s Day or National Pastry Day? What do we think?

Laura: Oh, definitely Galentine’s Day.

Eric: Really? Okay.

Laura: Definitely.

Andrew: Didn’t you and Chloé have a Galentine’s Day of your own this weekend? Didn’t you two hop on the phone and chat?

Laura: Yeah, we hung out. It was super fun.

Andrew: That’s so cute. That’s so great. That’s a MuggleCast first, by the way.

[Andrew and Laura laugh]

Laura: We don’t hang out with each other.

Andrew: None of us are just like, “You want to talk on the phone?”

[Andrew and Eric laugh]

Micah: Andrew never calls.

[Andrew laughs]

Laura: But I thought it was really interesting that we were approaching a Valentine’s Day-themed discussion looking at the love of friendship. I think oftentimes when it comes to shipping – not just in the Harry Potter fandom, but in general – people tend to prioritize romantic relationships. And to be honest, within the realm of canon, we’ve done that to death. I feel like there is no more romantic development that we can talk about in the core seven Harry Potter books; I think that we’ve just unpacked that theme over and over and over over the years. So it seemed like this was a really cool way to do something different for Valentine’s Day and to celebrate platonic relationships.

Eric: And they’re so important.

Laura: They are.

Eric: I think in our life we’ll have a lot more platonic relationships than romantic relationships.

Andrew: [laughs] Hopefully.

Eric: So to shed some light on those would be very valuable.

Laura: So to kick this off, I wanted to chat a little bit about the importance of female friendships and look into some examples from the Harry Potter books. But I did first want to give a little disclaimer here, acknowledging that the language of “female friendships” or “women friendships,” it can feel antiquated, especially with a lot of the conversations that have been happening in the fandom lately around identity and gender. So I do want to specify that many of the themes present in Galentine’s type relationships cross over to relationships between cis women and gay men, for example, as well as other nonbinary folk. I think that all of these groups can oftentimes have a lot of the same crossover that we typically see represented in cisgendered female friendships. I certainly feel that way myself; there are just some areas of common ground that exist between myself and friends of mine who belong to these groups, and it’s really what makes these friendships so powerful. There are just some things that I’m only going to speak with certain of my friends about, and it’s because of that common ground. So I just wanted to establish that. I didn’t want anyone to feel alienated, or like we’re only talking about assigned female at birth, definitely socialized as female as part of this conversation, as well.

Andrew: That’s fair. We’re leaning into the general theme of Galentine’s Day and what it stands for.

Laura: Right, but I think there’s room for everyone in the conversation, and that’s really what I’m hoping for people to get out of it. So looking at probably the most obvious example of a female friendship in Harry Potter, we can look at Hermione and Ginny. I really like this one, because you could look at Hermione and Ginny and say: Are they best friends?

Eric: That would be hard to justify. I think more often than not, they get lumped together because Hermione is visiting the Burrow for the holidays, and Ginny is the only girl in the Weasley family. They room together; they would inevitably… I think part of friendship when you’re young is exposure; you have friends of proximity. And to that end, I think Ginny and Hermione would get to know each other a lot very early on. Whether that translates into a stronger actual substantive friendship, I don’t know.

Andrew: Yeah. And I’m also just thinking about the situation at the Burrow; you do have Molly, but then you have so many boys there, and Hermione and Ginny just need to stick together and get a break from all these guys. So I wouldn’t call them best friends either, but you see why they immediately latch on to each other. And then you also consider that Hermione, of course, is part of the trio. Again, Ginny is a break from the trio for Hermione.

Micah: Ginny saw opportunity, though. That’s what I think. She was like, “Oh, if I become friends with Hermione, then I can get closer to Harry.”

[Andrew and Eric laugh]

Micah: I’m just kidding.

Eric: Yeah, I don’t know that it was that strategic. Keep in mind, she is a year younger than everybody else.

Micah: Yeah. And adding on to what you were saying, Eric, though, I think it is interesting that they do become sisters-in-law, and certainly they would bond over that down the road. But I think at school, it is kind of hard to tell. They’re definitely friendly, but I don’t know about best friends.

Laura: Yeah, that’s how I tend to feel as well. I don’t feel like Hermione and Ginny are best friends in the way that Hermione is with Harry and Ron, but there are just certain things that Hermione and Ginny will have common ground about that they’re not going to have with Harry and Ron. And as a result, certain topics that probably get brought up during those times when they’re bunking together at the Burrow or at Grimmauld Place or at the Quidditch World Cup that Harry, the books being told from his point of view, he’s never going to get to see that. I think some really important points here… and again, Chloé, all of these details are just [makes chef’s kiss sound] Ginny knew about Viktor Krum taking Hermione to the ball before Harry and Ron did, she also knew that he and Hermione had kissed way before Harry and Ron ever knew, and that just goes to show that there’s a level of trust and solidarity that these two found in each other. Not to say that they wouldn’t be able to find it with their male friends, but there’s again that degree of common experience, particularly for the two of them, Ginny coming from a family of all brothers and Hermione being the only girl in her friend group. I’m sure they can go to each other and say, “Oh my God, these guys are so annoying.”

[Everyone laughs]

Eric: I was going to say that. Yeah, go on, Micah.

Micah: You mentioned Viktor Krum and it made me think about how the reunion when we transition into Goblet of Fire, it was the coming of age, right? Goblet of Fire, Order of the Phoenix. Do you think that Hermione, Ginny, as they both come of age, they need somebody who’s another female to connect with? Is that just a natural progression for somebody? Just because there are things, to your point, Laura, that they can bond over, they can talk about, that Hermione is not going to be sharing with Harry and Ron.

Laura: Yeah, I totally agree. I mean, I think back on all of my female friendships at that particular age, and there were absolutely topics that were completely off-limits with my male friends. It was like, I wouldn’t even go there. But with my girlfriends, we could sit up all night dissecting and just digging into everything, because there was a feeling of that being a safe space.

Eric: Well, having a safe space is definitely huge. Was there also a maturity angle? If you tried to bring up any of these feelings or thoughts with Ron, he would gag and turn red and run for the hills. Some of these topics, I feel like the reason you couldn’t bring them up, the reason that you need to discuss them with other people who share your gender, are because there’s just a lack of maturity or sensitivity around some of these topics, and it would have fallen, I think, short. Telling Ron or confiding in Ron about her feelings for Viktor would not have ended very well for Hermione at all; he would have gotten defensive and all that stuff that he was anyway when he did find out.

Laura: Right, well, Ron was obviously jealous of Viktor, and there’s also that weird sort of dynamic where Ron was obsessed with Viktor to begin with. He was an idol, and then when he found out Mister Steal Your Girl came over to Hogwarts and took Hermione to the Yule Ball, he probably felt really undermined by that and really threatened by that, right?

Eric: Didn’t he have a toy Viktor? He had a little doll?

Laura: He did, and he broke it. Like, let’s talk about fragile ego here.

[Andrew laughs]

Laura: Harry found Viktor Krum’s broken arm under his bed.

Eric: I hope that wasn’t alive. [laughs]

Laura: I know, it was definitely charmed. But yeah, I think that, again, it goes back to having that common experience. And also, when you’re growing up… I think this is something we can all relate to to some degree; there is that feeling when you’re 14-15 of thinking that you’re feeling things and experiencing things that are completely new, and you’re thinking, “Oh my God, nobody’s ever felt this way before.” But maybe when you’re looking at friends of yours who have common ground with you, a lot of shared experiences, there is that feeling of safety and being able to build each other up, offer each other advice, etc.

Andrew: Yeah. You know that when you come to somebody, like looking back at Hermione, Ginny, they can say whatever they want to each other and it’s a safe space.

Laura: Exactly.

Andrew: Like you’re saying, they will be supported.

Micah: They also had a rather odd bonding – or experience that I guess you could say they could bond over – with the Chamber of Secrets and the Basilisk in that both were victims of Tom Riddle. Ginny, obviously, being taken in and being manipulated throughout the school year, and Hermione inevitably getting Petrified by the Basilisk. I’m not saying that that’s something that people normally bond over, but given that we are talking about the Harry Potter series, it’s something that they could talk about, express their feelings on, I guess.

Laura: Yeah, there’s shared trauma there. And obviously, we’ve made the same argument for Harry and Ginny, too, right? Because they’ve both been possessed by Voldemort.

Andrew and Eric: Yeah.

Eric: I try to think about anybody in Hermione’s year that would be an alternate to Ginny, and I fall short. We don’t really see her relating to any of the girls her age. More often than not, she’s actually antagonistic towards Lavender Brown and other characters, so it’s pretty much… and same with Ginny. We don’t know who Ginny’s friends are that are in her grade that are dormmates really at all.

Laura: Yeah. And that’s one of the more flawed sides of these characters. All characters have them, but both Hermione and Ginny are pretty dismissive towards anyone who comes across as too, in their eyes, excessively feminine or a “girly” girl. And we’ll get to it a little bit later, but I think the argument definitely stands that the author may also have some bias against overly girly girlish women or overly feminine women. I mean, I’ve never seen someone write so much about hating the color pink.

[Andrew laughs]

Laura: For starters. That’s scratching the surface. [laughs] There was a really good note here that Chloé included. I feel like we co-planned this. Chloé said, “I wish we could have seen Hermione and Ginny get ready with each other before the Yule Ball. Those are the best moments, getting ready before a night out with your girlfriends.” And I 100% agree. What’s mixed into this is like, there’s pep talks; there’s some nervous preparation; there’s some excitement; your friend is usually helping you prepare your outfit and your makeup and your hair, if you do those things. There’s so much solidarity and advice given, and I just personally have a ton of wonderful memories of doing this with my friends when I was coming of age. And I feel like we miss out by not getting to see more of this side of the female characters, of getting to see them interact directly with each other without a man being present or without talking about a man.

Eric: It’s also such a production, isn’t it, getting ready for a nice ball? There’s the smell of hairspray in the room for hours, and somebody’s mom comes and helps usually, most of the time, I mean, from what I know. I just think it’s a wonderful bonding experience that is missed out in the books, but probably definitely happened.

Laura: Yeah, well, Eric, you have a sister, right?

Eric: I do have a younger sister, yeah.

Laura: So I was going to say, there’s some degree of this, which you probably saw growing up with your sister and her friends.

Eric: Yeah, for sure. Or there’d be sleepovers, and I was the older brother so it’s like, “Ew, get out of here, boy.”

Laura: Right.

[Micah laughs]

Eric: Yeah, from what I saw, there was a lot of bonding going on, a lot of TV, a lot of laughter.

Micah: What’s funny, Laura, is that instead of that, we get Harry and Ron getting ready for the Yule Ball.

Laura: I know. And it’s so tragic, because it’s so stifled and awkward, whereas it would probably be way more fun to be experiencing the conversations that some of the girls are having getting ready, right? It would be a lot more animated, probably, because I think part of it is, too… generally speaking, when you’re looking at these kinds of tropes of teenagers – and Hogwarts is very much presented as a gender binary – it’s like, you have men and women and there shall be no in between, which is a definite criticism that we can have of the series. But with these heightened representations of masculinity and femininity, honestly, feminine representations tend to be more fun to read about because there tends to be more chatter, there’s more social awareness, whereas Ron is wearing his great uncle’s dress robes.

Micah: They look like his Great Aunt Tessie’s, yeah.

Laura: [laughs] Whereas you just have no idea how much you would actually be missing in some of the probably deeper conversations happening in the girls’ dormitory.

Eric: Yeah, Ron is miserable because he’s upset over the Hermione thing because, again, he didn’t voice his feelings. He was not emotionally vulnerable in this moment. He’s upset about Hermione going with Viktor, and he doesn’t know how to deal with it. And you know what? He and Harry both show the Patil twins a horrible time.

Micah: Yeah.

Laura: I know.

Andrew: Awful.

Laura: Justice for Parvati and Padma, seriously.

Eric: 100%. I feel so bad for them because of the way that they are treated. And on a girl’s perspective, it would be a lot of fun, you know? “Oh my gosh, is he going to ask me to dance?”, this, that, and the other thing. And to hear the disappointment that they must have felt after Ron and Harry actually show up and are just concentrating in different areas… like, come on, guys.

Laura: Yeah. Well, and also there’s the fame aspect, too; one of the twins was going with Harry Potter. And not to say that Parvati was shallow enough to say, “Oh, I’m just excited to go do this because I’m going with this high profile person,” but I think for anyone, there would be a degree of excitement about that. And then to be effectively left on the dance floor by myself, and not be shown a good time by the person who asked me to go to this big event, when that person is so, so high profile, like… eugh.

Eric: Yeah, the bar is really low, right? Slow dance a little. Look at them in the eye. Be active in the moment. And Harry is too focused on Ron and Ron is too focused on himself and they just… they aren’t.

Laura: Right. That’s such a good way to put it. But shifting a little bit to look at some of what Ginny has confided in Hermione, Hermione knows super early on in the series that Ginny has a crush on Harry. Of course, we all pretty much know; it’s very obvious. The sky is blue and Ginny has a crush on Harry. But Hermione is just a real… she is such a badass friend here. She gives Ginny the advice to just be herself and not be so panicky and nervous around Harry, and that that would probably serve her better than just being incredibly obvious and sending him embarrassing singing Valentines in the hallways during Valentine’s Day. And not only did she give Ginny this stellar advice – even though Harry is her best friend, she didn’t say a damn thing to him.

Andrew: Yeah. That’s trust.

Laura: And that is girl code right there. Just telling you.

[Andrew laughs]

Laura: You know someone has your back when they can pick up on the vibes that you’re giving about who you’re into and they’re subtle about it and they don’t go and rat you out.

Andrew: Right, exactly. I hope everybody has had that type of friend in their lives, where you can trust somebody to the grave and they won’t let you down. I think, I mean, at least I – and it sounds like Laura, too, at least – have experienced this type of trust before, and it’s really great. It can be shocking if you’re Harry in the situation; like, “Wait, why didn’t you tell me?” But it does all make sense.

Micah: Yeah, tell them about our friendship, Andrew.

[Andrew laughs]

Laura: No, that’s an area where Harry needed to open his eyes. That wasn’t on anyone else to do for him. But yeah, I definitely have an example of this from when I was around this age. I had a middle school boyfriend. I think people, they start dating in middle school, and it’s like, you hold hands and go to the movies and that’s the extent of your love life.

Eric: In middle school? I was married on the school yard in second grade, Laura.

[Andrew laughs]

Eric: I guess I started early.

Laura: Wow, look at you.

Eric: Her name was Michelle.

Laura: Aww.

Andrew: And how long did that last, that relationship?

Eric: About a week.

[Andrew and Laura laugh]

Eric: Then we just both forgot about it.

Andrew: Legit. My first relationship in middle school lasted a week as well; there was one kiss and then God knows what happened after that. I miss you, Kendall. I miss you very much.

[Everyone laughs]

Laura: But I remember, actually, a really good friend of mine who lived out of state, she came to visit over the summer. And she met my seventh grade boyfriend and they became friends, just like she and I were friends. And she really liked to write letters, so she and I used to write letters back and forth to each other. And she asked me one time, “Would it be okay if I wrote letters to him? I wanted to ask you first because I didn’t want you to think that I’m trying to like, step in on your man or anything.” Which is so funny looking back on, being 12 years old and taking it that seriously, but you do. It feels like everything at the time. And to me, looking back on that, I was like, “Yeah, she was doing the good girlfriend thing, right?”

Eric: Absolutely.

Laura: She wanted to make sure that I knew she had my back and that she wasn’t trying any funny business.

Eric: Those are good qualities to have as adults all throughout your life, that communication, that checking in, that awareness of how something you do, somebody might take it the wrong way, somebody you care about. Some people with anxiety can’t help but feel those feelings and fears all the time, but if you don’t, you’re kind of left lost having to do that extra work of really trying to be present and say, “What will these actions…? Should I check in with somebody I care about?”

Laura: Right. And then of course, Hermione always knew before anyone else who Ginny was dating. So anytime Ron found out and was super surprised, Hermione was like, “You idiot. That’s been going on forever.”

[Andrew and Eric laugh]

Laura: But I will say, and to a point that was raised earlier about some of Hermione and Ginny’s treatment towards other female characters in the series, I think that we can have a critique of these two here. We’re maybe viewing them as a pair as friends who can think that they’re being supportive of maybe each other, or their families or their friends, by viewing others as threats or competition. I’m thinking specifically about Fleur Delacour. Hermione and Ginny are really dismissive towards her. So is Molly Weasley.

Eric: Yep.

Laura: And it’s that trope about ultra femininity that Fleur represents that no one likes about her.

Micah: I was going to say, though, too, do you think it has to do with the fact that this is the first woman that is coming into their family? It’s the first Weasley that’s getting married, right? Bill?

Eric: Even before that, in Goblet of Fire, when Ron is just goo goo gaga over the Veela, and there’s that rivalry of… Ron is just so enamored, and Hermione is like, “I’m right here. I’ve been right here all along.”

Micah: Yeah, no, I definitely think there’s something to that. I guess more so from the standpoint of somebody like Molly, seeing herself maybe being threatened in a way, right? She’s the matriarch of the family, and now all of a sudden her oldest… or is Charlie older? But one of her older sons – sorry, there’s so many – is getting married, right? And there’s a woman that’s coming into the family. There’s certainly some xenophobia at play here as well, which I know we’ve talked about on other episodes. But yeah, I can definitely see that. And to Laura’s point, Ginny and Hermione are not nice – neither is Molly – towards Fleur.

Eric: There’s got be a way where you can have your friendship and not tear another woman down. There’s got to be a way to talk about it that doesn’t involve…

Laura: There is.

Eric: Okay, you’re sure? Laura, you’ve discovered this?

Laura: [laughs] 100%. It’s actually funny that the example of Fleur comes up during this conversation, because I met a friend when I was in college. She was an exchange student; she was tall, blonde, French, and gorgeous, and everyone was obsessed with her. And she’s a great person and a very dear friend, and there were definitely some women who were feeling a little bit threatened by her, right? And it’s funny because I see those similarities in the way that the British Harry Potter contingent treats Fleur, right? Because she’s beautiful, she’s obviously very intelligent – she got into the Triwizard Tournament – and she’s a little bit exotic for England or Scotland when they’re in school, right?

[Andrew and Eric laugh]

Laura: No offense to our UK listeners. But I definitely noticed a similar vibe towards my friend at times because of who she was. And like we said earlier, I think it also shows that the author may have some bias towards women like Fleur, who fit that stereotypical, ultra-feminine idea of womanhood.

Andrew: Going back to the pink point that you brought up.

Laura: Yeah, the pink, the also constantly describing Parvati and Padma, who as readers, I think we’re conditioned to find annoying because of the way they’re written, but they’re constantly described as being giggly. Umbridge speaks with a girlish voice. Pink is a bad color. We know the author hates pink; she was very clear about that in interviews outside of the books. But yeah, generally, anytime someone is described as being giggly or fawning over someone or having doe eyes for somebody, it’s not really captured in a flattering light in the way these books are written. Which is unfair, because there are a lot of very valid ways to be a woman, and a if ultra femininity is who you are, that’s okay. And if it’s not, that’s also okay.

Micah: One other point of comparison that I wanted to make and get your thoughts on is Hermione is obviously very book smart. Ginny could be argued to be very street smart and just seems to have these qualities about her. She’s described many times as doing these things that are really beyond her age, right? A lot of times we hear Harry is doing things that he shouldn’t be doing at his age. So I’m just curious, do you think that’s something that potentially they see in each other that they could have bonded over, with Hermione being the one who’s very good on the academic side? I’m not saying Ginny isn’t… I don’t remember her grades off of the top of my head, but she seems to be more of the street smart of the two.

Laura: Yeah, when I think of Ginny, I think of more applied skills. We see more than once in the books, Hermione has got the theory down, but it doesn’t always translate to her being good at things right off the bat. Whereas Ginny does very impressive magic, from a very young age, that kind of surprises people, so I do think of them as two sides of the same coin in that regard. But what I also appreciate about them is that we do get a glimpse into seeing that they’re not afraid to push back on one another. There’s one point in Half-Blood Prince, I think it is, where Hermione is talking smack about Quidditch and Ginny just snaps at her and is like, “Don’t pretend you know anything about Quidditch,” and Hermione doesn’t know what to say to it. And I think that’s a really important part of being a supportive friend, too, is knowing when to call each other out, when to tell your friend, “Hey, you’re out of line there,” even if it’s a lower stakes type conversation.

Micah: And not only that, but appreciating the things that your friends are interested in to know enough to not completely debase what somebody else is interested in.

Laura: Right, exactly. Well, another theme I want to look at is the idea of sisterhood in friendships, and I think a really good pair to look at for this is Ginny and Luna. So Ginny and Luna really start out as acquaintances; we’re led to believe that they become closer over the course of the final three books. They’re involved in Dumbledore’s Army; they go to the Department of Mysteries together. We know that Luna has this wonderful, just wholesome portraits of all of her friends painted in her room, even though I wouldn’t say as a group that they’ve been nice enough to her up until that point to really deserve it.

[Andrew and Eric laugh]

Laura: But it just goes to show what a good person Luna is. But what I appreciate about Ginny from the very beginning, when we first meet Luna, is that she’s always nice to her, even when it would be easy to be mean to her because everyone else is. It’s socially acceptable to be rude to Luna, and Ginny doesn’t do it. There’s one point where Ron is incredulous that Harry is taking Luna Lovegood – “Loony” Lovegood, as he calls her – to the Slug Club party, and Ginny calls him out and is like, “Don’t call her that,” and is like, “Hey, Harry, I’m really glad you’re taking her; she is so excited.” This is some other solidarity that I’ve just got to call out, because we know that Ginny still has a flame for Harry at this point. She’s holding the torch out for him. But she respects Luna as her friend, and she also respects who Harry is as a person by taking a friend of his to a party. Where he could have been really shallow and said, “I want to ask out the most popular girl in my year,” instead he asked his friend, and Ginny applauds that for him. There’s also this subtext that you could maybe read into it that Chloé pulled out of it, which I love, because again, I think this just speaks to some of the unspoken dynamics that happen in really good and strong female friendships. It’s possible that Ginny talked to Luna about the Slug Club party and felt comfortable telling her that she was going with Harry, and it could also mean that Luna knew Ginny liked Harry and wanted her blessing. Kind of like when my friend was like, “Is it okay if I talk to your boyfriend? Is that going to be weird? Are you going to feel uncomfortable with that?” It could mean that Luna picked up on the signs that Ginny had a thing for Harry, and was like, “Hey, he asked me. I don’t want to hurt anyone’s feelings. Are you okay with this?” And I love the idea of – this is my headcanon now – of them having this conversation and having this unspoken understanding that if you’re going to pursue someone that your friend was interested in, you should have a conversation about it instead of just doing it.

Andrew and Eric: Yeah.

Eric: That’s real good. I would say also, the Ginny and Luna relationship, their friendship is unique in a different way, which is to say it’s one of the few inter-House friendships that exists. We really don’t have many examples of this in the books. And I think that how it started was they probably had classes together, and Luna was awkward or shining in some of her behaviors in these classes, Ginny takes notice, and is like, “Oh, you know what? Yeah, she marches to the beat of her own drum, but she’s cool enough,” to then defend her to everyone from her brother to Harry to the rest of the school. And I just love that aspect of Ginny, where she is independently thinking about Luna at all, and then arrives at the conclusion that “No, Luna is cool; we can be friends.”

Laura: Yeah, I agree.

Eric: And she’s not somebody that caves to social stigma. And if you’ve ever had a friend who’s unpopular in school – if you’ve ever had me as a friend – then you’re doing the same calculation…

Andrew: Right.

Eric: … going, “Hey, probably got something good going on here, even though socially not accepted.”

Micah: One of the things, too, that I was just thinking about – and I had to do a quick Google search – is that when we think about Luna supporting the Gryffindor Quidditch team, we automatically think it’s in support of Harry, but I think you can easily make the argument it’s in support of Ginny.

Laura: Yeah, or just her friends in general, because what, Gryffindor was playing Slytherin in that match?

Micah: With the lion head.

Laura: Yeah, I think Gryffindor is playing Slytherin, so because Ravenclaws didn’t really have a dog in that fight, Luna was like, “Well, I’m going to support my friends.”

Micah: Luna, I could see her supporting Gryffindor over Ravenclaw, honestly.

[Everyone laughs]

Micah: But maybe… I don’t know.

Laura: Yeah, if she thought it was the right thing to do, she would.

Eric: If she thought they were the underdog or the not favored one.

Laura: Right. I do want to point out something, though, and it’s something that occurs to me as we’re having this conversation, and I think some people have observed this in the Discord: Harry Potter really does not pass the Bechdel Test, which is basically, do you have two women in the same space talking about something that is not a man? And it’s pretty rare to find that in Harry Potter, especially with the main character being Harry. But something that I really do want to call out here is that much of Ginny and Luna’s relationship seems to be based on things that are not men, which is great. Ginny standing up for Luna has nothing to do with a conversation about a man, for example, whereas a lot of the bond that we see with Hermione and Ginny I think does have to do with the men in their lives, whether it’s getting some kind of break from them in their friendship with each other, or venting about romantic issues they might be having in their own lives. I think that that’s a pretty heavy theme with them that doesn’t seem to be as present with Ginny and Luna. So it might be one of the only relationships that passes the Bechdel Test in these books, and we don’t see very much of it.

Eric: I support that.

Laura: And then the last note that I wanted to bring up here is the idea of support and compassion in relationships or female friendships, and I think this is a theme that has been interwoven throughout this conversation. But honestly, although they take a lot of crap, Lavender and Parvati have a really strong friendship. They have each other’s backs. We see it as early as Book 3, where… I forget, is it Parvati’s rabbit that dies or Lavender’s? Binky.

Eric: I think it’s Lavender’s.

Laura: It’s Lavender’s, okay. And Hermione is being kind of dismissive about Lavender’s emotions around her rabbit dying.

Eric: Hugely.

Laura: She’s being obtuse about it. She’s like, “Well, how could you have known that your rabbit was going to die?” when really, the issue was she was sad her rabbit died, right? But Parvati has her back through all of that. They also have a really strong shared passion for Divination, and because Divination is a subject that is generally scoffed at, so is their academic interest. And how are two teenagers sharing a love of an academic pursuit a bad thing? I don’t get it. Maybe you don’t like the subject; that’s fine, but the fact that they were both so studious and interested in this field is a great thing. I mean, think of all the other things teenagers can be into.

Eric: [laughs] Right.

Laura: And I feel like it gets forgotten that Lavender and Parvati have this shared interest in Divination, because there’s also a heavy degree to which they’re described as giggling and they seem to talk about boys a lot. And as a result of that, I think in the book it gets lost that there’s this really strong foundational part of their friendship that is based on an academic interest.

Eric: I think that it’s possible that Parvati and Lavender are closer than Parvati and Padma, because they have a House between them; they don’t sleep in the same dorms. So I think the friendship there is real strong.

Laura: Yeah, I mean, Parvati and Padma presumably grew up together, right? So that’s a different kind of sisterhood, maybe, than you see represented between Lavender and Parvati, but I think it’s a point well taken. Another one I wanted to mention that maybe doesn’t get as much love is Tonks and Molly. So we know that Tonks confided her feelings of Remus Lupin to Molly Weasley, and according to MuggleNet, was often at the Burrow for tea and sympathy, so I just think…

Andrew: Yeah, I mean, I think…

Laura: Go ahead.

Andrew: To confide in somebody about somebody you had feelings for, I think, is really significant. If you think about who you speak to in your day-to-day life, who are you telling about your relationships? And it’s typically early, and it’s typically somebody who you really trust and are close to. So I think that’s a really good call-out. There’s something there that isn’t explored too much, or as much as it could have been.

Eric: It’s also, this is not something you see a lot in Harry Potter, but friendships that cross an age range, because everybody’s the same age group, everybody’s the same grade. But because Tonks is interested in Remus and he’s considerably older than her, it really helps that she has a friend in Molly to confide in, because Molly has more experience and also knows Remus for longer and has more insight that she could possibly give to Tonks. Just having friends of all age ranges is also a huge call-out here, so for Tonks and Molly to be friends, to be able to confide in each other, that’s huge.

Laura: I think it’s also mentorship in a way, right? There are definitely women in my life who are older than me, in some cases by a few years, in some cases old enough to be my mother, who I would say have been mentors to me. And they’ve been people that I could go to in moments of doubt, in moments of uncertainty, where I was trying to grow and going through some of those more uncomfortable adolescent, early adulthood moments where they had experience going through those things themselves and could offer their advice, wisdom, and sometimes some hard truths. I really hope – and it is my headcanon – that Molly gave Tonks some really constructive feedback around her relationship with Remus and why it’s not acceptable for someone to make you feel on the one hand wanted but then make you feel like you’re second rate or you’re forgotten or they can’t make up their mind about you the next. So I would really hope that Molly was acting as somewhat of a mentor to Tonks, because we don’t really know how close Tonks was to her own mother. I mean, we do see her at one point, but I think it’s interesting that she’s going to Molly to talk about this and not her mom.

Eric: That is really interesting, because by all accounts, Andromeda Black is pretty friggin’ cool.

[Andrew laughs]

Laura: She seems cool, right?

Eric: Yeah, she’s awesome. But sometimes you also need to not tell your parents everything, right?

Laura: Right. No, that’s true. And then just a few other notable female friendships: We could probably do a whole other episode on this discussion, but definitely wanted to call out Sprout and McGonagall…

Eric: Yes.

Laura: … who we’ve actually spoken about pretty recently, who overlapped years at Hogwarts. Cho and Marietta; I think Cho in particular gets a lot of undeserved hate, particularly for the movie portrayal of her in Order of the Phoenix. And then Katie, Angelina, and Alicia, who are on the Gryffindor Quidditch team. The three of them are really tight too.

Andrew: It’s one of those things. It’s too bad there just wasn’t more, but on the other hand, there’s already so much in these stories. You think about how could it have been fit in? But I guess that’s what fanfiction is for or maybe potential spinoffs one day.

Eric: TV series.

Andrew: Yeah, those too. You would think these relationships might be better highlighted in a TV series so it’s not totally a boys’ club.

Eric: I would want that, yeah.

Laura: Same.

Eric: And I would want it handled creatively, like really interesting subplots. Find out more about Binky, Lavender’s rabbit. I’m totally interested.


Discussion: Male vulnerability in Harry Potter


Andrew: Okay, so now we are going to discuss the top seven moments male characters were emotionally vulnerable in the Harry Potter series. I think, Eric, this may have been your idea. I think it’s a really good one, because too often in our own lives, men do not open up; they are not emotionally vulnerable. And I’ll speak to that a little bit. Not me; I’m perfect. [laughs] But other people…

Eric: I was going to say, I can’t imagine what it’s like to try and date us, honestly.

[Andrew laughs]

Eric: It’s real bad. I feel bad for everyone who’s had to try and date an emotionally unavailable man, or person in general. But yeah, it’s a big deal when men get vulnerable emotionally. I think it’s the cornerstone of a relationship, would be communication and trust; at least, that’s how I feel now. And I think that it’s such a key moment. So we wanted to highlight moments where characters in Harry Potter… we think of like, mostly it’s a Gryffindor show, so these just valiant Gryffindors that are not talking about any of their feelings, especially like Ron in year four, and how it all just blows up in their face as a result. So we wanted to highlight the top seven moments – bring back an old favorite segment of top seven – and also highlight moments where it really worked out, highlight moments where choosing to be emotionally vulnerable succeeded for that person; really helped them out of a pickle. And so I think that’s what the spirit was going into this discussion, and I’m really excited to get into it.

Andrew: Yeah. Number seven, Harry asking Cho Chang to the Yule Ball. Of course, this is from Goblet of Fire. So after trying for weeks to find Cho alone, thus minimizing his embarrassment in case it went badly, Harry does find Cho and is finally able to ask her, “Wangoballwime?”

[Eric laughs]

Laura: So awkward.

Andrew: And the good thing for Harry here is that although Cho reveals that she has been asked out already, this statement of intent from Harry to ask her out does end up creating the possibility later that they would go on a date, so he’s opening up the line of communication there. It is a good first step. But I think a common thread with several of these that we’re bringing up today is that too often when you are emotionally unavailable, when you do finally manage to open up, it’s too late, and this is a perfect example of that. And we’ve got a Dumbledore example later; it’s like, “Dude, where have you been?”

[Eric laughs]

Andrew: Guys take too long, and at that point, the damage is done. You waited too long.

Eric: For Harry, I wanted to highlight our hero first, particularly because he’s written by a woman, too; you would expect him to have this sense of emotion, at least at certain points, this intuitive self-reflection side, and he really doesn’t, for the most part. But those moments where he can put himself out there and really try when he’s familiar enough with how he’s feeling to act on it, and have it not always go okay, is very excellent. So I do like that ultimately, you have to let the people that you’re romantically interested in – or at least interested in trying to date – know that you’re interested in them, because they don’t know. You might think that they know. They don’t know. You’ve got to tell them. It’s not going to happen on its own either, so I think that Harry’s moment is very important. And sure enough, after Cedric’s untimely death and after the grieving process, Cho knows at least that Harry has been interested in her. And when she can lean on somebody for emotional support, I know it doesn’t go perfectly well, but because of what they shared together already, and that previous stated intent to date, they go on a date. And it happens all because Harry was vulnerable.

Andrew: Again, though, could have done it sooner, bud. Could’ve done it sooner. [laughs]

Eric: Maybe. He wasn’t sure. He was still not…

Andrew: Look, I get it, of course. I have struggled to ask girls out to the ball as well.

Laura: I was going to say, he was 14 at the time, and it is scary. I mean, hell, even as an adult it’s scary to put yourself out there like that when you are pursuing someone romantically. Remember, when you were 14, it was amplified; everything felt like it was a huge deal.

Andrew: The scariest thing in your life.

Eric: It was terrifying. The first dates I ever went on, they asked me, because that was so much easier for me.

Andrew: Right.

Eric: And then the second time, when I went to prom, I asked the whole school on the morning announcements, because it was not emotionally vulnerable. [laughs]

Andrew: Oh my gosh.

Eric: I was just like, “Any takers?”

Micah: Wow. Clever.

Micah: Well, that’s putting yourself out there.

Laura: That is putting yourself out there.

Eric: My chemistry teacher told me that a girl in class laughed. I ended up taking her to the prom.

Micah: Nice.

Laura: Oh, that’s a cool story. [laughs]

Eric: But anyway, enough about me. Let’s move on to Hagrid. So Hagrid is somebody that, unlike the typical male character in Harry Potter, he is very emotional in general.

Andrew: Yes.

Eric: He does have larger moods, mood swings, moments where he is clearly being vulnerable, and moments where the world is real tough for him. But I wanted to point out one moment in particular in Goblet of Fire, where Rita Skeeter releases her article revealing his half-breed status of being a half-giant. And apart from all the reasons why Rita Skeeter is the absolute worst, which I’m sure we’ve talked about before and can again, Hagrid goes into this huge funk and depression. He basically stays in his hut. He refuses to teach classes; they have to bring in Grubbly-Plank to teach Care of Magical Creatures. The trio actually can’t get a hold of him – even the trio, he’s not letting them in – and he becomes withdrawn and he’s very, very upset. It’s not until… I mean, weeks go by of this, and eventually the trio bang on the door; they’re like, “We are not taking no for an answer. You have to let us in.” And Hagrid, of course, is upset about the article that Rita Skeeter wrote; he’s just convinced that nobody is going to like him anymore now that they know that he’s half-giant, and that they won’t want their kids taught by him and all this stuff. And it’s really in voicing his concern in the face of his friends… he might already know what they’re going to say, but you’ve still got to go through the motion of like, “Here’s what I’m afraid of,” and have somebody be able to talk you off that ledge, and that’s what the trio does. And Dumbledore is there too. They basically have to be like, “Oh, what’s your issue? Okay, it’s this half giant-thing.” Even Harry is like, “Look at what I’ve got for cousins, and they’re awful people, but it doesn’t matter because they’re family and you’re my friend,” and it’s this huge moment. So I think it’s… the moment that we celebrate is Hagrid just being able, after all this time, to voice his specific concern so that it can get addressed.

Laura: It was a violation of his privacy, certainly. In the end, it did give him the freedom to be authentically himself. I do think it’s interesting that you noted that Hagrid just seems to have bigger emotions than the typical male representation within the Harry Potter books, and I wonder if it’s at the very least implied that that’s because he’s half-giant.

Andrew: I was thinking this, too, just of the juxtaposition of how could such a large, burly half-giant be so emotionally vulnerable, be the one who cries openly in front of students? I think Rowling was going for something like that there maybe. And also, you have to think about the fact that Hagrid was one of the trio’s close friends.

Laura: And also his love of animals; we can’t forget that. He’s very tender with animals.

Eric: Well, and he’s a proud mother to Norbert, or Norberta, which is an adorable scene.

Laura: Yep. “He knows his mummy.”

Eric: “He knows his mummy.” Yeah, I just find it… when talking about these men that are emotionally unavailable, and in the hypothetical, I came across some men that don’t make this list, but who ultimately are very emotional. Mr. Weasley I think is one, and Neville is another. Neville is very often outwardly upset and we know why, and the trio consoles him. But they’re in tune with their emotions. When they are vulnerable, when they talk about why they’re upset, it’s not a big deal, because they’re so used to it. They’re in touch with their emotions. So it doesn’t make this list because this is not an odd decision or a hard decision for them to do, ultimately. So moving on, we’ve got number five next.

Micah: Yeah, so Sirius Black, he asks Harry to live with him during Prisoner of Azkaban. And Sirius has no way of knowing that Harry already knows a little bit about his godfather, so he is taking a real risk when he reveals that he would like Harry to consider maybe living with him. So setting aside later Book 5, Molly Weasley’s BS commentary about Sirius and Harry’s true relationship, Sirius here really is the kind of guy who can give Harry the home and the summer vacations he’s always deserved. And it’s a near-perfect moment, only made more powerful by Harry’s extreme enthusiasm for the idea, and maybe even more so by the tragic outcome of it falling short. And I’m thinking back to the Prisoner of Azkaban movie when the two of them are talking about it; they’re looking up at Hogwarts, and it’s a very tender moment because that’s really home for both of them. But they’re having a conversation about Harry coming to live with him, and I think that would have just been the ideal scenario, Petunia’s love protection notwithstanding. I think it’s what Harry would have really wanted, and to your point, Eric, really, really benefited from.

Eric: It touches me deeply, this moment, and Sirius is taking a real risk. And Harry is like, “Are you insane?” and I think for a moment, Sirius is like, “Oh, he hates the idea.” He’s genuinely hurt by this. And then Harry is like, “When can I move in?” Just the range of emotions on display there from both of them is a really proud moment, a really important, pivotal moment.

Andrew: And I also just admire one man helping another man on something that doesn’t involve a power drill.

[Everyone laughs]

Micah: What is this, tool time?

Andrew: [laughs] This is just a deeply important matter. I know Harry is not grown here, but just think about how often do you see two grown adults being like, “I’m going to help you out with that major life issue”? I would guess not too often; I’m sure it happens. But I’m just looking at this from the perspective of two mature people being like, okay, one of them really has to help the other out in a life changing way.

Eric and Micah: Yeah.

Eric: I mean, Harry is abused at Privet Drive. He is absolutely…

Micah: But Dumbledore is cool with that. [laughs]

Eric: Yeah, Dumbledore is cool with it because of the love.

Micah: That’s a whole ‘nother conversation. But I also think, Andrew, to your point, it is important to remember that Sirius is doing this out of love for James.

Andrew: [fake cries] Yeah.

Micah: It’s his godchild, but it’s also his best friend’s son.

Eric: He’s doing him a solid.

Laura and Micah: Yeah.

Micah: And then one of the benefits is that this is taking place at the end of Prisoner of Azkaban, immediately reversing Sirius as a villain and making him a very close confidant and really a family for Harry. It sets up a year of on-the-run correspondence between the two of them, which is really different than the relationship that Harry and Lupin have, even though that’s special in its own right. It’s kind of like he has two dads, and they’re two very opposite ends of the coin.

Eric: One of them writes him; the other one doesn’t. Lupin never writes Harry. I don’t know why.

Andrew: He’s busy trying to have a kid.

Eric: That’s later.

Laura: Or trying to run away from having a kid for a while.

[Andrew laughs]

Laura: Yeah, not his finest moment. Something else I want to point out, too, is that Harry is kind of saving Sirius in this moment too. I mean, Sirius, he was in prison for 13 years, and even though he was found to be innocent, I think we can just speak to the real world stigma that comes for people who’ve been in prison. It’s incredibly unfair. And someone like Sirius, even if his name had been cleared all over the wizarding world, I think it’s fair to say that there would have been an enormous stigma on him for having been in Azkaban that long. There would probably be some lingering doubt amongst some members of the wizarding world thinking, “Nah, I think he did it. I don’t think he’s actually innocent.” Harry absolves him of that in this moment by being so enthusiastic about coming to live with a person he’s literally known for like, half a day, maybe less.

Micah: Well, and Harry does it… I mean, looking at the two examples that we just read, he does it in back-to-back books, right? He does it for Hagrid, and then he does it for Sirius, to your point, Laura.

Laura: The next one, number four – this one’s a big one. So this is during the King’s Cross chapter at the end of Deathly Hallows when Dumbledore finally apologizes to Harry. Took you long enough, bro. He tells Harry that he could never be the type of man that Harry is and apologizes for being so consumed by power, tells Harry that it’s exactly the reason why he was never a Minister of Magic, because he was so power-hungry himself, and he asks Harry for forgiveness, and Harry gives it to him. That’s a huge moment of vulnerability for both of those characters. Harry in that moment could have cursed Dumbledore’s name for putting him through all of this, for effectively sending him on a suicide mission, and instead, he forgives him for everything.

Eric: Huge. And if he had decided to cuss out Dumbledore, it wouldn’t matter. Dumbledore is dead; he wouldn’t have even heard him. But no, he is the bigger person here. But it’s weird how… I mean, Dumbledore is described as being like a child; he’s withdrawn, he’s kind of tail between legs about this whole thing. He reveals about his lust for power and how it ruined important relationships with his family and friends in his life. Dumbledore is really being vulnerable. And although Harry’s approval or absolution is not something he had a chance, let’s say, to seek in life, he does get it here. And I have to believe that that contains… that is a benefit, a net positive, for Dumbledore, even though it’s afterlife Dumbledore.

Laura: And I think he does… oh, go ahead.

Andrew: He did do it while he was dead, though, so it makes it harder to give him credit.

Eric: And it might have been in Harry’s head that he apologized. [laughs]

Andrew: I know we’re going for the angle of we’ve got to give these guys a pat on the back for the vulnerability, but getting back to my point earlier, what took so long? I have somebody in my life who took way too long to get emotionally vulnerable and to admit that he wasn’t a perfect person, and by the time he reached that point, he was at rock bottom. This isn’t a relationship; this is another matter. He was at rock bottom. If you came clean earlier, if you opened up earlier, if you were willing to not always put on that tough guy, always right attitude type of thing, you could have been emotionally vulnerable. [emotionally] This is turning into a therapy session. Forget about it.

[Micah laughs]

Andrew: No, my point is having some certain lived experiences in my life, I get frustrated to see these guys in Harry Potter take so long to finally get to a certain point. And in the case of Dumbledore, it is kind of too late to come clean like this.

Laura: You know what, though, Andrew? I think this might make you feel better. I actually feel like this number four here on the list says way more about Harry, who is very much alive and conscious… well, he’s unconscious in this moment.

Eric: I don’t know about that moment, yeah.

Laura: You know what I mean.

Eric: Yeah, maybe not the best… yeah.

Laura: I think it says way more about Harry’s vulnerability and Harry’s ability to level with himself about what has happened to him and make the conscious choice to forgive for what has happened. Something that I know we’ve all heard in therapy, right? Forgiveness is not for the person being forgiven; it’s for you, because it hurts you way more in the long term to hold a grudge than it hurts the other person that you’re holding a grudge against, right? So I think this is actually a huge moment of emotional vulnerability for Harry with himself. Does that help, Andrew?

Andrew: Yeah, it does help. It does help. And I give Dumbledore credit for opening up, I really do. I just… people keep it inside themselves.

Laura: Oh, I agree.

Andrew: People are raised to be that tough guy, that perfect person, you can’t show vulnerability, you have to be tough for the family, and that poisons them for the rest of their lives.

Eric: Yeah, I mean, this is in the grave, we’re meeting Dumbledore here. He literally took it to his death. And you could also argue that it was like, “Oh, the chess pieces, Harry had to absolutely get to exactly this moment,” before you could find out, what? That Dumbledore is emotional? That Dumbledore is vulnerable? That Dumbledore made some mistakes in his life? That’s what Book 7 ruminates on so successfully, that Dumbledore was a flawed person. And the sooner he admitted that to himself and to the world, I think, it would have been better for him emotionally.

Andrew: All right, so moment number three: Dudley telling Harry, “I don’t think you’re a waste of space.” This costs Dudley nothing but it threw a layer of compassion into the world, and it also really redeemed Dudley to an extent. It was a good closing point for these two, after many years of bullying and so much hatred coming from this family. And the benefit here was that though they didn’t share a happy childhood together, this act built a bridge, which later grew into a rewarding and cathartic future for both of them. And I really admire Dudley here because unlike Dumbledore – wait until death or Harry’s head…

[Eric laughs]

Andrew: … Dudley is developing a lot earlier. He’s maturing emotionally. He said, “You know what, Mom and Dad? How you treated Harry, that’s wrong, and I’m going to try…” Things maybe weren’t perfect, but they were better.

Eric: There’s definitely some headcanon that Dudley eventually has children and one or more of them is magical, and so he has to consult Harry about what to do and learn to be a more empathetic person.

Micah: I know we’re talking about the Dudley/Harry relationship, but I always really loved that scene from Deathly Hallows – Part 2 with Petunia. And I’m almost sad that that wasn’t in the books, the way that that was written with Fiona Shaw and her talking about losing a sister. I just think that… I don’t know. A missed opportunity, because didn’t they cut the whole Dudley scene from the last film?

Andrew: They did. They filmed it, though.

Micah: Maybe a deleted scene.

Andrew: Yeah, it’s a deleted scene.

Eric: I think it takes place on the driveway.

Andrew: Yeah, I can’t remember if he uses these exact words, but there’s definitely a deleted scene that they shot.

Laura: I think they shake hands or something like that.

Micah: “Bro.”

Eric: That’s a man way of showing emotion.

Andrew: God forbid we talk.

Laura: “Sorry, bro.”

[Eric and Laura laugh]

Eric: I will say, I’m going to revise my initial statement that it cost Dudley nothing, because he is kind of standing up to his parents directly. And it’s so unexpected, because it’s an offhanded comment that Harry makes to Hestia Jones that’s there picking them up and they’re going to cart the Dursleys off to safety. But Dudley is like, “You know, when it comes down to it, I don’t think you’re a waste of space, actually. You’re wrong.” And that’s all he says, but Harry doesn’t even know what to do with it. He’s like, “Thank God he exhausted all of his efforts bringing up his emotion there because I don’t know how I’m even going to handle this.” But it’s important, and it was really important for Dudley to let Harry know that. I think it really helped Harry in the end.

Andrew: Yeah. Oh, I agree. I would’ve loved to hear that from him.

Eric: Getting down to number two of seven, we’ve got Draco Malfoy, and particularly the moment when he tries and fails to kill Dumbledore but keeps up the conversation with Dumbledore. So we know how this plays out. Both in the book and in the movie, Dumbledore is very, very, very sympathetic to Draco’s struggles, but particularly it takes somebody hitting… this actually goes right to Andrew’s point about hitting rock bottom. Malfoy is at rock bottom right now.

Andrew: Yeah. His back’s against the wall. He is out of time. It’s now or never.

Eric: So I know you said we didn’t want to celebrate this… [laughs] men hitting rock bottom and being emotional.

Andrew: Well, I’ll try to be positive in the spirit of Valentine’s Day, because they do do it. [laughs] Even if a gun’s to their head.

Eric: Malfoy just says out loud, “I have no options. I don’t have any options.” And Dumbledore is really interested in letting him know, “We can protect your family,” he offers. He’s really trying to do it. And Malfoy, who is one of the best examples of being a product of your upbringing, has been raised to hate Dumbledore just on principle, has been raised for the pure-blood cause and the Death Eater cause, and he’s slowly over the course of a year been woken up to realize that that is so taxing on his health personally, because Voldemort is going to kill him, and it’s a huge revelation. But so Draco getting to that point – it took long enough – inevitably does set him… and I think Dumbledore being nice to him sets him up to make the transition back towards the light and towards eventually redemption, whether he saves Harry’s life in Deathly Hallows or something later down the line.

Laura: Yep. And without this moment, I think we could argue that the very emotionally vulnerable friendship that Harry and Draco’s sons have in the Cursed Child wouldn’t have been possible, and then the smash hit fanfiction “Never Sever Us” would have never come to be, so…

Andrew: [laughs] That’s a good point.

Micah: Available Valentine’s Day, right, Andrew?

[Andrew and Laura laugh]

Andrew: I’ll do a reading of it. I should do a reading and I should record.

Eric and Micah: You should.

Laura: You really should. I love this.

Andrew: I think I did record it. Really?

Micah: I’ll read some of it.

Andrew: Oh my God, you would? Okay.

Micah: Yeah, I’ll read it.

Andrew: Sign me up. Okay, I need to go find that.

Micah: We’ve said this before. I’ll read a chapter or a page or… how long is it?

[Andrew laughs]

Eric: Take the most explicit page.

Andrew: It’s not very long.

Micah: Okay, a couple sentences. All right, are we ready for number one?

Eric: Yeah, I want to see what this is. We’ve had six very good moments of men choosing to be vulnerable.

Micah: Yes, and we will wrap it up with Ron returning in Deathly Hallows, agreeing to be the one to destroy the locket Horcrux, and he does. There’s a lot of tough stuff that comes out of that locket that he is faced with, and he follows it up by apologizing for leaving them. So not only is he faced with his worst fears – there’s things about him being the least loved of the Weasley children, he sees Harry and Hermione getting it on, and… [laughs] I’m keeping it PG. And how tough it must be for somebody to literally see his worst fears in front of him, manifesting not only in front of himself, but in front of Harry, his best friend, but then finding it within himself to be able to destroy that Horcrux.

Eric: I think it’s just a real full circle moment for Ron, because whether he is choosing to be or not, originally he is emotionally vulnerable. We are all vulnerable people; we are not made of stone. And the Horcrux, wearing the locket over the last several months before he left them is the perfect example of it wearing him down, and that’s why Harry being a good friend is like, “No, you should be the one to actually destroy this, because this one is personal. This one has gotten in your head.” And Ron’s ability to apologize and to realize his mistake, and he tells them, “I wanted to come back as soon as I had left, and I couldn’t.” These moments… nothing short of that would bring Ron back to them and actually have them restore the friendship. If he half-assed it, if he said, “Oh, I’m kind of sorry; I missed the tent a little bit, it’s cool,” they never would have brought him back into their circle of trust, and he absolutely would not have been able to proceed with them through the rest of the story. It was very important that Ron be as vulnerable and as truthful as possible to them when returning, tail between his legs, because that is how you regain trust. I expect that many people will experience what it is like to inadvertently harm someone or lose their trust, and the process of gaining it back is not easy, but I think the map on how to do that is exactly what Ron did: Be as honest as possible, be as self-reflective as possible, and give it time. Be patient.

Laura: And through doing that, he got the Sword of Gryffindor.

Eric: Pretty nice prize, right?

Laura: Right.

Micah: He also learned Voldemort’s name was taboo, right? Or was that just a movie-ism?

Laura: No, I think that’s right.

Eric: That’s definitely in the book.

Laura: I think that’s a book-ism too.

Micah: Yeah, that’s pretty important.

Andrew: Yeah. And I mean, the apology alone is really big, especially in a tough time like this, and to friends you’ve known for so long. So yeah, I think this was a good call-out, and especially putting it in the top spot.

Eric: I do want to thank my girlfriend, Meg, for helping me come up with these. She remembers a lot more about Deathly Hallows than I did and was a key component in a lot of these, so thanks to Meg. Thanks to Chloé for helping us with the Galentine’s thing.

Andrew: Yeah, thank you to both.

Laura: I know, look at these partnerships this week.

[Andrew laughs]

Laura: I love it.

Eric: It’s real strong on the partnerships, yeah.

Andrew: And me and Micah just sat back. We’re like, “Eh, okay. We’ll show up. Sure.” [laughs]

Laura: Be vulnerable, guys.

Andrew: Happy Valentine’s Day and Happy Galentine’s Day. And if you have any feedback about today’s discussion, you can contact us by writing or sending a voice message to MuggleCast@gmail.com, or you can call us, 1-920-3-MUGGLE. That’s 1-920-368-4453. If you are sending us a voice message, just try to record in a quiet, safe place, and keep your message about a minute long. And we also have the contact form on MuggleCast.com, if you want to write to us that way. And coming up on next week’s episode, we are doing a mailbag, and we will also unveil the results of our major Hogwarts House poll amongst the listeners. Now it’s time for Quizzitch!


Quizzitch


[Quizzitch music plays]

Eric: Last week’s question: In the Divergent series, Beatrice – also known as Tris – Prior finds that she is Divergent, and in fact has equal aptitude for three of the world’s five factions. Which faction does she choose to join? And for bonus points, what were the three that she was eligible for? So pretty bonus question about a non-Harry Potter thing, but you know what? I think that people did not disappoint in reaching the correct answer, even the extended one, I’m glad to see. The correct answer was that Tris does choose to join Dauntless, but being from Abnegation, she also is Divergent for that, and additionally Erudite.

Andrew: [laughs] Divergent for that?

Eric: Divergent for that. I’m Divergent for that. I ship it. I’m a fan of it. Anyway, however you say it. I’ve not read the books, needless to say, but I hear good things. Anyway, correct answers go to Wild Witch of Yorkshire; Emily Dwyer; Chanel Hardinger; Micah rules for real; Irene; Roxy; PhoenixHeart62442; Miss Taco; Hannah; and we’ll choose one more… “I have no creative name.” Sorry to hear that.

Andrew: So the author, who used to be a MuggleCast listener, didn’t submit, so I guess she no longer listens. Darn.

Eric: Yeah, I’m not seeing that, unless it was under an alias.

Andrew: Maybe, maybe.

Eric: Somebody submitted as Remus John Lupin. I highly doubt that… maybe that’s…

[Andrew laughs]

Micah: Maybe.

Eric: Anyway, next week’s question: In Deathly Hallows, where is the trio hiding out when Ron leaves?

Andrew: I was expecting a Twilight question.

Eric: Maybe next week.

Andrew: [laughs] Please.

Eric: Submit your answer to us on the MuggleCast website, MuggleCast.com/Quizzitch, or click on “Quizzitch” at the top of the menu when you’re on our website already. Thanks to everybody for submitting.

Micah: And just want to remind listeners that Eric and I joined the cast of SpeakBeasty. Their most recent episode came out this past Sunday, that’s February the 6th, and we just had a really great time digging deep into the pairings that show up in the Fantastic Beasts trailer. And I mentioned this on last week’s episode, but I definitely learned a lot that I didn’t catch the first time. Eric, not sure how you felt, but I thought it was a really great time.

Eric: Yeah, I thought it was fantastic. We had a great time, and it’s definitely worth a listen for that reason and more. Lot of laughs in this next one.

Andrew: All right, and a couple closing reminders about MuggleCast: Make sure you’re following the show for free in your favorite podcast app, so you never miss an episode. And don’t forget to follow us on social media; our username is @MuggleCast on Instagram, Facebook, Twitter, and Tickety Tok, so follow today and you’ll enjoy lots of great content.

Micah: And YouTube. And LinkedIn.

Andrew: And YouTube, and… we don’t really talk about LinkedIn.

[Micah laughs]

Laura: Can’t forget about LinkedIn.

Andrew: I was thinking about that the other day; I was like, “Remember when Micah wanted us to get a LinkedIn?”

[Andrew and Laura laugh]

Micah: This was a recommendation that came out of our trip to Podcast Movement.

Andrew: It was. It’s a good recommendation, I think, for certain podcasts, but maybe not this one. [laughs]

Micah: No. We gain a few followers every now and then.

Andrew: Thanks, everybody, for listening. We’ll see you next week. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: And I’m Laura.

Andrew: Bye, everyone.

Laura and Micah: Bye.

Eric: Tell your friends you love them.

Andrew: Aww.

Laura: That’s right.

Transcript #548

 

MuggleCast 548 Transcript

 

Transcript for MuggleCast Episode #548, Will There Ever Be Another Harry Potter-Level Book Series?


Show Intro


[Show music plays]

Andrew Sims: Welcome to MuggleCast, your weekly ride into the wizarding world fandom. I’m Andrew.

Eric Scull: I’m Eric.

Micah Tannenbaum: I’m Micah.

Laura Tee: And I’m Laura.

Andrew: And on this week’s episode, we are going to try to answer the question: Can there ever be another Harry Potter? And what will it take for something to reach the next Harry Potter level? And why has Harry Potter been so hot for so long? This is going to be a wide-ranging discussion, inspired by a recent conversation that the four of us had on Patreon a couple of weeks ago. Before we get to that, though, a couple of housekeeping items. First of all, don’t forget to follow us on our brand new TikTok. We spoke about it last week, and also last week, we said follow us at @MuggleCastPod; that was our username. Well, today, the day that we’re recording, Eric got in possession of the actual MuggleCast TikTok. One of our listeners, Eric, right? She actually had it.

Eric: Yeah, Kimira. Actually, she did us a real solid, because when setting up MuggleNet’s TikTok, MuggleNet ran into the issue where some guy named Matt has the account, doesn’t use it, it’s not… they can’t get it back. So MuggleNet on TikTok is @MuggleNetDotCom, and has been ever since they’ve had it. Well, Kimira was thinking of us, and she’s like, “I’d better reserve @MuggleCast. I know they don’t use it; they don’t have any interest to do TikToks. That’s what they told me, anyway.”

[Andrew laughs]

Eric: So she held on to it, and then she just heard that we were looking for it and looking to use it, got in touch with me, and said, “I need to remember what the password is, but I’ll switch it over,” and I said, “Wait, wait, let me have access to it exclusively for a day so I can make these fun videos about a guy getting kicked off the MuggleCast channel,” and then I did that. But yes, by the time this episode airs, MuggleCast will be on TikTok at @MuggleCast.

Andrew: Yeah. And important note, if you already followed us at @MuggleCastPod, you won’t need to re-follow us because we’re just going to change the @MuggleCastPod user name over to @MuggleCast. But if you haven’t followed us on TikTok yet, you can follow us now at @MuggleCast.

Eric: It’s nice to have it back. It feels like a birthright, you know?

Andrew: In the future, guys, anytime we see a new social media network pop up, we’ve just got to grab @MuggleCast whether or not we’re going to use it.

Eric: Are we on Hinge?

[Andrew laughs]

Micah: I was going to say, do we need an OnlyFans?

[Andrew and Eric laugh]

Andrew: We’ll grab it just for the hell of it. Why not? [laughs]

Laura: It can’t hurt, right?

Andrew: Yeah, yeah.

Eric: Thanks again to Kim for looking out, and all the work she does for MuggleNet’s TikTok and social.

Andrew: Absolutely.

Laura: Yeah, thank you.

Andrew: I am going to sign up for a MuggleCast OnlyFans. [laughs] I’m not kidding.

Eric: You should do it. I think we would really have fun deciding what gets posted on there.

Andrew: This sounds like a good dirty bonus MuggleCast installment for our Patreon.

Laura: What we would put on. [laughs]

Andrew: Brainstorming for the MuggleCast OnlyFans.

[Everyone laughs]

Andrew: Our wands. Okay, let’s move on.

[Laura laughs]

Eric: The new MuggleCast socks, but just the socks on our feet.

[Andrew laughs]

Eric: Yeah, anyway.

Andrew: So Micah and Eric, you two appeared on another Harry Potter podcast actually, recently, right?

Micah: Yes, we did. As you can… well, hopefully some people can see from my background, it was the Fantastic Beasts podcast SpeakBeasty. It was a lot of fun. And Andrew, as I was telling you earlier, I actually learned a lot more about the trailer and what was happening than I think even from our discussion episode, so it helps to have those Fantastic Beasts experts, for sure. And it was a great conversation.

Eric: Yeah, it was a lot of fun. I’d recommend everybody check out that episode of SpeakBeasty. I think it’s 144. And it’s coming out… at the time you hear this episode, it’ll be out next Sunday.

Micah: It was really cool because we looked at it from the perspective of who paired up with who in the trailer, and there were a number of pairings, and we went through and talked about each of them. Also some conversation about some new characters that popped up in the trailer and the gathering of the International Confederation of Wizards, which was not something that, like I said, I took away from that trailer the first time around. And there’s those little things. What were those on the ground that I missed?

Eric: Yes! The Diricawls. Those are the little birds that teleport in and out of existence that we saw in the first Fantastic Beasts film, and they’re back, baby. I didn’t see them in the trailer the first time either, but I’m so excited because I am the admin of the Facebook group and I have been for years: the Number One Diricawl Fan Club.

Micah: I didn’t know this. Did you guys know this?

Eric: It’s the Number One Diricawl Fan Club! And I’m so excited to see them in the trailer.

Micah: You would not even notice them. They are literally on the street when – is it Theseus and Eulalie Hicks? – are in Bhutan…

Eric: In the middle of battle.

Andrew: Interesting.

Micah: There’s these little birds on the street. So I came up with this theory – we’ll see if it holds true – that I think when all of these different pairings go out on their mission through that Tibetan wheel that we see that’s used as a Portkey, I think they’re each given a set of beasts to help them with their journey.

Andrew: Interesting, okay. I like that.

Laura: Nice theorizing.

Micah: It’ll probably be totally wrong, but…

[Everyone laughs]

Andrew: All right, well, everybody will have to check out that episode of SpeakBeasty.


Main Discussion: Will there ever be another Harry Potter?


Andrew: And now it’s time to jump into our main discussion today: Can there ever be another Harry Potter? So ever since Harry Potter exploded in popularity, there’s been a lot of talk about whether or not there could be another book series that is as popular as Harry Potter and that would make kids or young adults enjoy reading again, like Harry Potter was credited as doing, and something that would create a dedicated fandom like Harry Potter did. And do you three remember we would always see these headlines about “Is X, Y, or Z the next Harry Potter?”

Laura: Hell yeah.

Andrew: And even publishers would be like, “Harry Potter meets Twilight in this thrilling adventure.” There was all these comparisons. It got exhausting, didn’t it?

Eric: Definitely.

Andrew: In part because nothing lived up to Harry Potter. So I thought to start this discussion, let’s establish why Harry Potter became so huge and has had a lasting legacy. So first of all, a powerful and detailed story, right, Eric?

Eric: Yeah, it’s got the goods, which definitely helps when… I think everything you’d want in a story, from a level of detail that fits your comfort zone, the fact that you can read just to read and figure out what happens, enjoy the dialogue, or read to find what the deep secrets are going to be. No matter what your entry level range is, there’s something for everybody in Harry Potter, and I think that was incredibly important in getting just such a wide range of ages, too, reading these books.

Laura: Yeah, I also think from the very jump of the story, there’s such a strong hook to pull you in. I mean, that opening sentence of “Mr. and Mrs. Dursley of Number Four Privet Drive considered themselves to be perfectly normal, thank you very much.” I remember reading that as a child for the first time and being automatically hooked, because I was like, “These people sound like jerks.”

[Andrew laughs]

Laura: “I want to know what it is about themselves that they think makes them such perfect human specimens.” And then from there, you get into the strong characterization that exists in these books. I think particularly in the first three books, it’s very clear that those stories were mapped out. There’s a reference to Sirius Black in Chapter 1 of the first book; it’s just so clear that there were so many details and so many bread crumbs left to pull those stories together. And that goes into a strong sense of place, too; I mean, there’s a reason why everyone wants to go to Hogwarts. There’s a reason why we all dreamed of getting our Hogwarts acceptance letter, because we can see the place. I mean, some of the detail that is provided of all of these locations that Harry is going to in London, when he first goes to Diagon Alley, it’s this majestic, magical world that is somehow still grounded in a reality that we can recognize, and that makes it relatable, but also something that you want to aspire to. So for me, those were the factors that pulled me into the books early on, and they were the factors that kept me coming back, honestly.

Micah: It’s also – and I think we’re going to talk a little bit about this when we’re talking about it with relation to Star Wars – but it’s multigenerational, and I think the fact that you were able to really transcend so many different people from so many different backgrounds. No matter your age, it seemed like there was no limit to who could enjoy the Harry Potter series. And I think very rarely… we think of it from the standpoint of having grown up with the books, but there are plenty of grownups who read the books as well, and I don’t think that you often see that with a book series that have that mass popularity. The fact that pretty much anybody that you go and speak to, there’s a pretty good chance that they’ve read the Harry Potter series. Maybe they don’t go all the way through, but they’ve read at least a few of the books.

Andrew: Yeah, because it’s so accessible for everybody, I think people our age or older can really dive into the various mysteries that we see across the series and just think about the larger themes and really take deep dives into the characters, but if you’re a younger reader, you can just look at the overarching plot and not really get too deeply involved. You’re more entertained by the magic, and like Laura was saying, this vivid school and the creatures, and then of course, the dialogue is mostly easy for readers of all ages to understand. So yeah, the books are just widely accessible in different ways. No matter what age you are, you’re getting something different out of it.

Eric and Laura: Yeah.

Eric: I mean, I remember going back through Order of the Phoenix and Half-Blood Prince recently when we finished all of the Chapter by Chapters, and now that we’re adults, we’re looking at it from a completely different perspective and going, “Oh my, Harry is a victim of child abuse.”

Andrew: Yeah, exactly.

Eric: As a kid, we’re like, “Oh, those darned aunt and uncle,” but as an adult, you get so much more out of it. Adults were reading these books then and probably thought the same thing, like, “This is not a way to treat a child.”

Laura: Right.

Eric: And so it’s really just in terms of getting everything out of it, it’s one series that you can keep coming back to. It’s got staying power, and it’s got revisit power, and those are also unique qualities, I think, when we’re talking about what would be the next.

Laura: Right. It’s also a coming of age story, right? Everybody loves a good coming of age story because we can all relate to it, whether you’re going through that while you’re reading the books, or whether you’re an adult and you remember what it was like to be in those adolescent years.

Eric: And the gradual loss of innocence as Harry loses his. And to that point, too, we touched on the mystery, but it really helped that each book had its own mini mystery or series of mysteries, and then there were the overarching mysteries. Just layered writing to keep coming back to.

Andrew: Right.

Eric: But it really matters. And as kids, yeah, we’re just interested in seeing who put Harry’s name in the cup, or how did Sirius Black really escape Azkaban? These are interesting questions. But the overall mystery of how Harry was even able to survive is that series long that keeps you wanting to read more and more to get that mystery out of it as well.

Andrew: Yeah. And then the next thing I would credit is the foreshadowing and the ring theory that we bring up so much and Easter eggs. And I think you’ll see this in some series, but there’s so much of it going on across the Harry Potter series, and that’s one reason why I think the fandom was able to explode like it did. Just looking at this podcast as an example, we’re obviously able to catch things while analyzing, and we find them and then we report on them here on the podcast. There’s just so much for you to keep an eye out for that is just a fascinating read in that way, and then when you do catch these things, you want to tell other people about it because you’re so impressed.

Eric: Yeah, like rereading the first Harry Potter book and seeing Sirius Black’s name after you’ve already read the third book and go, “Whoa!” That still throws me when I see that happen.

Laura: I was actually going to say about that, right around the time that the Prisoner of Azkaban movie was coming out, my dad picked up the first book to read it. And after he read the first chapter – he’d seen the trailers for Prisoner of Azkaban – and he came to me and was like, “Wait a second. What is the connection to Sirius Black?” And he was excited by it because he picked up on that hook, and I was like, “You’re just going to have to read to find out, Dad.”

[Andrew laughs]

Eric: Oh my gosh.

Micah: Nice. See, and what you’re calling attention to is something that Danielle said in the Discord, is that it also allowed for parents who are reading the books to connect with their children.

Laura: 100%.

Micah: And that’s not, again, something that you always see in other series. Now, I’ll go extreme and say A Song of Ice and Fire is maybe dad and son…

[Eric laughs]

Micah: Some type of bond over that. But dad and daughter… I mean, there’s a lot of weird things going on in that series.

Eric: I can’t actually imagine parents reading their kids that. Maybe they did, but I can’t imagine it.

Andrew: But actually, along that line, Pixar movies. They’re appealing to every generation because there are jokes and themes for adults, but all that stuff is also entertaining for the kids. I mean, I think about early Pixar movies. There’s stuff when we were watching these when we were kids; the jokes for adults went right over your head. A lot of cartoons will do this too; I think Spongebob might. That’s one reason Pixar has been so successful; it’s because adults want to see these Pixar movies, too, because they do have really deep messages going on underneath the surface.

Eric: It is kind of about those little rewards, like Easter eggs, little pieces of candy that you find when you’re reading. If you’re paying enough attention, you get rewarded, and that’s a huge… I know that when we’re reading something for entertainment, we like to feel smart. We like to be rewarded for paying attention, because it’s taxing, so it’s nice.

Andrew: Just like Pixar movies. Easter eggs everywhere. The Pizza Planet truck in every Pixar movie.

Micah: Everybody has a story, though, too. That’s the thing around this series is that no one person’s story is the same in terms of how they picked up the first book or who they connected with as a result of it. And I’m just seeing all the comments flying in the Discord about how our listeners got into Harry Potter, and I just think that that is one thing in and of itself that makes this such a unique series.

Eric: It’s interesting because whenever I’m watching old videos on the Harry Potter fandom and how it came to be, like news article reporting editorialists, it really talks about reading going out of fashion in the late ’90s. People really thought video games were going to kill books, and I think they nearly did, and movies too. But then something like Harry Potter comes along, and even though they were adapting them to movies, it was taking longer. And there were these five or six books at least that you could just pour through and get through without having a movie companion for it, and I think that really brought reading back. For me, I was not a reader until Harry Potter, and I still mostly have just read Harry Potter.

[Andrew laughs]

Eric: But I’ve read other things. But really, if I’m being honest here… I’ve just got to be honest.

Andrew: I’m with you. I’m the same. I try to read, but… yeah.

Eric: But I enjoy the hell out of reading when I’m reading something that I enjoy, which… it’s amazing.

Andrew: Right, yeah. You don’t stop thinking about it. You want to return as soon as you can.

Eric: Right. I looked up the stats, and over 825 million books, print books, sold last year. So books are still going. That’s great. I was worried.

[Andrew laughs]

Eric: But I think that if we’re talking about something like Harry Potter and what’s going to be the next one, we have to look at print as an art form and whether or not… and do audiobooks count? But what’s really going to get people to go to a store to buy something, and then sit with it and just look at it for hours.

Micah: Andrew, I know you’re going to agree with me on this one: There is something very distinct about the smell of the Harry Potter books.

Andrew and Laura: Yes.

Laura: So true.

Andrew: Well, really any book. Yeah, just holding a physical book, they all have different smells. But yeah, the Harry Potter books have a distinct smell. Probably just reminds us of our younger selves.

Laura: Yeah, I also have to say – and this is coming from a very American perspective, I understand – but Mary GrandPré’s cover art. That was also a big part of what drew me into these books. I remember – so I’m telling on myself right now – I got the first three books for my 11th birthday, and I knew that I was getting them before my birthday because as a child, I was a terrible snooper, so around the holidays and stuff, I would always snoop to see what I was getting for presents and things like that. And I saw the three books in a bag in my parents’ closet, and when I pulled them out to look at them, I was instantly excited just based on the cover art.

Andrew: Yeah, it’s gorgeous art.

Micah: I was just going to…

Andrew: So out of all… go ahead.

Micah: Oh, sorry. No, I was just going to use this as an opportunity – Laura mentioned Mary GrandPré – to plug our Episode 172 when we spoke with Mary GrandPré. Now, that was all the way back in 2009, so just a couple of years ago. [laughs] But it was a really, really great interview. We talked to her about what her favorite book was in the series, she broke down that curtain comparison from Sorcerer’s Stone to Deathly Hallows, how much communication she had with the author, and even some of the international illustrators. So it’s a really good episode; folks should go and check it out.

Andrew: Cool. So from all of this came many, many readers, and it was a feverish – it is a feverish – fanbase. And I’m going to be bringing this up a lot during the discussion today because I think this is what sets Harry Potter apart from other very popular book and film franchises. Yes, there have been some very successful book series. Some of them you might be able to compare to Harry Potter, but only Harry Potter and only Star Wars and some others have had a feverish fanbase, and then you combine that with the fact that Harry Potter is sticking around. It isn’t going anywhere. It’s here for the rest of our lives, I’m willing to bet. And this feverish fanbase would gleefully analyze every page because of the things that we were discussing, and of course, they went online to share theories. And that leads me to a point, Micah, you added.

Micah: So I think that the Internet played a huge role in the rise of the success of the Harry Potter series, particularly because you had the instant ability… “instant” may not be the… dial-up came first.

Eric: I mean, that took about 45 seconds.

[Andrew imitates a dial-up connection noise]

Micah: Yes, and nobody calling your house to knock you off. But yeah, the instant ability for fans to connect, theorize in terms of what was going to happen in the next book, and discuss the Potter series overall… and we can’t not mention fan sites. It would be impossible to have this conversation without mentioning MuggleNet, Leaky, Veritaserum, all of the big ones. And it gave people a home. I mean, those sites were so comprehensive; the things that people came up with were just unbelievable. And that’s how I got into, really, the analysis side of the Potter series, was the editorial section on MuggleNet. I know we’ve talked about that on some of the other episodes that we’ve done, but yeah, it was just perfect timing because the Internet was taking off in a way that really just leant itself to allow this type of conversation to happen.

Andrew: Yeah, definitely.

Laura: Agreed.

Andrew: Hold on; I’m going back to 1996. I’m going to go get online.

[Dial-up Internet sound plays]

Laura: Oh my God.

Micah: You should have put a trigger warning before this, Andrew.

[Andrew laughs]

Laura: I know. I feel attacked.

Eric: Oh, man.

Andrew: Mom, don’t make a call! I’m getting online! I’ve got to go check out the latest theories about Order of the Phoenix!

Eric: We need a segment that utilizes the dial-up modem sound.

Andrew: [laughs] Hold on, still going. I’m still connecting to the web.

Eric: I miss that. I miss that so much. Welcome! You’ve got mail!

Andrew and Laura: Yeah.

Andrew: I wish that had that at the end of it. This was an AOL sign-on. Oh, well.

Laura: Yeah, and really to drive it home, when we think about the fan sites and when we think about the fan community, I think a lot of us think about the heyday of fan sites for Harry Potter, particularly between 2005 to 2010, but there was an era before that. I remember we had just moved to Georgia in the summer. I had no friends because I had finished out school in Texas; I wasn’t going to meet anyone my age until I went back to school in the fall. And that was the summer Goblet of Fire came out, and I was so hungry for more Harry Potter. I read Goblet of Fire in three days. My mom was like, “Yeah, that book is 700 pages long; it’ll keep her busy this summer.” And it was like, “Nope.” Completely just inhaled that book, basically. And I went online and started looking for people to talk about Harry Potter with and I found chatrooms through AIM. Remember, you could search for various different interests for AIM chatrooms? And you would be in a chat with perhaps hundreds of strangers, but they were all talking about Harry Potter, mostly. And there were a lot of smaller fan sites that were getting started at that time. I know, Andrew, you had one around that time, as well.

Andrew: HarryPottersHouse.com!

Laura: Yep. And it was, for me, the beginning of that feverish desire to keep consuming Harry Potter content because I wanted more, and we had no idea when the next book was coming out.

Andrew: Yeah. And I was also just thinking, all the fan sites and the podcasts even still today are so genuine.

Laura: Yes.

Andrew: It’s just true fans wanting to talk with fellow fans. These days, let’s say a new Fantastic Beasts movie comes out or Star Wars or whatever else. BuzzFeed’ll cover it, too, and Entertainment Weekly, but they’re being paid to write this content and they might not be true fans. With the fan sites, with the podcasts, we’re doing it because we’re true fans who just want to talk about it with fellow fans and meet people too. It’s all so genuine; it’s wonderful.

Eric: Yeah, that’s a good point.

Andrew: I’m now loading up my website on the Wayback Machine.

[Laura laughs]

Andrew: HarryPottersHouse.com. I really need to print this out and frame it.

Laura and Micah: You should!

Andrew: I’m really proud of it. [laughs]

Micah: You should sign it.

Andrew: [laughs] Sign it?! For myself?

Micah: Yeah, why not?

Laura: Put that on the OnlyFans.

[Andrew laughs]

Micah: Yeah, just you holding the… never mind.

[Laura laughs]

Micah: One thing I thought was worth mentioning, too, with these fan sites is that you think about the number of – not even the fan sites, but the series – the number of authors, artists, coders, programmers, podcasters… you could probably sit here and list so many different creators that came out of their experience with the Harry Potter series.

Andrew: Exactly.

Eric: Because it was so ubiquitous and it was everywhere at all times, you really found ways in which to channel your creative energy. If you were a creator, you could create things for the fandom of Harry Potter. If you were a singer/songwriter, you could do wizard rock. If you were an artist, you could do fan art. You found a community that had to do with Harry Potter, but that also was in your lane, and that’s why we got so much awesome creative stuff, is creative people were reading it and they were being inspired by it, which again, goes back to the story being so inviting and multifaceted.

Andrew: And isn’t it wonderful how so many of these talented people, that was their start in the creative world, and so many of them have achieved their own level of greatness? That is mind-blowing and makes me so happy. Sometimes I see some of our listeners, for example; maybe it’s not a creative career, but now they’re in something – it’s not always a creative career, I’m trying to say – now they’re in some huge business or they made a name for themselves, and I think a lot of those people would credit Harry Potter for starting them off.

Micah: Darren Criss.

Andrew: Darren Criss!

Laura: Right, that’s who I was thinking of. I think also, a big part of this – and we’ll probably have to find the study and link to it in our show notes – but remember the study that came out several years ago showing that there was a high correlation between people who grew up reading Harry Potter and people who are highly empathetic? And empathy, it’s one of those things that gets called a soft skill, but you can’t teach empathy. It’s kind of like a secret sauce, right? And not everyone has it, but it seems to be highly prevalent amongst people who read Harry Potter, and I think that it provides people a lot of success in ways that maybe empathy does not get credited for, right? It’s not a hard skill, like you’re a chemist or like you learn to code, but the point is, you can learn to do those things. Empathy is a different beast.

Micah: Especially if you look at the fan community, the diversity of it.

Andrew: Speaking of launching creative careers, Cassandra Clare, who wrote The Mortal Instruments, she got her start by writing Harry Potter fanfiction. Veronica Roth, the author of Divergent, was a MuggleCast listener!

Laura: Wow.

Andrew: A MuggleCast listener! Huge Harry Potter fan, clearly, or maybe just a fan of us. [laughs] No, clearly a very big Harry Potter fan.

Micah: You interviewed Stephenie Meyer; you got her her start here on MuggleCast.

[Andrew laughs]

Micah: Evanna would be another example as well.

Andrew: Oh, yeah. So in a moment, we’re going to look at Twilight, The Hunger Games, Divergent, and some others, because with all due respect to Veronica Roth and Stephenie Meyer and Suzanne Collins, those series had feverish fandoms, but then they burned out pretty quick once the movies were released. Or in the case of Divergent, they didn’t even get to finish the film series because things went downhill really quick, but we’ll get to that in a moment. Okay, so one reason I wanted to have this discussion is because after Harry Potter and towards the end of Harry Potter, there were a couple of “Next Harry Potters.” The first one was Twilight, and Laura and I actually got pretty involved in the Twilight fandom. We started a fan site called Twilight Source. We started a Twilight podcast called Imprint. And I do have to say, it was so refreshing to do a fan site and podcast that wasn’t about Harry Potter. [laughs]

Laura: It really was.

Andrew: It was like, “Oh, something new, thank goodness.” But Laura, Twilight, for anybody who doesn’t know, it’s a vampire romance series. And actually, it’s had a resurgence recently, maybe because of TikTok.

Micah: Netflix, right? Wasn’t it on Netflix?

Andrew and Laura: Yeah.

Andrew: And it did very well on Netflix; I think it recently left and went to Peacock. But Laura, Twilight burned out pretty quick.

Laura: Yeah, it did, and I would attribute that to the stories not being as deep as Harry Potter. I think there was a lot of crossover at the time between Harry Potter fans and Twilight fans. I think Harry Potter fans were hungry for more Harry Potters; they were hoping for another franchise that would scratch that same itch, and Twilight was just a different franchise. That’s not to say that there was anything bad or wrong about it, but whereas Harry Potter was this multi-layered story that had romantic themes in it, Twilight was a romance first and foremost. So if you’re looking for the level of literary analysis that you could get out of Harry Potter, you’re not going to get that with Twilight, and that’s okay. When I think of Twilight, Twilight is like a beach book.

Andrew: [laughs] Yeah.

Laura: And I love beach books; there’s nothing wrong with them. I hate it when people use that term sort of dismissively. Everybody needs a good beach book. That’s what I think of Janet Evanovich’s books, for example. They’re easy.

Andrew: Yes.

Laura: They’re easy, and they’re fun. So is Twilight. There’s nothing wrong with that. You’re just not going to get as nitty gritty with it as you were with Harry Potter; it’s a different kind of phenomenon.

Andrew: Yeah. There was that speculation as we headed towards the final book, and that final book was a wild ride. That was part of the problem, I think, with Twilight. [laughs] But just looking at the list of reasons why Harry Potter was a success, the detailed story wasn’t really there. Mysteries galore, eh. Foreshadowing and stuff, maybe a little bit. It was all lesser. And like, Laura, you were saying, yes, it was an easier and fun read, and I found that refreshing as well. Just… you were able to burn through those books pretty quick.

Laura: Yep.

Andrew: On the other hand, it did have that feverish fan base, and that may largely have been because of the movies. Go ahead, Micah.

Micah: Yeah, well, that was going to be my question, is when we’re talking about why didn’t it have the success, are we talking about from a book standpoint? From a movie standpoint? Both?

Andrew: Both. Both. Though, like I said, there has been a bit of a resurgence. I think with the books, too, but you don’t see that organized online fandom effort like you did back when Harry Potter was in its heyday.

Micah: Right. Yeah, I think… and you could probably apply this to most of the series that we’re going to talk about, and it’s that I think the Harry Potter series probably set expectation levels too high. We talk about Harry Potter as a once-in-a-lifetime phenomenon, and I think that’s what it’s going to be. It’s very rare you get something like that that comes along, and I think to hold Twilight or The Hunger Games or the Divergent series to that, it’s not fair. It wasn’t going to take off in the same way.

Laura: I agree. But I actually remember… to that point, I remember being in a hotel with y’all; we were at some convention, and Andrew, I don’t remember who it was, but somebody had gotten an advanced copy of, I think, the second Hunger Games book. I don’t remember what it was called.

Andrew and Eric: Catching Fire.

Laura: Yeah, Catching Fire. And they brought it to you, and I remember them gushing about it to you in the hallway and being like, “This is the next Harry Potter.” And we were kind of like, “Is it?” Not in a mean way, but it’s just a different kind of story.

Eric: For me, just getting back to Twilight real quick, I appreciated it being different. I didn’t necessarily want another Harry Potter because Harry Potter was my everything. [laughs] So I was looking for something else. I did want it to be different, and at least there, it’s different enough, right? Twilight is dealing with vampires and werewolves, and those are two things that Harry Potter doesn’t really necessarily spend a lot of time on, vampires in particular, I’m thinking, too. It had a female protagonist, which was interesting to me and unique. And it was a romance, like Laura said, so I think it had a lot going for it that inspired me and made me happy that it wasn’t Harry Potter. So it’s interesting to contrast it and be like, “Well, it couldn’t measure up” or “couldn’t make the mark, and that’s why it’s not wildly successful to this day the way Harry Potter is.” But at the same time, I think what these books served to do was – and to that point, the publishers, too, saying, “This is the next Harry Potter” – it got us to read them. It kind of worked.

Andrew: And you know what, this might be a more controversial opinion about Twilight, but I felt from the onset of Twilight‘s popularity that the people who were obsessed with Twilight were jealous that they had missed the boat on Harry Potter. I think they may have gotten into Harry Potter late or completely missed it, and then they were like, “Well, here’s Twilight. This looks like a hot new fandom. Let me jump into this and get that experience that Harry Potter fans had.” Maybe? Maybe not?

Laura: Maybe for some people.

Eric: I know I felt jealous I never got into the Eragon fandom, and so I angrily joined the Harry Potter fandom as a direct result of that.

[Andrew laughs]

Micah: Which flopped after – what was it? – one movie.

Eric: Yeah, but Jeremy Irons was really good.

Micah: Eragon was a great series, though, but I feel like the author there… was it Christopher…?

Andrew: Christopher Paolini.

Micah: Yeah, he tried to extend it out a little bit. He ended up, I think, doing one more book than what was originally intended, which is fine if you have the material. I remember reading the series. But the other series that came to mind – and I feel like in some ways I’m shamelessly plugging old MuggleCast episodes – but Andrew, I think you did this interview with Freddie Highmore for the Spiderwick Chronicles.

Andrew: Ooh.

Laura: I remember.

Micah: The now famous Freddie Highmore. Became a pretty good actor.

Andrew: Yeah, the funny thing about The Spiderwick Chronicles was the movie studio behind that asked MuggleNet to create a Spiderwick Chronicles fan site, and they were hoping to create a Harry Potter-level fandom out of The Spiderwick Chronicles with the help of MuggleNet.

Micah: Wow.

Andrew: And I guess they paid us.

Eric: That’s so cool.

Andrew: Yeah, but that’s like when somebody hires somebody who claims to be an expert at making things go viral. You can’t just put in the right hashtags to make something go viral. It has to happen organically.

Eric: Don’t I know that.

Andrew: Yeah, right? Same thing with The Spiderwick Chronicles. Just because MuggleNet is creating a fan site for it doesn’t mean it’s going to become the next Harry Potter.

Eric: No, but I think everyone’s touching on the ingredients, right? I think the owners of the Spiderwick IP knew at that time that for that moment in time, fan sites were a big deal for fan growth and conversation. And so if a series didn’t have a natural hub, to create one was a good inkling. It was a good kind of path to go down, but there’re so many ingredients to what made Harry Potter a success that it is hard to quantify or figure out what is going to then make your thing a success.

Andrew: Right, right.

Micah: Well, if listeners want to listen to Andrew talking to about a 10-year-old Freddie Highmore, Episodes 129 and 131.

Andrew: Oh my gosh.

Eric: I love that.

Andrew: He was 10?

Micah: I don’t know. He was pretty young, right?

Laura: I actually remember going to see The Spiderwick Chronicles with you, Andrew.

Andrew: Oh, didn’t we get invited to a screening, maybe? Again the studio? No?

Laura: No, we were visiting friends, and we went to just a regular movie theater.

Andrew: Oh, okay.

Eric: So where was y’all’s Spiderwick podcast then?

Andrew: [laughs] They didn’t pay us enough to do that.

Laura: No.

[Andrew laughs]

Andrew: I feel like they invited us to the premiere or something because they wanted MuggleNet to give it attention; they wanted to get the Harry Potter audience.

Laura: Yeah, we went to some random theater in southern Maryland, which I doubt was the premiere.

[Andrew and Laura laugh]

Andrew: No? No? Okay, so The Hunger Games; we’ve touched on it a little bit. The reason I don’t think this one lasted was because it’s just depressing. It really is sad. Like yeah, there’s a good love story there. I got really into The Hunger Games; I got swept up in it. The movies were awesome. Marketing-wise, they did an incredible job, Lionsgate and Summit did. But man, after you read those books once and watch the movies once, it’s like, “Do I really want to go through this again?”

Eric: I agree. I think Hunger Games is what came the closest for me to rivaling some thoughts and feelings about Harry Potter, because I really like that world; I think something about the way it’s written is real solid. But yeah, I just wasn’t ready for the proto-fascist government demanding lives be sacrificed to the citizenry. It came out, I think, five or six years too soon to really be completely reminiscent of modern times, and for that, I think maybe that’s why it didn’t take off. Looking at it now, I’m like, “Holy crap, how was that allowed to be published?” But there are some very dark, adult themes, but it’s relevant because child soldiers, that’s been a thing for decades, and the gradual awareness of the horrors of the world. This book just doesn’t hold any punches the way Harry Potter, I think, does. Harry Potter will have a fascist dictator trying to take over Hogwarts, but everybody hates her. The teachers even will trick her and pull pranks, but it doesn’t fully explore things the way that the Hunger Games series is forced to by literally having to kill 20… what is it, 23 of its 24 tributes every year.

Andrew: Right.

Laura: Do you think that part of it…? I mean, being a dystopian is not helpful, but do you think part of it is that there was really not much room for the universe of The Hunger Games to continue expanding? I mean, it’s a dystopian version of the United States; it’s broken down into districts. They have this Battle Royale with children every year, so you see the main… the core of the books is this literal shrinking circle, but then you also see the world that this takes place in is very limited. So whereas with Harry Potter there are these boundless possibilities for what you might see from book to book and different scenery you might learn from… we get to go to St. Mungo’s one time; we get to see what the wizarding world looks like outside of Hogwarts, and that allows for more creative analysis to happen. It allows for more imagination, whereas I feel like with The Hunger Games, it’s very limited, the scope.

Andrew: Yeah, once they’re all dead, you can’t speculate about what happened to them after the events of the book.

[Andrew and Eric laugh]

Laura: Right.

Eric: That’s very important. And I think of it in terms of people said open canon or closed canon, just like Rowling had at least with Harry Potter. We go to St. Mungo’s, but it’s only for a little bit of time; we never go back. There’s still a lot of free thinking and speculation that can be going on there about that. Or the Department of Mysteries; we see these things once, but it’s not like the books and with the world being destroyed, so those things are still out there, in a way. Whereas The Hunger Games and the government toppled, we have hope, but we have no firm ideas about any systems that are going to be put in place after.

Micah: I just think it’s not a welcoming world, kind of going off what Laura was saying. You want to go to the wizarding world. You don’t want to go into the Hunger Games world.

Laura: Yeah. [laughs]

Micah: Panem, right? That’s what it’s called?

Andrew: Yeah, Panem. Well, there’s been talk of Hunger Games theme parks, and there have been some attractions overseas.

[Eric laughs]

Andrew: But people – right – on the Internet are just like, “Who the hell wants to go to Panem? Who wants to go to District 12?” Like, okay, I want some bread from Peeta, but that’s it.

Micah: Unfortunately, it does exist in some countries. I don’t know that people actually want to go there, though.

Andrew: Yeah. Well, exactly.

Eric: If I could buy bread from Josh Hutcherson, I would probably pay about $25 for a loaf of bread.

Andrew: [laughs] I’ll also add that there was a spinoff Hunger Games book called The Ballad of Songbirds and Snakes, but it followed…

Eric: Snow.

Andrew: Yeah, when he was younger, around the 10th annual Hunger Games. And this book came out in 2020; maybe not the best year for the book to be published in terms of getting attention. [laughs] It was published in May 2020, two months after the pandemic started. But I’m looking at this on Amazon. It’s got 43,000 reviews, four and a half star average, so clearly, people liked it. But nobody was talking about this book when it came out. Imagine a Harry Potter prequel coming out; people would be talking about it.

Eric: Here’s the problem: Even if they were talking about this book, I don’t know that I would have seen it. The Internet is a much bigger place than it was back in 2003. I’m not on Reddit, either, and never have been. I feel like the discourse for these types of books is now going to be so many other different places, whereas in 2002, 2003, through 2007, everyone’s attention was on the fan sites or everyone’s attention was on chatrooms or the very few social media networks that we had back then. But now the Internet is just broken up into so many pieces. There’s a Tumblr thing of Harry. it’s just like, every different thing has its own hub.

Micah: I agree with you.

Eric: There’s just nowhere you’d go for people to talk about this.

Micah: It’s almost fragmented; I think that’s what you’re getting at, right? It’s like if something becomes a phenomenon in this day and age, where are you going, right? Websites are kind of a thing of the past. Then you have social media, but what platform do you go to?

Eric: So many.

Andrew: Right. It’s a good point.

Micah: And how are fans going to communicate in one place? I think that was another benefit. We were talking about the rise of the Internet earlier, but social media wasn’t really a thing, and if it was, it wasn’t that big back then.

Andrew: Yeah. So finally, Divergent. We’ve mentioned it a couple times. Also dystopian. It did pretty well, though. The problem is the fourth book; there’s a major twist. And I don’t know if I should spoil it or not, even though it’s been out for quite a few years, but it is a major, major twist, and a lot of readers were very upset with it. And when this kind of twist happens, you don’t really want to think about the series anymore, because somebody really important is gone. And again, you don’t want to spend too much time thinking about this dystopian world, especially if you might feel like you’re currently living in a dystopian world!

Laura: Right.

[Andrew laughs]

Eric: It’s not escapism. That’s a word I don’t think… I’m surprised to find we didn’t utter that yet on this show, unless somebody did; I apologize. But escapism, that’s huge.

Micah: It’s further down.

Andrew: Oh, okay. [laughs]

Eric: There you go. Sorry to usurp.

Micah: No, no, no, that’s totally fine. I can now reference it.

Laura: I honestly feel like the closest thing we have to the Harry Potter phenomenon currently is the Marvel Cinematic Universe. It’s not the same kind of hype and it’s not the same kind of fanbase, but it’s wide-reaching, it’s global, there is a feverish fanbase, and it’s something that does touch a lot of people, even if you are more of a casual fan. I’m definitely more of a casual fan myself, but you’d better bet I’ve seen all those movies, I’m watching all the shows on Disney+, and it’s gotten me into reading some of the comics because I’m interested to know more about the source material that they’re drawing from.

Andrew: And there’s a lot to speculate over.

Laura: Yeah, there’s a ton to speculate over. Exactly. And also, there’s a multiverse, right? So there’s tons of different possibilities outside of the standard Marvel 616 universe, which is what you’ll hear a lot of folks talk about. But I think that’s the closest thing we’ve got right now. Is there anything that you can think of that goes there?

Andrew: Well, I would say Star Wars, and maybe we could move there now, but yeah, other than that, no, not really. I would love another book series, and we’re going to get into this, too, in a moment, but I would love another Harry Potter-level book series.

Laura: Same.

Andrew: Just something entirely new. It’d be very refreshing.

Eric: Specifically books? Something that hasn’t been adapted to screen?

Andrew: At least starting as books, yeah. Same kind of rise as Harry Potter. Same trajectory.

Micah: Totally. And I feel like both of them – we’ll get into it when we talk about it – but I feel like they both normalized nerds.

Andrew: Hmm. It’s interesting you say that. I would say it’s cool to be a nerd now, whereas it wasn’t 10, 15, 20 years ago.

Micah: But I think Star Wars did that at that particular time when the first set of movies were coming out. People felt like it was okay to be a nerd. And Eric, obviously you’re kind of the… I look to you as the Star Wars expert, but I do feel like…

Andrew: But Eric wasn’t… none of us were alive when those first movies came out.

Eric: We’ve got to bring back Mikey B. on the show too.

Andrew: He wasn’t alive either.

[Andrew and Laura laugh]

Eric: No, but he’s a bigger Star Wars nerd than me, and Resistance Radio podcast. Well, thank you. No, what I wanted to speak to about that, though, is the crossover appeal, that Star Wars borrowed from so many other films’ styles, old Japanese ninja films, too. There’s just a ton of references that go way over my head, but it is stuff that was… the visual language that George Lucas used was evolved and appropriated from earlier cinema, from earlier storytelling, and Harry Potter is no different. Harry Potter, really, in its story, built off of lore for the various… everything from… creatures is the obvious thing, but also potions, what these magical properties of things like mandrake root had been said to represent for centuries. And so it was very smartly built up of, I want to say, recycled bits that had been used previously or established. It’s a question whether it’s being reused, or made new as a result of the combination, and I think that that’s what good storytelling does. I don’t think we’re going to see something wholly new, but I think we’re going to see the right combination of things at some point that really scratches that itch for us.

Andrew: Laura, you had a really good point about why Harry Potter has lasted after all this time, and maybe we can use this to talk about Star Wars a little more.

Laura: Yeah, I think a big part of it is because there is such a strong sense of identity that’s tied to these stories. Even casual Harry Potter fans know what Hogwarts House they’re in. We talk about this all the time. We even talk… I mean, we talked in an Instagram Live the other day about how I’m a Ravenclaw, but I have Slytherin tendencies. It just says a whole lot about who you are as a person to be able to say, “I’m a Ravenclaw,” and have so much about your personality captured in just that statement. There’s also the subject matter that you’re interested in. But even more important are the Patronuses. We have to remember there was a time where you could go take a Patronus quiz – I don’t know if it’s still up or not – and you could find out what your Patronus was. Mine’s an Irish Wolfhound; I feel like that says a lot about me. But people do like to talk about their fandom IDs, and that’s just something that transcends time, generations…

Andrew: Copyright MuggleCast.

Laura: Yep. [laughs]

Eric: It’s a shorthand. It’s a code. It’s jargon, but it’s ours. And that comes from these, again, worldly concepts such as spirit animal – although that’s problematic – these worldly concepts such as… even the House Sorting goes back to the four fates and the four types of personalities that the Greeks speculated there were. There’s centuries of research on this type of stuff that gets broken down into something that’s as popular as Harry Potter, and that’s how we get these combos that we have. That’s how you get somebody saying, “Hey, I’m a Hufflepuff.” It’s really exciting.

Laura: Yeah. Actually, Meg is… she hit the nail right on the head in our Discord. She said, “It’s the literary version of your zodiac sign.” 100%.

[Andrew laughs]

Micah: But it’s cooler. I mean, I know a lot of people are big into horoscopes and zodiacs, but I feel like many, many, many more people are into their Hogwarts Houses.

Andrew: It’s more modern. [laughs] At least. And often, more modern can be more cool. It’s in style. But zodiac signs are as well. So Star Wars, speaking of identity, I think people have a very, very big sense of identity within the Star Wars fandom as well, and these worlds, these planets… and actually, Eric, I’m glad you included a link to these to this group. There’s the 501st Legion, and it’s also a charity. These are people who dress up as Stormtroopers, right? Can you tell us about the 501st Legion?

Eric: Yeah, it’s Stormtroopers and actually an assortment of other characters if you’re costumed from Star Wars, and it’s become kind of… I mean, it’s a league, and it’s a cool way to get in with a group that’s doing good. There’s the social activism aspect of it; there’s also visiting kids in hospitals. Or actually, when Weird Al Yankovic – soon to be played by Daniel Radcliffe – goes on tour, he gets members of the 501st to back him up on stage when he sings about Yoda. It’s awesome stuff. But also, they give you tips and tricks, and everybody who’s a member of the 501st, the costume is screen accurate. So you’re dealing with artisans; you’re dealing with really creative types, people who are super passionate about something that they saw in a movie – or a TV series now – that they can then recreate, which as a cosplayer, I greatly and deeply respect the level of organization and the level of creativity that goes into this. To then also expand it out and make the community a better place, it’s everything you would want out of, I think, being a nerd today, being a fan today.

Andrew: Yeah. And I think now, even though Stormtroopers, for example, are villains and get killed very easily in Star Wars all the time…

[Eric laughs]

Andrew: … I think these people who dress up as Stormtroopers feel like this is their deep connection to the world. They really feel like they’re becoming a part of the world when they put on these costumes. And of course, it goes back to the fandom aspect, too; all these other people are also very into Star Wars to the point that they have the full Stormtrooper suit, and you make friends that way. It’s really cool.

Eric: Yeah, there’s a really cool thing about being allowed to be anonymous, when you’re behind the mask. I mean, even when I was wearing my Gryffindor robes, I wasn’t trying to dress as Harry; I was just myself as what I thought was a Gryffindor. And it’s being able to be yourself. The costume expresses you; it doesn’t control you. I don’t know. It’s really interesting.

Micah: I was going to bring up one thing, Eric, that you mentioned earlier that both of these series have in common, and that’s the escapism aspect of it. So escapism being this tendency to seek distraction and relief from unpleasant realities, especially by entertainment or engaging in fantasy, and these are two huge fantasy worlds. And I think the ability – we hear it from listeners all the time – to escape into the wizarding world is something that means a lot to them.

Andrew: And I really like this other point that you have here, Micah, about the fact that the creators are still living, both with Star Wars and Harry Potter.

Micah: I know we try and steer clear a little bit of talking about the author, but I think the fact that she is still around, as is George Lucas, is big, and the fact that you still have them to be able to give you information about these characters, about this world that they themselves created, is something that you don’t have a chance to do with a Tolkien or some of the other big time authors that have created series decades and decades and decades ago. And I think the fact that we were living through the rise of the Harry Potter series with the author is also something that’s very, very unique.

Eric: That was definitely, I think, one of those key ingredients again, is the relationship that the fans had with the creator.

Laura: Yeah, I mean, she was actively involved during all those years, so that’s huge.

Andrew: Now, George Lucas did sell Star Wars to Disney and Lucasfilm, so he’s not really actively creatively involved anymore. But I will add, to Micah’s point, that Disney very much wants to create a lot more Star Wars, and I think that adds to the hype, the active fandom around Star Wars, because it feels like you’re always on the cusp of something else. I mean, there’s two live action Star Wars TV shows that have come out on Disney+, and there are more to come. And then with Harry Potter, this is a franchise that we feel like a scripted TV show will be coming at some point; it’s just a matter of Warner Bros. trying to figure out a good story. And then we will – I think we’re all in agreement – at some point see the world open up to other creators like Disney has done with Star Wars.

Eric and Micah: Yeah.

Eric: And there’s also this idea of this guiding hand, right? So Kevin Feige does it with MCU; Jon Favreau and I think it’s Dave Filoni do it with Star Wars. For the most part, there’s a handful of creative execs that are being that guiding force that are making sure that consistency and quality of product are still being met, and that the storytelling demands are generally being followed, and that allows a lot of creators to work in the same space, and a lot of variables. As long as there’s a team of people, I think we’re learning how to do that multi-creator storytelling pretty well at this point. I’d be interested to see if the next Harry Potter is something like that, where it isn’t one person at all that’s doing it.

Micah: Definitely. And I think the other thing that is important about both of these series – and we light touched on it earlier – is that they do transcend generations. Harry Potter is a story that really anybody can read and connect with. The same can be said for Star Wars. I think, in particular, I’m going back to when they rereleased Episodes IV, V, and VI in theaters in the ’90s, and this was prior to Episodes I, II, and III coming out, and it gave a whole new generation the opportunity to go see the films. And then of course, now we have Episodes VII, VIII, IX, and think what you will of any of the other episodes that aren’t the original IV, V, and VI, but it gives that next generation the chance to become immersed into the world.

Andrew: All right, so we’re going to discuss if we think we’ll see another Harry Potter-level success in our lifetimes. And then we asked our patrons, “What books or series do you believe live up to the Harry Potter hype?” Because maybe there’s something out there right now that people are missing out on. Okay, so big question – place your bets now – will we see another Harry Potter-level of success in our lifetimes? I’m talking the fandom, the fan sites, the podcasts, the media hype, the detailed story, the excitement, the passion, all of it. Will we see it in our lifetimes?

Eric: And it has to be a book first, right?

[Andrew sighs]

Eric: This is a big decision to make. Plenty of new TV series are huge and popular.

Andrew: Well, that’s… yeah, but not even them have reached Harry Potter status. And I think when you think about Harry Potter status, you’re thinking about how it broke through. It had this huge success in both books and film format, so okay, if there’s going to be another Harry Potter, it’s got to hit two of those verticals. Books, TV, or movies, or all three.

Eric: Okay.

Andrew: What’s something that’s going to hit multiple verticals with wild success?

Eric: I like that explanation. I like that a lot.

Laura: I hope so.

[Andrew laughs]

Eric: You mean in our lifetime? That was the question?

Andrew: Yeah, yeah, yeah.

Micah: But what do we think the impact would be on us? That’s my question. I hope that for the generations that have come after us that there’s something similar to it, but I think that part of the magic was the fact that it was truly this perfect storm of people and things coming together at just the right time. I don’t know that I’d want another Harry Potter. I think we have ours, and it was this really awesome… it still is this awesome experience, and it continues to evolve, right? The fact that we’re still doing this podcast in 2022, and that people are listening to us says that… to me, what’s in it for us if there’s something new? Are we hoping for another podcast series?

Andrew: [laughs] Pleasure, entertainment, happiness, joy… maybe another podcast for us. I mean, but Micah, you still read books.

Micah: Of course.

Andrew: And you love television and movies and stuff, so something like that but bigger. Why wouldn’t you want that?

Micah: Yeah, but I guess I just wouldn’t call it another Harry Potter. I could say Game of Thrones, but I still don’t think…

Eric: Well, no, to answer your question, I don’t think those are coming out in our lifetime.

Micah: The books? The last two books, yeah.

[Andrew and Eric laugh]

Laura: I don’t think they’re coming out ever.

[Andrew laughs]

Laura: Yeah, I hear what Micah is saying. And I guess when I think about the next Harry Potter, it’s going to look different, right? We sit here and we talk about the fan sites and the podcasts. That’s not how people consume content anymore, the way they used to. Podcasts have definitely seen a golden era, but fan sites, those are a thing of the past. So who knows, in another 10, 20, 30 years when the next big phenomenon comes along, how people are going to consume it? But I think it will happen. And it may not be for us, and that’s okay. But I still hope that something comes along, because I think every generation deserves to have that kind of phenomenon, I think. I mean, Harry Potter impacted all of our lives in so many positive ways. I mean, we wouldn’t know each other if it weren’t for Harry Potter. The closest people I know in my life are because of Harry Potter; some of the best work that I’ve done is because of Harry Potter, and it’s my fervent hope that every generation would get something like that.

Eric: Well, that’s another aspect that I think is really important, is the opportunities that were afforded to us because of Harry Potter. And the idea that a future generation, who are kids, who are the age we were when we were consuming Harry Potter, would also get to be that thing’s podcasters or that thing’s shepherds and their biggest fans…

Micah: Totally.

Eric: … I love that idea. I think it’s really interesting. In my most optimistic future, I think that there would be a piece of media – maybe it’s a book by a single creator – that is every bit as inclusive as we demand stories to be now, and the creator, if it’s one person, has to be every bit as non-problematic as we demand of creators to be now. And I don’t know, because that seems like a real tall order, but if it happens, I would want it to be that, and I would want it to be one creator that ticks all the boxes and gets it right, just to show that it can be done, and I wonder if that would even be popular.

Laura: Oh my God.

Eric: Here’s the other thing, is everybody bought into Harry Potter. The movie rights were optioned very early; people could tell it was going to be a success. Now, I think the other component is you need the approval. You need the very obvious person bankrolling something that’s never been quite that way before to make it the success that it is, and right now, studios and everything are going back to what’s already been. They’re not trying new things, and that kills creativity or cuts off the ankles of anything that could be getting started that could be really good for people.

Micah: Well, I’ll give a hot take: I think wanting another Harry Potter is greedy.

Andrew and Eric: Oooh!

Andrew: It’s not greedy. It’s called optimism, Micah. I’m optimistic that another Harry Potter will…

Micah: I don’t think it’s optimism.

Andrew: Yes, it is. I want it. I want it. I need it. And not just for myself – for everybody, like Laura was saying. But Eric, I liked your point, too, that studios are… it’s reboot central these days; they’re less interested in taking a risk on something entirely new. That said, they do try to option some books and stuff because they hope, too, there’s another Harry Potter someday. I was just thinking Percy Jackson. Percy Jackson has been very successful. Author Rick Riordan hasn’t gotten himself in trouble; seems like a really good guy. Disney+ just announced a few days ago – and we celebrated this on the MuggleCast Twitter account – Disney+ is adapting Percy Jackson into a TV series. Maybe that will make Percy Jackson blow up and then people will go back to the books, and then it’s just going to be this beautiful cycle of success.

Eric: That’s hopeful.

Micah: I liked those movies, though. I’m sad that they stopped them.

Andrew: [laughs] Rick Riordan hated the movies. No joke. And he was very open about it.

Micah: What does he know?

Andrew: Whoa!

Micah: I’m just kidding.

Andrew: So much edginess out of Micah tonight.

Eric: I’m so shocked about the author not liking the movie, considering that Chris Columbus directed The Lightning Thief. I’m really sad to hear that our boy Chris let somebody down with the adaptation, because I think his Harry Potter is to this day the standard, the gold standard.

Andrew: And now Rick Riordan is deeply involved in the television adaptation, so hopefully he won’t hate his work on the TV series.

[Andrew and Eric laugh]

Andrew: So I thought we should ask our patrons. Eric mentioned that he doesn’t read a lot, at least maybe not fantasy series, and I’ve got to admit I’m the same way. I think we all don’t read as much as we might want to. It’s a New Year’s resolution from time to time. So I thought, let’s ask our brilliant listeners…

Micah: I read.

Andrew: Okay, and Micah. Ask him too.

Micah: Laura reads.

Andrew: Well, actually, you’re going to hate this question, then. I don’t want your answer to this question, Micah; it’s just going to be “Nothing.” We asked our patrons: What books or series do you believe live up to the Harry Potter hype?

Laura: The first one comes from Laura M. Love Laura M.; she’s great. She says, “I would definitely say Keeper of the Lost Cities by Shannon Messenger. It’s such an expansive world and also a middle grade series that easily crossed the line between middle grade and adult. We are waiting for the ninth book and will be getting one more. We also did get a behind-the-scenes book like we craved for Harry Potter back in the day. And the author is just a delight, and a romance triangle that could rival Ron and Hermione, and Hermione and Harry.”

Andrew: Nice. Okay.

Eric: I have room in my heart for another love triangle.

[Laura and Micah laugh]

Eric: This next suggestion comes from Tom: “In modern literature, there is no series which even comes close. The most obvious comparison is Lord of the Rings. Both of the ‘worlds’ in each series are fleshed out and feel ‘lived in,’ meaning things are complex and not shiny and simple. Each random person you encounter seems to have their own backstory and personality, which is deep enough to be explored on its own. The scope of both series is also massive, tackling good and evil as subjects and characters in and of themselves. Most stories use characters and situations to set up moral dilemmas, however these epic stories take on the essence of morality itself in their epic confrontations of good and evil. This is a boring answer, but probably the only right one.”

[Andrew laughs]

Eric: Okay, Tom. I will take your recommendation to read Lord of the Rings, and I will consider it.

Andrew: I will not say it’s the only right one, but I think it’s a very good one. I like your reasoning here.

Laura: Yeah. I felt like Harry Potter was what really prepared me to read Lord of the Rings. I didn’t read Lord of the Rings until, I don’t know, I think it was probably after Order of the Phoenix came out and I was looking for something to sink my teeth into. So yeah, I think if you haven’t read Lord of the Rings, Harry Potter is a great jumping off point to consume those books.

Micah: Yeah, I’d only read The Hobbit prior to Harry Potter

Laura: I love The Hobbit.

Micah: This next one is from Andrew…

Andrew: But not me.

Micah: … who says, “Darren Shan’s Cirque Du Freak books. However, the movie was not pleasing. I think David Heyman was planning on doing a movie at the same time as the Harry Potter films, but unfortunately, that fell through.”

Andrew: Okay. Stacy said, “I was late to the party, but the Shadow and Bone series and spinoffs are very good. I have almost an entire shelf devoted to books by Tamora Pierce that I’ve read and reread many times. And the Inheritance series by Christopher Paolini is always near the top of my list. I think they got tossed aside because the movie adaptation was so catastrophically terrible that it wouldn’t make ANYONE want to read the books. But all in the realm of fairly realistic seeming fantasy, with lots of characters who are very well developed.” Yeah, I remember us talking about the Inheritance series from time to time – and we brought it up earlier in today’s episode – but we were talking about it from time to time on MuggleCast, I think, because it was pretty hot. The books were, at least.

Eric: I’m a big fan of Ben Barnes. I loved him in Westworld, but first I loved him as Prince Caspian in the Narnia movies.

Andrew: I didn’t mention this, but Shadow and Bone is on Netflix, and I think it’s very popular, just like the books are.

Micah: It’s a good series.

Andrew: Yeah? Okay.

Micah: I’ve watched it.

Andrew: Micah watches everything on Netflix. Everything.

[Eric laughs]

Micah: I just keep it on loop.

Andrew: Everything.

Micah: But you know what? People really didn’t like the Eragon adaptation, but I will say, I thought Jeremy Irons was awesome in that film. He’s awesome in most things.

Eric: Absolutely.

Laura: Yeah, Jeremy Irons is great.

Micah: But outside of that, you can throw the rest of it away. But he’s always just so good.

Laura: Right. [laughs]

Andrew: Credit to Christopher Paolini; he was very engaged with the fans, I remember. And one of our friends – his name was Mike; he was sort of involved with MuggleNet, I believe – he started an Inheritance fan site, and Christopher Paolini was working very closely with that.

Micah: Shur’tugal, right?

Andrew: Shut’tugal, yeah! That’s it. I wonder if it’s still up.

Eric: I’d hate to overlook that, too; there are creators that we know that are friends that are trying to do podcasts and things for these other series. In particular, the Shadow and Bone series, our friend Julianna and Geoff do “Into the Fold.” It’s a Grishaverse podcast, and they are up and coming with their podcast, and it’s about the Shadow and Bone books. I’d be remiss if we didn’t support our friends that are making content in those worlds, in those literary worlds, even if we’re not.

Andrew: Good point.

Laura: This next one comes from Caitlin, who says, “For me, it’s the A Court of Thorns and Roses series by Sarah J. Maas. It is gaining in popularity, for sure, and I’m glad it is, because it made me want to read it. It’s written for adults and is a fantasy series based off of Beauty and the Beast. The books are quite long, and like Harry Potter, I read them each within a few days. I also like that it was written by a woman. I like how the characters are developed throughout the series, and the plots are not overly complex. It’s mostly about the relationships between the characters, which is what Harry Potter was to me. I mostly liked finding a fantasy series aimed at adults that I enjoy; I never really liked Lord of the Rings, so this was perfect for me.” This is actually on my list because our friend Pamela over at Millennial podcast is reading this right now and she’s been gushing about it, so it is next on my list, and I’ll report back, y’all.

Andrew: Sweet.

Eric: This next one comes from Nathan, who says, “I’m going to take this two ways. First, Lord of the Rings and His Dark Materials, as they’re both complex and have allegories and are similar to the later half of the Harry Potter series. Lyra, like Harry, has a destiny unknown to her, and the specters are similar to Dementors. The His Dark Materials series on HBO Max is amazing and shows how Potter could do it (written by Cursed Child writer Jack Thorne; I just finished my annual reread and rewatch). Second, the Kingdom Keepers series by Ridley Pearson and the Charlie Bone series by Jenny Nimmo. Kingdom Keepers is set in Disney World and has a Toy Story theme (villains come alive after the park closes). Charlie Bone has special powers (he can heaar pictures) and attends boarding school. Both series have the whimsical feeling of Sorcerer’s Stone.” Wow.

Laura: Ooh.

Andrew: Nice.

Eric: Those are some good recommendations.

Laura: Yeah, definitely. I mean, of course, plus one million to Lord of the Rings. But His Dark Materials is another amazing series, and the show on HBO Max is really, really good, so if you haven’t checked that out, it’s awesome. It’s funny because His Dark Materials, the book series was coming out around the same time as the Harry Potter books, and it was definitely popular. There was a movie they made in like, 2003 that was pretty bad. It had Nicole Kidman in it and… shoot.

Eric: And Daniel Craig.

Laura: Daniel Craig. That’s right. I was like, “James Bond.” It was not a good movie, so getting a really good HBO Max series has been so great as a His Dark Materials fan.

Micah: One other one that just comes to mind quickly – I know we’re wrapping up – is Locke & Key on Netflix. I’m not sure if folks have seen that, but it’s very much the magical, whimsical series that some of the other people are referencing that’s just fun to enter that world. It’s basically different keys do different things when they’re inserted into the back of people’s necks.

Andrew: We also have to mention The Magicians; the television series was based on the book series. The TV series, I’ve heard very good things about; same things for the book. People have called this an adult Harry Potter. I’ve always wanted to read and/or watch this, but I just never got around to it. The Magicians has ended, unfortunately, but it ran for five seasons.

Eric: Lev Grossman, right?

Micah: It’s on Netflix.

Andrew: Okay. Micah loves Netflix!

[Micah laughs]

Eric: It’s possible there’s already the next Harry Potter; we just haven’t been sat down and forced to watch it.

Micah: Did you say you’ve read those books? Because I have read those books; they’re pretty good.

Andrew: I haven’t. Okay, good to know. Maybe I’ll…

Micah: I recommend reading the books first.

Andrew: Okay.

Eric: Micah is a reader.

Andrew: Yeah, and a big Netflix-er. All right, well, there’s our discussion. I feel like we just scratched the surface, but that was a good start, at least. If you have any feedback about today’s discussion, you can contact us by writing or sending a voice message to MuggleCast@gmail.com. For the latter, just record a message using the Voice Memo app on your phone. You can also use the contact form on MuggleCast.com, or you can leave a voicemail on our phone. The number is 1-920-3-MUGGLE. That’s 1-920-368-4453. On next week’s episode, with Valentine’s Day right around the corner, we are going to discuss the power of love, baby, in the Harry Potter series, and also the vulnerability of male characters. That’s an important topic that’s really not touched on much anywhere in the world [laughs] as much as it should be.

Eric: Love it.


Quizzitch


Andrew: It’s time for Quizzitch!

[Quizzitch music plays]

Eric: Well, we asked and you delivered, listeners. I think we have to incentivize this stuff from now on. Last week’s question was: What are the names of Severus Snape’s parents? And it was for a prize. Over 103 people submitted.

Andrew: Wow. Good.

Eric: We’re not going to name them all.

Micah: That’s going to break the bank. Oh, we’re not giving away to everybody.

Eric: Yeah, we’re only giving away five copies of Irvin’s book, who was on last week’s episode. And the winners, randomly chosen from the assortment who got the correct answers… did I say…? Eileen Prince and Tobias Snape, by the way. The correct answers were submitted by these winners: MustBeAWeasley92; Mundy Sun; Levi-OH-sa; Pottah; and the Ravenclaw Knocker. We have your email; we’re going to be emailing you. Give us your address. We’ll send you a book.

Andrew: Excellent. I’m glad so many people were interested in receiving a copy of Irvin’s book: Dumbledore: The Life and Lies

Eric: Love it. And I was feeling very guilty that I did not ever read the Divergent series, given how much time we spent just talking about Hunger Games and all that, so next week’s Quizzitch question is a Divergent question: In the Divergent book series, Beatrice Prior finds that she is Divergent, and in fact has equal aptitude for three of the five factions. Which faction does she choose to join? And for bonus credit, but not a book, name the three options available to Tris. Submit your answer to us over on the MuggleCast website, MuggleCast.com/Quizzitch, or go to MuggleCast.com and click on “Quizzitch” in the menu.

Andrew: I hope Veronica Roth answers the question.

[Andrew and Eric laugh]

Eric: I hope she still listens.

Andrew: Me too, me too. Couple reminders before we wrap up: Make sure you are following MuggleCast for free in your favorite podcast app so you never miss an episode, and leave us a review if they allow you to, especially those of you over in Apple Podcasts and Spotify; we would really appreciate a quick review. Also, don’t forget to follow us on social media. Our username is @MuggleCast on Instagram, Facebook, Twitter, and TikTok! Lots of fun stuff happening across all channels, so do follow on whichever you use. Thanks, everybody, for listening. I’m Andrew.

Eric: I’m Eric.

Micah: I’m Micah.

Laura: And I’m Laura.

Andrew: Bye, everyone.

Eric, Laura, and Micah: Bye.